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You've selected:
Once You Get Started
Sheetmusic to print
146 sheet music found
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126
Finding Your Way 1
Finding Your Way 1
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Easy Piano
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BEGINNER
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Darrell Richings
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Finding Your Way 1
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Animatedpiano
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1108141 Composed by Darrell Richings. Children,Classical,Contemporary,Instructional. Score. 22 pages. Ani...
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Easy Piano - Level 1 - Digital Download SKU: A0.1108141 Composed by Darrell Richings. Children,Classical,Contemporary,Instructional. Score. 22 pages. Animatedpiano #710764. Published by Animatedpiano (A0.1108141). Adventures with notes, rhythm and technique using only 3 notes in each hand, for piano explorers who are just getting started. Video coming soon! Introduction for teachers: Finding Your Way is an educational piano series which aims to build confidence in note-reading and encourage the development of good technique and musicianship. The overall concept is that each piece of music is like a journey, and learning music itself is a great adventure. New ideas are introduced very gradually, taking a ‘one step at a time’ approach. All the material is original, so the series can be used alongside other piano methods if desired. Finding Your Way 1 is suitable for a wide range of ages. It is accompanied by a YouTube video series, Piano Notation Basics, and a video with a free PDF, Getting Started On The Piano. Finding Your Way 1 concentrates exclusively on just 5 notes around Middle C (A B C D E). The idea is to get to know these notes thoroughly, and use them as a solid base for further exploration. There is also the advantage of focusing on the stronger fingers initially. Dynamic markings are not used at this stage (they will come in part 2), but staccato and two-note slurs are introduced. Hands-together playing is brought in very cautiously. Some note-naming challenges are included, but they are all worked into playable pieces. Note values are very simple, with nothing shorter than crotchets (quarter notes).
$5.00 ≈
4.59€
I Can't Get Started
I Can't Get Started
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Bucky E
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John Fries
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I Can't Get Started
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197504 Composed by Bucky E. Jones, Michael T Garvin, and Tom Curtis Shapiro. Arranged by J...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1197504 Composed by Bucky E. Jones, Michael T Garvin, and Tom Curtis Shapiro. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Score. 2 pages. John Fries #796676. Published by John Fries (A0.1197504). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  I Can't Get Started, also known as I Can't Get Started with You or I Can't Get Started (with You), is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the film Ziegfeld Follies of 1936, where it was performed by Bob Hope and Eve Arden. ]Hal Kemp and his Orchestra recorded it and it had a bit of popularity, rising briefly to 14th place on the recording charts. Bunny Berigan's 1937 version was inducted into the Grammy Hall of Fame.
$4.99 ≈
4.58€
Once You Get Started
Once You Get Started
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Rufus Feat Chaka Khan
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Brass Dragons
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Once You Get Started
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Brass Dragons
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1096866 By Rufus Feat Chaka Khan. By Gavin Christopher Wright. Arranged by Brass Dragons...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1096866 By Rufus Feat Chaka Khan. By Gavin Christopher Wright. Arranged by Brass Dragons. Contemporary,Funk,Hip-Hop,Pop,R & B. Score and parts. 37 pages. Brass Dragons #700820. Published by Brass Dragons (A0.1096866). Pop band charts featuring vocals, guitar, keyboard, bass, drums and 3 horns (Trumpet, Alto or Tenor Sax, Trombone) with score. Custom arrangements available upon request BrassDragonsMusic@gmail.com.
$49.99 ≈
45.91€
You Give Love A Bad Name
You Give Love A Bad Name
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE
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Bon Jovi
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Sean Sullivan
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You Give Love A Bad Name
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Sean Sullivan
#
SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1400936 By Bon Jovi. By Desmond Child, Jon Bon Jovi...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1400936 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Sean Sullivan. 20th Century,Pop,Rock. 17 pages. Sean Sullivan #984130. Published by Sean Sullivan (A0.1400936). Are you ready to rock out with your clarinet quintet? Look no further than our sheet music arrangement of You Give Love a Bad Name by Bon Jovi!This classic rock anthem has been expertly arranged for clarinet quintet, with an optional part written for alto clarinet that adds depth and dimension to your performance. Whether you're a seasoned clarinet ensemble or just getting started, this arrangement is sure to impress audiences of all ages.Don't miss out on the chance to bring a little Bon Jovi magic to your next concert or recital. Order your sheet music today and get ready to give love a rockin' good name!
