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Out Of My System
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You've selected:
Out Of My System
Sheetmusic to print
98 sheet music found
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Out Of My System
Out Of My System
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Bass guitar
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EASY
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Louis Tomlinson
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Seamus McDaniel
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Out Of My System
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Seamus McDaniel
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SheetMusicPlus
Bass Guitar - Level 2 - Digital Download SKU: A0.1321140 By Louis Tomlinson. By Dave Gibson, Louis Tomlinson, and Nicolas Rebscher. Arranged by Seamus Mc...
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Bass Guitar - Level 2 - Digital Download SKU: A0.1321140 By Louis Tomlinson. By Dave Gibson, Louis Tomlinson, and Nicolas Rebscher. Arranged by Seamus McDaniel. 21st Century,Pop. Score. 4 pages. Seamus McDaniel #909592. Published by Seamus McDaniel (A0.1321140). This is my arrangement/transcription of Louis Tomlinson's Out Of My System for bass! I've included some left hand fingering and the entire song can be played solely with down picking. There is standard notation as well as tablature included in the PDF!If you have any questions or suggestions regarding my tabs, feel free to reach out to me at my website!
$4.99 ≈
4.59€
Southwest Sunrise Trumpet Solo with Piano
Southwest Sunrise Trumpet Solo with Piano
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Trumpet, Piano
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BEGINNER
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Alex Lewis and Eddie Lewis
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Southwest Sunrise Trumpet Solo
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Tiger Music
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. ...
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B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.1080679 Composed by Alex Lewis and Eddie Lewis. Classical,Multicultural,World. Score and part. 9 pages. Tiger Music #684898. Published by Tiger Music (A0.1080679). Southwest Sunrise Trumpet Solo Eddie Lewis and Alex Lewis MTR P111 4137 Southwest Sunrise is a trumpet solo for beginner trumpet students that has a more complicated piano part. I often get requests for music for students of different skill levels. And in fact, that’s what of my strengths as a writer, is that I can blend parts across skill levels that way. In this case, Alex and I were striving for something that would be interesting for the pianist, but not overly challenging for the beginner trumpet student. The Process The inspiration for this piece came to me on a morning walk in Chandler, Arizona. Chandler is a suburb of Phoenix. I was walking east, into the rising sun. It was a very simple melody. It was a very simple blues melody that I immediately recognized as something that would work in our series for beginner trumpet students. This was during a time when my son, Alex, and I were already collaborating on some other projects. For this piece, I gave Alex the melody and gave him a general description of what I was hearing. Then I gave him his space to create what sounded good to him. The next stage was me editing some of his creativity. At this point we went back and forth on a few issues until we agreed on the final results. SKILL LEVEL The skill level for Southwest Sunrise is Trumpet Pioneer (we don’t have skill levels for piano parts yet on this website). Trumpet Pioner is the first of seven levels in our system. These are absolute beginners who have only been playing the trumpet for a few months. Our Trumpet Pioneer level limits the range to C in the staff. We also limit rhythms to nothing smaller than quarter-notes, and key signatures are limited to one flat or sharp. Practice Recommendations While it is obvious and I don’t normally list it as a point in this practice recommendations, but the rhythms are very different between the trumpet part and the trumpet part. So it is even MORE important to spend time listening to the composition long before you begin practicing it. As I said, this is a good habit for working on all performance pieces. There is research that proves that students learn their music best when they recognize their mistakes soonest. When you listen to the music repeatedly before you practice, it goes a long way towards helping you recognize your mistakes. This is one of the most important reasons for listening, but there are others that I won’t go into here. Assuming the pianist is far more advanced than the trumpeter, the pianist should assume a patient, educational role.
$6.72 ≈
6.19€
Out Of My System
Out Of My System
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Jamie Lidell
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Benedikt Perse
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Out Of My System
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Benedikt Perse
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SheetMusicPlus
Choral Choir - Level 5 - Digital Download SKU: A0.1157763 By Jamie Lidell. By Dominic Mocky Salole and Jamie Lidderdale. Arranged by Benedikt Perse. A Ca...
