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Might Not Like Me
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You've selected:
Might Not Like Me
Sheetmusic to print
108 sheet music found
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101
Might Not Like Me
Might Not Like Me
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Brynn Elliott
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Katherine Bodor
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Might Not Like Me
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Katherine Bodor
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SheetMusicPlus
Choral Choir,Choral - Level 3 - Digital Download SKU: A0.955498 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Katherine Bodor. A ...
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Choral Choir,Choral - Level 3 - Digital Download SKU: A0.955498 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Katherine Bodor. A Cappella. 14 pages. Katherine Bodor #5372967. Published by Katherine Bodor (A0.955498). A cappella arrangement of Might Not Like Me. Voicing is SSAATB+Lead+VP. Intended for an intermediate high school or collegiate vocal ensemble.
$4.00 ≈
3.59€
Might Not Like Me
Might Not Like Me
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Choral SSAA
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INTERMEDIATE
#
Brynn Elliott
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Vincent Frank
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Might Not Like Me
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Vincent Frank Music
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1259389 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Vincent Frank. A C...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1259389 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Vincent Frank. A Cappella,Contemporary,Pop,Singer/Songwriter. Octavo. 18 pages. Vincent Frank Music #852665. Published by Vincent Frank Music (A0.1259389). SAA A Cappella choir arrangemnet of Brynn Elliott's Might Not Like Me. Requires 2 soloists and divisi in S1 and A2 parts. Original key of E major, 18 pages. About 3:30 in length.
$3.99 ≈
3.58€
Might Not Like Me
Might Not Like Me
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Choral SSAA
#
INTERMEDIATE
#
Brynn Elliott
#
Katherine Bodor
#
Might Not Like Me
#
Katherine Bodor
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.955500 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Katherine Bodor. A ...
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.955500 By Brynn Elliott. By Cason Jay Cooley and Nathan Chapman. Arranged by Katherine Bodor. A Cappella. Octavo. 14 pages. Katherine Bodor #5372977. Published by Katherine Bodor (A0.955500). A cappella arrangement of Might Not Like Me. Voicing is SSSAAA+Lead+VP. Intended for an intermediate to advanced high school or collegiate vocal ensemble. .
$5.00 ≈
4.48€
Love Like You (almost Complete Version)
Love Like You (almost Complete Version)
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Guitar notes and tablatures
#
Rock
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Rebecca Sugar, Steven Univer
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Daniel Roberts
#
Love Like You
#
SheetMusicPlus
Guitar Tab - Digital Download By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts...
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Guitar Tab - Digital Download By Rebecca Sugar, Steven Universe. Arranged by Daniel Roberts. 5 pages. Published by Daniel D-Rob Roberts
Love like you Acoustic Guitar arrangement.
Lyrics
If I could begin to be
Half of what you think of me
I could do about anything
I could even learn how to love
When I see the way you act
Wondering when I'm coming back
I could do about anything
I could even learn how to love like you
I always thought I might be bad
Now I'm sure that it's true
'Cause I think you're so good
And I'm nothing like you
Look at you go
I just adore you
I wish that I knew
What makes you think I'm so special
If I could begin to do
Something that does right by you
I would do about anything
I would even learn how to love
When I see the way you look
Shaken by how long it took
I could do about anything
I could even learn how to love like you
Love like you
Love me like you
$4.99 ≈
4.47€
Souvenirs des Huguenots - Score Only
Souvenirs des Huguenots - Score Only
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Concert band
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ADVANCED
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Louise Farrenc
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Robert Debbaut
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Souvenirs des Huguenots - Scor
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ROBERT DEBBAUT
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages....
