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No Time To Die for Concert Band
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You've selected:
No Time To Die for Concert Band
Sheetmusic to print
69 sheet music found
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No Time To Die for Concert Band
No Time To Die for Concert Band
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Concert band
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INTERMEDIATE
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Pop music
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Billie Eilish
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Graham Boag
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No Time To Die for Concert Ban
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SheetMusicPlus
By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag ...
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By Billie Eilish. Arranged by Graham Boag. Score, Set of Parts. 120 pages. Published by Graham Boag
No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast.
The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved "if any Bond things come up…whatever we have to do we will do". When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them "intensely uninspired" and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded.
Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was "so cool" and "really, really helpful." Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that "there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves". Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.
$59.99 ≈
¥426.71
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥341.07
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥341.07
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
¥277.41
A Promise to Stand By:
A Promise to Stand By:
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Concert band
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Contemporary
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #20...
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99 ≈
¥142.19
Je te veux by Erik Satie - Arranged for Concert Band
Je te veux by Erik Satie - Arranged for Concert Band
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Concert band
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INTERMEDIATE
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Classical
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Contemporary
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Erik Satie
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Alexandre CARLIN
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Je te veux by Erik Satie - Arr
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Alexandre CARLIN
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1121824 Composed by Erik Satie. Arranged by Alexandre CARLIN. 20th Century,Classical. Score and parts. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1121824 Composed by Erik Satie. Arranged by Alexandre CARLIN. 20th Century,Classical. Score and parts. 115 pages. Alexandre CARLIN #723017. Published by Alexandre CARLIN (A0.1121824). Je te veux, transcription for Concert Band of Satie's charming waltz. Grade 3. All instruments parts provided : flute 1&2, oboe, bassoon, Bb clarinets 1/2, bass clarinet, alto saxophone 1&2, tenor saxophone, baritone saxophone, Bb trumpets 1&2, F horns, trombone 1&2, euphonium (in C, Bb & Bb T.C.), tuba, Bb bass, Eb bass, timpani, mallets, percussion. Duration : 4:50. 32 pages score. 83 pages of parts. Erik Satie, was a French composer and pianist born in Honfleur on May 17, 1866 and died in Paris on July 1st, 1925. Associated for a time with symbolism, but unclassifiable, it was recognized as a precursor of several movements, including neoclassicism, surrealism, minimalism and repetitive music Je te veux is a song by Erik Satie for the music, and Henry Pacory for the lyrics. This sentimental slow waltz was created at La Scala, in Paris, in 1903, for the singer Paulette Darty, for whom Erik Satie was for a time the accompanist. The song was recorded in 1925 by Yvonne George. Check my other works for Concert Band : Original works S0.113817 - Petite Rhapsodie Arrangements of major orchestral works S0.659581 - Funeral March of a marionette (Gounod) S0.654713 - Hungarian Dance No.3 (Brahms) S0.631535 - Angelus (Massenet) Parade Marches S0.595771 - Pile ou Face (Heads or Tails) S0.595719 - Funny March' S0.594563 - Easy Parade And more to come ... My publisher's page https://www.sheetmusicplus.com/publishers/alexandre-carlin/3119 My YouTube Channel https://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQ Please like, share and subscribe for more works for Concert Band. www.alexandrecarlin.com.
$39.99 ≈
¥284.45
No Time To Die
No Time To Die
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Pop music
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Billie Eilish
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Max Stannard
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No Time To Die
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Max Stannard Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1236494 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Max Stannard. Film/TV,Pop. Brass Band. 44 pages. Max Stannard Music #832013. Published by Max Stannard Music (A0.1236494). This well know Bond theme by globally famous Billie Eilish, has been arranged as a soprano cornet solo for Bill Bailey to perform in concert. It is a haunting piece which will result in an impressive performance for your bands soprano concert player.
$29.99 ≈
¥213.32
Suite No.1 "Castrense" (MILITARY) For Symphonic Band - Score Only
Suite No.1 "Castrense" (MILITARY) For Symphonic Band - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1486054 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,Marc...
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Concert Band - Level 4 - Digital Download SKU: A0.1486054 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 67 pages. Martín Hernández S. #1063110. Published by Martín Hernández S. (A0.1486054). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service. Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00 ≈
¥142.26
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) Parts Only
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) Parts Only
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Concert band
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INTERMEDIATE/ADVANCED
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1486074 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,Marc...
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Concert Band - Level 4 - Digital Download SKU: A0.1486074 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 287 pages. Martín Hernández S. #1063132. Published by Martín Hernández S. (A0.1486074). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$100.00 ≈
¥711.30
Suite No.1 "Castrense" (MILITARY) For Symphonic Band
Suite No.1 "Castrense" (MILITARY) For Symphonic Band
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Concert band
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INTERMEDIATE/ADVANCED
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1486068 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,Marc...
