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On The Serious Side
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47 sheet music found
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
¥28.28
The World Keeps on Spinning
The World Keeps on Spinning
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Piano solo
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Julia Olson and Kevin Olson
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The World Keeps on Spinning
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The FJH Music Company - Digital
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SheetMusicPlus
Piano - early intermediate - Digital Download SKU: F0.W9361 Composed by Julia Olson and Kevin Olson. Sheet Music. Written For You. Solo Sheet. 4 pages. T...
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Piano - early intermediate - Digital Download SKU: F0.W9361 Composed by Julia Olson and Kevin Olson. Sheet Music. Written For You. Solo Sheet. 4 pages. The FJH Music Company - Digital #W9361. Published by The FJH Music Company - Digital (F0.W9361). UPC: 674398226627.A charming piece written in C position and in 3/4 time contains long legato lines which convey an uplifting message. Students will find the lyrics in this clever little piece to be humorous at times, while more serious at others --oe but in the end inspires them to look on the bright side of things, and remember that the world keeps spinning and everything will be okay. About FJH Written For You Piano SolosSparkling and lyrical pieces which promote musical expression.
$2.95 ≈
¥20.91
The High Priestess (for flute, violin, horn in F, & piano)
The High Priestess (for flute, violin, horn in F, & piano)
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Contemporary
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JohnWillard Utuk
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The High Priestess
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JohnWillard Utuk
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SheetMusicPlus
Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pa...
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Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo†that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.
$40.00 ≈
¥283.52
The Other Side for SSAAA and vibraphone/percussion
The Other Side for SSAAA and vibraphone/percussion
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Adrienne Inglis
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The Other Side for SSAAA and v
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (5-Part) - Level 4 - Digital Download SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages...
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Choral Choir,Choral (5-Part) - Level 4 - Digital Download SKU: A0.1292547 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Patriotic. 19 pages. Adrienne Inglis (ASCAP) #883097. Published by Adrienne Inglis (ASCAP) (A0.1292547). A gripping and dramatic telling of the USS Thresher disaster in 1963! Ideal for a Memorial Day or Veterans Day concertThe Other Side for SSSAA voices and vibraphone/percussionIn memory of John “Jack†Penfield Inglis (1942-1963)Composed for VAMP Vocals’ “Between the Worlds†concert September 2023Music by Adrienne Inglis (ASCAP)Text adapted from essays by Robert Penfield Inglis (1913-2007) and used with permission from Jack’s family, and communications with the USS ThresherDuration — about 5-7 minutesDifficulty 4 (Auditioned chorus)In memory of John “Jack†Penfield Inglis (1942-1963), who died in the USS Thresher disaster the day after his 21st birthday.Performances:8-9 Sep 2023 at 7 PM VAMP Vocals’ Between the Worlds concert, KMFA 89.5 Studios 41 Navasota Street Austin, TX 78702 Austin, Texas (https://www.vampvocals.com/)Dedicated to the memory of my first cousin, Jack Inglis, The Other Side is scored for treble voices and vibraphone/percussion. It grapples with the unimaginable tragedy of losing a child, the serious concerns about the fitness of the USS Thresher to leave dock for sea trials, the catastrophic implosion of the submarine that killed all 129 aboard, and the communications between Jack and his parents after the Thresher sank. I composed this piece for the five extraordinary voices of VAMP Vocals for their September 2023 concert “Between the Worlds.†The treble voices tell the story and react to the narrative over evocative vibraphone harmonies. In the middle section, the percussionist bangs loudly on metal to sound like submarine pipes, structure, and hull breaking. The loss of the USS Thresher (SSN-593) spurred the Navy to institute the very successful Submarine Safety Program (SUBSAFE). The composer encourages performers to take dramatic license to enhance the emotional impact of the tragedy and the parents’ response. Recording and video will be available soon.Composer websitehttps://adrienneinglis.com/Composer YouTube channelhttps://www.youtube.com/@adrienneinglis.
$1.99 ≈
¥14.11
Battle of the Winds
Battle of the Winds
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Concert band
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Contemporary
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Charles Edward Duble
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Marc Oliver
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Battle of the Winds
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Arranged by Marc Oliver. Contemporary. Score and parts. 77 pages. Ayotte...
