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Passacaglia for Organ
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You've selected:
Passacaglia for Organ
Sheetmusic to print
68 sheet music found
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1
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51
Passacaglia for organ solo
Passacaglia for organ solo
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Passacaglia for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.575684 Composed by David Warin Solomons. Contemporary. Score. 4 pages. David Warin Solomons #44021. Published by David Warin Solomons (A0.575684). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.78€
Johann Sebastian Bach: Passacaglia and Thema Fugatum in C minor for organ solo
#
Organ
#
ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Virtualsheetmusic
Instantly downloadable sheet music by Johann Sebastian Bach for organ solo of HIGH skill level. Contents: BWV582, pasacaglia / classical
Instantly downloadable sheet music by Johann Sebastian Bach for organ solo of HIGH skill level. Contents: BWV582, pasacaglia / classical
$5.99 ≈
5.43€
Fantasia And Passacaglia On A Mighty Fortress Is Our God
Fantasia And Passacaglia On A Mighty Fortress Is Our God
#
Organ
#
ADVANCED
#
Thomas R
#
Fantasia And Passacaglia On A
#
Thomas R. Schadl
#
SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. S...
(+)
Organ - Level 5 - Digital Download SKU: A0.912488 Composed by Thomas R. Schadl. 20th Century,Concert,Contemporary,Standards. Score. 20 pages. Thomas R. Schadl #3241715. Published by Thomas R. Schadl (A0.912488). Fantasia And Passacaglia On A Mighty Fortress Is Our God for organ is written in celebration of the five hundredth anniversary of the Reformation in Europe. Consisting of the free-form introduction and passacaglia, the piece is based on Martin Luther's hymn tune, and is written in a modern musical idiom that somewhat resembles the style of Max Reger's and Louis Vierne's works for organ, take for example Reger's Fantasia On A Mighty Fortress Is Our God, and Vierne's Sixth Organ Symphony. The Fantasia is suitable for recital use, and employs a wide range of organ registrations that displays various tonal colors and sound intensities. The introduction starts with full of energy and concludes with softer registrations. The passacaglia starts off quietly and builds up sound intensity toward its conclusion, symbolizing victory of good over evil. The metronome marks and organ registrations on some pages are suggestions only, because each organ has different tonal qualities and the acoustics in buildings and halls may influence how organist perform the piece. Fantasia And Passacaglia On A Mighty Fortress Is Our God may take anywhere between thirteen and fifteen minutes to perform.
$17.99 ≈
16.30€
5 pieces for organ
5 pieces for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
5 pieces for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published...
(+)
Organ - Level 4 - Digital Download SKU: A0.576016 Composed by David Warin Solomons. Contemporary. Score. 33 pages. David Warin Solomons #44013. Published by David Warin Solomons (A0.576016). This is a suite of 5 organ pieces composed by David W Solomons originally performed by David Carlston Williams on 17 August 2014 on the organ of St Paul's Springfield Road, Sale (Cheshire, UK) Registrations are as suggested by the performer. (the sound sample is a recording of Passacaglia from the subsequent CD recording performed by David Carlston WIlliams in June 2015) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The suite is also available as separate pieces (with performances by David Carlston Williams).
$31.00 ≈
28.08€
Passacaglia for Organ (mp3)
Passacaglia for Organ (mp3)
#
Organ
#
Contemporary
#
David Warin Solomons
#
Passacaglia for Organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Digital Download SKU: A0.1059291 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 154. David Warin Solomon...
(+)
Organ - Digital Download SKU: A0.1059291 Composed by David Warin Solomons. 20th Century,Contemporary. Full Performance. Duration 154. David Warin Solomons #44025. Published by David Warin Solomons (A0.1059291). Performance by David Carlston WIlliams for CD in June 2015. This is one of 5 organ pieces written specially for the performer. It based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian)Score:https://www.sheetmusicplus.com/title/19978596?aff_id=175705
$2.50 ≈
2.26€
Dorina for organ
Dorina for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Dorina for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.576012 Composed by David Warin Solomons. Contemporary. Score. 9 pages. David Warin Solomons #46379. Published by David Warin Solomons (A0.576012). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams Registrations are as suggested by the performer. (the sound sample is from the CD, available from this site) The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set Video of Dorina:https://www.youtube.com/watch?v=tunykPeiU4M
$13.00 ≈
11.78€
Camden Town for organ solo
Camden Town for organ solo
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Camden Town for organ solo
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published ...
