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Passing By low trumpet
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You've selected:
Passing By low trumpet
Sheetmusic to print
24 sheet music found
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1
Passing By - low trumpet
Passing By - low trumpet
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Trumpet
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EASY
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Edward Purcell
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Kenneth D
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Passing By - low trumpet
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KFS Publishing
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SheetMusicPlus
Piano,Trumpet - Level 2 - Digital Download SKU: A0.700179 Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Sc...
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Piano,Trumpet - Level 2 - Digital Download SKU: A0.700179 Composed by Edward Purcell. Arranged by Kenneth D. Friedrich. Concert,Romantic Period,World. Score and part. 5 pages. KFS Publishing #3385653. Published by KFS Publishing (A0.700179). Vocal art song arranged for low trumpet and piano.
$10.00 ≈
9.23€
Ping-Pong for Trumpet Solo
Ping-Pong for Trumpet Solo
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Trumpet
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INTERMEDIATE/ADVANCED
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Contemporary
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Dosia McKay
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Ping-Pong for Trumpet Solo
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Gavia Music
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SheetMusicPlus
Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published...
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Trumpet Solo - Level 4 - Digital Download SKU: A0.876677 Composed by Dosia McKay. Contemporary. Individual part. 5 pages. Gavia Music #6325337. Published by Gavia Music (A0.876677). I originally composed Ping-Pong for tuba solo. The following is a trumpet transcription. Although the program note relates to the tuba version, trumpet players might find the explanation of the genesis of the music helpful.When I first spoke with Sande MacMorran, the tuba player for whom I composed the piece, we discussed the technicalities of the instrument; its optimal range, timbre, and articulation. Sande mentioned, in passing, that the rhythm of swing music is a natural fit for the instrument and even sang a few lines to give examples.In the following days, when I began to plan the new composition, I was surprised that the idea of playing ping-pong unexpectedly took hold of my mind and I couldn’t shake it off. At first, it seemed random and unrelated, but then, as I thought about the rhythmic patterns of the game, it all became clear.In ping-pong, the paddle hits the ball and then the ball hits the table in a pattern reminiscent of the rhythm of swing. While beginners tend to play slower, in triplets, the professionals, much faster, with the table note dotted or even double-dotted. Once I realized what my subconscious was trying to tell me, I listened to (not merely watched) several videos of ping-pong matches and discovered a wealth of entertaining rhythmic patterns. Thus the idea for this miniature tuba piece was born.While the tuba may seem a clumsy and awkward instrument, it is actually quite agile and flexible. It can perform many challenging melodic figures or quick jumps between registers, and it can certainly play ping-pong.Total duration: 1'25, for advanced players.
$20.00 ≈
18.46€
For he's a jolly good fellow for brass quartet (mp3)
For he's a jolly good fellow for brass quartet (mp3)
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Brass quartet : 2 trumpets, trombone, tuba
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Traditional
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David Warin Solomons
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For he's a jolly good fellow f
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David Warin Solomons
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SheetMusicPlus
Brass Quartet - Digital Download SKU: A0.1059445 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Graduation,Holiday....
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Brass Quartet - Digital Download SKU: A0.1059445 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Graduation,Holiday. Full Performance. Duration 65. David Warin Solomons #3386791. Published by David Warin Solomons (A0.1059445). Score:https://www.sheetmusicplus.com/title/19976931?aff_id=175705This is a jolly, albeit brief, set of variations on the old English celebration song by the same name. It can be used for a birthday or a congratulation party for marriage, passing exams, getting promotion etc.
$2.00 ≈
1.85€
Jesus is Passing This Way - for Beginner Orchestra. (with chords)
Jesus is Passing This Way - for Beginner Orchestra. (with chords)
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J
#
L
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Jesus is Passing This Way - fo
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Müller Publishing company
#
SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477490
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477490 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054890. Published by Müller Publishing company (A0.1477490). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.84€
Jesus is Passing This Way - for Beginner Orchestra.
Jesus is Passing This Way - for Beginner Orchestra.
