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P Tango
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You've selected:
P Tango
Sheetmusic to print
34 sheet music found
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1
26
Tango of Pécs
Tango of Pécs
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Tango
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Zoran Radanovic
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Tango of Pécs
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Zoran Radanovic
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SheetMusicPlus
Accordion,Clarinet - Digital Download SKU: A0.1070771 Composed by Zoran Radanovic. Latin,World. Full Performance. Duration 152. Zoran Radanovic #5733719....
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Accordion,Clarinet - Digital Download SKU: A0.1070771 Composed by Zoran Radanovic. Latin,World. Full Performance. Duration 152. Zoran Radanovic #5733719. Published by Zoran Radanovic (A0.1070771). I composed this tango for city of Pécs in Hungary. For accordion and clarinet or for two solo Instruments.My PDF sheet music : https://www.sheetmusicplus.com/title/tango-of-pcs-digital-sheet-music/21779053
$1.99 ≈
1.79€
Tango of Pécs
Tango of Pécs
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C Instruments
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EASY
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Tango
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Zoran Radanovic
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Tango of Pécs
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Zoran Radanovic
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SheetMusicPlus
C Instrument - Level 2 - Digital Download SKU: A0.1002803 Composed by Zoran Radanovic. Folk,Latin,Multicultural,World. Lead Sheet / Fake Book. 2 pages. Z...
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C Instrument - Level 2 - Digital Download SKU: A0.1002803 Composed by Zoran Radanovic. Folk,Latin,Multicultural,World. Lead Sheet / Fake Book. 2 pages. Zoran Radanovic #5753873. Published by Zoran Radanovic (A0.1002803). I composed this tango for city of Pécs (Hungary).
$1.99 ≈
1.79€
Festival Tango
Festival Tango
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Accordion
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Tango
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Lars Ek
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Festival Tango
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Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB
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SheetMusicPlus
Accordion - Digital Download SKU: A0.1068881 By Lars Ek. By Lars Ek. Folk,Multicultural,World. Full Performance. Duration 171. Lars Ek Cosmos Music c/o M...
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Accordion - Digital Download SKU: A0.1068881 By Lars Ek. By Lars Ek. Folk,Multicultural,World. Full Performance. Duration 171. Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB #1905187. Published by Lars Ek Cosmos Music c/o Musik & Underhållningsskrädderiet AB (A0.1068881). Lars Ek är en av Sveriges bästa dragspelare, och bland annat känd för sina fina tolkningar av Pietro Frosini, Nisse Lind och även sina egna mer än 100 kompositioner! Lars Ek är från Stockholm och började spela dragspel som 5-åring och ett år senare - 1953 gjorde han radiodebut! TV-debut 1958! Lars arbetar som dragspelare i olika sammanhang, bland annat har han arbetat som lärare, ackompanjatör för ett flertal artister och turnerat mycket i Sverige och utomlands. Han har även turnerat med sin populära Hot-trio och som solodragspelare i Europa, Asien och Nordamerika! Lars har genom åren spelat in flera skivor, som han faktiskt lyckats spegla de gamla dragspelsmästarnas kompositioner! Lars Ek är initiativtagare till Frosinisociety som grundades 1985 och som ska bevara den gamla dragspelsmusiken. Lars är nu ordförande i Internationella Frosinisällskapet och är en av grundarna till The World Accordion Music Expo i Ransäter! Det internationella Frosinisällskapet som han gör genom sajten www.frosinisociety.org ett enormt fint jobb med att främja dragspelens utveckling och popularitet både i Sverige och utomlands. Lars arbetar vid sidan av musiken på artistagenturen Music & Underhållningsskrädderiet AB, som han driver tillsammans med familjen sedan starten 1980.
$1.99 ≈
1.79€
P. Tchaikovsky - Carnival
P. Tchaikovsky - Carnival
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Classical
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Peter Ilyich Tchaikovsky
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Martin Ulikhanyan
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P. Tchaikovsky - Carnival
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Martin Ullikhanyan
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SheetMusicPlus
Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926959 Composed by Peter Ilyich Tchaikovsky. Arranged by Ma...
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Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926959 Composed by Peter Ilyich Tchaikovsky. Arranged by Martin Ulikhanyan. Jazz,Romantic Period,World. Score and parts. 45 pages. Martin Ullikhanyan #3454315. Published by Martin Ullikhanyan (A0.926959). P. Tchaikovsky - Carnival from the SeasonsArranged in Tango stile for Violin, Guitar, Accordion, Double Bass and Piano by BMI member Martin Ulikhanyan.
