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102 sheet music found
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Aida - Prelude from the Opera for Brass Quintet
Aida - Prelude from the Opera for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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ADVANCED
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Classical
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Giuseppe Verdi
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Thomas Jostlein
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Aida - Prelude from the Opera
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Cherry Classics Music
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SheetMusicPlus
Brass Quintet - Advanced - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of ...
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Brass Quintet - Advanced - Digital Download Composed by Giuseppe Verdi (1813-1901). Arranged by Thomas Jostlein. Romantic Period, Opera. Score, Set of Parts. 11 pages. Published by Cherry Classics Music
Verdi's most popular opera Aïda was premiered in 1871 and has been possibly performed more than any other....over 1,100 times at the Metropolitan Opera alone.
Preludio begins quietly and mysteriously and quickly builds to a gigantic emotional climax and just as quickly dies down to nothing again...foreshadowing what will occur in the opera.
Thomas Jöstlein has beautifully arranged this passionate work of about 4 minutes in length for Brass Quintet composed of advanced performers.
Instrumentation is for 2 Trumpets in C, Horn in F, Trombone and Tuba.
This arrangement is dedicated to the Metropolitan Opera Brass Quintet.
$20.00
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. ...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
Nothin's Gonna Stop Us Now
Nothin's Gonna Stop Us Now
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Rock
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Chicago
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Patrick Sheehan
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Nothin's Gonna Stop Us Now
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble - Level 5 - Digital Download SKU: A0.748016 By Chicago. By Buzzy Feiten and Jason Scheff. Arranged by Patrick Sheehan. Pop,Rock. Score and...
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Small Ensemble - Level 5 - Digital Download SKU: A0.748016 By Chicago. By Buzzy Feiten and Jason Scheff. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 76 pages. Patrick Sheehan #5040859. Published by Patrick Sheehan (A0.748016). INSTRUMENTATION: Lead Vocal, Background Vocal I, Background Vocal II, Background Vocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb), Trumpet (Bb), Trombone, Keyboard I, Keyboard II, Keyboard III, Electric Guitar, Bass, Drumset. All parts transcribed by ear from the album CHICAGO 18, released in 1986. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
I Am Worth Nothing, a micro-opera for soprano, mezzo, bass, and piano
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Libretto by Lisa Kay Adam
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I Am Worth Nothing, a micro-op
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Adrienne Inglis
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SheetMusicPlus
Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 By Libretto by Lisa Kay Adam. By Adrienne Inglis (ASCAP). 21st Century,...
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Bass Voice,Mezzo-Soprano Voice,Piano - Level 4 - Digital Download SKU: A0.1457162 By Libretto by Lisa Kay Adam. By Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Multicultural,Opera,World. 24 pages. Adrienne Inglis (ASCAP) #1036203. Published by Adrienne Inglis (ASCAP) (A0.1457162). Powerful and dramatic Native American micro-opera, 10-11 minutes, for three singers and piano, simple stagingI am worth nothing (2022)Micro-opera for soprano, mezzo, bass, and pianoLibretto — “I am worth nothing — Pīntci nakāmmam axām,” poem by Lisa Kay Adam from her book xuāi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration 10-11 minutesDifficulty 4 intermediate/advancedLanguage — English and Coahuilteco3 Mar 2024 — One Ounce Opera presents the micro-opera I am worth nothing during its 6th Annual Fresh Squeezed Ounce of Opera, Austin, Texas — watch here:https://youtu.be/2Aau7V7vJcE?feature=shared
$5.99
There's Nothing Better Than This
There's Nothing Better Than This
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Fred Frabotta
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There's Nothing Better Than Th
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Fred Frabotta
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SheetMusicPlus
Instrumental Solo,Medium Voice,Piano - Digital Download SKU: A0.1029354 Composed by Fred Frabotta. Concert,Opera. Score and individual part. 4 pages. Fre...
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Instrumental Solo,Medium Voice,Piano - Digital Download SKU: A0.1029354 Composed by Fred Frabotta. Concert,Opera. Score and individual part. 4 pages. Fred Frabotta #4832525. Published by Fred Frabotta (A0.1029354). This Opera Aria is from a one-act opera by Fred Frabotta. It's written for a baritone voice. The range is B2 to D4. The aria is sung by the husband character (Donald) who is reassuring his wife of his love for her at the end of the opera It's a good aria for auditions, with lyrical melodic lines to show the colors and beauty of your voice. It's available here for voice with piano accompaniment. It can be sung by students and/or professional singers.
