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My Lost Youth
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You've selected:
My Lost Youth
Sheetmusic to print
16 sheet music found
<
1
My Lost Youth
My Lost Youth
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Piano solo
#
EASY
#
Tom Edward Clark
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My Lost Youth
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Tom Edward Clark
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.991758 Composed by Tom Edward Clark. 20th Century,Contemporary,Standards. Score. 6 pages. Tom Edward Clar...
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Piano Solo - Level 2 - Digital Download SKU: A0.991758 Composed by Tom Edward Clark. 20th Century,Contemporary,Standards. Score. 6 pages. Tom Edward Clark #3074697. Published by Tom Edward Clark (A0.991758). My Lost Youth is a beautiful piece for solo piano. Written in 1995 by contemporary composer Tom Edward Clark (1968-), this lovely and uplifting melody will be enjoyed by pianists and listeners alike. PDF is formatted for double-sided printing. Early-intermediate level. www.TomClarkMusic.com
$3.50 ≈
3.27€
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
I Would Rock My Child to Sleep from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
#
Choral SATB
#
INTERMEDIATE
#
Dandelion Music Press
#
#
I Would Rock My Child to Sleep
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion M...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891206 Arranged by Dandelion Music Press. Contemporary,Folk,World. Octavo. 15 pages. Dandelion Music Press #3104497. Published by Dandelion Music Press (A0.891206). This tender lullaby is a touching memorial for an end of life commemoration of a parent or caregiver. Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infantIII. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.96€
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
Old Beggarman from "Lost Songs of Ancient Ireland" [SATB with Treble Descant]
#
Choral SATB
#
INTERMEDIATE
#
Traditional Irish
#
Laurie Betts Hughes
#
#
Old Beggarman from "Lost Songs
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Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891205 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 26 pages. Dandelion Music Press #3104495. Published by Dandelion Music Press (A0.891205). The first of three movements, here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project : Encore 2017Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved. I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WASet of three and single movements available for purchase.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10 ≈
1.96€
Lost Songs of Ancient Ireland [SATB with Treble Descant]
Lost Songs of Ancient Ireland [SATB with Treble Descant]
#
Choral SATB
#
INTERMEDIATE
#
Celtic/Irish
#
Folkloric/Traditional
#
Traditional Irish
#
Laurie Betts Hughes
#
#
Lost Songs of Ancient Ireland
#
Dandelion Music Press
#
SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.891204 Composed by Traditional Irish. Arranged by Laurie Betts Hughes. Contemporary,Folk,World. Octavo. 61 pages. Dandelion Music Press #3104111. Published by Dandelion Music Press (A0.891204). Here is a great opportunity to collaborate with a children's or youth choir and Irish instrumentalists, or to freely substitute any treble solo and Western instrumental equivalent.Included in Project:Encore 2017, Quarter 1 Lost Songs of Ancient Ireland, for Mixed Choir with Treble Descant, Piano or Harp, Bodhran, Irish Flute, and Violin, is a three-movement song cycle that focuses on the shifting relationships over the scope of a lifetime from the differing perspective of each person involved.I. Old Beggarman- Two interwoven jigs, It Was an Old Beggarman, Weary and Wet and Ag an mBóithrÃn Buà (At the Yellow Little Road), of both a young lady's observation of a wandering beggarman and his unrequited, possibly unexpressed, love for her. They are offered together as alternate perspectives from potential romantic partners, and features lilting, mouth music, or portaireacht bhéil (port a'bhéil, mouth-singing) as it is known in Irish Gaelic.II. I Would Rock My Child to Sleep- A sentimental Irish lullaby Irish lullaby Do Chuirfinnse Féin Mo Leanbh a Chodladh (I Would Put My Own Child to Sleep) highlights the shifting roles of a caregiver: the parent full of hopes of the parent for the child morphing over a lifetime into a blessing from the grown child to the aged parent. Each verse is progressively based upon an overall narrative: 1. hopes of the parent for the child 2. an easy, natural rhythm to family life, possibly the child is older now, and there is a dream of family continuance 3. uncertainty over who is nurturing who: does the child now sing to comfort the parent? 4. a closing blessing for peace and rest that hearkens back to the successful sleep of a tired infant III. The Drummer- An energetic reel, a combination of Maidin Fhómhair, nó CailÃn Péacach (The Harvest Maiden, or Sprouting Maiden) and Cormac Spáinneach, nó An Drumadóir (Cormac Spaineach, or The Drummer), alternating between romantic partners encased by a nostalgic love song, suggesting the passing of a lifetime.Commissioned by Cora Voce; Tacoma, WAMovements available for purchase separately.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$6.25 ≈
5.85€
Down By The Sally Gardens (Easy Piano Version)
Down By The Sally Gardens (Easy Piano Version)
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Piano solo
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EASY
#
Celtic/Irish
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Folkloric/Traditional
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Traditional
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Jan-Frerk Jelend
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Down By The Sally Gardens
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Jan-Frerk Jelend
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.942969 Composed by Traditional. Arranged by Jan-Frerk Jelend. Celtic,Contemporary,Folk,World. Score. 1 pa...