$5.99 ≈
5.39€
Song of the Lark by P. Tchaikovsky
Song of the Lark by P. Tchaikovsky
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Classical
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Peter Ilyich Tchaikovsky
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Martin Ulikhanyan
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Song of the Lark by P. Tchaiko
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Martin Ullikhanyan
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SheetMusicPlus
Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926960 Composed by Peter Ilyich Tchaikovsky. Arranged by Ma...
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Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926960 Composed by Peter Ilyich Tchaikovsky. Arranged by Martin Ulikhanyan. Jazz,Romantic Period,World. Score and parts. 24 pages. Martin Ullikhanyan #3454309. Published by Martin Ullikhanyan (A0.926960). Song of the Lark by P. TchaikovskyTango - Jazz arrangment for Violin, Guitar, Accordion, Double Bass and Piano by BMI member composer Martin Ulikhanyan.
$5.99 ≈
5.39€
P. Tchaikovsky - Autumn Song
P. Tchaikovsky - Autumn Song
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Classical
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Peter Ilyich Tchaikovsky
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Martin Ulikhanyan
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P. Tchaikovsky - Autumn Song
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Martin Ullikhanyan
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SheetMusicPlus
Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926958 Composed by Peter Ilyich Tchaikovsky. Arranged by Ma...
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Small Ensemble Accordion,Double Bass,Guitar,Piano,Violin - Level 4 - Digital Download SKU: A0.926958 Composed by Peter Ilyich Tchaikovsky. Arranged by Martin Ulikhanyan. Jazz,Latin,Romantic Period,World. Score and parts. 27 pages. Martin Ullikhanyan #3454307. Published by Martin Ullikhanyan (A0.926958). P. Tchaikovsky - Autumn SongArranged in tango - jazz stile For Violin, Guitar, Accordion, Piano and Double Bass.
$7.99 ≈
7.18€
Two Tangos by Albéniz
Two Tangos by Albéniz
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Tango
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Rodion Shchedrin
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Two Tangos by Albéniz
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Schott Music - Digital
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SheetMusicPlus
3 (3. auch Picc.) · 1 · Engl. Hr. · 2 · 1 - 2 · 2 · 3 · 0 - P. S. (hg. Crot. · Schellen (einfach) · Troika-Schellen · Tamb. Ã...
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3 (3. auch Picc.) · 1 · Engl. Hr. · 2 · 1 - 2 · 2 · 3 · 0 - P. S. (hg. Crot. · Schellen (einfach) · Troika-Schellen · Tamb. · kl. Tr. · gr. Tr. · Glass-Chimes · Kast. · Mar. · Guiro · Tubo [Choclo]) (3 Spieler) - Hfe. · Klav. (auch Cel.) – Str. orchestra - Digital Download SKU: S9.Q54208 Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 10 minutes. Schott Music - Digital #Q54208. Published by Schott Music - Digital (S9.Q54208). Shchedrin has turned these well-known piano pieces into contemporary orchestral works without losing any of their verve and flavour. The transcriptions are based on movements in A minor, and in D major with additional quotes from other piano pieces by Albéniz.
$23.99 ≈
21.57€
The Gliding Girl Tango by J.P. Sousa arranged for Flute Choir
The Gliding Girl Tango by J.P. Sousa - Flute Choir
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Flute ensemble
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EASY
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Tango
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John Philip Sousa
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Monty and Phyllis Adams
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The Gliding Girl Tango by J.P.
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Adams Magnificent Music
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SheetMusicPlus
Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.796430 Composed by John Philip Sousa. Arranged by Monty and Phyllis Adams. 20th Century,Clas...
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Woodwind Ensemble Flute - Level 2 - Digital Download SKU: A0.796430 Composed by John Philip Sousa. Arranged by Monty and Phyllis Adams. 20th Century,Classical,Folk,Holiday,Patriotic. 32 pages. Adams Magnificent Music #3486605. Published by Adams Magnificent Music (A0.796430). An elegant flute choir arrangement of John Philip Sousa's Gliding Girl perfect for high school flute choirs.
$14.99 ≈
13.48€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
35.02€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
#
Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
26.93€
Pájaros (Birds) for solo flute and strings
Pájaros (Birds) for solo flute and strings
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. A...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99 ≈
8.08€
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Bassoon, Piano (duet)
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ADVANCED
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Contemporary
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. M...