#
J
#
L
#
Jesus is Passing This Way - fo
#
Müller Publishing company
#
SheetMusicPlus
Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477512
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Alto Saxophone,Cello,Clarinet,Double Bass,Flute,Horn,Piano,Soprano Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.1477512 Composed by J. H. Tenney. Arranged by L. Müller. Chamber,Christian,Religious,Sacred,Spiritual. 24 pages. Müller Publishing company #1054894. Published by Müller Publishing company (A0.1477512). Arrangement of the Traditional Hymn Jesus is Passing This Way by J. H. Tenney - Adapted by L. Müller for Beginner Orchestra.Celebrate the inspiring message of the traditional hymn, Jesus is Passing This Way, composed by J. H. Tenney. This arrangement, meticulously adapted by L. Müller, is crafted for beginner orchestras, making it accessible to a wide range of performers.The arrangement includes comprehensive parts for various instruments, ensuring that orchestras of all sizes can participate. The classic harmony is preserved, allowing both small and large groups to perform with depth and richness. The digital PDF format ensures easy access and distribution, with versions available both with and without chords to suit different performance needs.Perfect for church services, spiritual gatherings, and musical events, this rendition of Jesus is Passing This Way will quickly become a cherished addition to any repertoire. The thoughtful adaptation ensures that even those new to music can join in creating a worshipful and inspiring atmosphere.Instruments Included:- Flute- Clarinet in Bb I & II- Soprano Saxophone- Alto Saxophone I & II- Horn in F- Trumpet in Bb I, II & III- Trombone I & II- Tuba- Violin I, II & III- Viola- Cello I & II- Contrabass- PianoAvailable Versions: With and Without ChordsKey Features:- Suitable for beginner musicians- Comprehensive instrumentation- Digital PDF format for easy access and distribution- Classic harmony preservedEnrich your worship services and musical gatherings with this specially adapted arrangement of Jesus is Passing This Way. Acquire it now and inspire your audience with the beauty, joy, and depth of this iconic hymn.
$1.99 ≈
1.84€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
#
SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.14€
Your Love
Your Love
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Jazz Ensemble
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ADVANCED
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Jazz
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Louis Burke
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David Leech
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Your Love
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David Leech
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.973281 Composed by Louis Burke. Arranged by David Leech. Jazz. Score and Parts. 60 pages...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.973281 Composed by Louis Burke. Arranged by David Leech. Jazz. Score and Parts. 60 pages. David Leech #4967803. Published by David Leech (A0.973281). Running time: approximately 4:30Your Love is a beautiful ballad composed by the late Louis Burke, a Los Angeles based trumpeter and band leader. Louis came to me and said that he had this love song melody he had composed, and could I write an arrangement of it for his big band. I reharmonized it and made it into an alto sax solo.The first chorus is mostly sax solo, backed by some subtle brass and flute accompaniment. The second chorus starts with 16 bars of sax improvisation, followed by some ensemble work by the trumpets and trombones playing contrapuntally. The chorus ends by passing the contrapuntal baton to the sax section. The whole arrangement comes to a climax in the next eight bars and ends on a romantic note with a restatement of the melody by the alto sax.Medium slow ballad (quarter=76).Brass parts are moderately high. The lead trumpet has several high Ds, and one high E. The contrapuntal writing requires a high degree of independence from the musicians.
$47.50 ≈
43.84€
Four for Five
Four for Five
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Roma Cafolla
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Four for Five
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Forton Music - Digital
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SheetMusicPlus
2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Mu...
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2tpt. Hn. Tbn. tba - Intermediate-Advanced - Digital Download SKU: F2.FM481 Composed by Roma Cafolla. Brass Quintet. Score and parts. 58 pages. Forton Music - Digital #FM481. Published by Forton Music - Digital (F2.FM481). ISBN 9790570483808.Brass 4 All This piece was inspired by the brass section of the WNO, the importance of 'Music For All', and the need to make it accessible to children. A stately introduction opens the piece, with all the instruments passing the theme between them. This leads into a the main body of the piece, a bold, driving tune that contrasts with a more lyrical middle section before bursting out into fanfares of repeated notes to bring the music to a thrilling finish. Brass Neck The tuba is featured prominently in ths piece. The repeated motif drives the rhythm forward: 'Cry the tears for the freezing years. Just walk away' ... as the other players finally do. Marked Andantino and in Bb major the central section changes to Bb minor, where the horn and trombone carry the melody. This is then taken up be the second trumpet and the players stand as the music modulates back to Bb major. As each player finishes they sit down until the tuba is left to finish alone. Autumn Breeze A sultry September evening and a gentle breeze fans the last of the fading flowers. The family are gathered informally, and the music begins.... Marked Andante and with flowing descending quavers, the opening has interest for every player. The horn and then the trombone pick up the central theme, and this is then embellished by the trumpets. A gentle phrase marks the ending. Bankers Notes A letter drops on the mat. A final demand and the thought of the 'green paper rotting in their clutch' assails my mind. I write notes of a differnt kind! The opening is marked Vivace and is rather punchy, but soon settles into the main theme with driving rhythms throughout. The extended ending climaxes in rising staccato semiquavers for all.