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Concert Band - Level 5 - Digital Download SKU: A0.1182001 Composed by Louise Farrenc. Arranged by Robert Debbaut. 19th Century,Romantic Period. 38 pages. ROBERT DEBBAUT #781763. Published by ROBERT DEBBAUT (A0.1182001). Louise Farrenc (1804-1875) was the only woman to hold a professorship at a European Conservatory (Paris) in the 19th Century.  They would only allow her to teach piano, not composition, because she was undeniably a virtuoso pianist.  During her lifetime she mainly composed for piano, but also wrote works for the orchestra, including three symphonies, and a great deal of mixed chamber music. She wrote no works for wind band of any kind, yet she lived in a golden age of especially French band music. As such, I felt a new generation of music students should hear the music of this incredibly talented composer who had the misfortunate of being born female in the 19th Century. This work is certainly characteristic of the Romantic Era and would make a lovely concert overture. the main sub ject of her variations is Martin Luther's A Mighty Fortress is Our God. If you purchase this score (and like it), please write to me at debbaut@gmail.com, subject Farrenc and I will send you a copy of the wav file as well as a link to her original piano work (I;'ve not taken too many liberties). If you still like it, parts may be had for $100 via Venmo or personal check. Write to debbaut@gmail.com, subject Farrenc..
$9.99 ≈
8.96€
My Mighty Messiah
My Mighty Messiah
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Choral SATB
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Kevin G
#
My Mighty Messiah
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1389588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worsh...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1389588 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #973184. Published by Kevin G. Pace (A0.1389588). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:If Jesus healed the blind, why cannot He make me to see,to see with eyes to find his precious love for me?If Jesus healed the lame, why cannot He make me to walk,to walk with Him the same as others in his flock?If Jesus raised the dead, why cannot He make me to live,to live as He has said so I can purely give?My mighty Messiah can mend all things I need to be like Him,whether to see or walk or live with sight or steps or limb.He is the One, my only One who cures and makes me whole.He is the One who loves me most, who died to save my soul.My mighty Messiah . . . my glorious Host,He is the One who loves me most.
$1.99 ≈
1.78€
(you Make Me Feel Like) A Natural Woman
(you Make Me Feel Like) A Natural Woman
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Choral SATB
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EASY
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Aretha Franklin
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Bill ORANGE Lyons
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(you Make Me Feel Like) A Natu
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Bill ORANGE Lyons
#
SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1217561 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Bill ORA...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1217561 By Aretha Franklin. By Carole King, Gerry Goffin, and Jerry Wexler. Arranged by Bill ORANGE Lyons. A Cappella,Hip-Hop,Jazz,Pop,R & B. Octavo. 7 pages. Bill ORANGE Lyons #814114. Published by Bill ORANGE Lyons (A0.1217561). This R&B classic works so well you just might be amazed. It is voiced for solo-SATB. (If you have an alto ((or soprano)) with a deep rich tone, you've found your lead vocalist). This arrangement combines the best of Carole King's words with the soul of Aretha. Since this is more of an R&B groove you won't hear the dissonance and syncopation used for many of the jazz choral tunes you'll find here, but it is not short on feeling (especially with a soulful lead). It is an easy piece to perform and should be well received (especially by the Baby Boomers). Just don't move it too fast.
$2.26 ≈
2.03€
A MIghty Fortress
A MIghty Fortress
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Choral SATB
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INTERMEDIATE/ADVANCED
#
Sacred music
#
Tom Rule
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Tom Rule
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A MIghty Fortress
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MaconMacMusicGuy
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.509233 By Tom Rule. By Martin Luther / Tom Rule. Arranged by Tom Rule. Sacred,Traditional. Octav...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.509233 By Tom Rule. By Martin Luther / Tom Rule. Arranged by Tom Rule. Sacred,Traditional. Octavo. 7 pages. MaconMacMusicGuy #120287. Published by MaconMacMusicGuy (A0.509233). Jesus Loves Me This I know, For the Bible tells me so...Little ones to him belong......I am weak but He is...... A Mighty Fortress Is Our God. Thus begins a new arrangement of the Martin Luther hymn A Mighty Fortress, for SATB choir and Piano. This takes the familiar hymn and adds in sonic surprises at every turn - JUST enough to keep an congregation interested, because the melodies and harmonies are tightly integrated with the text. Works well for Reformation Sunday, or any time this mighty hymn is used. NOTE: The MP3, sadly, is using a synth choir for the vocal parts. Please use your imagination to hear what the piece actually sounds like!
