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Make Music Before I Die
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You've selected:
Make Music Before I Die
Sheetmusic to print
49 sheet music found
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1
26
Make Music Before I Die
Make Music Before I Die
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Deme Cotto
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Make Music Before I Die
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Deme Cotto
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SheetMusicPlus
Bass Guitar,Drums,Flute,Hand Percussion,Piano - Digital Download SKU: A0.1072318 Composed by Deme Cotto. New Age,World. Accompaniment. Duration 241. Deme...
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Bass Guitar,Drums,Flute,Hand Percussion,Piano - Digital Download SKU: A0.1072318 Composed by Deme Cotto. New Age,World. Accompaniment. Duration 241. Deme Cotto #53403. Published by Deme Cotto (A0.1072318). Ambient, reflective piece.
$1.99 ≈
1.83€
I Will Plead Your Cause, sacred music for alto and tenor duet
I Will Plead Your Cause, sacred music for alto and tenor duet
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Sacred music
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Kevin G
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I Will Plead Your Cause, sacre
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Kevin G. Pace
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SheetMusicPlus
Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise ...
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Voice Duet Alto Voice,Tenor Voice - Level 4 - Digital Download SKU: A0.1305303 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 7 pages. Kevin G. Pace #894741. Published by Kevin G. Pace (A0.1305303). A stunningly beautiful vocal duet for alto and tenor.  Music by Kevin G. Pace.  Text by Mary Ann W. Snowball.  Text inspired by the the verse in Doctrine and Covenants 29:5 I am your advocate with the Father.Text:I Will Plead Your Cause “. . . (I) am your advocate with the Father; . . .†- Doctrine and Covenants 29:5Alto: I have sinned and cannot be restoredTo Father’s sight, to Father’s heavn’ly door.I am stopped, but there is One whose lifeWas giv’n for me so I would not know strife.Tenor: I am Christ, and I will plead your cause.For this I bled so you would not be lost.I am Christ, who died on CalvaryTo show my love to you explicitly.Tenor: Those who will confess my Name to all,To those will I confess when Father calls.But if they deny my Name to men,They, too, will I deny to Father then.Alto: I have sinned, but I have faith in Thee;To be my advocate, will Thou now be?As I plead for mercy and thy grace,Will Thou help me discover Father’s face?Both sing at the same time:Alto: I have sinned; O will Thou plead my causeBefore my Father’s face, or I’ll be lost?Thou art Christ, who died on CalvaryTo show thy love to me explicitly.Thou art Christ, who died to save my soul.Thou art Christ. Thou died to make me whole.Tenor: I am Christ, and I will plead your causeBefore my Father’s face so you’re not lost.I am Christ, who died on CalvaryTo show my love to you explicitly.I am Christ, who died to save your soul.I am Christ. I died to make you whole.
$3.99 ≈
3.67€
I Am the Resurrection and the Life, The Claims of the Son 8
I Am the Resurrection and the Life, The Claims of the Son 8
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Choral SATB
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INTERMEDIATE
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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I Am the Resurrection and the
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Stephen R Dalrymple
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818367 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (D...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.818367 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. 23 pages. Stephen R Dalrymple #6669317. Published by Stephen R Dalrymple (A0.818367). The Claims of the Son 8: I Am the Resurrection and the Life♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 11♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ “I Am the Resurrection and the Life†was Jesus’ claim to Martha, immediately before He raised Lazarus from the dead. ♫ Jesus makes it clear here that those who put their trust in Jesus Christ will be raised from the dead in the last judgment. Those who are alive will enter the Kingdom era with transformed bodies that cannot die. ♫ Raising Lazarus from the dead was so threatening to the religious establishment that it caused the chief priest to plot the deaths of both Jesus and Lazarus.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
$2.00 ≈
1.84€
EVERYTHING LIKE BEFORE
EVERYTHING LIKE BEFORE
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Piano solo
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Contemporary
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Monica Bergo
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EVERYTHING LIKE BEFORE
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Moni Bergo
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SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1...
