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Ode to Joy for Concert Band and Choir
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You've selected:
Ode to Joy for Concert Band and Choir
Sheetmusic to print
15 sheet music found
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1
Ode to Joy for Concert Band and Choir
Ode to Joy for Concert Band and Choir
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Choral Unison
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BEGINNER
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Classical
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Ludwig van Beethoven
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Jeremy Corcoran
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Ode to Joy for Concert Band an
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LPC Publishers
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.714427 Composed by Ludwig van Beethoven. Arranged by Jeremy Corcoran. Classical,Concert,Film/T...
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.714427 Composed by Ludwig van Beethoven. Arranged by Jeremy Corcoran. Classical,Concert,Film/TV,Standards. Octavo. 34 pages. LPC Publishers #3373857. Published by LPC Publishers (A0.714427). Beethoven's famous melody is arranged here for Concert Band and Chorus. Parts stay within the comfortable range of all the instruments. Easy to put together, this is great for a combined Band and Chorus piece at the end of your concert. The whole audience will have to stay for the entire concert. .
$32.00 ≈
29.56€
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for OBOE + Written Acc) Hymns
Joyful Joyful We Adore Thee (Arrangements Level 3-6 for OBOE + Written Acc) Hymns
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Oboe (band part)
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INTERMEDIATE
#
Classical
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Ludwig van Beethoven
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Dr Jerry Nelson
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Joyful Joyful We Adore Thee
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Jerry Nelson
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.875218 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Indiv...
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Oboe Solo - Level 3 - Digital Download SKU: A0.875218 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874633. Published by Jerry Nelson (A0.875218). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57 For a SLOWER, rehearsal version at reduced price, order #SO.419757.Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99 ≈
4.61€
Joyful, Joyful We Adore Thee (Arrangements Level 3-6 for TENOR SAX + Written Acc) Hymns
Joyful, Joyful We Adore Thee (Arrangements Level 3-6 for TENOR SAX + Written Acc) Hymns
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Saxophone (band part)
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INTERMEDIATE
#
Classical
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Ludwig van Beethoven
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Dr Jerry Nelson
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Joyful, Joyful We Adore Thee
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Jerry Nelson
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875219 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sa...
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Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875219 Composed by Ludwig van Beethoven. Arranged by Dr Jerry Nelson. Christian,Concert,Jazz,Sacred. Individual part. 14 pages. Jerry Nelson #3874635. Published by Jerry Nelson (A0.875219). Symphonies don't use choirs. But Beethoven couldn't resist writing this song into his 9th and final Symphony. Also known as Ode to Joy. Stairstep from Level 3 to 6 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this joy-filled Orchestral Accompaniment Track (#SO.434051). 3:57Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and Optional Track.Whether you play winds or strings or '88 keys', for a goldmine of awesome arrangements at multiple challenge levels, SEARCH Jerry Nelson (plus your instrument's name).
$4.99 ≈
4.61€
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Concert band
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INTERMEDIATE
#
Instructional
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Joshua Hauser
#
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00 ≈
41.57€
Christmas Day (Fantasy on Old Carols) by Gustav Holst - arranged for concert band
Christmas Day (Fantasy on Old Carols) by Gustav Holst - - concert band
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Concert band
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INTERMEDIATE
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Classical
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Contemporary
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Gustav Holst
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George Willson
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Christmas Day
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George Willson
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.927185 Composed by Gustav Holst. Arranged by George Willson. 20th Century,Christmas,Romantic Period. Sc...
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Concert Band - Level 3 - Digital Download SKU: A0.927185 Composed by Gustav Holst. Arranged by George Willson. 20th Century,Christmas,Romantic Period. Score and parts. 77 pages. George Willson #6645143. Published by George Willson (A0.927185). Written in 1910 and dedicated to the music students of Morley College, Gustav Holst wrote Christmas Day for choir and a sizable orchestra to perform a series of old Christmas carols. Themes and variants of In Dulci Jubilio (Good Christian Men Rejoice), God Rest Ye Merry Gentlemen, The First Nowell, and Come Ye Lofty, Come Ye Lonely are interwoven throughout the piece with Holst's clever craftsmanship, and although the composer and his heirs thought little of the work, it has enjoyed popularity as a seasonal choir piece. This setting revises the original orchestral/choir version note for note for the modern concert band with no concessions made except for some slight key shifts in consideration for band. This composer also likes featuring neglected sections, when possible, so the opening alto solo is arranged for a lone tuba to take before the piece opens up for everyone else.
$35.00 ≈
32.34€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.72€
Ode To Joy (Score and Parts)
Ode To Joy (Score and Parts)
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Concert band
#
Classical
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Ludwig van Beethoven
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Paul Barker
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Ode To Joy
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. For Piano,Keyboard/Synthesizer,Flute,Oboe,Clarinet,Bassoon,Alto Sax,Tenor Sax,Baritone Sa...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. For Piano,Keyboard/Synthesizer,Flute,Oboe,Clarinet,Bassoon,Alto Sax,Tenor Sax,Baritone Sax,Woodwind Ensemble or Choir,Trumpet,Trombone,Horn in F,Violin,Viola,Cello,Double Bass,String Q
$29.95 ≈
27.67€
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
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Saxophone (band part)
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
#
SheetMusicPlus
Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288...