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Choral Choir - Level 5 - Digital Download SKU: A0.1157763 By Jamie Lidell. By Dominic Mocky Salole and Jamie Lidderdale. Arranged by Benedikt Perse. A Cappella,Funk. Octavo. 15 pages. Benedikt Perse #758098. Published by Benedikt Perse (A0.1157763). Funky SMATBarB choir arrangement, where the difficulty level rises with every verse.
$5.00 ≈
4.60€
Baby, It's Cold Outside
Baby, It's Cold Outside
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Piano, Voice
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INTERMEDIATE
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Pop music
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Glee Cast
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Mario Stallbaumer
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Baby, It's Cold Outside
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario...
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Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!
The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.
In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!
The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.
Of course, the song has been covered by countless artists since the 40s.
Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!
“Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).
Time for you to play it!
These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.
You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!
Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo
Here are the full lyrics to “Baby, It’s Cold Outside”:
[VERSE 1]
I really can't stay (but baby, it's cold outside)
I've got to go away (but baby, it's cold outside)
This evening has been (been hoping that you'd drop in)
So very nice (i'll hold your hands, they're just like ice)
My mother will start to worry (beautiful what's your hurry?)
My father will be pacing the floor (listen to the fireplace roar)
So really I'd better scurry (beautiful please don't hurry)
But maybe just a half a drink more (put some records on while I pour)
The neighbors might think (baby, it's bad out there)
Say what's in this drink? (no cabs to be had out there)
I wish I knew how (your eyes are like starlight now)
To break this spell (i'll take your hat, your hair looks swell)
I ought to say, no, no, no sir (mind if I move in closer?)
At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)
I really can't stay (oh baby don't hold out)
But baby, it's cold outside
[VERSE 2]
I simply must go (but baby, it's cold outside)
The answer is no (but baby, it's cold outside)
Your welcome has been(how lucky that you dropped in)
So nice and warm (look out the window at this dawn)
My sister will be suspicious (gosh your lips look delicious)
My brother will be there at the door (waves upon the tropical shore)
My maiden aunts mind is vicious (gosh your lips are delicious)
But maybe just a cigarette more (never such a blizzard before)
I've gotta get home(but baby, you'd freeze out there)
Say lend me a coat(it's up to your knees out there)
You've really been grand (i thrill when you touch my hand)
But don't you see? (how can you do this thing to me?)
There's bound to be talk tomorrow (think of my lifelong sorrow)
At least there will be plenty implied (if you got pnuemonia and died)
I really can't stay (get over that old out)
Baby, it's cold outside
$4.99 ≈
4.59€
Jesus, Lover of My Soul (for One Octave Handbell Choir with Piano accompaniment)
Jesus, Lover of My Soul (for One Octave Handbell Choir with Piano accompaniment)
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Piano Accompaniment
#
BEGINNER
#
Sharon Wilson
#
Sharon Wilson
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Jesus, Lover of My Soul
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Sharon Wilson
#
SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.565859 By Sharon Wilson. By Charles Wesley. Arranged by Sharon Wilson. ...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.565859 By Sharon Wilson. By Charles Wesley. Arranged by Sharon Wilson. Children,Classical,Folk,Instructional,Sacred. 10 pages. Sharon Wilson #6285345. Published by Sharon Wilson (A0.565859). This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and frequent 2-part harmony. An optional repeat and second ending is included in case a longer song is desired. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). The color-coded score is enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. A color-coded note chart is also provided showing the Handbell notes used for this arrangement as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers. This separate color-coded score uses the Chroma-Notesâ„¢ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.This arrangement is one of the 10 songs in the collection Melodies to the Lord (A Collection of 10 Hymns for One Octave Handbells with Piano accompaniment). Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99 ≈
5.52€
Melodies to the Lord (A Collection of 10 Hymns for One Octave Handbells with Piano accompaniment)
Melodies to the Lord (A Collection of 10 Hymns for One Octave Handbells with Piano accompaniment)
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Piano Accompaniment
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EASY
#
Sacred music
#
Sharon Wilson
#
Sharon Wilson
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Melodies to the Lord
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Sharon Wilson
#
SheetMusicPlus
Small Ensemble Bells,Handbell,Handchime,Piano Accompaniment - Level 2 - Digital Download SKU: A0.565864 By Sharon Wilson. By Various. Arranged by Sharon ...