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Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95 ≈
17.94€
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Chamber Orchestra
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ADVANCED
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Contemporary
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
26.93€
Aserrando a una mujer [soprano and piano]
Aserrando a una mujer [soprano and piano]
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Piano, Voice
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ADVANCED
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Coco Joura and Juan MarÃÂa S
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Aserrando a una mujer [soprano
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Juan Maria Solare
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1318234 By Coco Joura and Juan MarÃÂa Solare. By Juan MarÃÂa Solare. 20th Century,21st Century...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1318234 By Coco Joura and Juan MarÃÂa Solare. By Juan MarÃÂa Solare. 20th Century,21st Century,Classical,Contemporary,Latin. Score. 10 pages. Juan Maria Solare #906905. Published by Juan Maria Solare (A0.1318234). Aserrando a una mujer (Sawing a Woman in Half)This might well be the first coloratura tango in history. And while it is innovative, it is deeply rooted in the tango tradition, both musically and thematically: one of the recurring themes of primitive tango was precisely the circus. The act of sawing a woman is the circus magic trick par excellence. This song was written and composed in mid-August 2023 and is dedicated to Coco Joura, who suggested the subjet. Lyrics and music by Juan MarÃÂa Solare. Premiere: Coco Joura (soprano) and Juan MarÃÂa Solare (piano), 19th Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Germany), November 11, 2023.Aserrando a una mujer - videoAserrando a una mujerEste acaso sea el primer tango de coloratura de la historia. Y si bien es innovador, está muy arraigado en la tradición tanguera, por la música y por la temática del texto: uno de los temas recurrentes del tango primitivo era precisamente el circo. El número de aserrar a una mujer es el truco circense de magia por antonomasia.Esta canción fue escrita y compuesta a mediados de agosto de 2023 y está dedicada a Coco Joura, quien sugirió la temática. Letra y música: Juan MarÃÂa Solare. Estreno: Coco Joura (soprano) y Juan MarÃÂa Solare (piano), 19ª Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Alemania), 11 de noviembre de 2023.Aserrando a una mujer - videoAserrando a una mujer (Zersägte Frau)Dies könnte möglicherweise der erste Koloratur-Tango der Geschichte sein. Und obwohl er innovativ ist, ist er fest in der Tangotradition verwurzelt, sowohl musikalisch als auch thematisch: Eine der wiederkehrenden Themen im primitiven Tango war genau der Zirkus. Die Nummer, eine Frau zu sägen, ist der Zirkustrick par excellence.Dieses Lied entstand Mitte August 2023, es ist Coco Joura gewidmet, die das Thema vorschlug. Text und Musik: Juan MarÃÂa Solare. IPremiere: Coco Joura (Sopran) und Juan MarÃÂa Solare (Klavier) bei der 19. Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Deutschland), 11. November 2023.Aserrando a una mujer - videolyricsAserrando a una mujertango de coloraturaJuan MarÃÂa Solare(letra y música)Para el truco de magia más famosonecesito una sierra y una mina;una caja más grande que un cadávery dos tipos que quieran serruchar.La pebeta está atada, y está viva.Obediente, se mete en el cajón.Un serrucho la parte en dos mitades.Al abrir, nuestra vÃÂctima está ilesa.La cortaron en dos (coloratura)...Les arruino el secreto de este truco.Con alerta de espóiler, ¡ya avisé!:La percanta recoge las gambitas,se acurruca, chiquita, en el arcón.El chabón que inventó esta maravillase llamó P. T. Selbit y era inglés.Lo garcó un colega en Yankilandia:mejoró la ilusión, la patentó.La cortaron en dos (coloratura)...De este acto nació un arquetipo,un modelo con facha de cliché:la mujer en peligro, rescatada;la asistente atractiva, vulnerable.Conocemos el truco y sin embargonos fascina el engaño, la ficción.Preferir la mentira es indoloro;en la magia, en el circo y fuera de él.La cortaron en dos (coloratura)...
$3.00 ≈
2.70€
El viejo vals. Por: José González Castillo y Carlos José Pérez de la Riestra (Charlo)
El viejo vals. Por: José González Castillo y Carlos José Pérez de la Riestra (Charlo)
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Piano solo
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INTERMEDIATE/ADVANCED
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José González Castillo
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Juan Carlos Cortés Aguirre
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El viejo vals. Por: José Gonz
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1120915 By José González Castillo. By Carlos José Pérez de la Riestra (Charlo). Arranged by J...