$14.99 ≈
13.77€
Get The Party Started
Get The Party Started
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Concert band
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INTERMEDIATE/ADVANCED
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Pink
#
John Ivor Holland
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About
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Get The Party Started
#
John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1236996 By Pink. By Linda Perry. Arranged by John Ivor Holland. 21st Century,Contemporary,Disco,Film/TV...
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Concert Band - Level 4 - Digital Download SKU: A0.1236996 By Pink. By Linda Perry. Arranged by John Ivor Holland. 21st Century,Contemporary,Disco,Film/TV,Pop. Score and Parts. 51 pages. John Ivor Holland #832532. Published by John Ivor Holland (A0.1236996). Penned by 4 Non Blondes frontwoman Linda Perry, Get the Party Started was released as a single by Pink in October 2001, as the lead single from her second album, Missundaztood and is now considered to be her signature song. It became an international success and reached the top ten in many countries; About.com placed the song at number-one in their list of The Top 100 Best Party Songs of All Time in 2019. The song was originally written for Madonna, but she turned it down - see if you can spot the reference to this in the arrangement! Get your concert going and the audience on their feet with this massive chart, suitable for indoor or outdoor performance.
$49.99 ≈
45.91€
Concerto Grosso (2017) for chamber orchestra
Concerto Grosso (2017) for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99 ≈
9.18€
You're A Mean One, Mr. Grinch
You're A Mean One, Mr. Grinch
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Albert Hague and Dr Seuss
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Donald Jay Smith
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You're A Mean One, Mr. Grinch
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Donald Jay Smith Music
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 4 - Digital Download SKU: A0.1406006 Composed by Albert Hague and Dr Seuss. Arranged by Donald Jay Smith. Blues,Film/TV,Holiday,Jazz,Pop. 12 pages. Donald Jay Smith Music #989057. Published by Donald Jay Smith Music (A0.1406006). This was a natural contrast to the soothing jazz style of “Christmas Time is Here.†The in your face jazz/blues style of “You’re a Mean One, Mr. Grinch†was a style the students had not experienced, but adapted to immediately and joyfully! The appeal that puts this arrangement over the top is the way it portrays the story with a tender violin solo echoed by (spoiler alert) the solo Cello Grinch voice at the end.While teaching at the high school level, I had an exceptional Cello section that had just dominated the November All-State auditions. I wanted to feature them in the next concert, but I couldn't find any appropriate holiday arrangements that featured Cello/Bass, or fit their ability level and something they really wanted to play in the available string ensemble repertoire. I suggested this among a few others, got to work on arranging and some of my students favorite arrangements resulted. Several pieces became requirements in the traditional Holiday Concert string ensemble preconcert.  Every year audience members arrived early to get good positions to see and hear the SKHS string ensemble greeting the audience as they entered the foyer leading to the theatre. The initial two arrangements that started the Cellobrate the Holidays set were Christmas Time is Here and You're a Mean One Mr. Grinch that are available now. Watch for others to be added soon. I sincerely hope you will enjoy these arrangements as much as my students did!! Cello and Bass players rule! Enjoy the spotlight!!
$12.99 ≈
11.93€
Get The Party Started
Get The Party Started
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Pink
#
John Ivor Holland
#
Get The Party Started
#
John Ivor Holland
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 2 - Digital Download SKU: A0.1359817 By Pink. By Linda Perry. Arranged by John Ivor Holland. 21st Century,Film/TV,Pop. Brass Band. 33 pages. John Ivor Holland #944297. Published by John Ivor Holland (A0.1359817). Penned by 4 Non Blondes frontwoman Linda Perry, Get the Party Started was released as a single by P!nk in October 2001, as the lead single from her second album, Missundaztood and is now considered to be her signature song. It became an international success and reached the top ten in many countries; About.com placed the song at number-one in their list of The Top 100 Best Party Songs of All Time in 2019. The song was originally written for Madonna, but she turned it down - see if you can spot the reference to this in the arrangement! Get your concert going and the audience on their feet with this massive chart, suitable for indoor or outdoor performance. Arranged as part of a pledge to make more music available for brass band, particularly those by women composers.