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Piano Solo - Digital Download SKU: A0.1012713 Composed by Monica Bergo. Contemporary. Score. 10 pages. Moni Bergo #5742995. Published by Moni Bergo (A0.1012713). Music and song composed by me ALL AS BEFORE Tired flower bends the head photos in carved marble sad smell of the past along your tree-lined avenue how much peace in this place where you stand hidden cobwebs on your time and the scent of regret while I touch your beautiful face I ask myself who decided that your time would stop and that for you all would be over I, minstrel of my time, tell a thousand stories chronicles written in pencil real-life stories story now finished my fingers still drive, find notes and then the enchantment to disperse them in the wind there was a king in love, by a bewitched spell, with the madwoman his queen and everything comes back as before there tucked away in a corner There is a pathetic clown Look closer: it’s a little girl and everything comes back as before You clown what would you do? You want to approach the king and then you want to tell him of her polluted heart but him, he does not want to be touched and you have to amuse her smile and do not tire continue your ... dance ... in the void and silence suspended in time for your queen and everything comes back as before before your leap do you want to fly high mixed-up Icarus you have fallen into emptiness the beating of the heart makes too much noise rumbles here within into emptiness and silence no, do not love me, now or ever and hang on till the ultimate pain she'll pressure you and insinuate herself into your mind and end by doing you harm but I invisible to your eyes and I want to hug you, you do not want I would like to tell you what you do not know of me and then on swings of fantasy my hand close to yours we'll soar to the heights where she is not there if you want I will reinvent myself for you And I may please you ,I know but with your eyes you’ve already answered me and hidden I'll go .. The winter does not end the cold seems eternal here the sun dies ,effaces itself and then disappears Once upon a time there was or still is, who knows a minstrel that no longer has a court and he belongs to nobody, and no one will stop him while closing the door ,the king will delete him abracadabra here in my Kingdom nothing caresses, no kiss of goodby my name in history was written in pencil to be able to delete from a faded page the mind has its woodworm and you can not heal it past, present and she who reigns everywhere pages of your life flowing through my fingers for a king, tired and sick, who has not had a happy ending the spell is broken and now the veil has fallen regret makes its way into him and the minstrel would approach him puppet in love ,now disconnected from your wires seek your child and there is nothing like before there is the sunset in your eyes but I'm here by your side a daddy and his little girl and there is nothing like before .... ..... the be.
$5.00 ≈
4.60€
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classical
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Contemporary
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arran...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - Digital Download SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95 ≈
18.37€
River Music
River Music
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Contemporary
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and p...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - Digital Download SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99 ≈
14.72€
Songs Without Words: Sweet Remembrance (Classical Music for Tablet Series)
Songs Without Words: Sweet Remembrance (Classical Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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edited by Stephen R Dalrymple
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Songs Without Words: Sweet Rem
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.818284 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by edited by Stephen R Dalrymple ...
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Piano Solo - Level 3 - Digital Download SKU: A0.818284 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by edited by Stephen R Dalrymple (Dalrymple Designs). Romantic Period. Score. 17 pages. Stephen R Dalrymple #4967141. Published by Stephen R Dalrymple (A0.818284). Songs Without Words: Sweet Remembrance by Felix Mendelssohn Bartholdy for piano solo (Opus 19:1) (Classical Music for Tablet Series) ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Jakob Ludwig Felix Mendelssohn Bartholdy wrote a series of 49 lyrical compositions for piano solo between 1829 and 1845 within the structure of the art song form. These “Songs Without Words†spanned almost all his productive life as a composer (age 20-35 (2 years before his death.)) Mendelssohn discouraged his followers from attempting to find text to fit these pieces. He wanted the melodies to speak for themselves. Only a few of them were titled by Mendelssohn; most of the titles came from publishers of later editions. ♫The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.67€
Songs Without Words: Passion (Classic Music for Tablet Series)
Songs Without Words: Passion (Classic Music for Tablet Series)
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Piano solo
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INTERMEDIATE
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Classical
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Stephen R Dalrymple
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Edited by Stephen R Dalrymple
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Songs Without Words: Passion
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Stephen R Dalrymple
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.818290 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by Edited by Stephen R Dalrymple....
