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You've selected:
Orchestra Liszt
Sheetmusic to print
213 sheet music found
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Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Franz Liszt
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Arkady Leytush
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Franz Liszt - "Funerailles", S
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Published by Arkady Leytush (A0.1471489). Funérailles, #7 from Liszt’s « Poetic and Religious Harmonies», one of the greatest works of his late period. This impressionistic elegy is strikingly beautiful. Its deep tragedy sometimes reaches the greatest heights, magnetically involving listeners and forcing them to empathize. In my transcription, I tried to use all possible means of a large orchestra to emphasize the features of this music, the changes in the nature of the three main themes, and also to build the overall dramaturgy of the entire work. Liszt’s orchestral thinking underlying this work makes it possible to organically transfer this work to the orchestra. I must admit that despite my experience in such work, I was so captivated by the content and character of this music that at times I was forced to stop due to a sharp increase in my pulse up to 130 beats!
$40.00 ≈
36.08€
Franz Liszt - “Mephisto Polka”, S. 217, Orchestrated by Arkady Leytush - Score Only
Franz Liszt - “Mephisto Polka”, S. 217, Orchestrated by Arkady Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Franz Liszt
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Arkady Leytush
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Franz Liszt - “Mephisto Polk
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1460545 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 31 pages. Arkady Leytush #...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1460545 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 31 pages. Arkady Leytush #1039471. Published by Arkady Leytush (A0.1460545). This devilish theme is clearly visible in Liszt’s work - the Faust Symphony, the four Mephisto Waltzes and, for example, this Mephisto Polka. His philosophical reflections on human nature, the sublime and the earthly, but also devilish signs, which are very often disguised as kindness, sympathy, flattery . This piano piece is one such example. When you have the capabilities of a symphony orchestra, such a theme awakens the imagination and the desire to paint an expressive picture that reflects this eternal theme.
$40.00 ≈
36.08€
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
F. Liszt - “Mephisto-Waltz #4 & Mephisto-Polka”, Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Franz Liszt
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A
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S217
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F. Liszt - “Mephisto-Waltz #
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464017 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 61 pages. Arkady Leytush #1042728. Published by Arkady Leytush (A0.1464017). This doublet seems to have been conceived by the author himself. Their opus numbers are S 216b & S217. But the main thing, of course, is the theme that unites them. “Devil’s Intrigues” is the second name I could give to these works. During the instrumentation, I came up with the idea of performing these two pieces without interruption, and another reason for their connection was the technical element - the Tam-Tam beat, which stretches from one piece to another and is, as it were, a connecting bridge.
$60.00 ≈
54.12€
Liszt/Leytush - Prelude on “Weinen, Klagen, Sorgen, Zagen”, S. 179 (after J. S. Bach)
Liszt/Leytush - Prelude on “Weinen, Klagen, Sorgen, Zagen”, S. 179 (after J. S. Bach)
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Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Arkady Leytush
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Liszt/Leytush - Prelude on “
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1153162 Composed by Franz Liszt. Arranged by Arkady Leytush. Classical. Score and parts. 19 pages. Ar...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1153162 Composed by Franz Liszt. Arranged by Arkady Leytush. Classical. Score and parts. 19 pages. Arkady Leytush #753407. Published by Arkady Leytush (A0.1153162).
$40.00 ≈
36.08€
F. Liszt — Galop in B-Flat Major (S.478), Orchestrated by A. Leytush - Score Only
F. Liszt — Galop in B-Flat Major (S.478), Orchestrated by A. Leytush - Score Only
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Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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A
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F. Liszt — Galop in B-Flat M
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1354182 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 16 pages. Arkady Leytush #9388...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1354182 Composed by Franz Liszt. Arranged by A. Leytush. 19th Century. 16 pages. Arkady Leytush #938883. Published by Arkady Leytush (A0.1354182).
$30.00 ≈
27.06€
Concerto for Orchestra
Concerto for Orchestra
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Orchestra
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20...
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99 ≈
32.46€
Eroica Symphony (Transcribed for String Orchestra)
Eroica Symphony (Transcribed for String Orchestra)
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String Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven
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Franz Liszt and Joshua Choe
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Eroica Symphony
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JMJ Arrangements
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.1231695 Composed by Ludwig van Beethoven. Arranged by Franz Liszt and Joshua Choe. Classical. Score...
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String Orchestra - Level 5 - Digital Download SKU: A0.1231695 Composed by Ludwig van Beethoven. Arranged by Franz Liszt and Joshua Choe. Classical. Score and Parts. 324 pages. JMJ Arrangements #827396. Published by JMJ Arrangements (A0.1231695).
$49.99 ≈
45.09€
Jeux d'eau for Orchestra - Maurice Ravel
Jeux d'eau for Orchestra - Maurice Ravel
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Orchestra
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ADVANCED
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Contemporary
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Maurice Ravel
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Tiziano de Felice
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Jeux d'eau for Orchestra - Mau
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Tiziano de Felice
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de F...