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Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Oboe Quartet
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Oboe (band part)
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published...
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Oboe Solo - Level 3 - Digital Download SKU: A0.784326 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288643. Published by Slide Ride (A0.784326). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.62€
Begräbnisgesang (Burial Hymn)
Begräbnisgesang (Burial Hymn)
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Johannes Brahms
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Arturo L
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Begräbnisgesang
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Arturo L Martinez
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.518926 Composed by Johannes Brahms. Arranged by Arturo L. Martinez. Romantic Period. Score and parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.518926 Composed by Johannes Brahms. Arranged by Arturo L. Martinez. Romantic Period. Score and parts. 70 pages. Arturo L Martinez #129597. Published by Arturo L Martinez (A0.518926). Originally a work written for orchestra and choir, this piece has been reworked to allow modern concert band instrumentation to perform alongside a full choir while still maintaining the excitement and beauty of Brahms' writings. This work is written specifically to accompany the original choral score, just add choir and you're all set. Awaits is a journey of emotions from mourning and sorrow to comfort and heartfelt joy.
$45.00 ≈
41.57€
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
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String Orchestra
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. P...
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String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra.
$15.00 ≈
13.86€
Chorale on Friedman's Shalom Aleichem
Chorale on Friedman's Shalom Aleichem
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Concert band
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INTERMEDIATE
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the time Debbie Friedman died
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Dan Dickerman
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Chorale on Friedman's Shalom A
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True Indie Media
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #34...
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Concert Band - Level 3 - Digital Download SKU: A0.1031499 Composed by Dan Dickerman. Contemporary,Jewish. Score and parts. 44 pages. True Indie Media #3424827. Published by True Indie Media (A0.1031499). Bringing folk melodies into modern repertoire has a long tradition, with many iconic works simultaneously celebrating and preserving melodies which might otherwise have been lost to history. Here we have the opportunity to celebrate and preserve a melody just as it starts to find its way in the musical world. By the time Debbie Friedman died in January 2011, just shy of her 60th birthday, she had created a large collection of music loved throughout the world’s Jewish community. She embodied the idea that each generation has a responsibility to contribute to the canon of sacred music, and her settings of liturgical texts have been sung regularly for decades. Her setting of Mi Shebeirach, the prayer for healing, is likely her most familiar tune, but Shalom Aleichem is a beautiful capstone to her legacy. It was in an early stage at the time of her death, having shared the melody among a few groups. This melody has since been sung worldwide, beginning with Friedman’s own memorial and the following Sabbath of Song (Shabbat Shira), and it has begun to take its rightful place in the liturgical canon. The music here is ordered as it would be sung: starting with a presentation of the chorus theme by clarinets in SATB choir voicing, with more of the band joining-in with each repetition of the theme or chorus. The melody and countermelodies move among the different sections until the full band has taken up the tune while the euphonium, horn, and clarinet weave a contrapuntal line through it. Slowly, the joy of the full band is stripped away, exposing the more solemn sound of a brass choir, juxtaposing the joy brought to so many by Ms. Friedman during her life with a quiet reflection at its end.Â
$54.00 ≈
49.89€
I'll Fly Away
I'll Fly Away
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Choral 3-part
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EASY
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Sacred music
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Albert E
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Tom Rodgers
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I'll Fly Away
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Tom Rodgers
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1359631 Composed by Albert E. Brumley. Arranged by Tom Rodgers. 20th Century,Film/TV,Prais...
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1359631 Composed by Albert E. Brumley. Arranged by Tom Rodgers. 20th Century,Film/TV,Praise & Worship,Religious. 7 pages. Tom Rodgers #944100. Published by Tom Rodgers (A0.1359631). Albert E Brumley wrote this hymn in 1929 and it was published in 1932. It is has been called the “most recorded gospel song†and is frequently used worship services by the Baptists, Pentecostals, Nazarenes and many Methodists.  It is often used in funeral services as it is categorised by many as covering the topics of eternal life, heaven and acceptance. It has been used in television and film scores, including a couple of episodes of “The Waltonsâ€, the 2008 film “The Curious Case of Benjamin Buttonâ€; it is probably most well-known for its inclusion in the 2000 film, “O Brother, Where Art Thou?â€.  This arrangement is for SAB - early intermediate level - and designed to find the joy behind the meaning of the words.  This would work well for a non-themed concert but also for one that has an air of remembrance about it.The recording is by the Hornchurch Can't Sing Choir, performing it with a band in front of an audience of about 200 in 2023.
$4.00 ≈
3.70€
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Ode to Joy for Concert Band and Choir
