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You've selected:
Ledge Effect Piano Solo
Sheetmusic to print
11 sheet music found
<
1
Ledge Effect - Piano Solo
Ledge Effect - Piano Solo
#
Piano solo
#
ADVANCED
#
Contemporary
#
Kate Jolley
#
Ledge Effect - Piano Solo
#
Kate Jolley
#
SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.944962 Composed by Kate Jolley. Contemporary. Score. 4 pages. Kate Jolley #5789319. Published by Kate Jol...
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Piano Solo - Level 5 - Digital Download SKU: A0.944962 Composed by Kate Jolley. Contemporary. Score. 4 pages. Kate Jolley #5789319. Published by Kate Jolley (A0.944962). A high speed, high intensity piano solo for the advanced pianist.
$1.99 ≈
£1.48
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
Claude Debussy: Toomai des éléphants for solo piano, completed by Robert Orledge
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Toomai des él
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik ...
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Piano Solo - Level 4 - Digital Download SKU: A0.534657 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Standards. Score. 10 pages. Musik Fabrik Music Publishing #5732665. Published by Musik Fabrik Music Publishing (A0.534657). In January 1913, Debussy struggled to complete Toomai des éléphants as the 11th prelude in Book2, finally replacing it by a rather Stravinskian study Les Tierces alternées. However, his daughter Chouchou was fascinated by elephants and in the summer of 1913, Debussy wrote her a ‘Toybox Ballet’ (La Boîte à joujoux) which contains a ‘Pas de l’éléphant’ and an ‘old Hindu chant which is still used to train elephants [in India]. It is constructed on the scale of “5 o’clock in the morningâ€,which means it must be in 5/4 time.’ My reconstruction of this lost prelude is based around this material and it evokes a day in the life of Toomai, the young mahout, and his faithful elephant Kala Nag from one dawn to the next, incorporating the legendary ‘Elephants’ Dance’ from Rudyard Kip ling’s First Jungle Book (1894) which only Toomai was ever privileged to witness. The version presented here is the revised second version of this prelude which contains an effect of piano harmonics as the dawn returns towards the end.
$10.35 ≈
£7.72
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
Korsakov: Flight of the Bumblebee for Soprano Sax & Piano
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Soprano Saxophone and Piano
#
ADVANCED
#
Classical
#
Contemporary
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP....
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.549256 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3473699. Published by jmsgu3 (A0.549256). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 9 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but stunning recital encore! Korsakov: Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
£24.59
Korsakov: Flight of the Bumblebee for Viola & Piano
Korsakov: Flight of the Bumblebee for Viola & Piano
#
Viola, Piano
#
ADVANCED
#
Classical
#
Contemporary
#
Nikolay Andreyevich Rimsky-Kor
#
James M
#
Korsakov: Flight of the Bumble
#
jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instruction...
(+)
Piano,Viola - Level 5 - Digital Download SKU: A0.549240 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3473581. Published by jmsgu3 (A0.549240). Flight of the Bumblebee from Korsakov's Tale of Tsar Saltan Score: 11 pages, Solo part: 3 pages, Piano accompaniment part: 3 pages. Duration: ca. 1:15 Amaze your listeners with this short but great recital encore! Flight of the Bumblebee Flight of the Bumblebee is, to be sure, an orchestral interlude composed by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan. Korsakov, of course, intended to musically portray the chaotic flying pattern of a bumblebee. Nowadays, this piece is one of the comparatively more famous classical works because it frequently appears from time to time in popular culture. In the opera, the piece appears notably at the close of Act III, Tableau 1. This is when the magic Swan-Bird, in fact, changes the Prince (the son of the Tsar) into a bee so he can fly away to visit his father. Interestingly, at this point in the drama, his father, in effect, does not know that he is alive.  Korsakov Background Nikolai Rimsky-Korsakov (1844 –1908) was a uniquely famous composer from Russia. He was likewise a member of an infamous assembly of composers called The Five. Korsakov was furthermore an expert in orchestration. His correspondingly most famous orchestral compositions-Capriccio Espagnol, the Russian Easter Festival Overture, and the Scheherazade suite-are important monuments of the standard music repertoire.  Also, comparatively very important are his suites and excerpts from his 15 operas. Korsakov was moreover fond of using Russian folklore and fairy tales in his music, such as Scheherazade. Nationalistic Style Korsakov believed, similarly to fellow outspoken composer Balakirev, in creating a nationalistic, Russia-centric style of classical music. The new style was in fact called Orientalism. It similarly relied on native Russian materials, exotic scales, and experimental harmonic, melodic and rhythmic procedures. This practice, conversely, ran counter to the developments in Western musical culture. Musical Developments Nevertheless, Korsakov developed an appreciation of Western musical techniques after he became a professor of musical composition, harmony, and orchestration at the Saint Petersburg Conservatory in 1871. Moreover, he undertook a rigorous three-year program of self-education and mastered Western methods, incorporating them in conjunction with the influences of Mikhail Glinka and other members of The Five. His techniques of composition and orchestration were additionally enriched by his exposure to the works of Richard Wagner. Naval Service Korsakov combined his music career accordingly with a career in the Russian military. He was in the first place an officer in the Russian Navy. In due time, he was appointed as a civilian Inspector of Naval Bands. As a result, Korsakov expanded his knowledge of woodwind and brass playing, which in turn heightened his capabilities in orchestration. Legacy Korsakov in due time contributed a significant number of Russian nationalist works. He also prepared, from time to time, compositions by The Five for presentation. This brought their works straightaway into the active classical repertoire as well. He also shaped an entire generation of younger composers during his time as a music educator. Therefore, music historians consider Korsakov as the foremost engineer of what the public considers to be the Russian style of composition. He served, all in all, as a transitional figure between The Five and the classically trained composers who became the norm over time. In addition to the Russians, he forthwith influenced non-Russian composers such as Ravel, Debussy, Dukas, and Respighi. Â
