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Organ Baritone Saxophone
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Pachelbel: Canon for Baritone Sax & Piano
Pachelbel: Canon for Baritone Sax & Piano
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Baritone Saxophone, Piano
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INTERMEDIATE
#
Classical
#
Johann Pachelbel
#
James M
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Pachelbel: Canon for Baritone
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jmsgu3
#
SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score an...
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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.548465 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386283. Published by jmsgu3 (A0.548465). The famous Pachelbel Canon arranged for baritone sax & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 1 Tenor, 1 Bari)
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 3 Alto, 1 Tenor, 1 Bari)
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
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Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Chr
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Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255304 Composed by Johann Seb...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255304 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848817. Published by Regis Bookshar (A0.1255304). Three selections based on Christ lag in Todsesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 1 Tenor, 1 Baritone) - Advanced /Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 Pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 1 Alto, ...)
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Chr
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254343 Comp...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254343 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847423. Published by Regis Bookshar (A0.1254343). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (1 Sop, 1 Alto, 2 Tenors, 1 Bari) - Adavanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 1 Alto Saxophone, 2 Tenor Saxophones and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 1 Sop, 2 Alto, ...)
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Chr
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254344 Comp...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254344 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 28 pages. Regis Bookshar #847633. Published by Regis Bookshar (A0.1254344). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian bach - Saxophone Quintet (1 Sop, 2 Alto, 1 Tenor, 1 Bari) - Advanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bond) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 1 Soprano Saxophone, 2 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (28 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Three selections based on "Christ lag in Todesbanden" (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
#
Saxophone Quintet: 5 Saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Regis Bookshar
#
Three selections based on "Chr
#
Regis Bookshar
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Seb...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1254358 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #847925. Published by Regis Bookshar (A0.1254358). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.  4, BMV  4) - Johann Sebastian Bach - Saxophone Quintet (2 Altos, 2 Tenors, 1 Bari) - Adsvanced/Intermediate - Digital Download.Cantata No.  4, BMV  4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn, two from Bach's Cantata No.  4, BMV  4, and also his Chorale Prelude, BMV 6215. They may be played individually or as a trilogy and each movement gets more complex than the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.  4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.  4.This arrangement is for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.
$30.00
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Silent Night (Bb) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813969 Composed by Franz Xaver...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.813969 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. 7 pages. Regis Bookshar #6635859. Published by Regis Bookshar (A0.813969). Saxophone Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00
Bach-Gounod: Ave Maria for Baritone Sax & Piano
Bach-Gounod: Ave Maria for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bar
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549365 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490145. Published by jmsgu3 (A0.549365). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano, S0.661797. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach: Sheep May Safely Graze for Baritone Sax & Piano
Bach: Sheep May Safely Graze for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Sheep May Safely Graze f
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holi...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.548979 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 11 pages. Jmsgu3 #3444583. Published by jmsgu3 (A0.548979). Was mir behagt, ist nur die muntre Jagd (The lively hunt is all my heart's desire), BWV 208 is the earliest secular cantata by Bach composed in 1713 for the birthday of the Duke of Weissenfels. It is also called the Hunting Cantata, and/or the Birthday Cantata. The most famous piece from this collection is the soprano aria Sheep may safely graze. Duration: 5:50, Score - 6 pg. Solo part - 2 pg. Piano part - 3 pg. 41 ms. Melodic range: M10 Level: Early intermediate and up. A popular choice for weddings, Christmas, Easter, birthdays, and recitals. Sheep May Safely Graze Sheep may safely graze (Schafe können sicher weiden) is an aria from the Cantata BWV 208. The title of the Cantata, Was mir behagt, ist nur die muntre Jagd (nicknamed the Hunting Cantata) translates as The lively hunt is all my heart's desire. Programming Similar to Bach’s Jesu, Joy of Man's Desiring, or I Stand at the Threshold, it is an all-time favorite and frequently requested at weddings. Originally, Bach composed this aria for a royal birthday celebration, that of the Duke of Saxe-Weissenfels. Lyrics Sheep may safely graze and pasture In a watchful Shepherd’s sight. Those who rule with wisdom guiding Bring to hearts a peace abiding Bless a land with joy made bright.  Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
Bach-Gounod: Ave Maria, Schwencke version for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,East...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.550924 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888325. Published by jmsgu3 (A0.550924). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
Bach: Bist du bei mir BWV 508 for Baritone Sax & Piano
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Baritone Saxophone, Piano
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EASY
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Classical
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,East...