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Piano Solo - Level 3 - Digital Download SKU: A0.818290 By Stephen R Dalrymple. By Felix Bartholdy Mendelssohn. Arranged by Edited by Stephen R Dalrymple. Romantic Period. Score. 18 pages. Stephen R Dalrymple #4985381. Published by Stephen R Dalrymple (A0.818290). Song Without Words: Passion by Felix Mendelssohn for piano solo (Opus 38.5) (Classical Music for Tablet Series) ♫ Edited for 10 inch tablet by Stephen R Dalrymple ♫ Jakob Ludwig Felix Mendelssohn Bartholdy Mendelssohn wrote a series of 49 lyrical compositions for piano solo between 1829 and 1845 within the structure of the art song form. These “Songs Without Words†spanned almost all his productive life as a composer (age 20-35 (2 years before his death.)) Mendelssohn discouraged his followers from attempting to find text to fit these pieces. He wanted the melodies to speak for themselves. Only a few of them were titled by Mendelssohn; most of the titles came from publishers of later editions. ♫ The Classical Music for Tablet Series offers piano masterworks by classical composers formatted to be read on 10 inch tablets. I use an Amazon Kindle with Mobile Sheets Pro and an Air Turn blue tooth foot pedal to practice and perform piano music. Similar products available to provide other tablets the same functionality. ♫ The pieces in this series have not been arranged, but most have been edited slightly, and have been formatted to fit screen size. For example, in the tablet versions, first and second endings are often removed and the repeated measures and endings written into the music so the performer can avoid having to go back to previous pages. These kinds of section repeats were invented to spare the composer’s time and the cost of extra paper and ink. But with a tablet the cost of paper and ink is irrelevant. ♫ Although there are a lot more page turns with a 10 inch screen compared with letter size pages, the readability of the music (due to the backlighting on the tablet) and the portability of the music (travelling with a small tablet instead of oversized books or portfolios of sheet music) easily makes up for the extra page turns. ♫ Your purchase provides one .pdf file that contains both the tablet edition and the letter size page (printable) version. There are several programs available online that will allow you to separate this .pdf file into 2 .pdf files to make it more useful.
$3.99 ≈
3.67€
Greensleeves 2012
Greensleeves 2012
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Piano solo
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ADVANCED
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Classical
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.
A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.
Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.
“O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99 ≈
5.52€
A Hymn A Day Volume 5
A Hymn A Day Volume 5
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Harp, Voice
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INTERMEDIATE/ADVANCED
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Sacred music
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Hugh Callison
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A Hymn A Day Volume 5
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Afghan Press Music for the Harp
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SheetMusicPlus
Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Publis...
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Voice, Harp - Advanced Intermediate - Digital Download Arranged by Hugh Callison. Christian, Sacred, General Worship, Easter, Lent. 114 pages. Published by Afghan Press Music for the Harp
The fifth of a series of five volumes that are geared toward smaller lever harps with a bass range that goes to the G which is one and ½ octaves below middle C. Volume five includes songs for Lent, Easter and Pentecost. These tunes have the added benefit of being arranged in keys that are accessible to most vocal ranges, which is especially helpful when playing along with congregational singing. Lever changes are indicated with diamond shaped notes. Some tunes have no lever changes, some have a lot. The left hand in a few of the tunes is quite active. 75 tunes, in all.