$35.99 ≈
33.05€
Once You Get Started by Rufus & Chaka Khan - Piano/Vocal/Guitar, Singer Pro
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Piano, Vocal and Guitar
#
Funk
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Soul/R&B
#
Rufus & Chaka Khan
#
Once You Get Started
#
Musicnotes
Performed by: Rufus & Chaka Khan: Once You Get Started Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement conta...
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Performed by: Rufus & Chaka Khan: Once You Get Started Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar;Singer Pro, instruments: Voice;Piano;Guitar;Backup Vocals; 7 pages -- Soul~~R & B~~Funk
$5.50 ≈
5.05€
Together We Stand
Together We Stand
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Choral SATB
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INTERMEDIATE
#
Leif Ingvald Skaug
#
Leif Ingvald Skaug, JC Vesttun
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Together We Stand
#
Leif Ingvald Skaug
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SheetMusicPlus
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.922605 Composed by Leif Ingvald Skaug. Arranged by Leif Ingvald Skaug, JC Vesttun. Gospel,Pop. ...
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.922605 Composed by Leif Ingvald Skaug. Arranged by Leif Ingvald Skaug, JC Vesttun. Gospel,Pop. Octavo. 5 pages. Leif Ingvald Skaug #5710009. Published by Leif Ingvald Skaug (A0.922605). Produced as a response to Covid19, and after 5 days, it was viewed by 1 million on Facebook and shared over 20.000 times.It started as a choir project by the composer, Leif Ingvald Skaug, who started live global gospel choir practices online. Several thousands have joined, and the production has singers from over 70 countries.Perfect for all choirs, young and old. Easy and catchy harmonies. Fits on big concerts, and smaller venues. In church as well.Spotify:https://open.spotify.com/track/6R40JrudJOniseVMxns186…Itunes:https://music.apple.com/…/gospel-explosion-feat-…/1508176870Youtube:https://www.youtube.com/watch?v=OIaHb81JhT0
$4.99 ≈
4.58€
Once Upon a Time in the West - Piano Solo
Once Upon a Time in the West - Piano Solo
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Easy Piano
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EASY
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Film/TV
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Ennio Morricone
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Once Upon a Time in the West -
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Mario Stallbaumer
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SheetMusicPlus
By Ennio Morricone. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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By Ennio Morricone. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play the title theme from "Once Upon a Time in the West" on piano!
With this sheet music, you get an accurate piano arrangement of the full piece by Ennio Morricone. It comes with a few challenges, but it sounds wonderful!
Sergio Leone's 1968 Spaghetti Western "Once Upon a Time in the West" ("C'era una volta il West") is considered one of the greatest films ever made, not least thanks to the soundtrack composed by Ennio Morricone.
While composing the soundtrack, Morricone created "leitmotifs" for each of the film's main characters (who were played by Henry Fonda, Charles Bronson, Jason Robards and Claudia Cardinale), as well as music for the spirit of the American West.
According to Sergio Leone's wishes, the music was composed before shooting started, so it could be played in the background during filming.
The film's title theme is a beautiful orchestral piece which became a famous part of film music history, and it's a great example for Morricone's musical genius.
It also makes for an amazing piano cover!
If you like this arrangement, please consider leaving a review - it would mean a lot.
$4.99 ≈
4.58€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
32.15€
Ommateum for woodwind quintet
Ommateum for woodwind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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Contemporary
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Burton Goldstein
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Ommateum for woodwind quintet
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Burton Goldstein Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #50010...
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Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.1035270 Composed by Burton Goldstein. Contemporary. 21 pages. Burton Goldstein Music #5001061. Published by Burton Goldstein Music (A0.1035270). Tempo Changes in This PieceIf you are familiar with metric modulation, you probably can skip this note.Elliot Carter started using metric modulations in the 1940s, so what I have done is nothing new.Once you get the hang of it, it should be easier to get to the new tempo than having to just know what a metronome marking is supposed to sound like. Also you can get the true feel of the tempo changes.The tempi in this piece are related to each other so that in a sense, the tempo never changes.For ex., in m.22, count 8th notes and switch to 6/8. The tempo does not change in the sense that a quarter still equals 120, even if you are counting 8ths (at 240 bpm)If you were going to stay in 6/8 for a while, you could start to count 1 (2 3) 4 (5 6) thus counting dotted 8ths. If the 'beat' you are counting is dotted 8ths, you are therefore counting dotted quarter notes at 80 bpm.In that case you could also say the tempo is 'the same' as quarter note = 120 because 8th notes are the same speed.I confess m 64 is not so easy. After counting two bars in 3/8, count the next bar in 16th notes. While this is uncomfortably fast, it will make it possible to go into the 7/16 section at the perfect tempo. After counting to 7 a few bars, you may find it possible and convenient to count 4 + 3, emphasizing 1 (2 3 4 ) 5 (6 7).When you get to the next metric modulation, you can just emphasize the 1 and divide the bar into 7 equal parts.m 79 is different from the previous meter changes because the previous bar of 7/16 equals the duration of the new bar. So if you can count the 7/16 bars, after a while, in 1, you can count the new bars in 1 for a while. Then count it as indicated. So if the piece is too fast to play as is, just pick a different starting tempo. All the tempi in the piece should therefore automatically scale down. If there's any changes in notation I can make which will help you perform the piece, please let me know!