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Small Ensemble Bells,Handbell,Handchime,Piano Accompaniment - Level 2 - Digital Download SKU: A0.565864 By Sharon Wilson. By Various. Arranged by Sharon Wilson. Children,Easter,Holiday,Instructional,Sacred. Score and parts. 94 pages. Sharon Wilson #6285355. Published by Sharon Wilson (A0.565864). The title of this collection was inspired by the words found in Ephesians 5:19 (KJV) -- Speaking…in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord… This collection contains 10 hymns arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 9 ringers. These familiar hymns are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:  A Mighty FortressClose to TheeCrown Him with Many CrownsFor the Beauty of the EarthGlory to His NameJesus, Lover of My SoulOnly Trust HimPower in the BloodRing the Bells of HeavenSweet By and ByVisit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$19.99 ≈
18.41€
"My CELLO METHOD" Volume 5 - Mastering positions 5 - 7
"My CELLO METHOD" Volume 5 - Mastering positions 5 - 7
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2 Cellos (duet)
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INTERMEDIATE
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Classical
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Camille Saint-Saens, E
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Georg Mertens
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"My CELLO METHOD" Volume 5 - M
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Georg Mertens
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SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1080764 Composed by Camille Saint-Saens, E. Galliard, Frederic Chopin, Georg Mertens, Johann Sebast...
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Cello Duet Cello - Level 3 - Digital Download SKU: A0.1080764 Composed by Camille Saint-Saens, E. Galliard, Frederic Chopin, Georg Mertens, Johann Sebastian Bach, Ludwig van Beethoven, Ottakar Sevcik, and Sebastian Lee. Arranged by Georg Mertens. Baroque,Classical,Contemporary,Instructional,Romantic Period. Score. 35 pages. Georg Mertens #685003. Published by Georg Mertens (A0.1080764). In Volume 5 of My CELLO METHOD - Mastering Positions 5 - 7, the cello player will be guided by photos and pinpointed exercises by Sevcik, Mertens & Lee in preparation to pieces in the higher range: favourites of my students for this level. All pieces have been arranged as cello duos - except the solo piece Oriental, the movements of the Bach solo Suites and the position exercises.Here is the list of content:No. 118    Exercise for Position 1 - 7 on A string              No. 119    2 Position Studies for all 4 strings by O. Sevcik                 No. 120   3 octaves Scale in C major      No. 121    S. Lee - Study No 5                          No. 122    Catalan Traditional - Song of the Birds                  No. 123    E. Galliard - Sarabande from Sonata E minor            No. 124    J.S. Bach - Bourree's of Cello Suite No 3 (solo)                  No. 125    J.S. Bach - Sarabande of Cello Suite 5 (solo)        No. 126    L.v. Beethoven - Sonatina                               No. 127    F. Chopin - Largo from Cello Sonata op. 65               No. 128    P.I. Tchaikovsky - Valse sentimentale                   No. 129    G.M. - Prelude 4 Oriental  from 5 Preludes for the Love of the  Lower Strings (solo)No. 130   C. Saint-Saens - The Swan    -     Major scale patterns - 3 octavesGuide lines of the method are: enjoyable, systematic - step by step, well explained.  The 6 Volumes of My CELLO METHOD: from Twinkle, twinkle to Haydn Cello Concerto!Volume 1   - 1st Position unextendedVolume 2   - The Extensions in 1st Position ( b & # )Volume 3   - Half, 2nd, 3rd & 4th Positions Volume 4   - Gems from the vast repertoire of cello music within Positions 1-4Volume 5  - Mastering Positions 5 - 7                  Volume 6  - The Thumb Position & Treble ClefHere is a link to the Duo recordings to My CELLO METHOD: https://www.youtube.com/playlist/PLa4x_CVYDVRXQT9KB0v_cJF353gc1yHMf
$13.99 ≈
12.88€
Sheltered In The Arms Of God
Sheltered In The Arms Of God
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Choral 3-part
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EASY
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Dottie Rambo and Jimmie Davis
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Susanna Lausevic
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Sheltered In The Arms Of God
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Susanna Lausevic
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SheetMusicPlus
Choral Choir (SAA) - Level 2 - Digital Download SKU: A0.503276 Composed by Dottie Rambo and Jimmie Davis. Arranged by Susanna Lausevic. A Cappella,Praise...