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Full Orchestra - Level 5 - Digital Download SKU: A0.898029 Composed by Maurice Ravel. Arranged by Tiziano de Felice. 20th Century. 48 pages. Tiziano de Felice #6533943. Published by Tiziano de Felice (A0.898029). Orchestration of the famous piece by Maurice Ravel for solo piano.Instrumentation: 2 flutes + piccolo, 2 oboes + English horn, 2 clarinets + bass clarinet, 2 bassoons4 horns, 3 trumpetscelesta, harp, timpani, tambourine, triangle & stringsThe original piece was inspired by Franz Liszt's piece Les jeux d'eau à la Villa d'Este. Ravel explained its origins in this way: Jeux d'eau, appearing in 1901, is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays of water, the cascades, and the brooks [...]
$36.00 ≈
32.47€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.55€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
22.55€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.55€
Liszt Inferno Dante Symphony Solo Piano
Liszt Inferno Dante Symphony Solo Piano
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Piano solo
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INTERMEDIATE/ADVANCED
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Franz Liszt
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Adam Walter Carlsen
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Liszt Inferno Dante Symphony S
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Adam Walter Carlsen
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1022305 Composed by Franz Liszt. Arranged by Adam Walter Carlsen. 20th Century,Romantic Period. Score. 52...
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Piano Solo - Level 4 - Digital Download SKU: A0.1022305 Composed by Franz Liszt. Arranged by Adam Walter Carlsen. 20th Century,Romantic Period. Score. 52 pages. Adam Walter Carlsen #6669697. Published by Adam Walter Carlsen (A0.1022305). I created a solo piano version of this work. This piece can be played in any concert setting. This transcription is an advanced intermediate level work. I added some notes in the certain spots to help give more movement and sustain the sound to reflect the overall atmosphere of the original orchestra version. I also simplified some of the accompaniment notes so the piece isn't too difficult to perform. Facebook: https://www.facebook.com/adam.carlsen.35 Twitter: https://twitter.com/AdamCarlsen2Website: AdamCarlsenMusic.com.
$2.99 ≈
2.70€
Wish Liszt (Toy Shop Madness)
Wish Liszt (Toy Shop Madness)
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Piano solo
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Trans-Siberian Orchestra
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Wish Liszt
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.452158 By Trans-Siberian Orchestra. Christmas,Rock. Piano Solo. 9 pages. Published by Hal Leonard - Digital (HX.452158). ...
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Digital Download SKU: HX.452158 By Trans-Siberian Orchestra. Christmas,Rock. Piano Solo. 9 pages. Published by Hal Leonard - Digital (HX.452158).
$4.99 ≈
4.50€
Piano Concerto 5 'Emperor' Orchestra Reduction (First Movement)
Piano Concerto 5 'Emperor' Orchestra Reduction (First Movement)
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Piano solo
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INTERMEDIATE/ADVANCED
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L
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Josué Plúa
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Piano Concerto 5 'Emperor' Orc
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Josué Plúa
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1463338 Composed by L. v Beethoven. Arranged by Josué Plúa. 19th Century,Classical,Traditional. Score. ...
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Piano Solo - Level 4 - Digital Download SKU: A0.1463338 Composed by L. v Beethoven. Arranged by Josué Plúa. 19th Century,Classical,Traditional. Score. 22 pages. Josué Plúa #1042029. Published by Josué Plúa (A0.1463338). A Liszt's modified reduction of the Piano Concerto 5 'Emperor' of Ludwig van Beethoven. The score tries to be more 'pianistic'. (Only FIRST MOVEMENT).
$6.99 ≈
6.30€
Franz Liszt: Wish Liszt - string orchestra (full score)
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String Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for string orchestra (full score) of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Franz Liszt for string orchestra (full score) of EASY/MEDIUM skill level. / classical
$8.99 ≈
8.11€
Franz Liszt: Wish Liszt (COMPLETE) - string orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for string orchestra of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Franz Liszt for string orchestra of EASY/MEDIUM skill level. / classical
$69.99 ≈
63.13€
Franz Liszt: Full Score Hungarian Rhapsody No 9: Score - string orchestra
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String Orchestra
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for string orchestra of MEDIUM skill level. /
Instantly printable sheet music by Franz Liszt for string orchestra of MEDIUM skill level. /
$8.98 ≈
8.10€
Franz Liszt: Poeme Symphonique Les Preludes - full orchestra (full score)
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Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for full orchestra (full score) of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Franz Liszt for full orchestra (full score) of EASY/MEDIUM skill level. / classical
$7.99 ≈
7.21€
Franz Liszt: Poeme Symphonique Les Preludes (COMPLETE) - full orchestra
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Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for full orchestra of EASY/MEDIUM skill level. / classical
Instantly printable sheet music by Franz Liszt for full orchestra of EASY/MEDIUM skill level. / classical
$73.99 ≈
66.74€
Franz Liszt: Hungarian Rhapsody No. 2 (COMPLETE) - orchestra
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Orchestra
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INTERMEDIATE
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Classical
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Franz Liszt
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Virtualsheetmusic
Instantly printable sheet music by Franz Liszt for orchestra of MEDIUM skill level. / classical
Instantly printable sheet music by Franz Liszt for orchestra of MEDIUM skill level. / classical
$59.99 ≈
54.11€
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Orchestra Liszt