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Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Arranged by Marc Oliver. Contemporary. Score and parts. 77 pages. Ayotte Custom Musical Engravings #3115021. Published by Ayotte Custom Musical Engravings (A0.733090). Charles Edward Duble was a tall, lanky trombone player who, as a circus band musician, was always seeking an opportunity to play a practical joke on someone. Duble's more serious side emerged when he composed for the many circus bands of the time time. Battle of the Winds can be a march, or it can be a battle among the wind players in the band. Duble's allegiance to the low brass gives the euphoniums, trombones, and tubas an edge at times, but the contest is fascinating from the introduction to the stinger at the end. Merle Evans and the Ringling Brothers and Barnum & Bailey's Circus Band performed it for years during their pre-game show.
$59.99 ≈
¥425.21
I Am The Walrus
I Am The Walrus
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Rock
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Ar...
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Brass Ensemble,Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.771667 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Pop,Rock. Score and parts. 10 pages. RayThompsonMusic #379309. Published by RayThompsonMusic (A0.771667). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield. Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises. Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Transposed into Ab Arranged brass quartet: 2 tpt, tbn and tuba. Alt horn in F part for tbn. You tube link is the clarinet quartet arrangement, but will give you an idea as to how the wq will sound.
$17.95 ≈
¥127.23
I Am The Walrus
I Am The Walrus
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE
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Rock
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The Beatles
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Ray Thompson
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I Am The Walrus
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.554017 By The Beatles. By John Lennon and Paul McCart...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.554017 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. Contemporary. 11 pages. RayThompsonMusic #6495521. Published by RayThompsonMusic (A0.554017). I Am the Walrus is a song by the English rock band the Beatles from their 1967 television film Magical Mystery Tour. Written by John Lennon and credited to Lennon–McCartney, it was released as the B-side to the single Hello, Goodbye and on the Magical Mystery TourEP and album. In the film, the song underscores a segment in which the band mime to the recording at a deserted airfield.Lennon wrote the song to confound listeners who had been affording serious scholarly interpretations of the Beatles' lyrics. He was partly inspired by two LSD trips and Lewis Carroll's 1871 poem The Walrus and the Carpenter. Compositionally, every musical letter of the alphabet is invoked and every chord is a major or a seventh. Producer George Martin arranged and added orchestral accompaniment that included violins, cellos, horns, and clarinet. The Mike Sammes Singers, a 16-voice choir of professional studio vocalists, also joined the recording, variously singing nonsense lines and shrill whooping noises.Since the Hello, Goodbye single and the Magical Mystery Tour EP both reached the top two slots on the British singles chart in December, I Am the Walrus holds the distinction of reaching numbers one and two simultaneously. Shortly after release, the song was banned by the BBC for the line Boy, you've been a naughty girl, you let your knickers down. Arranged wood wind quartet: fl, ob, cl and bsn.
$14.99 ≈
¥106.25
On The Serious Side
On The Serious Side
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Bass guitar
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INTERMEDIATE
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Rock
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Tower Of Power
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Accubass
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On The Serious Side
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Accubass
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SheetMusicPlus
Bass Guitar - Level 3 - Digital Download SKU: A0.838480 By Tower Of Power. By Emilio Castillo and Stephen Kupka. Arranged by Accubass. Rock. Score. 7 pag...
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Bass Guitar - Level 3 - Digital Download SKU: A0.838480 By Tower Of Power. By Emilio Castillo and Stephen Kupka. Arranged by Accubass. Rock. Score. 7 pages. Accubass #6291023. Published by Accubass (A0.838480). Rocco Prestia's complete bassline.
$4.99 ≈
¥35.37
On The Serious Side
On The Serious Side
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Bass guitar
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INTERMEDIATE
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Rock
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Tower Of Power
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Accubass
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On The Serious Side
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Accubass
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SheetMusicPlus
Bass Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.838479 By Tower Of Power. By Emilio Castillo and Stephen Kupka. Arranged by Accubass. ...
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Bass Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.838479 By Tower Of Power. By Emilio Castillo and Stephen Kupka. Arranged by Accubass. Rock. Individual part. 4 pages. Accubass #6291021. Published by Accubass (A0.838479). Rocco Prestia's complete bassline.
$4.99 ≈
¥35.37
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
¥70.81
Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
Missionary Medley: Called to Serve, Let Us All Press On, Put Your Shoulder to the Wheel (Soprano & T
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Choral SATB
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EASY
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Sacred music
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Gospel/Spiritual
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Adam Geibel, Evan Stephens, Gr
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Stacey Oakes
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Missionary Medley: Called to S
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Stacey Oakes at Whiting Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by ...
