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Only the Ocean
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• Ocean, Frank
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You've selected:
Only the Ocean
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The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
£3.12
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Jazz
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Charles Tenet
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Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
£23.44
Beyond The Sea
Beyond The Sea
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi...
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Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
£7.81
1917: The Halifax Disaster
1917: The Halifax Disaster
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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William Brenner
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1917: The Halifax Disaster
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William Brenner
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501....
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99 ≈
£17.96
The Love of God
The Love of God
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Concert band
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INTERMEDIATE
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Frederick M
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Leandro Bizama
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The Love of God
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Leandro Bizama Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,S...
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Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00 ≈
£23.44
The Palatka Port March - Score Only
The Palatka Port March - Score Only
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Concert band
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INTERMEDIATE/ADVANCED
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David M
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The Palatka Port March - Score
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DMStewart Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart ...
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Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00 ≈
£7.81
There's Only One Little Old New York
There's Only One Little Old New York
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Piano, Voice
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George V
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There's Only One Little Old Ne
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.7320 Composed by George V. Hobart & Jean Schwartz. Statue of Liberty, Brooklyn Bridge, Central Park, The Bower...
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Piano and voice - Digital Download SKU: LV.7320 Composed by George V. Hobart & Jean Schwartz. Statue of Liberty, Brooklyn Bridge, Central Park, The Bowery, Skyscrapers, Pride, City & town life. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7320). There's Only One Little Old New York. by George V. Hobart and Jean Schwartz. Published 1905 by Jos. W. Stern & Co., 34 East 21st St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Statue of Liberty, Brooklyn Bridge, Central Park, The Bowery, Skyscrapers, Pride, City & town life. First line reads When the ships come o'er the ocean to that fair and Promised Land.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
£4.68
Beyond the Clouds
Beyond the Clouds
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Orchestra
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INTERMEDIATE
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Ryley Gillen
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Beyond the Clouds
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Ryley Gillen
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1184442 Composed by Ryley Gillen. Classical,March,Multicultural,Patriotic,Traditional,World. Score an...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1184442 Composed by Ryley Gillen. Classical,March,Multicultural,Patriotic,Traditional,World. Score and Parts. 46 pages. Ryley Gillen #784169. Published by Ryley Gillen (A0.1184442). In celebration of the Royal Australian Navy's Fleet Air Arm (FAA) 75th Anniversary, 2022.Beyond the Clouds, commissioned by the Shoalhaven Youth Orchestra, is an adventurous dedication to aviation. Since 1948, in peace and in conflict, the Fleet Air Arm division has provided air combat power to the Australian navy at sea.The piece starts off ambiguously with the melody tiptoeing around the major third. With a steady rhythmic ostinato in the bass end and percussion, there is the depiction of an aircraft on the runway preparing to take off and the sense of something exciting about to happen. A melodious rolling chorale, which repeats throughout the piece, invites the listener to reflect on the sacrifice and dedication of those that have served their communities. Accompanied by the snare drum, bell tones in the brass and woodwind indicate the plane finally taking flight. With the introduction of the lydian mode into an augmented melody, there is the indication of a more adventurous atmosphere as the aircraft flies out across the ocean. This is only heightened with a modulation in the second half of the piece.This accessible orchestral composition is the perfect addition for youth and intermediate orchestras, running for approximately 3 minutes 30 seconds.
$45.00 ≈
£35.16
Santiago in the Stream - Score Only
Santiago in the Stream - Score Only
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Orchestra
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ADVANCED
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Contemporary
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Apostolos Paraskevas
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Santiago in the Stream - Score
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Silver Sickle Publications
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultura...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1393774 By Apostolos Paraskevas. By Apostolos Paraskevas. Classical,Contemporary,Holiday,Multicultural,New Age,World. 49 pages. Silver Sickle Publications #977243. Published by Silver Sickle Publications (A0.1393774). APOSTOLOS PARASKEVAS (b. 1964) Santiago in the StreamSantiago in the Stream was composed for the Landmarks Orchestra, which gave the first performance under the direction of Christopher Wilkins, at the Hatch Shell on August 23, 2017. Apostolos Paraskevas is a classical guitarist, composer, film director, and producer. Since 2001, he has taught composition at the Berklee College of Music. The spokenThe text was developed by Ryan Edwards (a student of Apostolos Paraskevas) out of Hemingwayâ??s short novel The Old Man and the Sea. The composer has written about the piece: â??The music describes Santiago's emotions, thoughts and actions during his last journey. The trumpet announces his signature theme, accompanied by the brass and strings depicting the sound of the seagulls and the ocean. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz, and the exciting fight that ends in triumph. Now, it's time to return home with his valuable possessions. He already won the last and most important fight of his life.
