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Maria French popular song
Not classified
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You've selected:
Maria French popular song
Sheetmusic to print
10 sheet music found
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1
Ave Maria for Flute Quartet (3C & A)
Ave Maria for Flute Quartet (3C & A)
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Flute Quartet: 4 flutes
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INTERMEDIATE
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Francois Clement Theodore Dubo
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Lisa Ochoco
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Ave Maria for Flute Quartet
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559777 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. ...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.559777 Composed by Francois Clement Theodore Dubois. Arranged by Lisa Ochoco. 20th Century,Romantic Period,Sacred. 11 pages. Lisa L Ochoco #4776287. Published by Lisa L Ochoco (A0.559777). Théodore Dubois was a French composer, organist and teacher at the Paris Conservatoire. He was a prolific composer, but his works are not as popular as some of the composers that he knew and/or taught, such as César Franck, Camille Saint-Saëns, or Maurice Ravel.This is a beautiful motet that sounds great as an instrumental quartet. This is a suitable song for church or recital.Scored for 3 C flutes and alto.
$12.00
The Wedding Album, for Solo Horn in F and Piano
The Wedding Album, for Solo Horn in F and Piano
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French Horn and Piano
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Wedding/Ballad
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Wedding/Ballad
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Various
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The Wedding Album, for Solo Ho
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David McKeown
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SheetMusicPlus
Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Reper...
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Piano Accompaniment, Horn in F, French Horn - Digital Download Composed by Various. Arranged by David McKeown. Romantic Period, Baroque Period, Repertoire, Wedding, Recital. Score, Solo Part. 24 pages. Published by David McKeown
The Wedding Album is a collection of four beautiful and timeless wedding favourites, arranged for Solo Horn in F with Piano accompaniment. Whether for that Special Day, for a recital, or for your own entertainment, these arrangements are ideal for players at an intermediate level or higher. The 24-page file includes the piano accompaniments and the separate solo parts at the end.
Ave Maria was written by Franz Schubert in 1825 as the sixth song in his song cycle based on Walter Scott’s poem The Lady of the Lake. It is perhaps the best known of all his melodies, adapted for piano by Franz Liszt, and for orchestra many times since. It is often sung with the Latin lyrics of the Catholic hymn of the same name and has been heard everywhere from the Disney movie Fantasia to the funeral of J.F. Kennedy.
The Bridal March was written by Richard Wagner in 1850, scored for orchestra and chorus, and opening the third act of his opera, Lohingren. It is best known in the English-speaking world as “Here Comes the Bride”. Queen Victoria’s daughter used the music for her marriage in 1858, and its popularity has endured ever since.
The Prince of Denmark’s March is better known nowadays as the Trumpet Voluntary and is often used in wedding ceremonies. It was in fact written for organ, with the melody played on the“trumpet stop”. Written around 1700, for many years this piece was mistakenly attributed to Henry Purcell. Only recently has it been established that the composer was Jeremiah Clarke, organist at St Paul’s Cathedral. It is somewhat ironic that this composer of a wedding mainstay was himself a victim of unrequited love. He consequently shot himself in the cathedral graveyard.
Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.
$9.99
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
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Flute
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INTERMEDIATE
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Idalmo Santos
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Idalmo Santos
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Gaúcho - Corta-Jaca By Chiqui
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Idalmo Santos
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SheetMusicPlus
Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. ...
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Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$1.99
Gaúcho - Corta Jaca (Brazilian Music)
Gaúcho - Corta Jaca (Brazilian Music)
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String Quartet: 2 violins, viola, cello
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and...
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String Quartet String Quartet - Digital Download SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
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Concert band
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EASY
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Francisca Gonzaga
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Idalmo Santos
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Gaúcho - Corta-Jaca By Chiqui
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Idalmo Santos
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Cen...
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Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
$13.33
COMPOSTELLE
COMPOSTELLE
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Sacred music
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Gunter Scholler
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COMPOSTELLE
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Scholler
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SheetMusicPlus
Strings Choir - Level 3 - Digital Download SKU: A0.1016076 Composed by Gunter Scholler. 20th Century,Classical,Contemporary,Praise & Worship. 12 pages. S...
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Strings Choir - Level 3 - Digital Download SKU: A0.1016076 Composed by Gunter Scholler. 20th Century,Classical,Contemporary,Praise & Worship. 12 pages. Scholler #5297821. Published by Scholler (A0.1016076). POPULAR AND GROOVY IN THE FIRST PART, WITH A BARBARIAN RHYTHM IN THE SECOND PART for mixed choir & stringsBig choir and String Orchestra  Great music for Live-performancesmovement number 2 of R E I S E N D E   D E S  J  A K O B S W E G E S  8 songs that symbolize the travelers of the Way of St. James. From Germany to Spain, catchy songs in 4 different languages: Latin, French, German and SpainThe entire work contains: 1. MIGRANDI, (catchy tune),  Ends with a lot of sound S/S/A/A/T/T/B/B Latin2. COMPOSTELLE ? POURQUOI PAS ?  (Leggiero & animato), French3. LA CHANSON DU DEVOIR DU PELERIN (spiritual song on dancing strings), French4. WANDERSCHAFT ( rhythmic play), german5. EIN TOAST DIESER FREUNDESRUNDE (solemn and measured), german and french6. O DULCIS VIRGO (modern-classical spiritual , Ave Maria contemporary), latin7. QUIS SCIT ? (imposing and con brio for the strings), latin8. CAMINANTE (Spanish sound and a lot of joy in singing ) spanishEmbrace the transformative power of musichttps://linktr.ee/schollermusicUnleash the power of multilingual musical expression with our captivating score for choir and string orchestra. This exceptional composition spans the realms of classical to modern, seamlessly blending languages such as French, German, Spanish, and Latin to create a truly international experience. Immerse yourself in the richness of these diverse linguistic tapestries, as the voices intertwine with the vibrant strings, creating a harmonious fusion of cultures. Perfect for ensembles seeking to showcase their versatility and celebrate the beauty of global languages, this score opens doors to a world of musical exploration. From elegant classical passages to contemporary twists, let the voices and strings transport you on a captivating journey through time and language. Embrace the magic of cultural diversity and musical unity with this extraordinary choral and orchestral masterpiece. Â
$3.99
The House of the Rising Sun...SATB
The House of the Rising Sun...SATB
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Choral SATB
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INTERMEDIATE/ADVANCED
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Unknown
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Donald A
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The House of the Rising Sun...