(+)
Organ - Level 4 - Digital Download SKU: A0.576014 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44017. Published by David Warin Solomons (A0.576014). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.78€
Playtime for organ
Playtime for organ
#
Organ
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
David Warin Solomons
#
Playtime for organ
#
David Warin Solomons
#
SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published ...
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Organ - Level 4 - Digital Download SKU: A0.576013 Composed by David Warin Solomons. Contemporary. Score. 7 pages. David Warin Solomons #44019. Published by David Warin Solomons (A0.576013). This is one of a suite of organ pieces composed by David W Solomons performed by David Carlston Williams for a CD in June 2015 The suggested order for this suite is: 1. Passacaglia: based on an ostinato passage in 3 time. The idea behind the passacaglia relates to the origin of the word, it is basically a gentle stroll down the street (pasar la calle in Spanish, which was converted into Passacaglia in Italian) 2. Dorina: a descriptive piece in Dorian mode based on a song about a cat, from the aptly named village of Chattevoix, who stalks, but never catches, a little bird. 3. Playtime: also about a cat, the composer's own cat who is playful and rushes around the house but occasionally stopping to pummel the soft furnishings. 4. Early Evening in Camden Town: a more serious and sad piece - in 3-3-2 time. It is an evocation of the poor folk in Camden and their dreams of what could be, if only….. It was originally a song, which the composer wrote when he was living in London, based on a poem by fellow Londoner Sandra Erös The streets are part of a toy town, waiting to be played with…. 5. The Bishop's Dance: a curious and comical piece in 11 time (3, 3, 3, 2). It comes from the legend of Robin Hood, in which Robin meets the bishop of Hereford, who had hoped to get the better of him, but Robin prevails and forces him to dance. The clumsy attempts of the ungainly Bishop to obey Robin's commands cause great merriment among the merry men To quote our vicar, Rev Barbara, after the recital For me music paints a picture, and, for that, I have got this picture of someone going for a stroll in their village and then they came across a very old cat wandering down the street imaging it could catch birds but never catching them. And then it would lie down for a sleep and dream of the days when it was a kitten.... It was a very reflective programme and turns our mind about What for the Autumn, what do we need to do next.. it really did fit in with the mood of the year, as we turn towards building up the programme for next year... So thank you, it gave us time to reflect in a very beautiful manner.... The rest of the suite is also available on this site: separately (with performances by David Carlston Williams) and as a set (with David's performance of Passacaglia).
$13.00 ≈
11.78€
Passacaglia in C (Organ)
Passacaglia in C (Organ)
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Organ
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Musi...
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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$7.99 ≈
7.24€
Sonatina for Flute and Piano
Sonatina for Flute and Piano
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James Albert Yeager
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Sonatina for Flute and Piano
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James A. Yeager
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 p...
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Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato, slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$30.00 ≈
27.18€
DanC - Passacaglia for solo Organ (ped. ad lib.)
DanC - Passacaglia for solo Organ (ped. ad lib.)
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Organ
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INTERMEDIATE
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Sacred music
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Ivan Marini
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DanC - Passacaglia for solo Or
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www.dalsegno.eu
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.770361 Composed by Ivan Marini. Baroque,Praise & Worship,Sacred,Wedding. Score. 10 pages. Www.dalsegno.eu #386...