Table of Contents:
In the Hour of Trial, We Give Immortal Praise, Soldiers of Christ, Arise, How Firm a Foundation, Must Jesus Bear the Cross Alone, Lord Jesus Christ, My Life, My Light, Near to the Heart of God, Jesus, I My Cross Have Taken, Out of the Depths I Cry to Thee, Lenten Hymn, Break Thou the Bread of Life, O Love, How Deep, How Broad, How High, Here, O My Lord, I See Thee Face to Face, Tell Me the Story of Jesus, Forty Days and Forty Nights, Hail, Thou Once Despised Jesus, O Day of Rest and Gladness, Sing Praise to God Who Reigns Above, Wake, Awake, for Night Is Flying, The Lord Jehovah Reigns, Come, Thou Almighty King, Day by Day and with Each Passing Moment, I'll Praise My Maker While I've Breath, Ah, Holy Jesus, According to Thy Gracious Word, All Hail the Power of Jesus' Name, Jesus, Priceless Treasure, Before Jehovah's Awful Throne, There Is a Balm in Gilead, O Love That Will Not Let Me Go, Bread of Heaven, on Thee We Feed, Awake, My Soul, and With the Sun, The Heavens Declare Thy Glory, Lord, O the Deep, Deep Love of Jesus, Come, Christians, Join to Sing, A Wonderful Savior Is Jesus My Lord, I Am Thine, O Lord, I Am His, and He Is Mine, Turn Your Eyes Upon Jesus, Amazing Grace!, Jesus, Keep Me Near the Cross, Jesus Paid It All, There Is a Green Hill Far Away, Were You There?, Behold the Savior of Mankind, At Calvary, Come, Ye Faithful, Raise the Strain, The Old Rugged Cross, In the Cross of Christ I Glory, All Glory, Laud and Honor, O Sacred Head, Now Wounded, And Can It Be That I Should Gain?, The Day of Resurrection, Go To Dark Gethsemane, Hosanna, Loud Hosanna, Jesus Lives, and So Shall I, Christ, the Lord Is Risen Today, Bread of the World, in Mercy Broken, When I Survey the Wondrous Cross, Cross of Jesus, Cross of Sorrow, The Head That Once Was Crowned, My Savior's Love, The Strife Is O'er, The Battle Done, Christ Arose!, Never Further than Thy Cross, Beneath the Cross of Jesus, Let Us Break Bread Together, Alas! and Did My Savior Bleed?, Christ Jesus Lay in Death's Strong Bands, What Wondrous Love Is This?, Jesus Christ Is Risen Today, Loved With Everlasting Love, Low in the Grave He Lay, O Sons and Daughters, Let Us Sing, Welcome, Happy Morning
$25.00 ≈
23.02€
Three Lions (Football's Coming Home)
Three Lions (Football's Coming Home)
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Piano, Voice
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INTERMEDIATE
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Sport
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Baddiel, Skinner and The Ligh
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Mario Stallbaumer
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Three Lions
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Publ...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano!
With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano.
The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself!
It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic.
\"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics).
\"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England.
The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem.
The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches.
\"Three Lions\" makes for a surprisingly good piano cover!
Here are the song\'s full lyrics:
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home (We\'ll go on getting bad results)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
[Verse 1: Frank Skinner]
Everyone seems to know the score, they\'ve seen it all before
They just know, they\'re so sure
That England\'s gonna throw it away, gonna blow it away
But I know they can play, \'cause I remember
[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming
[Verse 2: David Baddiel]
So many jokes, so many sneers
But all those \"Oh, so nears\", wear you down through the years
But I still see that tackle by Moore and when Lineker scored
Bobby belting the ball, and Nobby dancing
[Chorus: All]
Three lions on a shirt
Jules Rimet still gleaming
Thirty years of hurt
Never stopped me dreaming
[Bridge]
England have done it, in the last minute of extra time!
What a save, Gordon Banks!
Good old England, England that couldn\'t play football!
England have got it in the bag!
I know that was then, but it could be again
[Refrain]
It\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
(England have done it)
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
It\'s coming home, it\'s coming home, it\'s coming
Football\'s coming home
[Chorus]
(It\'s coming home) Three lions on a shirt
(It\'s coming home, it\'s coming) Jules Rimet still gleaming
(Football\'s coming home
It\'s coming home) Thirty years of hurt
(It\'s coming home, it\'s coming) Never stopped me dreaming
(Football\'s coming home
$4.99 ≈
4.59€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.56€
Don't Stop Believin' (Journey) for Double-strung Harp
Don't Stop Believin' (Journey) for Double-strung Harp
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Harp
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INTERMEDIATE
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Rock
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Journey
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Karen Peterson
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Don't Stop Believin'
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SheetMusicPlus
By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson ...
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By Journey. Arranged by Karen Peterson. Sheet Music Single, Solo Part. 6 pages. Published by Karen Peterson
Your audience’s memory of this Eighties rock anthem by Journey will be playing along in their head—from the original album, a live performance, The Sopranos, Glee, karaoke, or all of the above. But they’ve never heard it before on a harp.