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Piano Solo - Level 4 - Digital Download SKU: A0.1120915 By José González Castillo. By Carlos José Pérez de la Riestra (Charlo). Arranged by Juan Carlos Cortés Aguirre. Folk,Instructional,Latin,Multicultural,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #722113. Published by Juan Carlos Cortés Aguirre (A0.1120915). Transcripción para piano solo por: JUAN CARLOS CORTÉS A. AntologÃÂa especial con tangos y valses cantados por Enrique Campos. El viejo vals. Letra: José González Castillo Música: Carlos José Pérez de la Riestra (Charlo) INTRODUCCIÓN: Al lánguido compás, de un vals de Chopin. Mi amor te confesé, sin ver que más, llamaba tu interés…Aquel vals. Por eso hoy mi canción, a su mismo compás. Te llora como un bien, que ya jamás, traerá a mi corazón…Su vaivén. DÚO: Fue como un loco volar de falena, con giros y vueltas en torno al fanal. Que nos deslumbra y nos llena, de un dulce mareo, sutil y fatal. Juntos mi pecho y tu seno, los dos corazones, latiendo a la par. Fijo, impasible y sereno, ¡tu frÃÂo mirar!... Quién me dirÃÂa que toda la dicha de aquella gentil posesión. Era la efÃÂmera coda que al valse le ponÃÂa mi loca ilusión. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar. INTERLUDIO: Falena de salón, mi corazón soñó… Mi corazón también soñó. Sus alas de ilusión… Sus alas de ilusión. Quemó tenaz… Tenaz quemó. Girando en aquel vals… De Chopin... Borracho de pasión, y ciego de querer. Se lanza a su atracción, sin ver que más, Que un alma en ti mujer…Hay un vals. DÚO: Quién me dirÃÂa que toda la dicha de aquella gentil posesión. Era la efÃÂmera coda que al valse le ponÃÂa mi loca ilusión. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar. Dócil tu mano en mi mano, mi brazo oprimiendo tu talle liviano, y en tanto mi acento muriendo en el lento girar del valsar.
$7.99 ≈
7.18€
Madrigal Pavane / Timburibá
Madrigal Pavane / Timburibá
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Francisco Braga
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Luciano Lima
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Madrigal Pavane / Timburibá
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digit...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio LuÃs de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio LuÃs de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première Å“uvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses Å“uvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là , certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des Å“uvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses Å“uvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'Å“uvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
$7.95 ≈
7.15€
Ires y venires
Ires y venires
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Flute and Piano
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INTERMEDIATE/ADVANCED
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Bruno Tapia
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Ires y venires
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Bruno Tapia
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SheetMusicPlus
Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and p...
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Flute,Piano - Level 4 - Digital Download SKU: A0.924602 Composed by Bruno Tapia. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part. 91 pages. Bruno Tapia #3860097. Published by Bruno Tapia (A0.924602). Versión completa de la colección Ires y venires, que tiene una historia propia. Una colección de seis piezas para piano y flauta.Historia de Ires y venires.1) Flores y pájaros: La princesa, como es costumbre, salió a pasear por los jardines cercanos al castillo. Un dÃÂa soleado, se le apareció un pequeño pájaro. Mayúscula sorpresa se llevó al enterarse de que ese pájaro era en realidad un dragón cambiaformas. Ella quedó cautivada por él.2) Mariposa del invierno: El dragón se hace humano y se le declara a la princesa. Le dice que la ama. Ella le contesta que lo ama, pero que su mano está prometida, y que su matrimonio traerÃÂa estabilidad polÃÂtica al reino. No podÃÂa corresponder al amor del dragón, pero aún asàestuvieron juntos un rato.3) Vals Bizarre: Tras haber sufrido el frÃÂo beso de la mariposa del invierno, el dragón habÃÂa agonizado y visto su muerte. Se logró salvar y recuperarse gracias a su amor por ella. No obstante, ella ya no estaba. El vals Bizarre suena en sus encuentros y desencuentros.4) Tango del diablo: Las tensiones entre ambos son cada vez mayores. Ella ya no puede estar con él, el tiempo la sofoca. Entonces, el dragón y la princesa bailan el apasionado tango del diablo, persiguiéndose con miedo a encontrarse.5) Himno de despedida angelical: El dragón