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Donald A Mills
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,F...
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Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.928983 Composed by Unknown. Arranged by Donald A. Mills, 2019. A Cappella,Blues,Concert,Folk. Octavo. 5 pages. Donald A Mills #4853851. Published by Donald A Mills (A0.928983). With an original introduction by this arranger, this melodic balled is sung here a cappella, unencumbered by instruments. Some of the chord structure is complex, but intuitive. Your audiences will surely love this beautiful song in this new arrangement for SATB.From Wikepedia:Historians have not been able to definitively identify The House Of The Rising Sun, but here are the two most popular theories:1) The song is about a gambling hall in New Orleans. The House Of The Rising Sun was named after Madame Marianne LeSoleil Levant (which means Rising Sun in French) and was open for business from 1862 (occupation by Union troops) until 1874, when it was closed due to complaints by neighbors. It was located at 826-830 St. Louis St.2) It's about a women's prison in New Orleans called the Orleans Parish women's prison, which had an entrance gate adorned with a rising sun artwork. The melody is a traditional English ballad, but the song became popular as an African-American folk song. It was recorded by Texas Alexander in the 1920s, then by a number of other artists including Leadbelly, Woody Guthrie, Josh White and later Nina Simone. It was her version The Animals first heard. No one can claim rights to the song, meaning it can be recorded and sold royalty-free. Many bands covered the song after it became a hit for The Animals.
$2.99
All I Want For Christmas Is You
All I Want For Christmas Is You
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Brass Quartet: 2 trumpets, horn, trombone
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EASY
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Classical
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Lady Antebellum
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Stephen DeCesare
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All I Want For Christmas Is Yo
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Exultet Music
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SheetMusicPlus
Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.620284 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by St...
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Brass Quartet Horn,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.620284 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Stephen DeCesare. Christmas,Contemporary,Pop. 27 pages. Exultet Music #3233791. Published by Exultet Music (A0.620284). The popular Christmas song performed by American singer and songwriter Mariah Carey which has practically become a Christmas standard, has now been freshly arranged for Brass Quartet (Bb-Trumpet (2), French Horn, Trombone) with Piano accompaniment. Â Accessible and appropriate for any concert setting.
$12.99
All I Want For Christmas Is You
All I Want For Christmas Is You
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Christmas
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Lady Antebellum
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Stephen DeCesare
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All I Want For Christmas Is Yo
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Exultet Music
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SheetMusicPlus
Small Ensemble Cello,Horn,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.620278 By Lady Antebellum. By Maria...
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Small Ensemble Cello,Horn,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.620278 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by Stephen DeCesare. Christmas,Contemporary,Pop. Score and parts. 33 pages. Exultet Music #3233723. Published by Exultet Music (A0.620278). The popular Christmas song performed by American singer and songwriter Mariah Carey which has practically become a Christmas standard, has now been freshly arranged as a duet for Flexible Instrumentation (Flexible Instrumentation 1: Bb-Trumpet, Violin, Soprano Saxophone) (Flexible Instrumentation 2: French Horn, Cello, Tenor Saxophone) with Piano accompaniment. Â Accessible and appropriate for any concert setting.
$12.99
A Day In The Life Of A Fool
A Day In The Life Of A Fool
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Contemporary
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Butch Baker, James Brown, Jame
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James Pybus
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A Day In The Life Of A Fool
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James Pybus
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764751 Compo...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764751 Composed by Butch Baker, James Brown, James Jess R. Brown, Wade A Kirby, and Wade Kirby. Arranged by James Pybus. Contemporary. 16 pages. James Pybus #6688903. Published by James Pybus (A0.764751). Manhã de Carnaval (Carnival Morning) is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. It appeared as the main theme in the 1959 Portuguese-language film Orfeu Negro by French director Marcel Camus. The song has become a jazz standard in the U.S. where it is also known as A Day in the Life of a Fool, Carnival, Theme from Black Orpheus, or simply Black Orpheus. Manhã de Carnaval became one of the first Bossa Nova compositions to gain popularity outside Brazil; it has been recorded by a wide variety of artists worldwide. This arrangement for SATB Saxophone Quartet features the alto in an optional improved solo. It can be used in a variety of concert and performance settings. Duration is 4:13. Contact me at james.pybus56@gmail.com.
$19.99
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Maria French popular song