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Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549237 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468854. Published by jmsgu3 (A0.549237). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Allegro (from "Concerto for Four Claviers") (G min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Allegro (from "Concerto for Four Claviers") (G min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Saxophone Quintet: 5 Saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.813402 Composed by Johann Seba...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.813402 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 43 pages. Regis Bookshar #6209825. Published by Regis Bookshar (A0.813402). Saxophone Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (43 pages). In addition to this version for a Saxophone Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Allegro (from "Concerto for Four Claviers") (A min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
Allegro (from "Concerto for Four Claviers") (A min) (Saxophone Quintet - 2 Alto, 2 Tenor, 1 Bari)
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Saxophone Quintet: 5 Saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.813378 Composed by Johann Seba...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.813378 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. 42 pages. Regis Bookshar #6209755. Published by Regis Bookshar (A0.813378). Saxophone Quintet - Advanced - Digital Download. This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Saxophone Quintet, consisting of 2 Alto Saxophones, 2 Tenor Saxophones and 1 Baritone Saxophone, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (42 pages). In addition to this version for a Saxophone Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00
Bach: Toccata & Fugue, BWV 565 for Saxophone Quintet
Bach: Toccata & Fugue, BWV 565 for Saxophone Quintet
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue, BWV 565
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jmsgu3
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95
Praise God, From Whom All Blessings Flow (Baritone Saxophone and Organ)
Praise God, From Whom All Blessings Flow (Baritone Saxophone and Organ)
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Saxophone (band part)
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EASY
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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Praise God, From Whom All Bles
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Exultet Music
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SheetMusicPlus
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1247831 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Pra...
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1247831 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Individual part. 15 pages. Exultet Music #842385. Published by Exultet Music (A0.1247831). The Doxology or The Common Doxology that begins Praise God, from whom all blessings flow, has now been freshly arranged for a Baritone Saxophone solo with Organ accompaniment. Â Accessible and appropriate for any church setting.
$4.99
A Mighty Fortress Is Our God (Baritone Saxophone and Organ)
A Mighty Fortress Is Our God (Baritone Saxophone and Organ)
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Saxophone (band part)
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EASY
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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A Mighty Fortress Is Our God
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Exultet Music
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SheetMusicPlus
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1241104 By Stephen DeCesare. By Martin Luther. Arranged by Stephen DeCesare. Christian,Prais...
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1241104 By Stephen DeCesare. By Martin Luther. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Individual part. 16 pages. Exultet Music #836500. Published by Exultet Music (A0.1241104). One of the best known hymns by the Protestant Reformer Martin Luther has been freshly arranged for a Baritone Saxophone solo with Organ accompaniment. Â Accessible and appropriate for any church setting. Â Parts are included.
$4.99
All People That On Earth Do Dwell (Baritone Saxophone and Organ)
All People That On Earth Do Dwell (Baritone Saxophone and Organ)
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Saxophone (band part)
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EASY
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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All People That On Earth Do Dw
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Exultet Music
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SheetMusicPlus
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1222450 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Pra...
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1222450 By Stephen DeCesare. By Louis Bourgeois. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Individual part. 15 pages. Exultet Music #818716. Published by Exultet Music (A0.1222450). Old 100th (also known as Old Hundred) is one of the best known melodies in many occidental Christian musical traditions and has now been freshly arranged for a Baritone Saxophone solo with Organ accompaniment.
$4.99
A Mighty Fortress Is Our God (Baritone Saxophone and Organ)
A Mighty Fortress Is Our God (Baritone Saxophone and Organ)
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Saxophone (band part)
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EASY
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Sacred music
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Stephen DeCesare
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Stephen DeCesare
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A Mighty Fortress Is Our God
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Exultet Music
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SheetMusicPlus
Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1242883 By Stephen DeCesare. By Martin Luther. Arranged by Stephen DeCesare. Christian,Prais...
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Baritone Saxophone Solo - Level 2 - Digital Download SKU: A0.1242883 By Stephen DeCesare. By Martin Luther. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. Individual part. 16 pages. Exultet Music #837932. Published by Exultet Music (A0.1242883). One of the best known hymns by the Protestant Reformer Martin Luther has been freshly arranged for a Baritone Saxophone solo with Organ accompaniment. Â Accessible and appropriate for any church setting. Â Parts are included.
$4.99
Wedding March - Bridal chorus Lohengrin - Saxophone Quintet
Wedding March - Bridal chorus Lohengrin - Saxophone Quintet
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE
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Classical
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Richard Wagner
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Thomas Graf
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Wedding March - Bridal chorus
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568170 Compo...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.568170 Composed by Richard Wagner. Arranged by Thomas Graf. Opera,Romantic Period,Wedding. 11 pages. Thomas Graf - the-hit-factory.com #2887433. Published by Thomas Graf - the-hit-factory.com (A0.568170). Out of the box, easy to play - arrangement for your next wedding service. Piano/Organ is optional. Missing voices aren’t that critical. Piano/Organ part can be played solo or with the first part only. Instrumentation: Part I (Soprano), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N.... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/iWBNDf_OqzA
$9.99
Luther: Out of the Depths for Baritone Sax & Piano
Luther: Out of the Depths for Baritone Sax & Piano
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Baritone Saxophone, Piano
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BEGINNER
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Martin Luther
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James M
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Luther: Out of the Depths for
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jmsgu3
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SheetMusicPlus
Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional...