$4.99
Retirement means nothing (x2)
Retirement means nothing (x2)
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Tenor voice
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INTERMEDIATE/ADVANCED
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Gary D
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#
Retirement means nothing
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DR GARY D BELSHAW
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796577 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 19 pages. DR GAR...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796577 Composed by Gary D. Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 19 pages. DR GARY D BELSHAW #2860055. Published by DR GARY D BELSHAW (A0.796577). Dr. Waldemaar has recently invested his retirement in a coffee shop. He is also the recently retired Director of Opera at a fictitious urban university’s School of Music, just blocks away from the coffee shop. In this aria from the opera, Incident at Burro Java, he sings of the joy he finds in teaching singers while recounting highlights of his performing career. Enjoy this insight into the mind of a voice teacher; you may find a deeper respect and a better understanding of yours. Your download will also include an accompanist copy. The role of Dr. Waldemaar was created by Chris Kirby for the premiere of Incident at Burro Java, April 14 and 15, 2016, in Plainview,Texas.
$5.99
Retirement means nothing
Retirement means nothing
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Tenor voice
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INTERMEDIATE/ADVANCED
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Gary D
#
#
Retirement means nothing
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DR GARY D BELSHAW
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796588 Composed by Gary D.Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 8 pages. DR GARY ...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.796588 Composed by Gary D.Belshaw (ASCAP). Contemporary,Musical/Show,Opera. 8 pages. DR GARY D BELSHAW #2927209. Published by DR GARY D BELSHAW (A0.796588). Dr. Waldemaar has recently invested his retirement in a coffee shop. He is also the recently retired Director of Opera at a fictitious urban university’s School of Music, just blocks away from the coffee shop. In this aria from the opera, Incident at Burro Java, he sings of the joy he finds in teaching singers while recounting highlights of his performing career. Enjoy this insight into the mind of a voice teacher; you may find a deeper respect and a better understanding of yours. The role of Dr. Waldemaar was created by Chris Kirby for the premiere of Incident at Burro Java, April 14 and 15, 2016, in Plainview,Texas.
$3.99
The Phantom Of The Opera
The Phantom Of The Opera
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Bass guitar
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ADVANCED
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Iron Maiden
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Igor Sardi Bass
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The Phantom Of The Opera
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Igor Sardi Bass
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SheetMusicPlus
Bass Guitar - Level 5 - Digital Download SKU: A0.1267910 By Iron Maiden. By Steve Harris. Arranged by Igor Sardi Bass. Funk,Punk,Rock. Score. 7 pages. Ig...
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Bass Guitar - Level 5 - Digital Download SKU: A0.1267910 By Iron Maiden. By Steve Harris. Arranged by Igor Sardi Bass. Funk,Punk,Rock. Score. 7 pages. Igor Sardi Bass #860460. Published by Igor Sardi Bass (A0.1267910). For version without tab, please contact me - igorsardi@gmail.comI transcribed about 1,000 songs, especially the bass and double bass lines. I will gradually publish them all on this site. My transcriptions are professional, done using only my skills and my ear. There is nothing copied. On my site (www.igorsardi.com) you can also find various collections (Queen, Jaco Pastorius, Flea, etc) and many teaching methods at unbelievable prices!Email: Â igorsardi@gmail.comWebsite: Â https://www.igorsardi.comInstagram: https://www.instagram.com/igor_sardi_bass/Facebook page: Â https://www.facebook.com/igorsardibassFacebook: https://www.facebook.com/igor.sardiYoutube (Over 500 videos): https://www.youtube.com/c/IgorSardiBass36.
$9.99
Nothing Gold Can Stay (Vocal Quartet - (SATB)
Nothing Gold Can Stay (Vocal Quartet - (SATB)
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Choral SATB
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EASY
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Broadway
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Stephen DeCesare
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Nothing Gold Can Stay
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Exultet Music
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SheetMusicPlus
By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show, Opera. Score. 6 pages. Exultet Music #128524....