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Organ - Level 3 - Digital Download SKU: A0.770361 Composed by Ivan Marini. Baroque,Praise & Worship,Sacred,Wedding. Score. 10 pages. Www.dalsegno.eu #3860939. Published by www.dalsegno.eu (A0.770361). Original Passacaglia in a minor for solo Organ, with or without pedal.Ideal for any sacred concert and worship event.The composition can be shortened to suit celebration's times and/or organist's ability.Complete set with both portrait and landscape formatting.Duration ca. 7 mins., 10 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.71€
Sonata for Piano Quintet
Sonata for Piano Quintet
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James Albert Yeager
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Sonata for Piano Quintet
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James A. Yeager
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 4 - Digital Download SKU: A0.1499301 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. 99 pages. James A. Yeager #1075356. Published by James A. Yeager (A0.1499301). Foreword:Each movement revisits classic paradigms—sonata form (I), ternary song form (II), and sonata rondo (III). The three movements of this piano quintet share a common element contained in the seed of a motivic idea—the interplay between the minor and the major 3rd : a tonal ambiguity or conflict of the minor 2nd. Stylistically, this Sonata pays modest homage to neo-classicism of 20th Century composers such as Poulenc (I), Prokofiev, Shostakovich (III), and perhaps even a touch of Gershwin (II). I hope this piano quintet will offer players and their audience chamber music that is a bit unusual yet worthwhile. The Sonata embraces the lightheartedness, the melancholy , and the whimsy of nostalgia. There is no separate piano part.Performance Notes:I Moderately fast, expresses dialogues of themes that move between piano and strings. The playfulness of the exposition (repeat is not optional) can give way to a more passionate building of the development to the climax at letter H. In the recapitulation the longer bridge remains steadily in tempo (no accelerando) relaxing just before letter N and theme two. The coda after letter O is a somber premonition of movement two.II Slowly, the bowings are ad libitum. The viola is chantlike and smooth. Violins glissando like the portamento of the Chinese stringed instruments, the Guqin or the Ehru type glissando leading to a very pure quiet long tones without any vibrato and the resulting fourth should be a pure tuning. The piano can use una corda ad libitum in softer passages, and the pedal (damper) ad libitum. In the B section (Letter D) pianist should treat the 64th notes like an ornament (upper mordent). Strings play the eighths after Letter G accents with strong bow changes. At the end, the piano lingers until the sound vanishes after the strings die away.III Introduction: Quick and spirited, the transition (Introduction) is measured and strict without alteration leading to letter A. The rondo theme, ‘A’ section, can slightly intensify in each successive repetition, but not slavishly. The small waltz or ‘B’ section, Letter C, the quartet might play to resemble a reed organ or harmonium—sweet, sonorous, and harmonious. The ‘C’ section, Letter G, big swell on short bridge passage, then pizz. strings become very rustic and like a peasant dance. Pianist can use una corda ad libitum in soft passages. Violins again after Letter I play similarly to non-vibrato of 2nd movement. The ‘B’ section at Letter L is now the grand waltz slightly faster and more indulgent with tiny rubatos tastefully allowed.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano (2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.
$40.00 ≈
36.24€
Introduction, Passacaglia and Fugue
Introduction, Passacaglia and Fugue
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Organ
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Contemporary
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Healey Willan
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Introduction, Passacaglia and
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Biretta Books
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SheetMusicPlus
Organ - Digital Download SKU: A0.879602 Composed by Healey Willan. 20th Century. Score. 28 pages. Biretta Books #3517973. Published by Biretta Books (A0....
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Organ - Digital Download SKU: A0.879602 Composed by Healey Willan. 20th Century. Score. 28 pages. Biretta Books #3517973. Published by Biretta Books (A0.879602). Organists rejoice in the fantastic organ works of Healey Willan. But, Introduction, Passacaglia and Fugue is arguably the quintessential and irresistible master organ work of the Dean of Canadian Composers, Healey Willan. Students of organ music and of composition will marvel in the complexity of this fine music. It is a must-have for every organist! Introduction, Passacaglia and Fugue has been described by the late Joseph Bonnet, the eminent French organist-composer, as one of the greatest organ works since Bach. Biretta Books in Chicago works in cooperation with the Estate of Healey Willan and the Healey Willan Society to promote the legacy of the Dean of Canadian Composers-Healey Willan.
$6.25 ≈
5.66€
Passacaglia and Trumpet Tune for Organ
Passacaglia and Trumpet Tune for Organ
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Organ
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Christopher Evans
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Passacaglia and Trumpet Tune f
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Christopher Evans
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SheetMusicPlus
Organ - Digital Download SKU: A0.846372 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 6 pages. Christopher Evans #5775239. Publishe...
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Organ - Digital Download SKU: A0.846372 Composed by Christopher Evans. Contemporary,Holiday,Wedding. Score. 6 pages. Christopher Evans #5775239. Published by Christopher Evans (A0.846372). The first movement, a passacaglia, is a set of variations on a theme. The second movement is a lyrical melody for the solo trumpet stop influenced by the theme of the passacaglia. It is suitable for the bridal procession at the start of a wedding ceremony. The indicated registration is only a guide. Both movements can easily be played on a small two manual instrument, e.g.in the absence of a trumpet stop the solo can be played on Gt 8 4 (22/3) 2 diapasons accompanied by Sw 8 & 4 diapasons and Ped 16 coupled to Sw.