$50.00 ≈
£39.07
How Deep Is The Ocean (how High Is The Sky)
How Deep Is The Ocean (how High Is The Sky)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Ben Webster
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Zach Green
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How Deep Is The Ocean
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Green Machine Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1014246 By Ben Webster. By Irving Berlin. Arranged by Zach Green. A Cappella,Jazz. 5 page...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1014246 By Ben Webster. By Irving Berlin. Arranged by Zach Green. A Cappella,Jazz. 5 pages. Green Machine Music #5982619. Published by Green Machine Music (A0.1014246). This lush, multi-textured a cappella arrangement of Irving Berlin's How Deep Is the Ocean showcases a big sound from only four vocal parts. A perfect ballad for your advanced/intermediate-level vocal jazz quartet or group!Check out more of Z. M. Green's work at http://zmgreen.com!As performed by The New Standard on their EP While We're Apart
$6.00 ≈
£4.69
No Bears Out Tonight and Other Tunes for Beginner Piano
No Bears Out Tonight and Other Tunes for Beginner Piano
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Easy Piano
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BEGINNER
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The Bay
Long long ago<
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Traditional
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Sara Garrard
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No Bears Out Tonight and Other
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Sara Garrard
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SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.819475 Composed by Traditional. Arranged by Sara Garrard. Children,Folk,Instructional. Score. 23 pages. S...
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Easy Piano - Level 1 - Digital Download SKU: A0.819475 Composed by Traditional. Arranged by Sara Garrard. Children,Folk,Instructional. Score. 23 pages. Sara Garrard #6073949. Published by Sara Garrard (A0.819475). Over 20 tunes! A selection of well known traditional British and American children's songs (and a couple French), aimed at beginner piano learners. Large print, landscape format, with illustrations, this is a fun supplement to method books. Many pieces are in middle C position. Mostly only one hand at a time. A few pieces are longer and more challenging, with basic chords.Table of contents:No Bears Out TonightLightly RowAu Clair de la LuneOde to JoyMerrily we roll alongAll through the nightFrère JacquesRed River ValleyOld MacDonaldMy Bonnie Lies Over the OceanMichael, Row the Boat AshoreRow Row Row Your BoatDaisy Daisy (Daisy Bell)Down By The BayLong long agoHere we go round the mulberry bushThere’s a hole in my bucketDo your ears hang low?When the Saints go marching inLondon Bridge is falling downThe Farmer’s in the DellThe Bear went over the Mountain
$8.99 ≈
£7.02
How Deep Is The Ocean (how High Is The Sky)
How Deep Is The Ocean (how High Is The Sky)
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Harp
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INTERMEDIATE
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Contemporary
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Ben Webster
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Kirsten Agresta Copely
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How Deep Is The Ocean
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Kirsten Agresta Copely
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.857439 By Ben Webster. By Irving Berlin. Arranged by Kirsten Agresta Copely. Contemporary. Score. 4 pages. Kirs...
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Harp - Level 3 - Digital Download SKU: A0.857439 By Ben Webster. By Irving Berlin. Arranged by Kirsten Agresta Copely. Contemporary. Score. 4 pages. Kirsten Agresta Copely #4728557. Published by Kirsten Agresta Copely (A0.857439). Words and Music by Irving BerlinArranged by Kirsten Agresta CopelyHow Deep Is The Ocean was made famous by Ella Fitzgerald and other artists including Frank Sinatra and Barbra Streisand.Harp Solo - Intermediate levelPedal Harp Only
$9.99 ≈
£7.81
Sparkles on the Ocean
Sparkles on the Ocean
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Piano solo
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EASY
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L A Morgan
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L A Morgan
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Sparkles on the Ocean
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L A Morgan
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SheetMusicPlus
Piano - Level 2 - Digital Download SKU: A0.1402403 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chord...