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Baritone Saxophone,Piano - Level 1 - Digital Download SKU: A0.548713 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411737. Published by jmsgu3 (A0.548713). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Features the entire range of the instrument. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics, essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed pieces, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes arranged for SATB
J. S. Bach : Orgelbüchlein ("Little Organ Book") BWV 599−644): 45 chorale preludes - SATB
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach : Orgelbüchlein
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534471 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Christmas,Easter,Sacred. 207 pages. Musik Fabrik Music Publishing #3520187. Published by Musik Fabrik Music Publishing (A0.534471). The Orgelbüchlein (Little Organ Book) BWV 599−644 is a collectionof 45 chorale preludes for organ written by Johann Sebastian Bach. Allbut three of them were composed during the period 1708–1717, whileBach was court organist at the ducal court in Weimar. The remainingthree, along with a short two-bar fragment, were added in 1726 or later,after Bach's appointment as cantor at the Thomasschule in Leipzig. The45 comlete pieces are divided up according to the liturigcal year:L’Orgelbüchlein (Le Petit LIvre D‘Orgue) BWV 599−644 est unecollection de 45 chorale preludes for organ écrites par Johann SebastianBach. Tout, sauf trois ont été composées pendant la période ou Bach étaitl’organiste titualaire au cour du Duc de Weimar entre 1708 et 1717, whileBach was court organist at the ducal court in Weimar. Les trois resentanteont été ajoutée vers 1726, après la nomination de Bach comme Maître deChapelle au Thomasschule à Leipzig. Les 45 pièces sont divisée selonThe 45 comlete pieces are divided up according to the liturigcal year:Advent /Avent1. Nun komm' der Heiden Heiland, BWV 599 (A minor)2. Gott, durch deine Güte, BWV 600 (F major)3. Herr Christ, der einge Gottessohn, BWV 601 (A major)4. Lob sei dem allmächtigen Gott, BWV 602 (D minor)Christmas/Noël5. Puer natus in Bethlehem, BWV 603 (G minor)6. Gelobet seist du, Jesu Christ, BWV 604 (G major)7. Der Tag, der ist so freudenreich, BWV 605 (G major)8. Vom Himmel hoch, da komm ich her, BWV 606 (D major)9. Vom Himmel kam der Engel Schaar, BWV 607 (G minor)10. In dulci jubilo, BWV 608 (A major)11. Lobt Gott, ihr Christen, allzugleich, BWV 609 (G major)12. Jesu, meine Freude, BWV 610 (C minor)13. Christum wir sollen loben schon, BWV 611 (E minor)14. Wir Christenleut', BWV 612 (G minor)New Year/Nouvelle Année15. Helft mir Gottes Güte preisen, BWV 613 (B minor)16. Das alte Jahr vergangen ist, BWV 614 (A minor)17. In dir ist Freude, BWV 615 (G major)Epiphany (Feast of the Purification)18. Mit Fried’ und Freud’ ich fahr’ dahin, BWV 616 (D minor)19. Herr Gott, nun schleuß den Himmel auf, BWV 617 (A minor)Passion20. O Lamm Gottes, unschuldig, BWV 618 (F major)21. Christe, du Lamm Gottes, BWV 619 (F major)22. Christus, der uns selig macht, BWV 620 (A minor)23. Da Jesus an dem Kreuze stund, BWV 621 (A minor)24. O Mensch, bewein’ dein’ Sünde groß, BWV 622 (E-flat major)25. Wir danken dir, Herr Jesu Christ, BWV 623 (G major)26. Hilf, Gott, daß mir's gelinge, BWV 624 (G minor)Easter/Pâques27. Christ lag in Todes Banden, BWV 625 (D minor)28. Jesus Christus, unser Heiland, BWV 626 (A minor)29. Christ ist erstanden, BWV 627 (D minor)30. Erstanden ist der heil’ge Christ, BWV 628 (D major)31. Erschienen ist der herrliche Tag, BWV 629 (D minor)32. Heut’ triumphiret Gottes Sohn, BWV 630 (D minor)Pentecost/Pentecôte33. Komm, Gott Schöpfer, Heiliger Geist, BWV 631 (G major)34. Herr Jesu Christ, dich zu uns wend’, BWV 632 (F major)35. Liebster Jesu, wir sind hier, BWV 633 (A major)Cathechism36. Dies sind die heil’gen zehn Gebot’, BWV 635 (C major)37. Vater unser im Himmelreich, BWV 636 (D minor)38. Durch Adam’s Fall ist ganz verderbt, BWV 637 (A minor)39. Es ist das Heil uns kommen her, BWV 638 (D major)Christian life/Vie Chrétienne40. Ich ruf’ zu dir, Herr Jesu Christ, BWV 639 (F minor)41. In dich hab’ ich gehoffet, Herr, BWV 640 (E minor)42. Wenn wir in höchsten Nöthen sein, BWV 641 (G major)43. Wer nur den lieben Gott lässt walten, BWV 642 (A minor)Death and Burial/La Mort et l’Enterrement44. Alle Menschen müssen sterben, BWV 643 (G major)45. Ach wie nichtig, ach wie flüchtig, BWV 644 (G minor)
$64.95
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Organ Baritone Saxophone