$17.95 ≈
16.57€
Philadelphia Morning
Philadelphia Morning
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Bill Conti
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Mary Clark
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Philadelphia Morning
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Second Wind Music
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SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film...
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1472617 Composed by Bill Conti. Arranged by Mary Clark. Classical,Film/TV. 11 pages. Second Wind Music #1050268. Published by Second Wind Music (A0.1472617). “Philadelphia Morning” is a powerfully expressive composition that sets the tone for a scene early in the movie Rocky when the main character has just found out the he will get to fight the world champion boxer and sets out for a training run in the gritty city streets of Philadelphia at 4 a.m. on a dark, cold, dreary winter day. (click here to see a clip of this scene from the movie) This beautifully written piece is penetrating and pensive in describing the battle within, the solitude of it, the impossibility at hand, and generally, the struggle involved in pushing oneself. There is a powerful but subtle orchestration here; the sound of a kind of musical undertow — an undertow that is pulling our hero down, as if giving him leaden legs, or of running in quicksand. But there is also a twinkle of possibility. At the end, the [music] trails off and there is uncertainty in the air.” [From: Jack Doyle, “Philadelphia Morning: 1976-1977,” PopHistoryDig.com, March 25, 2015.]This brass quintet arrangement of Philadelphia Morning would work well as a short concert piece that showcases the expressive qualities of the French horn as well as that of the whole ensemble. This piece has a quiet, pensive, somewhat moody tempermanent. While this arrangement is not technically challenging (other than the range for the horn part noted below), the lean scoring and soft dynamics requires the ensemble to pay close attention to balance and play as one in style, tone quality, and expressiveness. Phrases passing from one player to another need to flow as if being played on a piano. The expressive opening eight-bar horn solo, which is a direct transcription from the movie score, is mostly unaccompanied and ranges up to a high b-flat so a strong, confident horn player is needed – but they will surely enjoy playing this elegantly written passage. (The film soundtrack recording features Vincent DeRosa on horn.) The bass trombone part can be played on a tuba.
$12.99 ≈
11.99€
Prelude, Op. 28, No. 15 - "Raindrop"
Prelude, Op. 28, No. 15 - "Raindrop"
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Brass quartet : 2 trumpets, trombone, tuba
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Classical
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Frederic Chopin
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Ryan Putt
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Prelude, Op. 28, No. 15 - "Rai
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Brasswood Publishing, LLC
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.944201 Composed by Frederic Chopin. Arranged by Ryan Putt. Romantic Period. Score an...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.944201 Composed by Frederic Chopin. Arranged by Ryan Putt. Romantic Period. Score and parts. 17 pages. Brasswood Publishing, LLC #5306183. Published by Brasswood Publishing, LLC (A0.944201). This arrangement of one of Chopin's piano preludes, subtitled Raindrop, is an ideal addition to any concert program. Best suited to an advanced ensemble, the melody is passed around the quintet allowing each member to highlight their expressiveness. Hauntingly beautiful, this piece showcases the ability of the brass quintet to be at once delicate and powerful. The arrangement opens with the trumpets passing the melody to each other with the horn acting as an acommpaniment. The trombone begins with the driving eighth notes prevalent throughout the entire piece. The middle section features the trombone and tuba in a strong, driving melody which recedes into a restatement of the opening material to close out the work. The short horn solo at the end brings the piece to a peaceful close, resolving the tension of the middle section. This piece offers a great challenge to the ensemble and would be a wonderful addition to any recital or concert performance.
$19.99 ≈
18.45€
Like A River Glorious
Like A River Glorious
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Folkloric/Traditional
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Frances R
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Dana F
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Like A River Glorious
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David E. Smith - Digital Sheet Music
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SheetMusicPlus
Brass Quintet - Grade 3 - Digital Download SKU: DX.145532 Composed by Frances R. Havergal. Arranged by Dana F. Everson. Traditional. Key of F, Ab. Sacred...