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By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show, Opera. Score. 6 pages. Exultet Music #128524. Published by Exultet Music
$12.99
Nothing Gold Can Stay (Vocal Trio - (SAB)
Nothing Gold Can Stay (Vocal Trio - (SAB)
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Choral 3-part
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EASY
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Broadway
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Stephen DeCesare
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Nothing Gold Can Stay
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Exultet Music
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SheetMusicPlus
By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show, Opera. Score. 6 pages. Exultet Music #128526....
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By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show, Opera. Score. 6 pages. Exultet Music #128526. Published by Exultet Music
$12.99
Nothing Gold Can Stay (SAB)
Nothing Gold Can Stay (SAB)
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Choral 3-part
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EASY
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Broadway
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Stephen DeCesare
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Nothing Gold Can Stay
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Exultet Music
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show...
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Choral Choir (SAB) - Level 2 - Digital Download By Stephen DeCesare. By Stephen DeCesare. Broadway, Classical, Contest, Festival, Film/TV, Musical/Show, Opera. Octavo. 6 pages. Exultet Music #128525. Published by Exultet Music
$3.99
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
I am worth nothing (PÄ«ntci nakÄmmam axÄm) for soprano and piano
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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I am worth nothing
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Adrienne Inglis
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne I...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.953635 Composed by Adrienne Inglis (ASCAP). Contemporary,Sacred,World. 16 pages. Adrienne Inglis (ASCAP) #6883999. Published by Adrienne Inglis (ASCAP) (A0.953635). Hot off the press! Dramatic, almost operatic song for soprano and piano (with rattle and mallet) that brings to life the tragic story of two Coahuilteco sisters sold into slavery during the Spanish mission era in Texas I am worth nothing (2022), a song for soprano and piano by Adrienne Inglis (ASCAP)Commissioned by Inversion Ensemble for Eternal Graffiti April 9, 2022, Austin, TexasProgram note: Commissioned by Inversion Ensemble and composed by Adrienne Inglis, I am worth nothing sets a stunning Coahuilteco/English poem by Texas poet Lisa Kay Adam. From the phrase PÄ«ntci nakÄmmam axÄm (I am worth nothing), Adam creates a vivid story of two young Coahuiltecan sisters and their encounters with newly arrived Spanish settlers and mission priests in the eighteenth century. Musically, the florid phrases and haunting modalities join with the sounds of drums and melancholic bells to paint a picture of exploitation, early death, and a lost way of life in the western gulf coastal plains.Text: I am not worthy - PÄ«ntci nakÄmmam axÄm, poem by Lisa Kay Adam from her book xuÄi: mission, house, village, town, published in 2018 by Lamar University Literary Press, used with permissionDuration: 9:06 (at most)World premiere: Eternal Graffiti with soprano Katrina Saporsantos and pianist Benjamin Dia April 9, 2022 Austin, Texashttps://www.chaskimusic.com/adrienne
$4.99
Nothing Between--Solo Vocal
Nothing Between--Solo Vocal
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Sacred music
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Gospel/Spiritual
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F
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Marilyn Thompson
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Nothing Between--Solo Vocal
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Marilyn Thompson
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.809583 Composed by F. A. Clark. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. 6 pages. Mar...
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Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.809583 Composed by F. A. Clark. Arranged by Marilyn Thompson. Christian,Gospel,Sacred. 6 pages. Marilyn Thompson #6292483. Published by Marilyn Thompson (A0.809583). This not widely known hymn as sung by international operatic baritone, Robert McFarland, in his album entitled Nothing Between. reminds us that our daily pace is often hectic and we often need the gentle reminder to keep the way clear and let nothing come between us and the Lord in our daily lives. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
$3.99
The Master Singers of Nuremberg
The Master Singers of Nuremberg
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Piano, Voice
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Opera
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Richard Wagner
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The Master Singers of Nurember
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SheetMusicPlus
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal ...
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.
An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
Mozart: Balletmusik zur Pantomime "Les petits riens" Overture K299b K.anh 10 - wind dectet
Mozart: Balletmusik zur Pantomime "Les petits riens" Overture K299b K.anh 10 - wind dectet
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Classical
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Wolfgang Amadeus Mozartt
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Ray Thompson
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Mozart: Balletmusik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble - Level 4 - Digital Download SKU: A0.555861 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. Score and parts. 28...