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Piano - Level 2 - Digital Download SKU: A0.1402403 By L A Morgan. By L A Morgan. Arranged by L A Morgan. Broadway,Contemporary,Musical/Show. Score (Chords/Lyrics). 3 pages. L A Morgan #985617. Published by L A Morgan (A0.1402403). The music and lyrics below are part of the play, Secret Kisses. Â For more information and to purchase the Secret Kisses play, contact LA Morgan at lamdmorgan@gmail.com01 On My Way02 On My Way Final Ending03 Impromptu Tango04 Secret Kisses05 Hidden In My Heart06 When We Were Only Friends Elaine07 When We Were Only Friends James08 Whispers in the Wind09 The Love That Could Have Been10 Sparkles on the Ocean11 Retourne12 Bittersweet13 Medley of Romance.
$2.99 ≈
£2.34
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Choral 2-part
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BEGINNER
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Hillsong United
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Stephen DeCesare
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Oceans
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Exultet Music
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SheetMusicPlus
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.518839 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Steph...
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.518839 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 9 pages. Exultet Music #129537. Published by Exultet Music (A0.518839). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for a 2-part choir (SA), with Piano accompaniment. This arrangement is accessible and appropriate to be played in any church setting.
$3.99 ≈
£3.12
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Choral 2-part
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BEGINNER
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Hillsong United
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Stephen DeCesare
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Oceans
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Exultet Music
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SheetMusicPlus
Choral Choir (TB) - Level 1 - Digital Download SKU: A0.518843 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Steph...
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Choral Choir (TB) - Level 1 - Digital Download SKU: A0.518843 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 9 pages. Exultet Music #129541. Published by Exultet Music (A0.518843). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for a 2-part choir (TB), with Piano accompaniment. This arrangement is accessible and appropriate to be played in any church setting.
$3.99 ≈
£3.12
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Choral 2-part
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BEGINNER
#
Hillsong United
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Stephen DeCesare
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Oceans
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Exultet Music
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SheetMusicPlus
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.518840 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by S...
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.518840 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 9 pages. Exultet Music #129538. Published by Exultet Music (A0.518840). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for a 2-part choir (Part 1: High Voices (Sop. & Ten), Part 2: Low Voices (Alto & Bass) with Piano accompaniment. This arrangement is accessible and appropriate to be played in any church setting.
$3.99 ≈
£3.12
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Easy Piano
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BEGINNER
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Sacred music
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Hillsong United
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Stephen DeCesare
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Oceans
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Exultet Music
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518842 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arrang...
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Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518842 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Traditional. 9 pages. Exultet Music #129540. Published by Exultet Music (A0.518842). Easy Vocal Duet Version: This duet version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for Tenor and Bass solo with Piano accompaniment. Accessible and appropriate to be played in any church setting.
$4.99 ≈
£3.90
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Vocal duet, Piano
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BEGINNER
#
Hillsong United
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Stephen DeCesare
#
Oceans
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518841 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arrang...
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Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518841 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. 9 pages. Exultet Music #129539. Published by Exultet Music (A0.518841). Easy Vocal Duet Version: This duet version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for Soprano and Alto solo. This arrangement is accessible and appropriate to be played in any church setting. Scored for Soprano and Alto Solo, and Piano.
$4.99 ≈
£3.90
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Vocal duet, Piano
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BEGINNER
#
Hillsong United
#
Stephen DeCesare
#
Oceans
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518846 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arrang...
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Piano,Voice Duet Piano,Voice - Level 1 - Digital Download SKU: A0.518846 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. 9 pages. Exultet Music #129543. Published by Exultet Music (A0.518846). Easy Vocal Duet Version: This duet version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged as a duet for a Soprano and Tenor solo with Piano accompaniment. Accessible and appropriate to be played in any church setting.
$4.99 ≈
£3.90
Oceans (where Feet May Fail)
Oceans (where Feet May Fail)
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Choral 2-part
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BEGINNER
#
Hillsong United
#
Stephen DeCesare
#
Oceans
#
Exultet Music
#
SheetMusicPlus
Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.518845 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by S...
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Choral Choir (2-Part) - Level 1 - Digital Download SKU: A0.518845 By Hillsong United. By Joel Houston, Matt Crocker, and Salomon Lighthelm. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred,Standards. Octavo. 9 pages. Exultet Music #129542. Published by Exultet Music (A0.518845). Easy Choir Version: an arrangement for those with maybe not enough choir member or time to learn a piece but still want a full sound. This choir version is where only the chorus and the bridge of the song are in harmony. The popular Praise and Worship song by Hillsong United has now been arranged for a 2-part choir (Soprano and Tenor), with Piano accompaniment. This arrangement is accessible and appropriate to be played in any church setting.
$3.99 ≈
£3.12
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Only the Ocean