se queda en la montaña, y de repente los ángeles lo encuentran. Los ángeles, como tributo a Dios, pretenden matarlo para que no amenace a la humanidad. Empieza entonces una batalla frenética con los ángeles volando por todos lados, tratando de atacar a un dragón que recibÃÂa y repartÃÂa mucho daño. Todos los ángeles murieron tras cantar su himno. El dragón quedó herido de gravedad.6) Marcha fúnebre: La princesa se iba en tren a otra ciudad a casarse. HabÃÂan pasado meses desde que dejó de ver al dragón. La última vez que vio algo fue meses atrás. Tuvo miedo por él. Por su parte, el dragón no tenÃÂa fuerzas y estaba muy herido. Se acurrucó y se preparó para dormir. Entrando al sueño, comienza a viajar, a proyectarse y encontrar a su amada princesa. Ella, cabeceando, sintió en su cabeza la voz de su amado dragón. Le contó que estaba herido, y que encontraba que la vida no tenÃÂa sentido. Que los dragones revivÃÂan cada cierto tiempo, y que sin ella nada serÃÂa lo mismo. Ella le cantó a su vez que lo amaba, y que tenÃÂa que salvarse. Pero el dragón fue claro. DormirÃÂa cientos de años, y nadie iba a detenerlo.A la distancia, la princesa alcanzó a ver la última llamarada en señal de despedida.
$25.00 ≈
22.48€
La Cumparsita
La Cumparsita
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Contemporary
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G
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Cristian Gomez
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La Cumparsita
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Kike G
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.968985 Composed by G.H. Matos Rodriguez. Arranged by Cristian Gomez. Contemporary. 8...
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Woodwind Ensemble,Woodwind Trio - Level 4 - Digital Download SKU: A0.968985 Composed by G.H. Matos Rodriguez. Arranged by Cristian Gomez. Contemporary. 8 pages. Kike G #5011215. Published by Kike G (A0.968985). Tango cuya melodÃÂa fue creada y escrita entre finales del año 1915 y principios de 1916 por el músico uruguayo Gerardo Matos RodrÃÂguez . Poco después ya pedido de Matos RodrÃÂguez, recibió arreglos musicales de Roberto Firpo quien posteriormente a esto, la tocó junto a su orquesta por primera vez en público. Su letra más popular pertenece al argentino Pascual Contursi . Está considerado el tango más difundido a nivel mundial.
$12.99 ≈
11.68€
La Violetera (Who'll buy my violets?)
La Violetera (Who'll buy my violets?)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Jose Padilla Sanchez
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Joel Jacklich (ASCAP)
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La Violetera
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Joel Jacklich
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SheetMusicPlus
String Quartet String Quartet - Level 3 - Digital Download SKU: A0.723168 Composed by Jose Padilla Sanchez. Arranged by Joel Jacklich (ASCAP). Latin,Worl...
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String Quartet String Quartet - Level 3 - Digital Download SKU: A0.723168 Composed by Jose Padilla Sanchez. Arranged by Joel Jacklich (ASCAP). Latin,World. Score and parts. 7 pages. Joel Jacklich #5769543. Published by Joel Jacklich (A0.723168). Argentinian tango composer Jose Padilla Sanchez wrote this in 1923. Famous as a tango (and featured in the movie Scent of a Woman), it is here arranged for string quartet by Joel Jacklich (A.S.C.A.P.).
$12.99 ≈
11.68€
Hernando's Hideaway
Hernando's Hideaway
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Jerry Ross and Richard Adler
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P
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Hernando's Hideaway
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P. R. Frederick
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1471047 Composed by Jerry Ross and Richard Adler. Arranged by P. R. Frederick. Broadw...
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Alto Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1471047 Composed by Jerry Ross and Richard Adler. Arranged by P. R. Frederick. Broadway,Film/TV,Musical/Show,Pop. Saxophone Duet. 7 pages. P. R. Frederick #1048671. Published by P. R. Frederick (A0.1471047). This song is about a fictional invitation-only nightclub of the same name where lovers can meet for secret rendezvous. It tells the story of a hidden place called Hernando’s Hideaway, a secret and exclusive club located in the heart of a bustling city.  It’s a fun tango to play and here it is arranged as a saxophone duet.  Can be played by Two alto, two tenor or two baritone saxophones. A score and separate parts are provided.See my other saxophone duets here
$8.00 ≈
7.19€
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