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Large Ensemble - Level 4 - Digital Download SKU: A0.555861 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. Score and parts. 28 pages. RayThompsonMusic #5041165. Published by RayThompsonMusic (A0.555861). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.This arrangement for wind dectet and bass is the Overture.Horn parts are for natural horns in C bassoThe score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.
$14.95
Mozart: Balletmusik zur Pantomime "Les petits riens" K299b K.anh 10 No.10 Pantomine - wind quintet
Mozart: Balletmusik zur Pantomime "Les petits riens" K299b K.anh 10 No.10 Pantomine - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozartt
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Ray Thompson
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Mozart: Balletmusik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553875 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553875 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 9 pages. RayThompsonMusic #5214645. Published by RayThompsonMusic (A0.553875). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement of no.12 Pantomine is for wind quintetIt has been transposed from A into Bb to aid the clarinet player.The original natural Horn part is in Bb basso (alternative Horn in F)Other mvts are available.
$7.95
Mozart: Balletmusik zur Pantomime "Les petits riens" K299b K.anh10 No.12 Gavotte - wind quintet
Mozart: Balletmusik zur Pantomime "Les petits riens" K299b K.anh10 No.12 Gavotte - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozartt
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Ray Thompson
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Mozart: Balletmusik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553864 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical....
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553864 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical. 7 pages. RayThompsonMusic #5044243. Published by RayThompsonMusic (A0.553864). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.Arranged wind quintet.This arrangement for wind quintetHorn part is in Bb bassoOther mvts are available.
$7.95
Mozart: A Selection of 3 Pieces from Balletmusik zur Pantomime "Les petits riens" K299b K.anh 10 -
Mozart: A Selection of 3 Pieces from Balletmusik zur Pantomime "Les petits riens" K299b K.anh 10 -
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozartt
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Ray Thompson
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Mozart: A Selection of 3 Piece
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553863 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical,...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.553863 Composed by Wolfgang Amadeus Mozartt. Arranged by Ray Thompson. Classical,Concert. 19 pages. RayThompsonMusic #5042499. Published by RayThompsonMusic (A0.553863). A selection of 3 Pieces: Gavotte, Gavotte Gracieuse and Pantomine.Clarinet part in Bb/AHorn Part in F/ALes petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.This arrangement for wind quintetHorn parts are for natural horns in F and A.Clarinet in Bb/A.The score, catalogued as K. 299b, was thought lost, but it was rediscovered in the Paris Opera's archives in the late 19th century[1] and has since entered both the ballet and symphonic repertoire.
$14.95
Mozart: Balletmuzik zur Pantomine “Les petits riens” Nos. 6 to 13 - wind dectet/bass
Mozart: Balletmuzik zur Pantomine “Les petits riens” Nos. 6 to 13 - wind dectet/bass
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Classical
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Wolfgang Amadeus Mozart
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Ray Thompson
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Mozart: Balletmuzik zur Pantom
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by ...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.553948 Composed by Wolfgang Amadeus Mozart. Arranged by Ray Thompson. Classical. Score and parts. 55 pages. RayThompsonMusic #6328785. Published by RayThompsonMusic (A0.553948). Les petits riens (French for The Little Nothings) is a ballet in one act and three tableaux by Jean-Georges Noverre, with music by Wolfgang Amadeus Mozart and other unknown composers, possibly including François-Joseph Gossec[citation needed], first performed at the Academie Royale de Music in Paris on 11 June 1778.While Mozart was staying in Paris, Noverre asked him to compose a new score for a ballet that he had created in Vienna in 1767. The ballet was to be danced as an interlude in the new opera Le finte gemelle by Niccolò Piccinni.[1] The opera was a flop and closed after four performances. Although the ballet music was well-received,[2] Mozart was not credited with it, and he was at the time little-known in Paris.An arrangement for wind dectet of movts. 6 to 13. (Overture available separately)6 Gavotte 7 Adagio 8.Gigue 9.Gavotte Gracieuse 10.Pantomine 11.Passepied 12.Gavotte 13.AndanteHorn parts are for Natural Horns in F, D, A and Bb basso
$19.95
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