$2.49 ≈
2.23€
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
Blessed Assurance - Brass Quartet For Trumpet and Trombone (Easy) Score And All Part Included
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Trumpet, Trombone (duet)
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EASY
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Sacred music
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Joshua Popovici
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Blessed Assurance - Brass Quar
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Joshua Popovici
#
SheetMusicPlus
Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Pra...
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Small Ensemble Euphonium,Trombone,Trumpet - Level 2 - Digital Download SKU: A0.1029077 Composed by Joshua Popovici. Christian,Classical,Instructional,Praise & Worship,Sacred. Score and parts. 5 pages. Joshua Popovici #4616399. Published by Joshua Popovici (A0.1029077). Here’s the thing… There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangement clean and simple for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony. Not complexity. This song is an arrangement of Blessed Assurance for a brass quartet. 2 Trumpets & 2 Trombones (or any low brass instrument). Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the parts interact with one another. Every instrument clearly cutting through. It’s a rich and satisfying arrangement. Not only will you enjoy playing this, but listeners will also experience something unforgettable. Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. If you want the music arranged in differently (ex. instrumentation, keys, clefs, etc...). Just let me know! I'll respond ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98 ≈
3.57€
Briar Rose for Big Band
Briar Rose for Big Band
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Jazz Ensemble
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EASY
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Tchaikovsky, Peter
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Thingvall, Jon
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Briar Rose for Big Band
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Jon Thingvall
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score ...
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Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1273503 Composed by Tchaikovsky, Peter. Arranged by Thingvall, Jon. Film/TV,Jazz. Score and Parts. 88 pages. Jon Thingvall #865640. Published by Jon Thingvall (A0.1273503). Briar Rose was the name of an early version of Sleeping Beauty.  Here, Tchaikovsky’s famous Sleeping Beauty Waltz is perked up a little, and re-imagined for a standard junior high/early high school, jazz big band (5,4,4), and played in 4/4 time.Difficulty:  junior high to early high school band.Designed to help students learn jazz.Key:  F (original ballet key is B-flat)Highest lead trumpet note: concert E (last note), in the treble clef.There are no solos.  Exposed parts have at least two players.The rhythms swing, but are kept predictable, without too much variety.Rhythm section play-along here:  https://youtu.be/rhlifLTzHC8Additional Parts Included:        Score, transposed        Score, concert pitch        Piano/Guitar showing Bass in L.H.        Piano/Guitar only, no Bass        Piano with jazz ideas/options written out        Drum set notation        Drum set kicksheetMeasure 71 (at approx. 1:51) could serve as an Optional Ending, and the director will be able to edit the measure as desired—beef up the “& of two†if desired, and/or add horns on beat 4, etc.  If done in class, as my teachers occasionally did, it can show the students the process of arranging, and might encourage some in that direction.As a classical-turned-jazz pianist, my best memories are of those who helped me bridge the gap from verbatim part-playing to the concepts of learning jazz harmonies and its own unique form of counterpoint.  Writers' suggestions--like Sammy Nestico's, who occasionally specified voicings--were invaluable. So, for classically-trained pianists who are interested in jazz, I’ve included a couple versions of the piano part—a fairly standard “lead sheetâ€, but also one with ideas for voicings, especially quartal, which the classical artist might not have considered.  Further study on YouTube and other Internet sites will help them hear and visualize the difference between jazz and classical.The Bass part gives the student the option of playing the changes, or the written notes.I’ve also included two kinds of drum parts—one with notation for those just starting out, and another “kick sheet†for those with more experience.Manuscript made with Finale v26Sounds from Finale and Garritan “JABB3†(Jazz And Big Band)MP3 courtesy of OnlineAudioConverter.com.
$45.00 ≈
40.34€
Introspection 1
Introspection 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Contemporary
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by ...
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Piano Solo - Level 4 - Digital Download SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
3.58€
Two Russian Classics; Rubenstein Melody in F - Leschtizsky Consolation Op.19 No.6
Two Russian Classics; Rubenstein Melody in F - Leschtizsky Consolation Op.19 No.6
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Piano solo
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INTERMEDIATE/ADVANCED
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A
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Michael Bomier
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unnecessarily, in our view
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Two Russian Classics; Rubenste
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.862658 Composed by A. Rubenstein, T. Leschitizsky. Arranged by Michael Bomier. Concert,Instructional,Roma...