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Piano Solo - Level 2 - Digital Download SKU: A0.942969 Composed by Traditional. Arranged by Jan-Frerk Jelend. Celtic,Contemporary,Folk,World. Score. 1 pages. Jan-Frerk Jelend #3916991. Published by Jan-Frerk Jelend (A0.942969). ABOUT THE PIECEThis is a piano arrangement of the beautiful Irish ballad It was down by the Sally Gardens with lyrics by the famous poet William Butler Yeats. The song speaks about broken love and lost youth. My piano arrangement uses simple popular harmonies to let enough room to the beautiful Irish tune. The piece is rather easy to play (level 2-3), but develops a nice sound, and is really fun to learn and perform!If you want to contact me, send me an email to jf.jelend(AT)web.de
$2.49 ≈
2.33€
A Moon, A Minute
A Moon, A Minute
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Matthew Nunes
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A Moon, A Minute
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Matthew Nunes Music
#
SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew...
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Choral Choir - Level 5 - Digital Download SKU: A0.1262540 Composed by Matthew Nunes. A Cappella,Chamber,Classical,Contemporary. Octavo. 60 pages. Matthew Nunes Music #855564. Published by Matthew Nunes Music (A0.1262540). Listen to this piece here     During the spring of 2014 four of Jupiter’s moons captured my imagination with their distinctive features as well as the powerful myths associated with each name. For Europa, Ganymede, Callisto, and Io the musical ideas I would use for each became clearer the more I researched. I chose a mixed choir to convey these ideas as the human voice can convey the awe and unknown of space more convincingly than most instruments. Each movement is intended as a vignette evoking what impacted me the most about each moon: I. Europa     Able to drive Jupiter wild with her beauty, Europa was stolen away by the god and proved bountiful to her captor. The moon may have the potential to support life and is now a primary target of our scientific efforts. This movement celebrates this vitality with driving rhythms supporting a soothing melodic line. II. Ganymede      This movement is a lament for the youth and beauty that once had male and female lovers pining for Ganymede. The moon that shares his name, however, has lost its youth and has been declared geologically dead. Written for the males of the chorus this movement features stacking triads and evokes our past where the highest and most beautiful male voices were adored.  III. Callisto      Nearly killed by her own son after Hera (Jupiter’s wife) spitefully transformed her into a bear, Callisto was a beautiful nymph who Jupiter set amongst the stars as Ursa Major. The moon itself has had its share of harm: in the heavy bombardment period it was impacted multiple times by large objects, the many craters of which are visible. I wrote this movement as if it were a reassuring lullaby and is to be performed by the female voices. A solo oboe* carries the melody over thick chords and is later intertwined with the choir.         - *While oboe is the original intent for this movement a flute or violin would make for an acceptable substitution. IV. Io     Io is a woman who suffered greatly under Jupiter’s lust and the bitterness of Hera’s jealousy. This moon represents the frustrations of suffering with its hundreds of active volcanoes and undying rumblings beneath the surface. Because of this it is one of the most tumultuous objects in our galaxy.  The choir churns forth with motives based off of diminished chords until the pressure built up can no longer be contained – eruption is imminent.- Matthew NunesWindsor, August 2014.
$2.50 ≈
2.34€
Falling Apart-A Cabaret Song
Falling Apart-A Cabaret Song
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Voice solo
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INTERMEDIATE
#
Teresa O'Connell
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Falling Apart-A Cabaret Song
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Teresa O'Connell
#
SheetMusicPlus
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.956024 Composed by Teresa O'Connell (BMI). Broadway,Contemporary. 9 pages. Teresa O'Connell (BMI) #...