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1033403 Composed by Adam Geibel, Evan Stephens, Grace Gordon, and Will L. Thompson. Arranged by Stacey Oakes. Christian,Gospel,Sacred,Spiritual. Octavo. 12 pages. Stacey Oakes at Whiting Publishing #3878753. Published by Stacey Oakes at Whiting Publishing (A0.1033403). Good for Missionary or Youth Musical Numbers - Soprano/Tenor or Men/Women Choirs This medley was written upon request for a missionary's send-off! It's great for: - Church Services - Missionary Farewells and Homecomings - Firesides - Youth Choirs - Adult Choirs - Soprano and Tenor Duet Purpose/Message: The medley's purpose is to invigorate us and to encourage us to be brave in sharing truth. It emphasizes the concepts of pressing on, having courage, and not fearing. Difficulty: Medium (There are some independent singing sections, some notes at the top of the soprano and tenor range, and a couple spots with less typical harmonies. It is, however, not a difficult piece overall. Those who are accustomed to singing in choirs will have no trouble but will be challenged enough to enjoy the piece.) Range: The notes are within range for a somewhat experienced or serious singer. If using in a choir, you can have the higher notes sung one octave lower by those out of range, or add a harmonic note as needed. There are only a couple of instances where this might be needed. Solutions to Problems: If you have youth afraid to go on missions, this song will help them take courage and be brave. If you have adults who are faltering from fear (as all do on occasion), it is hoped this song will bolster their courage and resolve. Duration of Work: This medley is approximately 4:12 minutes long. Performing Rights Organization: The composer is a member of BMI. Contact Information: You can contact the composer through MyMusicStash.blogspot.com. Some of her works are also posted on Instagram @LDSSheetMusic Called to Serve: Grace Gordon, Adam Geibel; Let Us All Press On: Evan Stephens; Put Your Shoulder to the Wheel: Will L. Thompson.
$3.99 ≈
¥28.28
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
United States of America National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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John Stafford Smith
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Keith Terrett
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United States of America Natio
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th...
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Full Orchestra - Intermediate - Digital Download Composed by John Stafford Smith (30 March 1750 – 21 September 1836). Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 28 pages. Published by Music for all Occasions
The national anthem of the USA arranged for full orchestra. There are also versions for Brass Quintet & String Orchestra in my stores.
"The Star-Spangled Banner" is the national anthem of the United States. The lyrics come from the Defence of Fort M'Henry, a poem written on September 14, 1814, by the then 35-year-old lawyer and amateur poet Francis Scott Key after witnessing the bombardment of Fort McHenry by British ships of the Royal Navy in Baltimore Harbor during the Battle of Baltimore in the War of 1812. Key was inspired by the large U.S. flag, with 15 stars and 15 stripes, known as the Star-Spangled Banner, flying triumphantly above the fort during the U.S. victory.
The poem was set to the tune of a popular British song written by John Stafford Smith for the Anacreontic Society, a men's social club in London. "To Anacreon in Heaven" (or "The Anacreontic Song"), with various lyrics, was already popular in the United States. Set to Key's poem and renamed "The Star-Spangled Banner", it soon became a well-known U.S. patriotic song. With a range of 19 semitones, it is known for being very difficult to sing. Although the poem has four stanzas, only the first is commonly sung today.
"The Star-Spangled Banner" was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931 (46 Stat. 1508, codified at 36 U.S.C. § 301), which was signed by President Herbert Hoover.
Before 1931, other songs served as the hymns of U.S. officialdom. "Hail, Columbia" served this purpose at official functions for most of the 19th century. "My Country, 'Tis of Thee", whose melody is identical to "God Save the Queen", the United Kingdom's national anthem, also served as a de facto national anthem. Following the War of 1812 and subsequent U.S. wars, other songs emerged to compete for popularity at public events, among them "America the Beautiful", which itself was being considered before 1931, as a candidate to become the national anthem of the United States.
John Stafford Smith (30 March 1750 – 21 September 1836) was a British composer, church organist, and early musicologist. He was one of the first serious collectors of manuscripts of works by Johann Sebastian Bach.
Stafford Smith is best known for writing the music for "The Anacreontic Song", which became the tune for the US patriotic song "The Star-Spangled Banner" following the War of 1812, and in 1931 was adopted as the national anthem of the United States.
Love anthems, then join me on twitter, instagram, facebook & soundcloud for updates.
$39.00 ≈
¥276.43
"Intermezzo" for violin & piano Op. 18 (violin part)
"Intermezzo" for violin & piano Op. 18 (violin part)
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Violin
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ADVANCED
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Gary Noland
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"Intermezzo" for violin & pian
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Freeland Publications
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.980422 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 8 pages. Freeland Publicati...