$14.99 ≈
13.77€
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musi...
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Voice Duet Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
1.83€
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key)
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Piano, Voice
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EASY
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Arthur Le Clerq
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Kim Kirkman
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Nobody Loves a Fairy When She'
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Kim Kirkman
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Tr...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99 ≈
1.83€
Woodland
Woodland
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Piano solo
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INTERMEDIATE
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Damien Gauci
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Woodland
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1425810 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1006570. Pu...
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Piano Solo - Level 3 - Digital Download SKU: A0.1425810 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 4 pages. Damien Gauci #1006570. Published by Damien Gauci (A0.1425810). When I wrote this piece - I actually decided to base it off a piece that I learnt when I doing piano exams when I was a lot younger. I used the structure of the piece to inspire my writing, copying things like the phrase lengths and the general style and feel of the piece. I find that’s a really good way to go about writing a piece when I’m not feeling too inspired. Taking a piece you enjoy listening to and copying some element that stands out to you like the structure, harmony, melody, rhythm, texture, tone colour, etc. I mean the options are endless.Once you have a part of the piece that you want to copy you can really go from there and just make the piece your own. As long as you don’t copy too many aspects of the piece then you will come up with something original because no one is you. I highly recommend trying this writing technique if you write music as it really helps you to just get started on your music.
$1.99 ≈
1.83€
Holy, Holy, Holy. Lord God Almighty!
Holy, Holy, Holy. Lord God Almighty!
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Concert band
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INTERMEDIATE
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Various
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Joseph Pugh
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Holy, Holy, Holy. Lord God Alm
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Joseph Pugh
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1394972 By Various. By John B. Dykes(1823-1876). Arranged by Joseph Pugh. Christian,Religious,Sacred. 3...
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Concert Band - Level 3 - Digital Download SKU: A0.1394972 By Various. By John B. Dykes(1823-1876). Arranged by Joseph Pugh. Christian,Religious,Sacred. 37 pages. Joseph Pugh #978460. Published by Joseph Pugh (A0.1394972). This is a great arrangement of this wonderful Hymn we all learned when we were small.Joseph has brought back with traditional roots but. given it a flare for the Concert Band and Orchestra. Download it now and get started on your spring repertoire.
$39.99 ≈
36.73€
Whole-Tone Scales & Exercises
Whole-Tone Scales & Exercises
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Guitar notes and tablatures
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EASY
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Instructional
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Hayden Woods
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Whole-Tone Scales & Exercises
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Hayden Lee Woods
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by ...
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Guitar - Level 2 - Digital Download SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods (A0.901487). In working on concepts to break away from some of the more tonal aspects of music, I have been working on some exercises focused on scales that are not utilized in a classical sense, which brings us to this file.The whole-tone scale series uses the concept in the name: only whole steps, no half steps. For guitar, the best way to visualize the scale is by performing this scale by picking a string and playing only the even frets or odd frets on that string in order (0-2-4-6-8-10-12 or 1-3-5-7-9-11-13) to get that string's basic whole tone scale. This sheet music exercises the C and C# whole tone scales as they are the common anchors of whole tone scales, working all six strings and some techniques to maneuver appropriately. With this you get the two whole-tone scales and two exercises in each of the keys to get started on a less standard procedure! Enjoy!!!
$2.39 ≈
2.20€
Trapped
Trapped
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer ...
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
22.96€
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Once You Get Started