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Concert Band - Level 4 - Digital Download SKU: A0.1486068 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 377 pages. Martín Hernández S. #1063126. Published by Martín Hernández S. (A0.1486068). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$100.00 ≈
¥711.30
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) - Score Only
Suite No.1 "Castrense" (MILITARY) For Symphonic Band (Second Version) - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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Martin Hernandez
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Martin Hernandez
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Suite No.1 "Castrense"
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Martín Hernández S.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1486069 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,Marc...
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Concert Band - Level 4 - Digital Download SKU: A0.1486069 By Martin Hernandez. By Martin Hernandez. Arranged by Martin Hernandez. Classical,Historic,March,Multicultural,Patriotic,World. 79 pages. Martín Hernández S. #1063127. Published by Martín Hernández S. (A0.1486069). Institutional ValuesMEXICAN DEPARTMENT OF THE NAVY.Honor. - Institutional Definition: [As a Personal principle]: It is the moral quality that leads the person to strict compliance with the commitments established with their Nation, the Institution, their fellow citizens and with themselves, conducting themselves with dignity, integrity and a spirit of justice in at all times on and off duty.It is understood as the naval virtue that motivates us to serve the noblest causes, with meritorious and even heroic actions aimed at the common good, being faithful to our own word and conscience, respecting the rights of others; It implies the voluntary act to know and do what is right for the Institution, with respect to our neighbors and ourselves, since our reputation depends on our actions in the service.Duty. - Institutional Definition: [As a Professional principle]: It is the vocation that naval personnel show to fully comply with the obligations that society and the service demand.Duty is the virtue that drives us to proceed with rectitude according to the principles of morality and legality, accepting the commitment to act with discipline to execute with courage, selflessness and selflessness; the responsibilities imposed on us by the hierarchy, position or commission.Loyalty. - Institutional Definition: [As an Institutional principle]: It is the conviction of fidelity towards the Nation, the Institution, superiority and subordinates.This conviction makes us commit to carrying out our obligations even in adverse circumstances, putting national interests and the well-being of society first, even sacrificing our personal benefit; quality that makes us trustworthy before our superiors, subordinates, colleagues and fellow citizens that strengthens esprit de corps and teamwork, essential capabilities for the cohesion and proper functioning of our Armed Forces.Patriotism. - Institutional Definition: [As a Constitutional principle]: It is the love, devotion and commitment that one has for Mexico and its symbols, always putting it before any personal and group interest.It translates into acts of dedication and sacrifice, which requires us to fulfill our obligation as citizens, sailors and soldiers, fighting to preserve our Nation and defend it until we achieve victory or lose our lives. Patriotism is the supreme value that makes all other fundamental values linked to service to Mexico.
$20.00 ≈
¥142.26
No Time To Die
No Time To Die
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Pop music
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Billie Eilish
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David Catherwood
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No Time To Die
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Opus 3 Music
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.739546 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by David Catherwo...
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Small Ensemble - Level 3 - Digital Download SKU: A0.739546 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by David Catherwood. Pop. Score and parts. 25 pages. Opus 3 Music #6566945. Published by Opus 3 Music (A0.739546). No Time to Die - The latest Bond theme in an easy arrangement for 3 part Flexible ensemble (includes parts for optional Percussion and Piano)This is the whole song in the original key so perfect to play as a band, orchestra ensemble item, accompany a singer or just play along with the original recording for fun! This straightforward arrangement is suitable for any combination of Brass, Woodwind, Strings. Whilst the arrangement is suitable for school ensembles it will also work well with experienced players.The arrangement also allows for a great deal of flexibility in presentation and will sound complete with a few players, yet the scoring allows for parts for all orchestra, concert band or brass band players. A piano part is included for rehearsal/performanceA full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 Melody in C (Violins, Oboe, Flute)Part 1 Melody in Bb (Clarinet in Bb, Trumpet/Cornet in Bb)Part 2 Harmony in C (Trombone, Bassoon, Cello)Part 2 Harmony in C in alto clef (Viola)Part 2 Harmony in Bb (Tenor Sax, Trombone/Baritone in Bb)Part 2 Harmony in Eb (Alto Saxophone, Eb Horn)Part 2 Harmony in F (Cor Anglais, Horn in F)Part 3 Bass in C (Cello, Double Bass, Bassoon , Bass Trombone)Part 3 Bass in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 3 Bass in Bb (Bb Bass Tuba, Trombone, Tenor Sax (treble clef)Percussion guidePiano/Keyboard
$19.99 ≈
¥142.19
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00 ≈
¥213.39
Edelweiss, Overture to the Folk Opera
Edelweiss, Overture to the Folk Opera
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Concert band
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ADVANCED
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Karel Komzák jr
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Albert Schwarzmann
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Edelweiss, Overture to the Fol
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1497141 Composed by Karel Komzák jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Perio...