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Violin Solo - Level 5 - Digital Download SKU: A0.980422 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 8 pages. Freeland Publications #3238261. Published by Freeland Publications (A0.980422). Duration: ca. 6 minutes. The full score is available for purchase at SMP Press. Review: ...My dictionary gives three definitions of 'Intermezzo,' also the name of a world premiere for violin and piano, Reiko Nishioka on violin and the composer, Gary Noland, on piano. Included are the words 'light character.' If so, the piece has intercalary intermezzos of its own smoothly segued between sections of sophisticated sobriety-or vice-versa. I's a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else's, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it's intelligent, pleasurable and convincing.-Rocky Leplin, Music Critic, The Berkeley Voice
$3.99 ≈
¥28.28
"Intermezzo" for violin & piano Op. 18 (score)
"Intermezzo" for violin & piano Op. 18 (score)
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Violin and Piano
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ADVANCED
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Gary Noland
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"Intermezzo" for violin & pian
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Freeland Publications
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.980419 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 28 pages. Freeland Publica...
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Piano,Violin - Level 5 - Digital Download SKU: A0.980419 Composed by Gary Noland. 20th Century,Concert,Contemporary,Standards. 28 pages. Freeland Publications #3238257. Published by Freeland Publications (A0.980419). Duration: ca. 6 minutes. Lush harmonic style. Beautifully melodic. Romantic in character.Review: ...My dictionary gives three definitions of 'Intermezzo,' also the name of a world premiere for violin and piano, Reiko Nishioka on violin and the composer, Gary Noland, on piano. Included are the words 'light character.' If so, the piece has intercalary intermezzos of its own smoothly segued between sections of sophisticated sobriety-or vice-versa. It's a romantic romp, rhythmically robust yet melodically flirting with the nostalgia of cabaret, minus the sleazy diminution of spilled drinks and smelly ashtrays. Its elegance recalls Elgar, and the serious sides, a synthesis of those strange bedfellows Schubert and Ives. Composers hate it when their music reminds you of someone else's, but writing within a tradition, Noland has incorporated divergent styles that, woven together, work. Cosmopolitan without snobbery, it's intelligent, pleasurable and convincing.-Rocky Leplin, The Berkeley Voice
$10.00 ≈
¥70.88
A Childes Garden of Ecologickally Correct SONGES
A Childes Garden of Ecologickally Correct SONGES
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Tim Fatchen, Flying Tadpole
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Their website is at www
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A Childes Garden of Ecologicka
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Flying Tadpole Productions
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SheetMusicPlus
Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk...
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Small Ensemble Guitar,Piano,Ukulele,Voice - Level 1 - Digital Download SKU: A0.992357 Composed by Tim Fatchen, Flying Tadpole. Children,Contemporary,Folk. Score and parts. 44 pages. Flying Tadpole Productions #3467356. Published by Flying Tadpole Productions (A0.992357). TEN CHILDREN'S SONGS for adults and smarter kids: it's satire but ecologically, it's CORRECT! The Songes are a satirical counterpoint to the fluffy guff that's so often passed off as kids' songs. They're fun to sing, easy to play, sufficiently gross to satisfy the bloodthirsty urges of older children, entertaining and, seriously, quite scientifically correct. Honesty in children's songs, a new thing in the world! All the Songes have been tested on line and at public performance. ECOLOGICAL REALITY BYTES! It's not all sweetness and light and tree-hugs out there in the Wonderful Ecological World, oh no! So here's the start of a re-education in ecological reality for you! Explore the murderous wooden hearts of trees! Learn the real reason for the decline of Fairy Penguins! Find your place on the Food Chain! There's an architecturally-acclaimed how-to blend your house with nature! And there's more!LEAD SHEETS, LYRIC SHEETS WITH CHORDS, LINER NOTESEach of the Songes can be printed separately as a 4-page booklet, with the lead sheets on the central two pages, the title and liner notes on the front page, and the lyrics only + chords on the back page.PARENTAL ADVISORY! While there's no profanity or overt/covert sexual innuendo anywhere, some adults find the content challenging, because it's not the view of Nature they'd like to have. Kids find these Songes great, especially the grosser ones, and may be able to help such adults cope. There should be parental or other adult guidance in anything like this because it is satire and may need explaining, and it's not for young children. FLYING TADPOLE AND TIM FATCHENThe virtual band Flying Tadpole started as a boat and turned into a state of mind. Mainly the cutting satire, cruel humor, blue angst and general mayhem of the scurrilous and dark alter ego of Tim Fatchen, Flying Tadpole is occasionally joined by others unwise enough to cross to the Dark Side, but wise enough to remain on another Continent. Both lurk in the depths of Mr Dunn's 1844 Mill, in Mount Barker in the beautiful Adelaide Hills, South Australia, and try not to be a blight on the landscape. Their website is at www.flyingtadpole.com
$14.95 ≈
¥105.97
The Saint-Jacome Manual
The Saint-Jacome Manual
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Trumpet
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ADVANCED
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Instructional
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Eric Bolvin
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Eric Bolvin
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The Saint-Jacome Manual
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Faded Duck Music
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SheetMusicPlus
Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Techniqu...
