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Long Long Ago for Trumpet and Trombone
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Long Long Ago for Trumpet and Trombone
Sheetmusic to print
221 sheet music found
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Long Long Ago for Trumpet and Trombone
Long Long Ago for Trumpet and Trombone
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Trumpet, Trombone (duet)
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EASY
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Traditional
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Jeremy Corcoran
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Long Long Ago for Trumpet and
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LPC Publishers
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.715075 Composed by Traditional. Arranged by Jeremy Corcoran. Fo...
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.715075 Composed by Traditional. Arranged by Jeremy Corcoran. Folk,Standards,Wedding. Score and parts. 3 pages. LPC Publishers #6519891. Published by LPC Publishers (A0.715075). Work on independence with your brass players, and show them off at the concert. Makes a great spotlight moment.
$5.99 ≈
5.53€
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Dr
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Valor
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 p...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
18.41€
Chicago [Chicago + big band] (full score & set of parts)
Chicago [Chicago + big band] (full score & set of parts)
#
Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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Chicago [Chicago + big band]
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SheetMusicPlus
Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 75 pages. Published by Patrick Sheehan...
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Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 75 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, ElectricGuitar, Bass, Drumset.
BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Goody Goody [Chicago + big band] (full score & set of parts)
Goody Goody [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Jazz
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Chicago
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Patrick Sheehan
#
Goody Goody [Chicago + big ban
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Patrick Sheehan
#
SheetMusicPlus
Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 139 pages. Published by Patrick Sheeha...
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Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 139 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, BackgroundVocal IV, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, KeyboardII, Keyboard III, ElectricGuitar, Bass, Cowbell, Drumset.
BIGBAND: Alto Saxophone I (Eb), AltoSaxophone II (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, TromboneIII, Bass Trombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Caravan [Chicago + big band] (full score & set of parts)
Caravan [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
#
Caravan [Chicago + big band]
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Patrick Sheehan
#
SheetMusicPlus
Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 121 pages. Published by Patrick Sheeha...
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Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 121 pages. Published by Patrick Sheehan
INSTRUMENTATION:Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard, Electric Guitar I, ElectricGuitar II, Bass, Drumset.
BIGBAND: Piccolo, Flute, Alto Saxophone I(Eb), Alto Saxophone II (Eb), Tenor Saxophone I (Bb), TenorSaxophone II (Bb), Baritone Saxophone (Eb), Trumpet I (Bb), Trumpet II (Bb),Trumpet III (Bb), Trumpet IV (Bb), Trombone I, Trombone II, Trombone III, BassTrombone (IV), Vibraphone, Cabasa, Claves, Cowbell, Conga Drums, Timbales.
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
A Child’s Garden of Jazz for Brass Quintet
A Child’s Garden of Jazz for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Wolking, Henryenry
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A Child’s Garden of Jazz for
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pa...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50 ≈
25.38€
Long, Long Ago, for Instrument and Piano
Long, Long Ago, for Instrument and Piano
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T
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Ifen Chuang, Chien-Ming Chen
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Long, Long Ago, for Instrument
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Dr. James Chen & Ifen Chuang
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Marimba,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,...
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Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Marimba,Oboe,Piano,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Xylophone - Level 2 - Digital Download SKU: A0.865078 Composed by T. H. Bayly. Arranged by Ifen Chuang, Chien-Ming Chen. Children,Folk. 9 pages. Dr. James Chen & Ifen Chuang #38347. Published by Dr. James Chen & Ifen Chuang (A0.865078). This lovely tune for kid has a different arrangement, not just for kids but also for the kids with great performance ability. There are two sections of the arrangement. With learning for a short period of time, the students can play the melody easily. The second part has more techinical development. Those students can move fingers fast and great musicality can manage the second portion with more practice. However, it's not bad to just perform two times in a roll. The arrangement has different parts for any other instruments. With five differents parts, any instrument player can pick up and play. No matter of what instrument you play, each part is fit for practice. When performing with the piano, just follow the part for your instrument, then you are ready to perform. The parts are transposed for C instruments(violin, flute, oboe....), F instruments(French Horn....), bB instruments(clarinet, trumpet, sop Saxophone...), bE instruments(alto Saxophone...), and C instrument with Bass clef(Cello....).
$5.99 ≈
5.53€
Dream a Little Dream of Me [Chicago + big band] (full score & set of parts)
Dream a Little Dream of Me [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Contemporary
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Chicago
#
Patrick Sheehan
#
Dream a Little Dream of Me [Ch
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SheetMusicPlus
Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 80 pages. Published by Patrick Sheehan...
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Rock band + big band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 80 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Background Vocal VII, Background Vocal VIII, Background Vocal IX, TenorSaxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, ElectricGuitar, Bass, Drumset.
