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Missa secunda a 3
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You've selected:
Missa secunda a 3
Sheetmusic to print
11 sheet music found
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1
Missa secunda a 3 (Asola) - SSA or TTB
Missa secunda a 3 (Asola) - SSA or TTB
#
Choral 3-part
#
INTERMEDIATE
#
Giovanni Matteo Asola
#
Aristotle A
#
~11:45 (without Credo)
#
Missa secunda a 3
#
CantemusDomino.Net
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003396 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Classical...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1003396 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 13 pages. CantemusDomino.Net #3541717. Published by CantemusDomino.Net (A0.1003396). A polyphonic mass for three-voice choir by Giovanni Matteo Asola (c.1532–1609), consisting of the following movements:1. Kyrie (~2:15);2. Gloria (~3:15 plus chanted Gloria incipit [not included in score]);3. Credo (~5:45 plus chanted Credo incipit [not included in score]);4. Sanctus (~1:30);5. Benedictus (~1:00);6. Agnus Dei (~1:15 per invocation).A transposition is available for equal-voice choirs (SSA or TTB).Total length: ~17:30 (all movements); ~11:45 (without Credo); ~8:30 (without Gloria and Credo)Key: G DorianRange requirements (middle C = C4):· Cantus [Soprano I/Tenor I]: D4–F5 / D3–F4· Tenor [Soprano II/Tenor II]: D4–D5 / D3–D4· Bassus [Alto/Bass]: F3–Bâ™4 / F2–Bâ™3
$4.50 ≈
4.08€
Missa secunda a 3 (Asola) - SAT, SAB, STT, STB, AAT, AAB, ATT, or ATB
Missa secunda a 3 (Asola) - SAT, SAB, STT, STB, AAT, AAB, ATT, or ATB
#
Choral 3-part
#
INTERMEDIATE
#
Giovanni Matteo Asola
#
Aristotle A
#
~11:45 (without Credo)
#
Missa secunda a 3
#
CantemusDomino.Net
#
SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1003395 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Classical...
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1003395 Composed by Giovanni Matteo Asola. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 13 pages. CantemusDomino.Net #3541715. Published by CantemusDomino.Net (A0.1003395). A polyphonic mass for three-voice choir by Giovanni Matteo Asola (c.1532–1609), consisting of the following movements:1. Kyrie (~2:15);2. Gloria (~3:15 plus chanted Gloria incipit [not included in score]);3. Credo (~5:45 plus chanted Credo incipit [not included in score]);4. Sanctus (~1:30);5. Benedictus (~1:00);6. Agnus Dei (~1:15 per invocation).A transposition is available for equal-voice choirs (SSA or TTB).Total length: ~17:30 (all movements); ~11:45 (without Credo); ~8:30 (without Gloria and Credo)Key: D DorianRange requirements (middle C = C4):· Cantus [Soprano or Alto]: C4–C5 (Agnus Dei calls for one A3)· Tenor [Alto or Tenor]: A3–G4 (Gloria calls for one A4; Credo calls for two A4)· Bassus [Tenor or Baritone]: C3–D4 (Gloria calls for one E4; Credo calls for one F4 and two E4)
$4.50 ≈
4.08€
Kyrie from Missa secunda
Kyrie from Missa secunda
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE/ADVANCED
#
Hans Leo Hassler
#
Betsy Bright
#
Kyrie from Missa secunda
#
Bright Music Company
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302276 Composed by Hans Leo Hassler. Arranged by Betsy Bright. Religious,R...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1302276 Composed by Hans Leo Hassler. Arranged by Betsy Bright. Religious,Renaissance,Wedding. 15 pages. Bright Music Company #891890. Published by Bright Music Company (A0.1302276). The Kyrie of Hassler’s late 16th century Missa Secunda showcases the polyphony he was known for.  As with all BMC pieces, this has ample rest for the higher voices, plenty of action for the tuba, and it provides a stylistic and musical challenge while remaining physically light on the chops.  This is a great filler piece for any style of program.Difficulty Level:  3  (advanced intermediate ensemble skill)Duration: 1 1/2 minutes.