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Brass Quintet - Grade 3 - Digital Download SKU: DX.145532 Composed by Frances R. Havergal. Arranged by Dana F. Everson. Traditional. Key of F, Ab. Sacred Instrumental Music. Score and Parts. 15 pages. David E. Smith - Digital Sheet Music #145532. Published by David E. Smith - Digital Sheet Music (DX.145532). This quintet (opt. Sextet) begins with extraneous motifs leading into the first statement of the theme in the low brass offset by answering material in the trumpets. The pieces continues in this question and answer texture passing motivic material around the parts. Then in a transition mimicking the beginning a modulation takes place where the theme is more expressive and becomes more aggressive leading up to a majestic coda where it ends on a thought-provoking conclusion.
$12.00 ≈
11.08€
Sweet Hour of Prayer - For Treble Clef Soloist in Bb and Piano
Sweet Hour of Prayer - For Treble Clef Soloist in Bb and Piano
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Trumpet, Piano
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EASY
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Sacred music
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Slappy Hines
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Marshall Sloan Hill
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Sweet Hour of Prayer - For Tre
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M. Sloan Hill
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SheetMusicPlus
B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1290771 By Slappy Hines. By Text by William W. Walford, Music by William B. Bradbury. Arranged ...
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B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.1290771 By Slappy Hines. By Text by William W. Walford, Music by William B. Bradbury. Arranged by Marshall Sloan Hill. Christian,Praise & Worship,Sacred,Spiritual. Score and part. 8 pages. M. Sloan Hill #881462. Published by M. Sloan Hill (A0.1290771). William Walford's beloved hymn of 1845, “Sweet Hour of Prayerâ€, here set for medium-easy Treble Clef instruments in Bb.Set in 3/2 time signature with a smooth, flowing motion, the piano accompaniment is evocative of a clock's ticking, and the passing of time in prayer.
$12.97 ≈
11.97€
Spirit of Christmas 3/5 - Traditions
Spirit of Christmas 3/5 - Traditions
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Bradley Sowash
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Bradley Sowash Music
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Spirit of Christmas 3/5 - Trad
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.750070 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 53 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.750070 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Christmas. Score and parts. 53 pages. Bradley Sowash #1081. Published by Bradley Sowash (A0.750070). Semi-finalist in the American Prize for Orchestral Composition Evokes the seasonal emotions many of us experience on the annual journey from late Fall through Christmas day with parallels to the symbols associated with candles on the advent wreath. Musically, it integrates traditional chamber orchestra (no low brass or percussion) with the improvised stylings of a jazz trio (piano, bass and drum set) in a quasi concerto format. Includes optional cadenzas for trumpet and cello. 5 sections – 22 minutes total (Sections can also be performed individually.) Chamber Orchestra or larger: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 2 French Horns, 2 Trumpets, Violins I, II, Violas, Cellos, Contrabasses; Optional: Jazz Trio – Piano, Bass and Drum Set 3. Traditions (3:20) The excitement of preparing for the holidays is reflected in the fiddle-like strains of the string section. Woodwinds and brass follow with passing wisps of favorite hymns and carols. As the deadline draws nearer, our happy anticipation becomes a bit tarnished by the frenetic pace. Video: http://youtu.be/aCRzYNGW3ro?list=PL5114152391A60ACE.
$45.00 ≈
41.53€
No. 42
No. 42
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Richard Ayres
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No. 42
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Schott Music - Digital
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SheetMusicPlus
Soprano and ensemble - Digital Download SKU: S9.Q52963 (In the Alps - an animated concert). Composed by Richard Ayres. This edition: study score. ...
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Soprano and ensemble - Digital Download SKU: S9.Q52963 (In the Alps - an animated concert). Composed by Richard Ayres. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 45 minutes. Schott Music - Digital #Q52963. Published by Schott Music - Digital (S9.Q52963). English.No.42 (In the Alps) could perhaps best be described as a melodrama. It combines many of the subjects that fascinate me: the relationship of text narrative and musical narrative, the history of opera, early cinema, the theatrical practices of the nineteenth century, along with the folk and popular music of the Alpine region. A girl (the soprano), stranded on top of an un-climbable mountain peak as a young baby, is taught to sing by the mountain animals. Young Bobli lives in the village far below the un-climbable peak. He was born mute and communicates with the world by playing the trumpet. Bobli hears the soprano's song drifting down into the valley. The soprano listens to Bobli's trumpet tunes blown up to her by the wind. They are both enchanted. The three acts are separated by interludes describing how three animals experience time passing in relation to a musical tempo. Like any self respecting melodrama the text and music combine to depict or imply a wide ranging theatrical adventure, in this piece starting at the Creation (or the big bang), a lonely existence, scenes of rustic village life, some carpentry, many mountain goats, unrequited love, and ending in a quest destined to fail. In a live performance the text [provided with the performance material] is to be projected on a screen behind the musicians in the style of silent movie intertitles. Richard Ayres2pic(1.fl, bassfl).0.1.1(Ebcl).1.cbsn-2.0.Ctpt(2.pictpt).0.btbn.1-2perc(timp, b.d, small drum kit, 4 small hand-held cowbells, tri, metal wind chimes, wind machine, large wooden hammer on large wooden box, saw or wood-file on thin wooden box, vib, xyl, glsp, crots, tub bells, almgl)-3vn.db.