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Choral Choir (SAA) - Level 2 - Digital Download SKU: A0.503276 Composed by Dottie Rambo and Jimmie Davis. Arranged by Susanna Lausevic. A Cappella,Praise & Worship. Octavo. 3 pages. Susanna Lausevic #115422. Published by Susanna Lausevic (A0.503276). A cappella version with female voices. 1 verse only. sopranos highest note is E flat. lowest alto has her own system/line to follow. this arrangement has lovely chords and a choral sound. check out my YOUTUBE channel for the audio version to this arrangement and my other arrangements. Please subscribe to get more music. Thank you.
$3.00 ≈
2.76€
We're Forgiven (God of Grace) SATB Choral Version
We're Forgiven (God of Grace) SATB Choral Version
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Choral SATB
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BEGINNER
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Sacred music
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Lisa Waites
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We're Forgiven
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Servant Song Music and Ministry
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Se...
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.921768 Composed by Lisa Waites. Christian,Christmas,Praise & Worship,Sacred. Octavo. 2 pages. Servant Song Music and Ministry #6629007. Published by Servant Song Music and Ministry (A0.921768). We're Forgiven (God of Grace) was originally scored in a Piano/Guitar/Voice format, but for this Advent/Christmas season, Servant Song Music & Ministry has produced this full SATB Choral arrangement, as well! This particular arrangement is suitable for Beginner and Early Intermediate Church Choirs and Worship Teams, including very small ensembles. If you don't have any men in your choir, you can turn the score into a Soprano/Alto 2-part version pretty easily, too. This short, accessible piece of worship music was written as a liturgical response for use during Christian services during the Advent/Christmas/Epiphany seasons of the church calendar. It returns the work of the people TO the people, placing the Words of Assurance into the mouths and hearts of the congregation and/or choir, rather than having the minister alone speaking the words of absolution/assurance after the Prayer of Confession. Set in a simple key for beginning accompanists and including chord charts for guitarists (or pianists who prefer to play by reading the melody notes in the RH and playing by chord symbol with their LH), this song has been set in a perfect vocal range for congregational voices and/or church choirs. Non-liturgical churches have also appreciated this piece as a way for congregants to respond musically to services on themes such as God's Grace, Forgiveness, Reconciliation, Prodigals, Mercy, and also throughout Advent or whenever the pastor is focusing on themes of Hope, Peace, Joy, Love, etc. Please don't make illegal copies of this score; it is the primary way I recover the costs of arranging, engraving and publishing new music. I work on the honour system. If you truly can't afford to purchase copies of this piece for each of your singers/musicians, please contact me via email or my Facebook music page, and I'll make sure your group is taken care of. To God be the glory!
$4.59 ≈
4.23€
The Lord Is My Shepherd (for One Octave Handbell Choir with Piano accompaniment)
The Lord Is My Shepherd (for One Octave Handbell Choir with Piano accompaniment)
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Piano Accompaniment
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BEGINNER
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Sharon Wilson
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Sharon Wilson
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The Lord Is My Shepherd
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358806 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Ch...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358806 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Christian,Folk,Sacred,Traditional. 12 pages. Sharon Wilson #943267. Published by Sharon Wilson (A0.1358806). This arrangement is one of the 10 songs in the collection Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano).This sheet music is arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. The piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. An optional repeat and second ending is included in case a longer performance is desired. Included in this set of scores is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one score in standard format with black and white notes and the second score with color-coded notes).  Lyrics are provided on the Handbell staff.A color-coded note chart is provided showing the Handbell notes used for this arrangement as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. Note assignment suggestions are provided.As noted above, one of the Handbell scores is color-coded for easier note reading for beginning ringers.  This separate color-coded score uses the Chroma-Notes™ Colored Music System.  If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$5.99 ≈
5.52€
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
Ali Ben Sou Alle: Souvenirs d’Écosse Introduction, Variations sur "Charley is my darling" et Boléro
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Soprano Saxophone and Piano
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INTERMEDIATE/ADVANCED
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle: Souvenirs d
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standa...