$15.00 ≈
13.62€
Brass Quartet - Hassler - Missa Secunda
Brass Quartet - Hassler - Missa Secunda
#
Brass ensemble
#
INTERMEDIATE
#
Hans Leo Hassler
#
Mike Lyons
#
Brass Quartet - Hassler - Miss
#
Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.767300 Composed by Hans Leo Hassler. Arranged by Mike Lyons. Baroque,Christmas,Renaissance,Sacred. Sc...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.767300 Composed by Hans Leo Hassler. Arranged by Mike Lyons. Baroque,Christmas,Renaissance,Sacred. Score and parts. 27 pages. Lyons Music Services #3412039. Published by Lyons Music Services (A0.767300). This is a setting for brass quartet of Hassler's second mass. The only sections included are the Kyrie and the Sanctus/Benedictus.It is a great addition to the repertoire and is suitable for concert as well as liturgical use. Hassler is a master of polyphony who was a worthy successor to the Gabrielis.Parts supplied :Part 1 in BbPart 2 in Eb/FPart 3 in Bb/F/C(Bass clef)Part 4 in Bb/Eb/C(Bass clef)
$5.00 ≈
4.54€
Kyrie
Kyrie
#
Choral 3-part
#
Hans Leo Hassler
#
W
#
Kyrie
#
Wilhelm Schmidt
#
SheetMusicPlus
Choral Choir (SAB) - Digital Download SKU: A0.806513 Composed by Hans Leo Hassler. Arranged by W. F. Schmidt. A Cappella,Christian,Renaissance,Sacred,Sta...
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Choral Choir (SAB) - Digital Download SKU: A0.806513 Composed by Hans Leo Hassler. Arranged by W. F. Schmidt. A Cappella,Christian,Renaissance,Sacred,Standards. Octavo. 6 pages. Wilhelm Schmidt #3479867. Published by Wilhelm Schmidt (A0.806513). This is an SAB version of the Kyrie from Hans Leo Hassler's Missa Secunda. Can be performed acapella or with the optional accompaniment. A great selection for worship or concert.
$2.00 ≈
1.82€
Gloria
Gloria
#
Choral 3-part
#
Hans Leo Hassler
#
W
#
from
Missa 
#
Gloria
#
Wilhelm Schmidt
#
SheetMusicPlus
Choral Choir (SAB) - Digital Download SKU: A0.806549 Composed by Hans Leo Hassler. Arranged by W. F. Schmidt. A Cappella,Renaissance,Sacred,Standards. Oc...
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Choral Choir (SAB) - Digital Download SKU: A0.806549 Composed by Hans Leo Hassler. Arranged by W. F. Schmidt. A Cappella,Renaissance,Sacred,Standards. Octavo. 11 pages. Wilhelm Schmidt #4312377. Published by Wilhelm Schmidt (A0.806549). This is an effective and useable acapella SAB arrangement of Hassler's Gloria from Missa Secunda. This arrangement is perfect for concert or worship. An optional accompaniment is included.
$2.00 ≈
1.82€
Hassler Gloria for Brass Quintet
Hassler Gloria for Brass Quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Hans Leo Hassler
#
Betsy Bright
#
Hassler Gloria for Brass Quint
#
Bright Music Company
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.964602 Composed by Hans Leo Hassler. Arranged by Betsy Bright. Concert,Renaissance,Sacred,Wedding. Sc...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.964602 Composed by Hans Leo Hassler. Arranged by Betsy Bright. Concert,Renaissance,Sacred,Wedding. Score and parts. 15 pages. Bright Music Company #6710099. Published by Bright Music Company (A0.964602). The Gloria of Hassler's late 16th century Missa Secunda showcases the polyphony he was known for. As with all BMC pieces, this has ample rest for the higher voices, plenty of action for the tuba, and it provides a stylistic and musical challenge while remaining physically light on the chops. This is a great filler piece for any style of program.
$15.00 ≈
13.62€
Josquin: 22 Duets for French Horn & Bass Trombone
Josquin: 22 Duets for French Horn & Bass Trombone
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for French H
#
jmsgu3
#
SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fes...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
29.91€
Josquin: 22 Duets for Trombone & Tuba
Josquin: 22 Duets for Trombone & Tuba
#
Josquin des Prez
#
James M
#
Josquin: 22 Duets for Trombone
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fe...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
29.91€
Josquin: 22 Duets for Trumpet & Bass Trombone
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet
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jmsgu3
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SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contes...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
29.91€
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone
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jmsgu3
#
SheetMusicPlus
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie....
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
29.91€
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