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Piano Solo - Level 4 - Digital Download SKU: A0.862658 Composed by A. Rubenstein, T. Leschitizsky. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Standards. Score. 7 pages. Michael Butkus-Bomier #3603237. Published by Michael Butkus-Bomier (A0.862658). Melody in F has been around as a so-called light classical piece since its famed composer made his US tour at the end of the 19th century. In its original form the tune was passed from hand to hand; unnecessarily, in our view. This setting has the tune ALL in the RH, where the in-between chords are as well. Anton, with his massive Russian hand, had no trouble using 10ths freely as accompaniment, whilst finding a thumb for the tune, once in awhile. We think Normal Humans might not like that quite so much. The LH can be arpeggiated freely by anyone without a comfortable 10th, which is to say, me and most of the rest of us, eh! The Leschtizsky Consolation, also in F, uses the same kind of RH thumb-tune, with chords above interspersed on the off-beats, just as his students' piece uses. Yes, he taught Rubenstein. These pieces both are predecessors of Rachmaninoff's harmonically-based compositions, where the tune and the harmony are a single unified entity.This music has a place for students and aspiring artists who want to know how the modern Russian School was formed. Melody notes are clearly double-stemmed, and harmony is spelled clearly so the harmonic progression is easily defined. MP3 file has Melody, then Consolation. MBB .
$2.99 ≈
2.68€
Etude in C, Le Couppey-Nolte
Etude in C, Le Couppey-Nolte
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Piano solo
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ADVANCED
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Eric Paul Nolte and Felix Le C
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Eric Paul Nolte
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Etude in C, Le Couppey-Nolte
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instru...
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Piano Solo - Level 5 - Digital Download SKU: A0.987083 Composed by Eric Paul Nolte and Felix Le Couppey. Arranged by Eric Paul Nolte. Contemporary,Instructional. Score. 5 pages. Eric Paul Nolte #1954995. Published by Eric Paul Nolte (A0.987083). This piece is a free adaptation and a complete reworking of a study by Felix Le Couppey (1811-1887), from his L'Agilité, Opus 20, 25 Progressive Studies for Mechanism and Light Touch. In its original form, this study was a charming little piece of musical fluff. But getting it up to speed reduced me to tears! It also gave me an epiphany of immense power that transformed my technique. Suddenly I could play faster than I had ever thought possible, and I could do so with a thrilling ease! This epiphany emerged from the spluttering frustration I felt over my inability to play these sixteenth notes at Le Couppey's metronome marking of 144. It dawned on me that I couldn’t play fast enough because I was tripping over my own fingers when I used the overly articulated technique of moving the fingers by the lift, throw, relax method. This superfluous motion creates an impenetrable barrier, a speed wall, as does playing legato scales by passing the thumb under the palm, when shifting hand position up and down the keyboard. So I found another way-which I’ve since learned was known to every pianist who ever achieved prodigious speed. Here’s how to bring this piece up to speed with ease: Be sure to practice this piece with each hand alone. For each group of sixteenth notes, gently place the four fingers down simultaneously, to get the feel. Think of your arm, from elbow to fingertips, as something like a kitchen utensil, such as a spatula. Moving your right arm as a unit, place your finger tips down into the key bed, depressing all four notes at once, as a block chord. Make sure that all the fingers remain stiff (not rigid with tension, but just stiff enough to resist collapsing upwards.) Slowly lift and then play each group by placing all the fingers down with a rotation of your forearm, calm and relaxed, with the fingers rolling through the notes at the speed of a brief snare drum roll: Rrrrip! To rip through this group of notes like this takes no more effort than to place those four fingers down, calmly, all at once! Then, with a quick shift up or down the keyboard to get into position for the next group, that’s the whole trick for playing such passages with astonishing speed and ease! It takes time and effort to get the knack here, but the result can be transformative and thrilling! As for my adaptation of this study, I believe it offers intermediate advanced players the chance to enjoy a great leap in technique like the one I experienced, and also offers a piece of music that one might not blush to play outside the practice room-perhaps bringing it at least into the living room for a soirée, if not into the concert hall. To make this adaptation, I wrote a grumbly bass line with lungs, and nice fat chords to flesh out most of the skinny little triads that accompany the original study’s fast passages. I added a brooding, chromatic introduction that features as a melody the accompanimental figure of a broken triad that Le Couppey wrote a few times on the second page, in various inversions. I employed this broken chord figure several more times in both hands, and also added a little coda, sprinkled with sparkle. Playing time is about 1 minute and 30 seconds.