This arrangement makes good use of the double-strung by using both sides for repeated notes and letting the accompaniment hand overlap the melody. The result is beautiful but still ballsy.
Range and key: F major (one flat). 23x2 strings. C below middle C through D.
Lever changes: None.
Good for: Weddings, parties, performance, therapeutic settings.
Double-strung effects: The LH accompaniment frequently overlaps the RH melody range. Finger placements are suggested for playing echoed notes with alternating hands to work around or emphasize ringing strings. Since the alternate-hand echoing is not required, it’s a great piece to learn this technique on.
Characteristics: Arpeggios and a syncopated melody. The RH never places more than an octave spread; the LH places 1-9 twice. There are a few four-note chords (LH 1-3-5-8); the rest of the chords are three notes, usually not inversions. The RH has almost no chords. There are two bars of sixteenth notes that can easily be substituted for eighths. The LH has two long-run patterns (1-5-8-9-10 and 1-5-8-9) which can be played with cross-unders or a wandering thumb. The RH has only two cross-overs.
Finger placement: Finger number suggestions are provided for key phrases. Numbers above the notes are suggestions for the RH (marked with “R” or “R#” when they occur in the bottom staff). Numbers below the notes are suggestions for the LH (marked with “L” or “L#” when they occur in the top staff). To see what I mean, view the PDF of finger placement examples in “Don’t Stop Believin’: www.EnjoyTheHarp.com/s/dont-stop-believin-notes-enjoy-the-harp.pdf
Notation: Chord symbols and lyrics are provided. Treble clef in both staves. To avoid switching between bass clef and treble in the accompaniment, 8vb lines are used for the low Cs, Ds, and Es (which means that you play an octave below what’s written). Low Fs use 8vb sometimes, so if you see a lot of low ledger lines, don’t worry: it’s that F below middle C. Instead of counting the lines, you can look at the chord symbols to confirm.
Length: 6 pages. 106 measures. 4:00–5:00 minutes, depending on tempo.
Page turns: If you are printing, double-side pages 2-3 and 4-5 to minimize page turns. Line breaks have been made with printed or single-page-tablet turns in mind; you can pick up some accompaniment notes in the RH to turn with the LH.
Analysis and performance notes at www.EnjoyTheHarp.com/dont-stop-believin
$6.99 ≈
6.44€
All The Things You Are
All The Things You Are
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Melody line, (Lyrics) and Chords
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EASY
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Jack Leonard with Tommy Dorsey
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Davi Rocha Campos
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All The Things You Are
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Davi Rocha Campos
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by ...
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C Instrument - Level 2 - Digital Download SKU: A0.1104603 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Instructional,Jazz,Multicultural,Musical/Show,Wedding,World. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #707828. Published by Davi Rocha Campos (A0.1104603). This score is in B, but, the audio is in Ab. How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book.
$3.99 ≈
3.67€
CONJUNCTION: The Christmas Star of 2020
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00 ≈
87.48€
Under Paris Skies
Under Paris Skies
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Melody line, (Lyrics) and Chords
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INTERMEDIATE/ADVANCED
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Hubert Giraud, Jean Drejac, an
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John Fries
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Under Paris Skies
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1034493 Composed by Hubert Giraud, Jean Drejac, and Kim Gannon. Arranged by John Fries. 20th Century,Ja...
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C Instrument - Level 4 - Digital Download SKU: A0.1034493 Composed by Hubert Giraud, Jean Drejac, and Kim Gannon. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #639858. Published by John Fries (A0.1034493). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. The album with this song was recorded in Paris, and Quincy Jones led an orchestra of both American and French musicians in the studio. In the liner notes from the original album, jazz critic Nat Hentoff quotes the description of the recording of the album that Williams gave. Our first session was for 9:00 p.m., and I was all set to record. At 9:30 some musicians were still arriving. After about an hour, we had finished one song. The sound was wonderful, and I was very happy. At this point, I was informed that the orchestra has to have a 15 minute break. The musicians vanished to a local café for some wine. About 45 minutes later, they began arriving back in the studio. We got one more song recorded before the contractor stood up and, in perfect English, said, 'Overtime'.