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.
$19.95 ≈
18.37€
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
Joybells Ringing Songs of Praise (Collection of 10 Hymns for One Octave Handbell Choir with Piano)
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Sacred music
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Joybells Ringing Songs of Prai
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Sharon Wilson
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SheetMusicPlus
Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. All...
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Bells,Handbell,Handchime,Piano Accompaniment - Level 1 - Digital Download SKU: A0.1358777 By Sharon Wilson. By African-American Spiritual, Chester G. Allen, Elisha Albright Hoffman, Fanny J. Crosby, Henri F. Hemy, John Bacchus Dykes, Reginald Heber, Robert Lowry, William H. Doane, and William J. Kirkpatrick. Arranged by Sharon Wilson. Children,Christian,Easter,Sacred,Traditional. 96 pages. Sharon Wilson #943238. Published by Sharon Wilson (A0.1358777). This collection contains 10 hymns and praise choruses arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Most songs include an optional repeat and second ending in case a longer song is desired. For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). If the combined score is more than three pages, a separate Piano only score is also provided.A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played.  The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers. On the color-coded score, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to distinguish (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter rests are used to help visualize the number of beats per measure. As a reminder for beginning ringers, all sharps and flats are displayed (shown in the key of C) on the color-coded score. As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers.  These separate color-coded scores use the Chroma-Notes™ Colored Music System. If you have a set of Handbells with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the Handbells match this color scheme. The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers. These familiar hymns and choruses are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.Permission is granted to make as many copies as needed for one family, church, school, or other performing group. Please purchase additional copies for multiple groups or organizations.Each song is also available separately with accompanying preview pages and audio samples. Song titles included in this collection:   Be Still and KnowFaith of Our FathersHoly, Holy, HolyKum Ba YahPraise Him! Praise Him!Shall We Gather at the RiverThe Lord Is My ShepherdTo God Be the GloryWhat a Wonderful SaviorYou May Have the Joy-bellsVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$19.99 ≈
18.41€
MY NEW CAVE for Solo Voice and Strings
MY NEW CAVE for Solo Voice and Strings
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Alan Edgar
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MY NEW CAVE for Solo Voice and
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Alan Edgar Ted Moon
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SheetMusicPlus
Baritone Horn TC,Mezzo-Soprano Voice - Level 4 - Digital Download SKU: A0.1439539 Composed by Alan Edgar. 20th Century. 116 pages. Alan Edgar Ted Moon #1...
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Baritone Horn TC,Mezzo-Soprano Voice - Level 4 - Digital Download SKU: A0.1439539 Composed by Alan Edgar. 20th Century. 116 pages. Alan Edgar Ted Moon #1019549. Published by Alan Edgar Ted Moon (A0.1439539). Mezzo/Baritone with String Quartet. A series of seven very short songs in various styles about a journey through a new cave system.1. The singer is anxious, then 2. repelled by an unpleasant chamber 3. Tthe remains of a hermit are found. 4. A watery tunnel is traversed where fossils are seen. 5. A new chamber sparkles with jewels. 6. the next has organ-like stalactites and stalagmites. 7. The exit is troublesome, but the overall experience was delightful, and the singer invites you to be a companion on the next visit. 14 minutes.
$34.00 ≈
31.31€
De Mundi Systemate (2021) for tenor and piano
De Mundi Systemate (2021) for tenor and piano
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Tenor voice, Piano
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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De Mundi Systemate
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Thomas Oboe Lee
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SheetMusicPlus
Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869856 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 65 pages. Thomas Oboe Lee #629...