BIGBAND: Alto Saxophone I (Eb), Alto SaxophoneII (Eb), Tenor Saxophone I (Bb), Tenor Saxophone II (Bb), BaritoneSaxophone (Eb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Trumpet IV(Bb), Trombone I, Trombone II, Trombone III, Bass Trombone (IV).
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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Sing, Sing, Sing [Chicago + bi
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SheetMusicPlus
Rock Band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan ...
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Rock Band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, BackgroundVocal II, BackgroundVocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb),Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Solo Flamenco Guitar,Acoustic Guitar II, Bass, Shaker, Whistle, Sleigh Bells, BongoDrums, Conga Drums, Drumset.
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Flowers for Dorothy
Flowers for Dorothy
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Piano solo
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INTERMEDIATE/ADVANCED
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Pub...
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Piano Solo - Level 4 - Digital Download SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99 ≈
3.68€
Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
Hail To The Spirit of Freedom for Brass Quintet By W. C. Handy
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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W
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W
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Jari A
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Hail To The Spirit of Freedom
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 2...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.722809 Composed by W.C. Handy. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic. Score and parts. 28 pages. JV MUSIC #6087241. Published by JV MUSIC (A0.722809). Hail To The Spirit of Freedom for Brass Quintet By W. C. Handyarranged by Jari Villanueva2 Trumpets, Horn in F, Trombone, Tuba, (opt. Drums)Optional parts for Alto Horn and TC BaritoneWilliam Christopher Handy (November 16, 1873 – March 28, 1958) was a composer and musician who was known as the Father of the Blues. Handy was one of the most influential songwriters in the United States.Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers.W.C. Handy wrote numerous compositions including St Louis Blues, Memphis Blues, Yellow Dog Blues, along with this march Hail to the Spirit of Freedom written in 1915. This march was written for the Lincoln Jubilee commemorating the 50th anniversary of the Emancipation held in Chicago. There are quotes Tramp, Tramp, Tramp, Columbia, Gem of the Ocean, Hail Columbia, My Old Kentucky Home, Old Black Joe, Hot Time in the Old Town, Dixie. Yankee Doodle, and the bugle call Reveille.
$18.00 ≈
16.61€
American Song Settings, No. 2: (wp) 1st B-flat Trombone B.C.
American Song Settings, No. 2: (wp) 1st B-flat Trombone B.C.
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Concert band
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Instructional
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Joseph Kreines
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American Song Settings, No. 2:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014566_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Joseph Kreines. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0014566_WPTN1BC (wp) 1st B-flat Trombone B.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPTN1BC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00 ≈
2.77€
American Song Settings, No. 2: (wp) 1st B-flat Trombone T.C.
American Song Settings, No. 2: (wp) 1st B-flat Trombone T.C.
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Concert band
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Instructional
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Joseph Kreines
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American Song Settings, No. 2:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014566_WPTN1TC (wp) 1st B-flat Trombone T.C.. Arranged by Joseph Kreines. Instructional. World Part...
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Concert Band - Digital Download SKU: AX.00-PC-0014566_WPTN1TC (wp) 1st B-flat Trombone T.C.. Arranged by Joseph Kreines. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014566_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014566_WPTN1TC). UPC: 038081395036.Skip to My Lou, the second in a series of wind band settings of familiar melodies, was written for and is dedicated to the Maitland (FL) Middle School Wind Ensemble, Eric Mendez, director. It opens with a short introduction utilizing the opening notes of the melody, proceeding to its first full statement in the upper woodwinds. The second presentation features the trumpets and xylophone followed by a statement in the bass instruments while the melody Long, Long Ago appears in the upper voices. A contrasting legato section follows, succeeded by a more rhythmic statement in woodwinds and trumpets. The melody then appears in the alto saxophones with a contrasting idea in upper woodwinds. A marcato statement of the melody appears as a three-bar phrase with a staccato accompaniment. The final section utilizes the style of the opening measures and is expanded to bring the work to a final climactic conclusion.
$3.00 ≈
2.77€
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
Kommos (Lamentation) / "When the World Moved On" - Trumpet 1 in Bb
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Trumpet
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018953 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078693. Published by Benjamin Sajo (A0.1018953). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
Kommos (Lamentation) / "When the World Moved On" - Trumpet 2 in Bb
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Trumpet
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin ...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.1018952 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078695. Published by Benjamin Sajo (A0.1018952). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.23€
Alexander’s Ragtime Band
Alexander’s Ragtime Band
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patrio...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95 ≈
9.18€
You’re the Inspiration [Chicago] (full score & set of parts)
You’re the Inspiration [Chicago] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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You’re the Inspiration [Chic
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SheetMusicPlus
Rock band with string section - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 76 pages. Published by Patric...
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Rock band with string section - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 76 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.