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Concert Band - Level 5 - Digital Download SKU: A0.1497141 Composed by Karel Komzák jr. Arranged by Albert Schwarzmann. 19th Century,Opera,Romantic Period. 138 pages. Edition Schwalbe #1073563. Published by Edition Schwalbe (A0.1497141). Karel Komzák jr. was born in Prague, studied there violin and became a very successful conductor in the Austrian Empire. From 1883 he was bandmaster of the Imperial and Royal Infantry Regiment No. 84 in Vienna, the orchestra which was awarded the title of the best military band in the world at the World Exhibition in Paris in 1889. Komzák even conducted his Baden spa orchestra at the World Exhibition in Chicago 1904. His Folk Opera Edelweiss premiered in 1892 in Salzburg. The arrangement is one half tone higher than the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2018 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref= partner.jpc.de .
$106.00 ≈
¥753.98
Amazon Explorers - for beginning band
Amazon Explorers - for beginning band
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Concert band
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BEGINNER
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John McAllister
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Amazon Explorers - for beginni
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John McAllister
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1288190 Composed by John McAllister. 21st Century,Folk,Instructional,Multicultural,Video Game,World. Sc...
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Concert Band - Level 1 - Digital Download SKU: A0.1288190 Composed by John McAllister. 21st Century,Folk,Instructional,Multicultural,Video Game,World. Score and Parts. 25 pages. John McAllister #879195. Published by John McAllister (A0.1288190). Amazon Explorers is a captivating and evocative composition designed for young bands, taking young musicians and audiences on a thrilling journey deep into the heart of the Amazon rainforest. With a lightly programmatic approach, the piece artfully incorporates a rich array of wooden percussion instruments, including maracas, claves, and hand drums, to emulate the soundscape of the jungle. Mallet parts should be played on available wooden instruments like xylophone or marimba.The piece utilizes modal melodies and harmonies to create a unique texture for the beginning band. Examples include non-scalar patterns and open fifths at times. This can be beneficial to change things up for the young performer when learning various note patterns. There are no written dynamics, but add them in if the group is ready! This piece directly correlates with the Foundation Warm-Up Series, specifically set two. The series is designed to follow most beginning band methods. The early sets focus primarily on airflow, common patterns, and reinforcing concepts presented in the method books. As the series develops, the sets become more like a traditional band warm-up, including long tones, flexibility exercises, articulation, scale patterns, and a chorale.
$30.00 ≈
¥213.39
No Zouk - Zouk for Concert Band
No Zouk - Zouk for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Thiago Osorio
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No Zouk - Zouk for Concert Ban
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Thiago Osorio Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.946725 Composed by Thiago Osorio. Latin,Pop,Standards,World. Score and parts. 95 pages. Thiago Osorio M...
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Concert Band - Level 4 - Digital Download SKU: A0.946725 Composed by Thiago Osorio. Latin,Pop,Standards,World. Score and parts. 95 pages. Thiago Osorio Music #6534475. Published by Thiago Osorio Music (A0.946725). ''No Zouk'' (in english: ''In the Zouk'') is a theme composed for Concert Band inspired in Zouk rythm. At the same time that it explores the interaction between the suits, it is a light and danceable piece, bringing joy and movement to the band and the audience.
$25.00 ≈
¥177.83
Pavane d'Arbeau - for Flexband or Ensemble
Pavane d'Arbeau - for Flexband or Ensemble
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Concert band
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EASY
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Renaissance
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Thoinot Arbeau
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Alexandre CARLIN
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Pavane d'Arbeau - for Flexband
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Alexandre CARLIN
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.779834 Composed by Thoinot Arbeau. Arranged by Alexandre CARLIN. Renaissance. Score and parts. 29 pages...
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Concert Band - Level 2 - Digital Download SKU: A0.779834 Composed by Thoinot Arbeau. Arranged by Alexandre CARLIN. Renaissance. Score and parts. 29 pages. Alexandre CARLIN #5359925. Published by Alexandre CARLIN (A0.779834). The Pavane is a slow processional dance common in Europe during the 16th century (Renaissance). Thoinot Arbeau was a french composer from the 16th century.This arrangement for flexband can be a good opportunity for students to learn how to play in common cut time.8 pages Score, 17 pages Parts . Duration 1:40.All parts provided.Check my other works for band :Original works S0.113817 - Petite RhapsodieArrangements of major orchestral worksS0.729699 - Allegretto from symphony No.7 (Beethoven)S0.654713 - Hungarian Dance No.3 (Brahms)S0.654699 - Hungarian Dance No.11 (Brahms)S0.659581 - Funeral March of a Marionette (Gounod)S0.631535 - Angelus (Massenet)Parade MarchesS0.595771 - Pile ou Face (Heads of Tails)S0.595719 - Funny March'S0.594563 - Easy ParadeAnd more to come ...My publisher's pagehttps://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My YouTube Channelhttps://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQPlease like, share and subscribe for more works for Concert Band.www.alexandrecarlin.com
$9.95 ≈
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Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
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¥213.32
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
¥177.75
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No Time To Die for Concert Band