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Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869856 Composed by Thomas Oboe Lee. 20th Century,Contemporary. 65 pages. Thomas Oboe Lee #6294651. Published by Thomas Oboe Lee (A0.869856). I read a recent article in the New York Times about Isaac Newton's Philosophiae Naturalis Principia Mathematica, published in London in 1687, saying that it had a reputation for unreadability. And that it was written in Latin immediately stoked my curiosity. I went to Amazon and bought a copy of the original facsimile text in Latin and an authoritative English translation by a Harvard Professor of the History of Science, I. Bernard Cohen.The third book in Principia really piqued my interest: the gravitational forces between the sun and planets!!! This work is in six movements. 1. Regula III 2. Propositio VI 3. Propositio XVII 4. Propositio XXIV 5. Lemma IV 6. Scholium generale
$9.99 ≈
9.20€
We Must Learn to Walk Together
We Must Learn to Walk Together
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Piano, Vocal and Guitar
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EASY
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Lisa Waites
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Lisa Waites
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We Must Learn to Walk Together
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99 ≈
3.67€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Banjo
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Intermediate
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Cape Breton & Prince Edward Is
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - D...
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Banjo - Beginning; Intermediate; Advanced - Digital Download SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
:
Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
23.01€
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Treble Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone...
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Large Ensemble Alto Saxophone,Banjo,Baritone Saxophone,Clarinet,English Horn,Flute,Guitar,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Saxophone,Tenor Saxophone,Treble Clef Instrument,Trumpet,Ukulele,Vibraphone,Violin,Xylophone - Level 4 - Digital Download SKU: A0.931832 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269045. Published by Dots and Beams (A0.931832). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a treble staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4. Be creative with this one, the possib.
$10.00 ≈
9.21€
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
Pitch and Rhythm - Bass Clef, Diatonic (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch and Rhythm - Bass Clef,
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: ...
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Large Ensemble Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Harpsichord,Horn,Marimba,Organ,Piano,Trombone,Tuba - Digital Download SKU: A0.931833 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 124 pages. Dots and Beams #4269061. Published by Dots and Beams (A0.931833). Dots and Beams creates a wide variety of reading materials for musicians at all skill levels and for all instruments. The goal of Dots and Beams is to break music down into its elements and provide reading material focused on systematically developing each element in isolation. These books can be used in any number of ways and are an invaluable tool for creative musicians who enjoy inventing new exercises. In addition, these books make excellent, thoughtfully graduated sight-reading material for a wide range of ability levels from student to professional. This collection presents its user with a series of notes on a bass staff in the context of increasingly complex rhythmic material. The pitch material in this book is entirely diatonic with a space left at the beginning of each system in which one can write a key signature. Early chapters use only notes on the staff while subsequent chapters begin to add notes on ledger lines above and below the staff. Each chapter contains two exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. From chapter to chapter the conceptual difficulty of the rhythmic material increases. The exercises in this collection are intentionally aimless, wandering, and difficult to internalize. They resemble standard melodies on the surface but don’t emphasize any particular tonal centre or harmonic movement. They are designed this way for several reasons. In keeping the melodic material as non-specific as possible the door is left open for the materials to be used in conjunction with any number of exercises, something that would be much more difficult with a composition that dictates the harmonic, melodic, and rhythmic phrasing. It also allows the user to read the exercises in any key signature, making this a great tool to help students learn to think in different keys. The unpredictability of these exercises also forces the user to process every note and rhythm as its own event without relying on pattern recognition or melodic and harmonic tendencies to help in figuring out the notes and rhythms. While I absolutely agree that the skill of predicting music’s direction from harmonic and melodic cues is an essential skill for any musician to develop, I think we will all agree that resources for this type of reading practice are already abundant. This collection, on the other hand, is designed to develop the user’s ability to process raw musical data. Once this skill is strengthened and internalized it is my belief that the act of reading more predictable and typically melodic music will be made much easier as the processing of notes and rhythms will be second nature, allowing the musician to focus on musicality. This book is a supplement to practising sight-reading using real music, not a replacement; I encourage you to use both. If this material is being used to practice sight-reading, it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Some suggestions for how to use this book include: Read each exercise in all 15 key signatures from 7 flats to 7 sharps. Practice key changes by writing in a different key signature for each system. Increase the challenge of the previous exercise by using a metronome on weak beats. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second e.