INSTRUMENTATION:Lead Vocal, Lead Vocal Echo, Background Vocal I, Background Vocal II,Background Vocal III, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone,Keyboard I, Keyboard II, Keyboard III, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar I, Electric Guitar II, Bass, Tambourine,Drumset.
**SCOREis 8.5x14” (legal-sized paper), parts are 8.5x11” (letter-sized) paper.**
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Hard Habit to Break [Chicago] (full score & set of parts)
Hard Habit to Break [Chicago] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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Hard Habit to Break [Chicago]
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SheetMusicPlus
Rock band with string section - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 94 pages. Published by Patric...
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Rock band with string section - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 94 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO on their album CHICAGO 17 in 1984.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II,Background Vocal III, Background Vocal IV, Background Vocal V, Background VocalVI, Flute, Tenor Saxophone (Bb), Trumpet (Bb), Horn (F), Trombone, Keyboard I,Keyboard II, Keyboard III, Keyboard IV, Violin I, Violin II, Viola, Cello,Contrabass, Electric Guitar, Bass, Drumset.
**SCOREis 8.5x14” (legal-sized paper), parts are 8.5x11” (letter-sized) paper.**
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.15€
Lorena: A Brass Quintet Setting
Lorena: A Brass Quintet Setting
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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F
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F
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Lorena: A Brass Quintet Settin
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chambe...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church. Joseph was in the process of writing a song but needed lyrics to go with his melody. Henry obliged by writing a longish poem about the love of his life, Ella Blocksom. She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart. Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.” Chicago’s Higgins Brothers published the song in 1857, and it became widely popular. When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind. J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded. In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original. You’ll find it a pleasure to play and a real crowd pleaser for audiences. This composition is 201 measures in length. It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141). Initial tempo marking is Adagio, increasing to Moderato at section C. There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing. The introduction is 21 measures in length. It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto. In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression. At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles. The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme. Performance time is about eight minutes, forty seconds. Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$6.99 ≈
6.45€
The Brass Player: Fantasy on Ich bin ein Musikant
The Brass Player: Fantasy on Ich bin ein Musikant
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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F
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The Brass Player: Fantasy on I
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1303802 Composed by F. Leslie Smith. 21st Century,Chamber,Children,Historic,Multicultural,World. 77 pages. Sweetwater Brass Press #893335. Published by Sweetwater Brass Press (A0.1303802).     A song learned in primary school years and years ago had words something along the lines of the following:         Oh! I’m a young musician,         From distant lands I come.         Singing and playing,         Ever I’m straying.    Also known as “I Am a Fine Musician,†“I Am a Gay Musician†and perhaps other titles, that song is still around and has evolved into many different versions. The original was probably a German folk song from the early 1800s. As published in an 1889 collection of children’s songs, it bears the title, “Ich bin ein Musikant.â€Â That translates as “I am a musician.â€Â In the lyrics the musician claims to be “from Schwabenland†(Swabia) and to play geige (violin: “Dide schum schum schumâ€), flöte (flute: “Päde wäpp päpp päppâ€) and basse (bass: “Dide schum schum schump, päde wäpp päpp päpp). Later versions list the instruments played by the musician as bassoon, bells, clarinet, drum, guitar, piano, piccolo, triangle, trombone, trumpet, tuba, tympani, viola and just about every instrument and noisemaker you can think of.     Anyway, that’s the tune on which “The Brass Player†was built. But here, the musician is concerned only with brass. Which brass? Well, possibly trumpet. Or maybe horn in F. Or trombone. Or tuba. Or perhaps all four; certainly, all are featured in this piece.    “The Brass Player†comprises four sections. The first is in the key of C major and is played at a moderate 2/4 tempo. After a brief Trumpet/Tuba ostinato, Trombone introduces the main theme. Other instruments join in and play around with a variation or two.     The second section is a sweet, nostalgic rendition in 4/4 carried mainly by Horn in F, with help from Trumpets and Trombone.     In section three, the mood changes radically. Time signature goes to 3/4; tempo speeds up to vivace and the key changes to B Minor. All five instruments participate, and some odd things take place rhythmically at I through K (measures 200 through 262), but Tuba seems to carry the melody most of the time.    Section four, in G Major, clips along at a fast 4/4 time. It returns to the main theme and (as in “Ich bin ein Musikant†and its multitudinous derivations) presents in call-and-response form. The first few measures are straight, but discord quickly creeps in. The melody begins to include smears, flutter tonguing and off-beat rhythmic figures. There is even a brief section in G Minor. Gradually, order and theme are restored and the piece ends in a glorious, upbeat statement.    This piece, completed in 2023, consists of 398 measures, a little over nine minutes in length. There are four changes of key and four changes of time signature. Trumpet 1’s highest note is A above its staff; Trombone’s is F above the staff. Trumpet 2 has a few G-below-its-staff notes.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
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Long Long Ago for Trumpet and Trombone
