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Nowhere to Go, so Here We Go
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You've selected:
Nowhere to Go, so Here We Go
Sheetmusic to print
5 sheet music found
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1
Nowhere to Go, so Here We Go
Nowhere to Go, so Here We Go
#
Paul Burnell
#
Nowhere to Go, so Here We Go
#
Paul Burnell
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. ...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835763 Composed by Paul Burnell. Contemporary. Score and parts. 6 pages. Paul Burnell #3057427. Published by Paul Burnell (A0.835763). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
¥14.45
Charon Charon
Charon Charon
#
Paul Burnell
#
Charon Charon
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Paul Burnell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages....
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835760 Composed by Paul Burnell. Contemporary. Score and parts. 11 pages. Paul Burnell #3057423. Published by Paul Burnell (A0.835760). The ‘Little Era Ending Songs’ are for soprano and vibraphone.Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry.There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’.The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
¥14.45
Left Unsaid
Left Unsaid
#
Paul Burnell
#
Left Unsaid
#
Paul Burnell
#
SheetMusicPlus
Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. ...
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Instrumental Duet Instrumental Duet,Vibraphone,Voice - Digital Download SKU: A0.835762 Composed by Paul Burnell. Contemporary. Score and parts. 4 pages. Paul Burnell #3057425. Published by Paul Burnell (A0.835762). The ‘Little Era Ending Songs’ are for soprano and vibraphone. Each of the songs are a brief reflection on the demise of the human race presented in moods ranging from sombre to ironic to wry. There are seven songs in the series: ‘So Many Will Fall’, ‘Turning Round the Sun’, ‘Charon Charon’, ‘Left Unsaid’, ‘The Petri Dish’, ‘The Last Lullaby’, and ‘Nowhere to Go, so Here We Go’. The songs may be performed independently, or severally together in any order. The songs are dedicated to Chris Brannick and Sara Stowe, and were first performed by them on 14 November 2015’ at the Friends Meeting House, Brighton, UK.
$1.99 ≈
¥14.45
Mwiche Khumufumie
Mwiche Khumufumie
#
Wilson Shitandi
#
Mwiche Khumufumie
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Songburd Music
#
SheetMusicPlus
Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Mu...
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Choral Choir,Choral - Level 5 - Digital Download SKU: A0.1347430 Composed by Wilson Shitandi. Folk,Religious,Spiritual,Traditional. 23 pages. Songburd Music #846653. Published by Songburd Music (A0.1347430). Africa's rich and varied history has been shaped by many factors, and the same could be said for Africa's captivating traditional and indigenous music styles, which in turn have influenced many other genres of music around the world.  With its early beginnings, the traditional music of Africa has walked hand-in-hand with the development of cultures and languages, each with its distinct traditions and dialects that bring a unique flavor to the African folk tunes that are so much a part of the families, clans and communities that form a music heritage within Africa. Nowhere is this more apparent than in the Luhya community in Kenya, where we clearly see the special relationship that exists between the Samia people, and their articulate dialect, and the delightful expression of their sacred folk music and folk music style.  We could even go so far as to say that Samia folk tunes are closely tied to their art, folklore and religious practices, and also to the artistic influences within and without the Luhya community.Notably, what makes African folk music style special is the sense of purpose and meaning that is attributed to the music--through its use in religious practices, ceremonies, and celebrations-- where audience participation is encouraged and even expected.  The techniques and forms of the music, which give this genre a voice of its own, gives us reason to pay close attention to the characteristics that define this music.  We can briefly point out the use of polyrhythmic techniques, percussion, shimmer, improvisational instrumentation, yodeling and syncopated rhythms that comprise African folk music, but none gets our attention more than the call and response of the singers, which shows the close connection between the language (dialect) and the music, all of which involves the singers and the audience in a musical conversation. This arrangement by Wilson Shitandi combines two melodies commonly used in the praise of leaders or deities--depending on the culture--that typically have no specific title, and sometimes derive their name from an instrument or type of dance.  Stylistically, this arrangement successfully weaves two themes together into one, the first being a lively and upbeat expression, and the second being more meditative and contemplative, both of which alternate throughout the music.   Importantly, the text for this chorus was originally written in Swahili, and later rewritten using the Samia dialect, which the composer feels is more fitting to the melody, with words drawn from Christian traditions, which again demonstrates that music and language are indeed closely linked in the folk music of Africa, as it is in this uplifting arrangement of Mwiche Khumufumie (Come Let Us Glorify Him).
$11.99 ≈
¥87.04
Be With Me Today
Be With Me Today
#
Piano, Voice
#
EASY
#
Sacred music
#
Stephen R Dalrymple
#
Stephen R Dalrymple
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God is spirit
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Be With Me Today
#
Stephen R Dalrymple
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R D...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818201 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 20 pages. Stephen R Dalrymple #3070435. Published by Stephen R Dalrymple (A0.818201). Be With Me Today - original song by Stephen R Dalrymple (Worship Team Edition) CCLI Song # 7142179 music © 2005 (copyright registered in 'Sacred Songs 2000-2005’ collection) recording ℗ 2022 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer based on Colossians 1:26-27 and Galatians 5:23-23 ♫ I was driving to school to begin a new job teaching in a public school in a new town. I was praying to be aware of God’s presence as I began my day. As I meditated on God’s presence, the words of this song began to come to mind. I pulled to the side of the road, found an old envelop, drew a staff and began writing. ♫ We are told the heavens cannot contain God; God is spirit; and there is nowhere we can go to escape His presence. Thus, every inhabitant on earth is continually within God’s physical presence. On the other hand, we are urged to ‘come into His presence.’ Also, Christ’s presence is continuously available to us through the presence of the Holy Spirit. Experiencing the presence of God is an act of the will, an act of faith. Remembering and experiencing His presence is life changing for everyday life. We are in His presence at work and school, at the market and while we are driving, in sorrow and in pleasure, in danger and in peace. ♫ I think of God’s presence when I lap swim. I cannot float in the air, but I can float in water. Just as the water of the swimming pool surrounds me and holds me afloat, so God’s presence is constantly surrounding and supporting me every moment of every day. ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50 ≈
¥32.67
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1
Nowhere to Go, so Here We Go
