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You've selected:
Nocturne Serenade Violin
Sheetmusic to print
6 sheet music found
<
1
Nocturne Serenade - Violin & Piano
Nocturne Serenade - Violin & Piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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James Michael Stevens
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James Michael Stevens
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Nocturne Serenade - Violin & P
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James M Stevens Music ASCAP
#
SheetMusicPlus
Instrumental Duet,Piano Piano,Violin - Level 4 - Digital Download SKU: A0.572162 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20...
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Instrumental Duet,Piano Piano,Violin - Level 4 - Digital Download SKU: A0.572162 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Holiday,Sacred,Standards,Wedding. 5 pages. James M Stevens Music ASCAP #3046861. Published by James M Stevens Music ASCAP (A0.572162). This is an original composition for solo violin and piano in a lyrical and romantic style. There is a separate violin part in the score. The piano track is available as well under Nocturne Serenade PIANO TRACK. James Michael Stevens is a prolific composer residing in Nashville, TN.
$6.99 ≈
$9.42
Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
#
Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
$17.45
First Solo Album for Violin
First Solo Album for Violin
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Harvey S
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First Solo Album for Violin
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Rubank Publications
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SheetMusicPlus
Violin - Grade 2 SKU: HL.4472610 In Elementary First Position. Arranged by Harvey S. Whistler and Herman Hummel. Rubank Solo Collection. Concert, ...
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Violin - Grade 2 SKU: HL.4472610 In Elementary First Position. Arranged by Harvey S. Whistler and Herman Hummel. Rubank Solo Collection. Concert, Contest. 24 pages. Rubank Publications #RUBL171. Published by Rubank Publications (HL.4472610). ISBN 9781540001726. UPC: 073999726107. 9.0x12.0x0.096 inches.With piano accompaniment String teachers have long turned to the First Album series to fulfill the need for fun, educational first-year solo and ensemble music. Familiar classics and original works are presented, each in elementary first position. All material has been carefully edited and bowed. Includes: Autumn Nocturne * Christmas Serenade * Clown Dance * Cradle Song * Evening Bells * In a Clock Store * On Wings of Song (Mendelssohn) * Prince Charming Rondo * Starlight Waltz * Theme and Variation * To a Wild Rose (MacDowell).
Song List
: Joy To The World Silent Night Autumn Nocturne (Whistler) Clown Dance (H.A.Hummel) Cradle Song (Hauser M) Evening Bells (H.A.Hummel) In A Clock Store (Orth) Prince Charming(Rondo) Dancla Theme & Variation (Dancla) Starlight Waltz To A Wild Rose, Op. 51, No. 1 O Come, All Ye Faithful On Wings Of Song (Auf Flugeln Des Gesanges)
$7.99 ≈
$10.77
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
Beginning Method For Violin - Volume 1 (Modern Hohmann-Wohlfahrt In Two Volumes)
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Violin
SKU: HL
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Beginning Method For Violin -
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Rubank Publications
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SheetMusicPlus
Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Publ...
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Orchestra; Violin SKU: HL.4472510 Volume 1. Edited by Harvey S. Whistler. String Method. Instruction. 48 pages. Rubank Publications #RUBL116. Published by Rubank Publications (HL.4472510). ISBN 9781540001696. UPC: 073999725100. 9.0x12.0x0.168 inches.Hohmann-Wohlfahrt Method for Violin, Volume I (Introducing the First Position) (Whistler).
Song List
: The First Noel Just A Song At Twilight (Love's Old Sweet Song) Largo Long, Long Ago Old Black Joe Processional (Williams L) Silent Night Spring Song, Op.68 #15 Autumn Song Polish Dance Aria (Weber) Aria (Handel) Duet (Hohmann) Aria (Hohmann) Morning Song (Hohmann) Serenade (Hohmann) Scotch Air Soldier's March (Hohmann) Homeward Bound (H0hmann) Night Winds (Hohmann) Aria (Donizetti) Festival Day (Balfe) Duet (Wohlfahrt) Pomp And Chivalry (Wohlfahrt) Andantino (Pleyel) Allegro De Concert (Dancla) Allegretto Con Variazioni(Pleyel Valse Evening Song My Bonnie Lies Over The Ocean Little Brown Jug Barcarolle Country Dance Waltz Auld Lang Syne Ode To Joy Home On The Range Caprice Jingle Bells Nocturne, Op. 33 O Come, All Ye Faithful Folk Dance, Op. 39, No. 13 Waltz, Op. 39, No. 8
$7.99 ≈
$10.77
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sérénade for
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
$22.84
SQ15 ... Hommage à DSCH (2021) for string quartet
SQ15 ... Hommage à DSCH (2021) for string quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
#
Contemporary
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Thomas Oboe Lee
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SQ15 ... Hommage à DSCH
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Thomas Oboe Lee
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pag...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869862 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 35 pages. Thomas Oboe Lee #6448257. Published by Thomas Oboe Lee (A0.869862). Dmitri Shostakovich wrote 15 string quartets. As a tribute to him and his glorious music, my 15th string quartet is dedicated to his memory. The first movement takes on a theme that Dmitri Shostakovich has used many times in his music, especially in his String Quartet No. 8 - the DSCH theme. Bach actually came up with the idea. In his Art of the Fugue, the letters in his name Bach is translated to the musical notes: Bb, A, C and B-natural. Dmitri did the same, but in his case the notes are D, Eb, C and B. My first movement begins with the 2nd violin playing an inversion of the DSCH theme: Eb, D, B and C. Then the 1st violin enters with the original DSCH, which is eventually followed by the viola playing the same DSCH theme, but submerged in a fog of harmony. The cello plays a pedal D … for Dimitri. The idea for the second movement Serenade came from his SQ15, second movement, where the 2nd violin and the viola play a fortissimo quadruple stop pizzicati. I coopted his 8-note chord but used only 6 of them for the ostinato pattern in my movement. Incidentally, the publisher forgot to add an alto clef for the viola part … The third movement in the Nocturne is a Largo in 5/4 that features the cello and the 1st violin. It has nothing to do with DSCH’s music, except for the title. The fourth movement is Intermezzo. Both this title and the previous Nocturne are from his SQ15. But the motivic idea is actually something I stole from his SQ4, third movement. In his case it is a repeated C and G in the 2nd violin and viola in 4/4 meter. I kept the repeated G in the 2nd violin, but I altered the viola part and changed the meter to 3/4. It doesn’t sound like DSCH at all. The fifth movement theme is also an idea I grabbed from his SQ4, second movement: A dyad of F and Ab in 3/4, repeated, in an andante movement. I used the same dyad, F and Ab, but slowed it down to a 6/4 and titled it Trauer-Marsch as DSCH did for the fifth movement of his SQ15. The idea for my sixth movement is stolen from DSCH’s SQ2, third movement, which is titled Valse. The 2nd violin and viola play a persistent pah-pah of the usual Oom-pah-pah of a fast waltz. That is what I used (not an uncommon device in all waltzes), but I altered the top line to something more interesting that just repeating the same notes. His waltz begins in Eb minor, but mine is in the relative major of Gb. The last movement is the Epilogue, as it is in DSCH’s SQ15. The only thing I borrowed from his epilogue is the opening chord of an Eb minor triad. The music that follows has nothing to do with DSCH. Mine is a slow, evolving set of chord progressions that sounds like a dirge: gliding through the waters on a gondola in the canals of Venice on its way to Isola di San Michele.
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