$10.00 ≈
9.21€
Stompin' Jam - Trumpet Trombone Duet
Stompin' Jam - Trumpet Trombone Duet
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Trumpet, Trombone (duet)
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INTERMEDIATE/ADVANCED
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Eddie Lewis
Jazz out wi
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Eddie Lewis
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Stompin' Jam - Trumpet Trombon
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Tiger Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World....
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Instrumental Duet Instrumental Duet,Trombone,Trumpet - Level 4 - Digital Download SKU: A0.750372 Composed by Eddie Lewis. Blues,Jazz,Multicultural,World. Score and parts. 4 pages. Tiger Music #6624793. Published by Tiger Music (A0.750372). Stompin’ Jam Trumpet and Trombone Duet MTR 0255 4143 By Eddie Lewis Jazz out with your trumpet or trombone friend playing this cool sounding duet. We’re calling it a jam because both players get to play a solo over the repeated accompaniment line. First the trombone player jams, then the trumpet. Here is the first of what I hope to be many, many duets made possible by my Just Friends video series. In this series I am inviting one of my musician friends over to make music, do an interview and maybe follow it all up with a Q and A session. I wrote this duet for one of those videos and we had a good time recording it. I enjoy writing music for the people I work with. Does trumpet and trombone seem like an odd duet to write? Well, you may not believe this, but sometimes trumpet players have trombone player friends. :-) Thus, the purpose of the duet. Trumpet Pro Skill Level The highest note in the trumpet part is B natural. The rhythms are also just a little complicated. That’s why we put this at the Trumpet Pro level. We recorded it the same day when I wrote it, so it’s not like I was working on this for days. But there was a little bit of awkwardness in the trumpet part. Practice Recommendations My number one suggestion for practicing this piece is to learn the rhythms first. Notice the anticipation of the third beat. This happens in almost every measure. This rhythm grew on me during my trip to South Africa in 2016 when I performed with the Afrika Mkhize big band. There were lots of songs at the jazz festival in Grahamstown that had that twelve-eight groove with the anticipated third beat. I am NOT saying that this composition is South African. I would not presume to know how to write that kind of music. What I am saying is that the music in South Africa has influenced my writing. In much the same way as playing in all those salsa bands in the 90’s did. So, recognize that the rhythms in this composition are very important and learn those first. The rest of it should fall into place after that. About the Trumpet Pro Skill Level The Trumpet Pro skill level is the fifth skill level in our system. This skill level has exercises and music up to high C. There are many other considerations in this skill level but that is the most obvious. To find more music for this specific skill level, search our other publications for the word Trumpet Pro in the title or descriptions. We publish books and compositions for students at the Trumpet Pro level that we believe you or your students will truly enjoy.
$4.99 ≈
4.59€
America The Beautiful, Vocal Duet
America The Beautiful, Vocal Duet
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Samuel A Ward
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Nigel Williams
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America The Beautiful, Vocal D
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Nigel Williams
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.763299 Composed by Samuel A Ward. Arranged by Nigel Williams. Folk,H...
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Instrumental Duet,Piano Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.763299 Composed by Samuel A Ward. Arranged by Nigel Williams. Folk,Holiday,Patriotic. Score and parts. 15 pages. Nigel Williams #4270585. Published by Nigel Williams (A0.763299). America The beautiful, (Materna), arranged for mezzo soprano and high baritone soloists with keyboard, trumpet in Bb and side drum. Music theater voices would suit this arrangement particularly well, the soprano sings the first verse, the baritone the second, with both voices combining in harmony for the last verse. Due to the instrumentation employed this arrangement will sound well in an outside arena such as a stadium as well as inside the concert hall or church as all the performers can be miked and routed through the sound system to achieve optimal balance. America The Beautiful is Ideal for senior high school and college performances as well as church services. The performance duration is two and a half minutes and the full score has all the individual parts attached. To see more of my patriotic music on SMP, check out my choral arrangements of Amazing Grace (SATB) with Trumpet (The Last Post) and Blessed Assurance (SATB and TTBB) with Trumpet (The Last Post). .
$5.99 ≈
5.52€
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Out Of My System