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.956024 Composed by Teresa O'Connell (BMI). Broadway,Contemporary. 9 pages. Teresa O'Connell (BMI) #5711245. Published by Teresa O'Connell (BMI) (A0.956024). Falling Apart- A Cabaret Song is a comedic song for the male or female over fifty singer. With proven audience appeal, relatable lyrics, and a catchy melody, Falling Apart- A Cabaret Song is the perfect addition to your cabaret show. Need a different key? Contact Teresa O'Connell directly at teresa@tjomusicsongs.com. A piano backing track is available for purchase on sheetmusicplus.com (item #767953).I'm falling apart, but not like you think...no lover lost, no sad farewell. Instead, I am sad because my youth is no more...just a thing of the past...So I buy expensive wrinkle cream and secretly try Botox. I'll save up for some Lipo, or get COOL SCULPTED! Try Zumba, and Yoga, and that boxing where you Kick. I'll eat less and move more, not accept time's cruel trick...But we'll fall apart together, my friends and me. We're sexy and grateful and free. We're falling apart, my friends and me. This is a guaranteed winner!
$9.99 ≈
9.35€
To Cassandra for spoken voice and bassoon
To Cassandra for spoken voice and bassoon
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David Warin Solomons
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To Cassandra for spoken voice
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.576771 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 2 pages. David Warin Solomons #431373. Published by David Warin Solomons (A0.576771). Setting of my father's translation of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken by my father S N Solomons The bassoon part is based on the song To Cassandra for alto and guitar, which is also available on this site [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty. [Ronsard's original poem] Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté.
$8.00 ≈
7.48€
A Cassandre for spoken voice and bassoon
A Cassandre for spoken voice and bassoon
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David Warin Solomons
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A Cassandre for spoken voice a
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and...
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Instrumental Duet Bassoon,Instrumental Duet,Voice - Digital Download SKU: A0.576770 Composed by David Warin Solomons. Contemporary,Renaissance. Score and parts. 2 pages. David Warin Solomons #429021. Published by David Warin Solomons (A0.576770). Setting of Ronsard's poem A Cassandre for speaking voice and bassoon In the sound sample the poem is spoken in modern French by my father S N Solomons who also created an English version as shown below The bassoon part is based on the song To Cassandra for alto and guitar, using my father's translation, which is also available on this site Mignonne, allons voir si la rose Qui ce matin avoit desclose Sa robe de pourpre au Soleil, A point perdu ceste vesprée Les plis de sa robe pourprée, Et son teint au vostre pareil. Las ! voyez comme en peu d'espace, Mignonne, elle a dessus la place Las ! las ses beautez laissé cheoir ! Ô vrayment marastre Nature, Puis qu'une telle fleur ne dure Que du matin jusques au soir ! Donc, si vous me croyez, mignonne, Tandis que vostre âge fleuronne En sa plus verte nouveauté, Cueillez, cueillez vostre jeunesse : Comme à ceste fleur la vieillesse Fera ternir vostre beauté. [English translation by SN Solomons] Darling, come see the rose so red, Which this morn timidly had spread Her mantle to the eye of day. Come see if she has lost this e'en Her crimson pleated robe's soft sheen, That same blush which on your cheek plays. See how in but a paltry hour She has let fall her ailing flower. Her beauty lies there in the dust! Alas! How cruel is Mother Nature, Since such a blossom can endure Only from trembling dawn to dusk. Darling you must indeed believe, Whilst innocence within you cleaves The bud and blooms in purity, Garner the gifts of tender youth, For, like this flower, age in sooth Will sadly spoil and tarnish beauty.].
$8.00 ≈
7.48€
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for tenor voice and piano
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Tenor voice
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ADVANCED
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik...
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Tenor Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.533282 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 21 pages. Musik Fabrik Music Publishing #2331251. Published by Musik Fabrik Music Publishing (A0.533282). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.86€
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
Gregory Sullivan Isaacs: Songs From Calamus for baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: Songs
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Musik Fabrik Music Publishing
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SheetMusicPlus
Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabri...