$10.00 ≈
9.06€
Passacaglia in C (piano duet)
Passacaglia in C (piano duet)
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1 Piano, 4 hands
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ADVANCED
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John Pitts
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Passacaglia in C
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Intensely Pleasant Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 p...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.890701 Composed by John Pitts. Baroque,Contemporary. Score and parts. 36 pages. Intensely Pleasant Music #3424663. Published by Intensely Pleasant Music (A0.890701). Passacaglia (2000-2012) duet 6 minutes This piece also exists in versions for organ (my original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001). The piano duet version was finally completed in 2012. The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes). Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨ - F G - D E¨ - B C - F G - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
$9.99 ≈
9.05€
PASSACAGLIA and FUGUE in C Minor - Bwv 582 - For Organ 3 staff
PASSACAGLIA and FUGUE in C Minor - Bwv 582 - For Organ 3 staff
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Organ
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Renato Tagliabue
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PASSACAGLIA and FUGUE in C Min
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Renato Tagliabue
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.724696 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque. Score. 22 pages. Renato Tagli...
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Organ - Level 4 - Digital Download SKU: A0.724696 Composed by Johann Sebastian Bach. Arranged by Renato Tagliabue. Baroque. Score. 22 pages. Renato Tagliabue #4848305. Published by Renato Tagliabue (A0.724696).
$9.90 ≈
8.97€
PASSACAGLIA - Frescobaldi - For organ 2 staff
PASSACAGLIA - Frescobaldi - For organ 2 staff
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Organ
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Classical
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G
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Marcello Meneguzzo
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PASSACAGLIA - Frescobaldi - Fo
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Renato Tagliabue
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SheetMusicPlus
Organ - Digital Download SKU: A0.724219 Composed by G. Frescobaldi. Arranged by Marcello Meneguzzo. Baroque. Score. 2 pages. Renato Tagliabue #3556647. P...
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Organ - Digital Download SKU: A0.724219 Composed by G. Frescobaldi. Arranged by Marcello Meneguzzo. Baroque. Score. 2 pages. Renato Tagliabue #3556647. Published by Renato Tagliabue (A0.724219).
$6.50 ≈
5.89€
TRIO IN PASSACAGLIA - Raison - For Organ 2 staff
TRIO IN PASSACAGLIA - Raison - For Organ 2 staff
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Organ
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Classical
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A
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Marcello Meneguzzo
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TRIO IN PASSACAGLIA - Raison -
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Renato Tagliabue
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SheetMusicPlus
Organ - Digital Download SKU: A0.724221 Composed by A. Raison 1640 - 1719. Arranged by Marcello Meneguzzo. Baroque. Score. 1 pages. Renato Tagliabue #355...
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Organ - Digital Download SKU: A0.724221 Composed by A. Raison 1640 - 1719. Arranged by Marcello Meneguzzo. Baroque. Score. 1 pages. Renato Tagliabue #3556677. Published by Renato Tagliabue (A0.724221). Christe dalla Messa del sesto tono.
$3.50 ≈
3.17€
PASSACAGLIA - B. Storace - For organ 2 staff
PASSACAGLIA - B. Storace - For organ 2 staff
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Organ
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Classical
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Bernardo Storace 1637 - 1707
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Marcello Meneguzzo
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PASSACAGLIA - B. Storace - For
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Renato Tagliabue
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SheetMusicPlus
Organ - Digital Download SKU: A0.724220 Composed by Bernardo Storace 1637 - 1707. Arranged by Marcello Meneguzzo. Classical. Score. 8 pages. Renato Tagli...
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Organ - Digital Download SKU: A0.724220 Composed by Bernardo Storace 1637 - 1707. Arranged by Marcello Meneguzzo. Classical. Score. 8 pages. Renato Tagliabue #3556653. Published by Renato Tagliabue (A0.724220).
$8.50 ≈
7.70€
PASSACAGLIA - West - For Organ 3 staff
PASSACAGLIA - West - For Organ 3 staff
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Organ
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Contemporary
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J
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Marcello Meneguzzo
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PASSACAGLIA - West - For Organ
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Renato Tagliabue
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SheetMusicPlus
Organ - Digital Download SKU: A0.724225 Composed by J. E. West 1863 - 1929. Arranged by Marcello Meneguzzo. 20th Century. Score. 6 pages. Renato Tagliabu...
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Organ - Digital Download SKU: A0.724225 Composed by J. E. West 1863 - 1929. Arranged by Marcello Meneguzzo. 20th Century. Score. 6 pages. Renato Tagliabue #3556925. Published by Renato Tagliabue (A0.724225).
$8.50 ≈
7.70€
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Passacaglia for Organ