$3.99 ≈
3.58€
Riverside - Original Piano Solo - Challenging Contemporary Classical Composition
Riverside - Original Piano Solo - Challenging Contemporary Classical Composition
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Piano solo
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INTERMEDIATE/ADVANCED
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Joshua Popovici
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Riverside - Original Piano Sol
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Joshua Popovici
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1029079 Composed by Joshua Popovici. Classical,Contemporary,Pop. Score. 8 pages. Joshua Popovici #4629413...
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Piano Solo - Level 4 - Digital Download SKU: A0.1029079 Composed by Joshua Popovici. Classical,Contemporary,Pop. Score. 8 pages. Joshua Popovici #4629413. Published by Joshua Popovici (A0.1029079). I confess. There’re a lot of arrangements out there. But unlike everyone else. I keep the arrangements exciting and challenging for you. So, don’t fear! This song has been played live. And based on my 8 years of experience, it’s then tweaked to perfection. I believe you’re better off playing songs that focus on beautiful harmony and a little bit of challenge. This song is an original composition of Riverside as piano solo piece. Share this link with someone who might be like this song! As you play through this arrangement, you'll notice how all the different parts interact with each other. With each hand clearly playing it's own interesting melody. It’s a rich and complex song. Not only will you enjoy playing this, but listeners will also experience something unforgettable! Buy now. Practice Tomorrow. Preform later. And experience the joy of performing quality arrangements. Money back Guaranteed! Contact me if you need anything. You'll get a response ASAP. I'll be your free assistant :) Email me at josh1pop@gmail.com. The Goal: Professional Scores. Amazing Service. Best Value!
$3.98 ≈
3.57€
Song For Guy
Song For Guy
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Easy Piano
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BEGINNER
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Rock
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Elton John
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Leonie Capararo
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Song For Guy
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Notewell Music
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.892965 By Elton John. By Elton John. Arranged by Leonie Capararo. Pop,Rock. Score. 4 pages. Notewell Musi...
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Easy Piano - Level 1 - Digital Download SKU: A0.892965 By Elton John. By Elton John. Arranged by Leonie Capararo. Pop,Rock. Score. 4 pages. Notewell Music #5721523. Published by Notewell Music (A0.892965). This easy/beginner piano arrangement for the beginning pianist has clearly marked fingering and dynamics but still captures the atmosphere of the original. If you like this arrangement please leave a review. You might be interested in checking out 'I'm Still Standing', 'Writing's on the Wall' and 'Ob-La-Di'. I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.48€
I'm Still Standing
I'm Still Standing
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Easy Piano
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BEGINNER
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Rock
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Elton John
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Leonie Capararo
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I'm Still Standing
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Notewell Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.892890 By Elton John. By Bernie Taupin and Elton John. Arranged by Leonie Capararo. Pop,Rock. Scor...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.892890 By Elton John. By Bernie Taupin and Elton John. Arranged by Leonie Capararo. Pop,Rock. Score. 5 pages. Notewell Music #5306047. Published by Notewell Music (A0.892890). An easy piano arrangement of Elton John's dynamic 'I'm Still Standing' crafted for the beginner pianist. This simplified arrangement features meticulous fingering, accidentals throughout to avoid awkward key changes, full lyrics and chords. If you like this arrangement please leave a review. You might be interested in checking out 'Song For Guy', 'Bruises', 'Writing's on the Wall' and 'Ob-La-Di'. I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.48€
Both Sides Now
Both Sides Now
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Joni Mitchell
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edited by Dr
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Both Sides Now
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Dr. LeRoy Henry
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemp...