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Baritone Horn TC,Vocal Solo,Voice - Digital Download SKU: A0.533384 Composed by Gregory Sullivan Isaacs. Contemporary,Holiday,Love. 20 pages. Musik Fabrik Music Publishing #2803929. Published by Musik Fabrik Music Publishing (A0.533384). Whitman only published one book – Leaves of Grass – but it was always a work in progress. He added poems and revised others for each succeeding edition. Thus, the first edition (1819) was a small book with only 12 poems and the last, often refered to as the Deathbed Edition (1892), contained over 400. Some of these he wrote in “clusters†of related poems. Such is the case with the Calamus cluster. The title was chosen to alert the reader that these were poems about what he called “the love of comrades,†“manly love†or with the code word, “adhesiveness.†The concept of homosexuality, as we know it today, was very different in Whitman’s time, but violently socially taboo. Acorus calamus is a reed-like species of marsh grass. In Poetry and Prose, Whitman wrote that it s a … very large and aromatic grass, or root, spears three feet high—often called 'sweet flag'—grows all over the Northern and Middle States.†The phallic plant has always been a symbol of love and associated with the Greek myth of Kalamos, son of the river god who loved the youth Karpos. When Karpos died in a swimming accident, Kalamos transformed himself into a reed so he could always be near the spot where his beloved died, and the rustling of the reeds in the winds sounds like moans of mourning. The Calamus cluster, 39 poems in all, recount the story of a manly love found and lost from the perspective of some time later. They are bittersweet memories. I chose four poems for my own cluster. They represent the four stages of such a relationship: initial attraction, first coy interactions, full-blossomed love, and the bitterness of it’s ending. It is possible that these events actually happened or that they all occurred in the poets mind without ever revealing his thoughts to the intended. Some musical devices, such as the rustling of the leaves in the third song and the constant use of seconds as two people who are close but not yet together in the second one, are obvious. But, other than some indications of tempo, I hesitate to give out remarks about how to perform the songs, or even metronome markings, that might give the singer a preconceived notion. This situation has happened to everyone. So, I say to the singer: revive the memories of a similar event in your life: a particularly heartbreaking one is best. Bring the telling of that memory to the vivid present, and tell us that story as if it ending some time ago but the hurt remains strong, If, by some chance, the singer has not had this experience, he should wait to sing this cycle until he has. The composer
$16.95 ≈
15.86€
Phaethon for Solo Viola and Piano
Phaethon for Solo Viola and Piano
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Viola, Piano
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ADVANCED
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David F Wainwright
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Phaethon for Solo Viola and Pi
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D F Wainwright
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 p...
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Piano,Viola - Level 5 - Digital Download SKU: A0.771526 Composed by David F Wainwright. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. D F Wainwright #4352641. Published by D F Wainwright (A0.771526). PHAETHON was a youthful son of Helios who begged his father let him drive the chariot of the sun. The god reluctantly conceded to the boy's wishes and handed him the reigns. But his inexperience proved fatal, for Phaethon quickly lost control of the immortal steeds and the sun-chariot veered out of control setting the earth ablaze. Zeus, appalled by the destruction, smote the boy with a thunderbolt, hurling his flaming body into the waters of the River Eridanos. Phaethon's sisters, the Heliades, gathered on the banks and in their mourning were transformed into amber-teared poplar trees. This piece, written for my daughter, Penny, for her 2nd year recital at university, depicts the story of Phaethon, through to his destruction. The second piece, Tears of the Heliad, written for her degree recital and also published on SMP, finishes the story with the lamenting of the Heliades and their tears eventually turning to drops of golden amber
$10.99 ≈
10.28€
Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
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INTERMEDIATE
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Patriotic
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?
If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.
The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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$8.99 ≈
8.41€
Shawn Mendes: The Piano Medley by Costantino Carrara - Piano Solo
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Piano solo
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Costantino Carrara
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Shawn Mendes: The Piano Medley
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Musicnotes
Performed by: Costantino Carrara: Shawn Mendes: The Piano Medley - (There s Nothing Holdin Me Back - Mercy - Youth - In My Blood - Treat You Better - Lost in Ja...
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Performed by: Costantino Carrara: Shawn Mendes: The Piano Medley - (There s Nothing Holdin Me Back - Mercy - Youth - In My Blood - Treat You Better - Lost in Japan) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 9 pages -- Solo Instrumental~~Pop~~Dance-Pop~~Teen Pop
$9.99 ≈
9.35€
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My Lost Youth