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Trumpet - Advanced - Digital Download Composed by Eric Bolvin. Arranged by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 73 pages. Published by Faded Duck Music
The Saint Jacome Manual is a 63 lesson course that takes you progressively through the entire Saint-Jacome Grand Method for Trumpet or Cornet. For those of you familiar with The Arban Manual, this will be a welcome addition to your library and practice.
Saint-Jacome’s Grand Method for Trumpet or Cornet has, along with Arban’s Complete Conservatory Method, been a staple of trumpet practice and pedagogy since it’s inception in 1870. Most serious trumpet players are familiar with the duets of Saint-Jacome, which are considered to be some of the finest ever written and many have played the etudes. But when it comes to the remaining 300-plus pages of the Saint-Jacome, most trumpet players have not scratched the surface. While most trumpet players have spent a considerable amount of time working from the Arban, the Saint-Jacome collects dust sitting on the shelf.
Why has the Saint-Jacome taken a back seat to the Arban for over a century? The reason is quite simple: organization. The Arban is fairly well organized by type of exercise and study, while the Saint-Jacome is seemingly put together randomly. The fact that the book has never been edited properly doesn’t help either.
That brings us to the purpose of the Saint-Jacome Manual: To bring order to the chaos. To give the trumpet player a day-to-day plan for practicing from this great book. Each lesson is a balanced, complete practice routine that will take you progressively through the entire Saint-Jacome Grand Method. Good luck!
$16.95 ≈
¥120.14
Hooked On A Feeling
Hooked On A Feeling
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Piano solo
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INTERMEDIATE
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Rock
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B
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Matt Arnett
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Hooked On A Feeling
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Matt Arnett Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1359739 By B.J. Thomas. By Mark James. Arranged by Matt Arnett. Rock. Score. 4 pages. Matt Arnett Music #...
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Piano Solo - Level 3 - Digital Download SKU: A0.1359739 By B.J. Thomas. By Mark James. Arranged by Matt Arnett. Rock. Score. 4 pages. Matt Arnett Music #944215. Published by Matt Arnett Music (A0.1359739). This song is part of my Intermediate Piano series. Arrangements in this series generally only use one note at a time in the right hand, with some simple chords in the left hand. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99 ≈
¥35.37
Shades of Autumn
Shades of Autumn
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Sydney Stevens
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Shades of Autumn
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Sydney Stevens, Water Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.859690 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Sydney Stev...
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Piano Solo - Level 3 - Digital Download SKU: A0.859690 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 6 pages. Sydney Stevens, Water Music #3875647. Published by Sydney Stevens, Water Music (A0.859690). Contact: sydneystevenspianostudio@gmail.comShades of Autumn: Beautiful, dreamy solo piano by Sydney Stevens(ASCAP).All Rights Reserved.Sounds Like: Helen Jane Long, Laura Sullivan, John Burr, Liz Story, A la Windham Hill, Michele McLaughlin, David NevueFrom Album: Dancers in the Rain Theme: Music portrays the season of autumn moving into the darker season of winter. Mood: Serious, melancholy, dark and mysterious.Musical Traits: Arpeggiated left hand piano and strong melody in right hand. Minor key. Contemporary Classical (tonal with strong themes). New Age acoustics, Romantic, Easy listening. Performance Time: 3:37Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. Sydney's father is a jazz pianist, so both jazz and classical influences came at an early age. Her strong sense of artistry has evolved from years of composing music that expresses a wide range of emotions. Sydney is a master at creating musical landscapes which evoke strong imagery.A natural composer, Stevens finished her music composition degree after years of honing her artistry in the absence of outside influences. After completing her formal training in music composition, Sydney graduated cum laude from University of Redlands in California, receiving the prestigious Sigma Alpha Iota Composer's Award. Stevens also studied music composition at University of York, England and with composer and recording artist Bill Douglas in Boulder, Colorado. In addition to her large body of piano works and vocal songs, Sydney has composed music for chamber and symphony orchestra. Born in Los Angeles, California and raised in Seattle, Washington, Stevens currently resides in the beautiful Columbia River Gorge. A prolific composer, Stevens also teaches private piano lessons to students of all ages.
$4.95 ≈
¥35.09
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On The Serious Side