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Guitar - Level 4 - Digital Download SKU: A0.1375701 By Joni Mitchell. By Joni Mitchell. Arranged by edited by Dr. LeRoy Henry. 20th Century,Blues,Contemporary,Jazz,Pop. Guitar Tab. 8 pages. Dr. LeRoy Henry #960246. Published by Dr. LeRoy Henry (A0.1375701). As performed by Pat Martino on the Creative Force video Both Sides, Now is a song by Canadian singer-songwriter Joni Mitchell. First recorded by Judy Collins, it appeared on the US singles chart during the fall of 1968. The next year it was included on Mitchell's album Clouds, and became one of her best-known songs. It has since been recorded by dozens of artists, including Dion in 1968, Clannad with Paul Young in 1991, and Mitchell herself who re-recorded the song with an orchestral arrangement on her 2000 album Both Sides Now.Mitchell has said that Both Sides, Now was inspired by a passage in Henderson the Rain King, a 1959 novel by Saul Bellow.I was reading ... Henderson the Rain King on a plane and early in the book Henderson ... is also up in a plane. He's on his way to Africa and he looks down and sees these clouds. I put down the book, looked out the window and saw clouds too, and I immediately started writing the song. I had no idea that the song would become as popular as it did.Pat Martino recorded a short version of the tune on his 1975 album Consciousness. I was talking to him about the tune and said I seemed to have remebered a longer version. He said, yeah, there might be one somewhere. I think he was just messing with me and wanted me to look for it. I found it as one of the solo performances from his VHS, Creative Force. As what definately feels like a gift to me, Pat included all the bits and pieces of this extended composition in his True Fire course. I managed to put the pieces together and here is Both Sides Now/Inside synced to the recording.
$9.99 ≈
8.96€
I'm Still Standing
I'm Still Standing
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Piano, Voice
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INTERMEDIATE
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Rock
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Elton John
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Leonie Capararo
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I'm Still Standing
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Notewell Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.892891 By Elton John. By Bernie Taupin and Elton John. Arranged by Leonie Capararo. Pop,Rock. Scor...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.892891 By Elton John. By Bernie Taupin and Elton John. Arranged by Leonie Capararo. Pop,Rock. Score. 5 pages. Notewell Music #5306051. Published by Notewell Music (A0.892891). This arrangement of Elton John's dynamic 'I'm Still Standing' is for the Intermediate pianist. It captures all of the excitement of the original with carefully crafted fingering, a pumping bass line, lyrics and chords. You might be interested in checking out 'Bruises', 'Writing's On The Wall', 'Song For Guy, and 'Ob-La-Di'. I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.48€
Supermarket Flowers
Supermarket Flowers
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Piano, Voice
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INTERMEDIATE
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Pop music
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Ed Sheeran
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Leonie Capararo
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Supermarket Flowers
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Notewell Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.892924 By Ed Sheeran. By Benjamin Levin, Ed Sheeran, and Johnny McDaid. Arranged by Leonie Caparar...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.892924 By Ed Sheeran. By Benjamin Levin, Ed Sheeran, and Johnny McDaid. Arranged by Leonie Capararo. Contemporary. Score. 5 pages. Notewell Music #5335557. Published by Notewell Music (A0.892924). A moving transcription featuring an independent vocal line and supporting piano accompaniment in the original key of F# major. Vocal range suitable for male voices. Full lyrics and guitar chords. You might be interested in checking out 'Bruises', 'Writing's On The Wall', 'Song For Guy, and 'I'm Still Standing' I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.48€
Ob-la-di, Ob-la-da
Ob-la-di, Ob-la-da
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Piano, Voice
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EASY
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Rock
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The Beatles
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Leonie Capararo
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Ob-la-di, Ob-la-da
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Notewell Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.892888 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leonie Capararo. Rock. Score...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.892888 By The Beatles. By John Lennon and Paul McCartney. Arranged by Leonie Capararo. Rock. Score. 5 pages. Notewell Music #5306039. Published by Notewell Music (A0.892888). A bright arrangement of the Beatle's hit with carefully crafted fingering and articulation for the developing intermediate pianist. This arrangement is in the original key of Bb with all lyrics and chords. You might be interested in checking out 'Bruises', 'Writing's On The Wall', 'Song For Guy, and 'I'm Still Standing' I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.48€
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