$3.99 ≈
3.67€
Whisper Not
Whisper Not
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Melody line, (Lyrics) and Chords
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INTERMEDIATE/ADVANCED
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Jazz
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1960, John S
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Benny Golson
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John Fries
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Whisper Not
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1041858 Composed by Benny Golson. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fak...
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C Instrument - Level 4 - Digital Download SKU: A0.1041858 Composed by Benny Golson. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #646640. Published by John Fries (A0.1041858). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Whisper Not is a composition by Benny Golson. It is in a minor key and contains a shout chorus (a special chorus between the final solo and the closing head). It quickly became popular with other musicians: Thad Jones and Morgan recorded their own versions before its composer had the chance to record it with his own group. Golson's early version was on his 1957 album Benny Golson's New York Scene. By 1960, John S. Wilson, critic at The New York Times, had labelled the song, together with another Golson composition, I Remember Clifford, an established part of the jazz repertory. It has been recorded by hundreds of musicians, becoming a jazz standard.
$3.99 ≈
3.67€
Living For The City
Living For The City
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Stevie Wonder
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Lucas Rei Ramos
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Living For The City
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Lucas Rei Ramos
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SheetMusicPlus
Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,S...
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Choral Choir (5-Part) - Level 3 - Digital Download SKU: A0.1247126 By Stevie Wonder. By Stevie Wonder. Arranged by Lucas Rei Ramos. A Cappella,Jazz,Pop,Singer/Songwriter,Soul. Octavo. 13 pages. Lucas Rei Ramos #841681. Published by Lucas Rei Ramos (A0.1247126). Arrangement for SSATB and soloist of this Stevie Wonder classic, aimed to choirs that include jazz, rock or gospel in their repertoire.The arrangement is very energetic and would fit any choral programme involving jazz, pop, rock soul and gospel arrangements. It has a very strong rhythmic feel that will likely make the choir and the audience to clap and dance! It has occasional (but optional) divisi in tenors in certain places. If features a contrapunctal interlude that leads to the last verses after a modulation, and a big finale after a final crescendo where the music explodes.This arrangement was a commission from Coro da Rá, a choir specialized in jazz and Brazilian music. I’ve received it before I even knew about the tune, but I’ve poured my soul into it and I’ve enjoyed singing it while it lasted in the regular repertoire. I’d love to have it sung in other choirs around the world and hope you enjoy it as well.
$1.99 ≈
1.83€
Clocks by Coldplay for Solo Guitar
Clocks by Coldplay for Solo Guitar
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Alternative/Rock
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Coldplay
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Dan Jones (www
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Clocks by Coldplay for Solo Gu
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danjonesguitarist.com
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SheetMusicPlus
Solo guitar in both notes and TAB - Advanced Intermediate - Digital Download By Coldplay. Arranged by Dan Jones (www.danjonesguitarist.com). Individu...
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Solo guitar in both notes and TAB - Advanced Intermediate - Digital Download By Coldplay. Arranged by Dan Jones (www.danjonesguitarist.com). Individual Part. 7 pages. Published by danjonesguitarist.com
Clocks - Coldplay
Clocks is an enormously-successful song by the British rock band Coldplay.
It was released in 2002 on the band’s second studio album A Rush of Blood to the Head.
The iconic, modal piano theme, contrapuntal melodies and classical structure make it highly suited to
arrangement for solo instruments and ensembles.
This arrangement is ideal for concert works, encores, wedding repertoire and background music. It is technically and musically appropriate for players of an intermediate/advanced standard.
Some bars present players with considerable technical challenges so alternative solutions are offered.
Dan’s arrangements for solo guitar and ensembles for all levels can be heard at www.danjonesguitarist.com.
Links to downloads are also available in all video descriptions.
Thank you for listening and I hope very much that you and your audiences enjoy Clocks as much as I have enjoyed arranging and playing it.
A full recording can be heard here: https://soundcloud.com/user-115466245/clocks
A video will be uploaded here before the end of March 2020.
$4.99 ≈
4.59€
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