$32.95 ≈
£24.59
Fantasy No.2 in C minor K 396
Fantasy No.2 in C minor K 396
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Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Wolfgang Amadeus Mozart
#
Michael Bomier
#
Fantasy No.2 in C minor K 396
#
Michael Butkus-Bomier
#
SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michae...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.862671 Composed by Wolfgang Amadeus Mozart. Arranged by Michael Bomier. Classical,Concert,Standards. Score and parts. 9 pages. Michael Butkus-Bomier #3667951. Published by Michael Butkus-Bomier (A0.862671). This Mozart piece was a favorite of Alfred Brendel. It has more sweep and scope than most of his other piano music and most of the sonatas as well. Thus, it was favored as a showpiece. Our setting uses all the trademarks of our house style: no clef changes in the middle of ANY measure, labeled notes above three ledger lines, written-out ornamentation, the re-distribution of various notes into the opposite hand to facilitate a gesture, and a minimum of interpretive markings and multiple voices, so as to make sure you know where each New Note Begins, and less attention paid to how long it lasts. This piece has a repeat at the three-minute mark, which requires a turnback from the top of pg. 3 to the beginning, a bit outside of our usual practice, but unavoidable here, UNLESS one considers that repeat as optional, and avoids it, which Brendel does indeed do. Full running time at our conservative tempo is 13 mins+. Pedal this deeply for a resonant effect on all the sweeping arpeggios, or use it sparingly for a dryer, more early Classical Period sort of effect. MBB
$4.99 ≈
£3.72
Prelude No. 15 in G Major from 24 Preludes
Prelude No. 15 in G Major from 24 Preludes
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Piano solo
#
INTERMEDIATE
#
Michael Bomier
#
Prelude No. 15 in G Major from
#
Michael Butkus-Bomier
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.862437 Composed by Michael Bomier. Contemporary,Romantic Period,Standards. Score. 2 pages. Michael Butkus...
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Piano Solo - Level 3 - Digital Download SKU: A0.862437 Composed by Michael Bomier. Contemporary,Romantic Period,Standards. Score. 2 pages. Michael Butkus-Bomier #2007295. Published by Michael Butkus-Bomier (A0.862437). A rippling, harp-like accompaniment flows beneath a high treble melody, punctuated by open fifths, decorated with a grace note, down below. How can two hands do all this at once, you might say? Easy, well, sort of easy, anyway. The left hand plays the melody up high AFTER playing the open fifth low, crossing over the stationary right hand. in each measure. The harmony of the right-hand arpeggio changes slowly and subtly as the melody floats above. Some high ledger lines, with note above three lines alphabetically marked for ease of reading. Chromatic harmony with mixed accidentals in right hand. A joy to play, and very pleasing to the listener, I think, anyway... if I don't believe in my music, how can I expect players and teachers to do the same! Lasts about a minute and 45 secs. A faster OR slower tempo yields a more cascading or contemplative effect.
$1.99 ≈
£1.48
Jesu, joy of man's desiring by Bach for Recorder and Piano
Jesu, joy of man's desiring by Bach for Recorder and Piano
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Descant (Soprano) Recorder
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by
#
Woods Only, Arrangements
#
SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,W...
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Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1049413 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Individual part. 6 pages. Woods Only, Arrangements #653762. Published by Woods Only, Arrangements (A0.1049413). This easy arrangement for recorder and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99 ≈
£1.48
Jesu, joy of man's desiring by Bach for Tenor Recorder and Piano
Jesu, joy of man's desiring by Bach for Tenor Recorder and Piano
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Tenor Recorder
#
BEGINNER
#
Classical
#
Johann Sebastian Bach
#
Ander
#
Jesu, joy of man's desiring by
#
Woods Only, Arrangements
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SheetMusicPlus
Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1049420 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wed...
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Recorder Solo,Tenor Recorder - Level 1 - Digital Download SKU: A0.1049420 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Sacred,Wedding. Individual part. 6 pages. Woods Only, Arrangements #653770. Published by Woods Only, Arrangements (A0.1049420). This easy arrangement for tenor recorder and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.
$1.99 ≈
£1.48
The Man
The Man
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Piano solo
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EASY
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Pop music
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Taylor Swift
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Gary D
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The Man
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.796769 By Taylor Swift. By Joel Little and Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score....
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Piano Solo - Level 2 - Digital Download SKU: A0.796769 By Taylor Swift. By Joel Little and Taylor Swift. Arranged by Gary D. Belshaw (ASCAP). Pop. Score. 10 pages. DR GARY D BELSHAW #5994565. Published by DR GARY D BELSHAW (A0.796769). This arrangement would be classified as a beginner piano piece, except for all the ledger line in the right-hand thumb. Duration is between three and four minutes. 9 pages.Call the girls together for an amazing sing-along! Get together around your piano, or get everyone online with your favorite digital conferencing software! It's empowering!Taylor Swift released this song early in the year 2020. In late February of that year, Swift released an official music video. She directed it herself, and starred in it, not as herself, but as TYLER Swift. The make-up was so effective, some fans didn't catch on right away!This will be a favorite late-first year, or early second year recital piece. But if anything, you will want to spend a lot of time at the piano, getting ready for that sing-along!Follow me on Facebook and Twitter. I'll follow you back!
$4.99 ≈
£3.72
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Ledge Effect Piano Solo