$47.99 ≈
44.29€
Classroom Performance educational pack: MELODY backing tracks
Classroom Performance educational pack: MELODY backing tracks
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Instructional
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Austin Ralphson
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Classroom Performance educatio
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Austin Ralphson
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SheetMusicPlus
Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,...
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Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,English Horn,Euphonium,Flute,Harpsichord,Marimba,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Xylophone - Digital Download SKU: A0.1071285 Composed by Austin Ralphson. Instructional. Accompaniment. Duration 968. Austin Ralphson #4757407. Published by Austin Ralphson (A0.1071285). This pack comprises backing tracks of the 5 performance pieces with the PCU: Melody pack. It is part of the Perform, Compose, Understand Series, and contains backing tracks and full tracks for each piece. The backing tracks have parts 2, 3, 4 and 5 playing to allow students to play part 1 live over the top.Timings are as follows:0:00 - Sequences backing track1:00 - Conjunct / disjunct backing track2:24 - Question & answer backing track4:14 - Passing notes backing track6:00 - Ornaments backing track8:08 - Sequences full track9:09 - Conjunct / disjunct full track10:32 - Question & answer full track12:21 - Passing notes full track14:04 - Ornaments full trackIf you need backing tracks with other parts removed for performance purposes, please let me know and I will produce them for you. You can message me from www.ralphsonstrings.com
$1.99 ≈
1.84€
A First Book of Inventions
A First Book of Inventions
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Ryan Wigglesworth
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A First Book of Inventions
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Schott Music - Digital
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SheetMusicPlus
Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - Digital Download SKU: S9.Q45427 For orchestra. Composed by Ryan Wiggleswort...
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Pic(fl).1.2.2.1.cbsn-2.2.0.0-str(12-14.10-12.8-10.6-8.4-6) orchestra - Digital Download SKU: S9.Q45427 For orchestra. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q45427. Published by Schott Music - Digital (S9.Q45427). Written in 2010 for the Royal Liverpool Philharmonic, Wigglesworth's nine-minute work explores the idea of perpetuum mobile (continuous movement) in seven connected, miniature inventions. A regular pulse forms the work’s core, with elaborations of the central musical idea shifting constantly around it in jagged rhythms and sumptuous orchestration. The composer writes, The seven sections can very briefly be described thus: 1) an active, miniature 'theme and variations'; 2) the juxtaposition of various fragmentary two-part inventions; 3) a tremolo string ostinato with woodwind interjections, building towards the first climax; 4) an ostinato passing between horns and muted trumpets together with a dialogue for high woodwind and low strings; 5) a very slow canon for string harmonics and pizzicato double basses; 6) a fast, one-part invention beginning with solo piccolo, and gradually leading to the second climax; 7) chorale. This is a lively orchestral miniature which gives the impression of a kaleidoscope, with short musical ideas cutting across each other in quick succession.
$25.99 ≈
23.99€
Great Fugue in G Minor (BWV 542)
Great Fugue in G Minor (BWV 542)
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Classical
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Johann Sebastian Bach
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John Mlynczak
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Great Fugue in G Minor
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Mlynczak Music
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SheetMusicPlus
French Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.478556 Composed by Johann Sebastian Bach. Arranged by John Mlynczak. This edition: Inter...
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French Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.478556 Composed by Johann Sebastian Bach. Arranged by John Mlynczak. This edition: Interactive Download. Classical. Small Ensemble. 73 pages. Duration 345. Published by Mlynczak Music (A0.478556). This arrangement for brass is of the lesser-known Great Fugue in G Minor and is such a fun work to play. The trumpet parts work well with a Bb Pic or Eb on the 1st part, and Eb or C on the second part. The subject, answer, and countersubject are all marked throughout. In addition, when a melody line is passed from one instrument to the other the score indicates where this passing is happening. This is a bit of a long blow but is very fun and quite challenging to create smooth linear phrases. I hope you enjoy it!
$10.00 ≈
9.23€
Great Fugue in G Minor (BWV 542)
Great Fugue in G Minor (BWV 542)
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Classical
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Johann Sebastian Bach
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John Mlynczak
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Great Fugue in G Minor
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Mlynczak Music
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SheetMusicPlus
Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.478559 Composed by Johann Sebastian Bach. Arranged by John Mlynczak. This editio...
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Small Ensemble Horn,Trombone,Trumpet,Tuba - Interactive Download SKU: A0.478559 Composed by Johann Sebastian Bach. Arranged by John Mlynczak. This edition: Interactive Download. Classical. Score and parts. 78 pages. Duration 345. Published by Mlynczak Music (A0.478559). This arrangement for brass is of the lesser-known Great Fugue in G Minor and is such a fun work to play. The trumpet parts work well with a Bb Pic or Eb on the 1st part, and Eb or C on the second part. The subject, answer, and countersubject are all marked throughout. In addition, when a melody line is passed from one instrument to the other the score indicates where this passing is happening. This is a bit of a long blow but is very fun and quite challenging to create smooth linear phrases. I hope you enjoy it!
$10.00 ≈
9.23€
A Hero's Journey
A Hero's Journey
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Ryan Putt
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A Hero's Journey
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Brasswood Publishing, LLC
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SheetMusicPlus
Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.944200 Composed by Ryan Putt. Concert. Score and parts. 22 ...
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Large Ensemble Bass Trombone,Euphonium,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.944200 Composed by Ryan Putt. Concert. Score and parts. 22 pages. Brasswood Publishing, LLC #4737173. Published by Brasswood Publishing, LLC (A0.944200). A Hero's Journey is a unique piece for solo Horn in F with low brass choir. Encompassing styles ranging from cinematic to a short passage reminiscent of medieval counterpoint, this piece showcases both the capabilities of a low brass section and the horn. The solo part covers the functional range of the horn, while the low brass parts genreally sit in the comfortable range of each instrument. The bass trombone part is a true bass part. A Hero's Journey would be an excellent addition to a recital or a concert.
$19.99 ≈
18.45€
Sweet Child O' Mine
Sweet Child O' Mine
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Concert band
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INTERMEDIATE
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Rock
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Guns N' Roses
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Musiscorz
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Sweet Child O' Mine
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Musiscorz
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1279632 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arrang...
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Concert Band - Level 3 - Digital Download SKU: A0.1279632 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Musiscorz. Pop,Rock. Score and Parts. 153 pages. Musiscorz #871099. Published by Musiscorz (A0.1279632). A Concert band or large ensemble arrangement with the Slash Guitar solo of this awesome song by Guns N' Roses as a versatile option that can be performed with or without the added rhythm section. It is transcribed from the Album version so has the extra section in the middle which allows a true to the original performance with the full guitar solo. The original key of Db does pose a challenge for band members which transposed down to C and the arrangement for sale was performed with great success this summer to 800 people for an event with great results. It was easier to have the Lead guitarist down tune their guitar making it easier to learn quickly as a band. Many arrangements simply put in a repeat using the same music but this is a full arrangement encompassing the original song as close as possible. The rhythm section is fully written out for those musicians that don't read chords which are also included for more advanced musicians. The solo Guitar part is in the audio but there are more in depth transcriptions available from online sheet music Guitar specialist websites that will be a more accurate version. Instrumentation is as follows: Piccolo, Flute, Oboe, Clarinet 1,2,3, Bass Clarinet, Alto Sax 1,2, Tenor Sax, Baritone Sax, Bassoon, French Horn 1,2, Trumpet 1,2,3, Trombone 1,2, Tuba, Hammond Organ, Piano, Electric Guitar 2 written and TABS, Electric Bass, Drum Kit, Bongos, Tambourine, CowbellBy W. Axl Rose, Steven Adler, Duff Mckagan, Izzy Stradlin', Slash Copyright ©1987 Guns N' Roses Music (ASCAP) and Black Frog Music (ASCAP) All Rights for Black Frog Music in the U.S. and Canada Controlled and Administered by Universal - PolyGram International Publishing, Inc. International Copyright Secured All Rights Reserved.
$55.00 ≈
50.76€
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1
Passing By low trumpet
