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Paul Wehage: Quartet for Saxophones for SATB saxophone quartet
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You've selected:
Paul Wehage: Quartet for Saxophones for SATB saxophone quartet
Sheetmusic to print
36 sheet music found
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26
Paul Wehage: Quartet for Saxophones for SATB saxophone quartet
Paul Wehage: Quartet for Saxophones for SATB saxophone quartet
#
Saxophone Quartet: 4 saxophones
#
ADVANCED
#
Paul Wehage
#
Paul Wehage: Quartet for Saxop
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534649 Composed by Paul Wehage. ...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534649 Composed by Paul Wehage. Contemporary,Standards. 90 pages. Musik Fabrik Music Publishing #5720981. Published by Musik Fabrik Music Publishing (A0.534649). Quartet for Saxophones was written for the Clair-Obscur quartet. The opening statement of the unison theme contains the essance of all that is to follow in the three pulsating rythmic cell which is similar to a heartbeat. The final scherzo movement combines these aspects to finish with a final declamation of the initial theme
$38.95 ≈
$53.83
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, bari
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, bari
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532734 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 21 pages. Musik Fabrik Music Publishing #1917. Published by Musik Fabrik Music Publishing (A0.532734). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.43
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, sopr
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, sopr
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532735 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 24 pages. Musik Fabrik Music Publishing #1921. Published by Musik Fabrik Music Publishing (A0.532735). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.43
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, alto
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, alto
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532733 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque. 22 pages. Musik Fabrik Music Publishing #1919. Published by Musik Fabrik Music Publishing (A0.532733). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.43
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, arranged for SATB saxophone Quartet, teno
Johann Sebastian Bach/Wehage Goldberg Variations, BWV 988, - SATB saxophone Quartet, teno
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Paul Wehage
#
Johann Sebastian Bach/Wehage G
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Compos...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.532736 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 21 pages. Musik Fabrik Music Publishing #1923. Published by Musik Fabrik Music Publishing (A0.532736). The Aria with 30 variations which form the work which is known as the « Goldberg » variations is one of the greatest works of Bach. It is his only work which uses the form of variations and through three series of ten variations each, it explores a myriad of musical genres and styles. The initial Aria, which seems to be rather trite and banal at the beginning of the work, is magnified through these transformations and the da capo at the end brings us back to the beginning, which has been changed by the musical journey itself. As a sort of musical « initiation », it has become a work which sparks the imagination and which creates an atmosphere all it’s own. The story of how the work came to be written has to come to us through Bach’s first biographer, Johann Nikolaus Forkel in 1805, seventy-five years after the death of Bach. It would seem that a certain Count Keyserlingk, the Russian Ambassador to the Court of Dresden, had difficulty sleeping and asked Bach to compose a work which his protégé, a harpsichord virtuoso by the name of Goldberg, could play in a salon near his bedroom to help him sleep in the evening. For this commission, Bach was to receive the largest fee of his life, a hundred louis d’or in a golden goblet. It would seem that this story is perhaps more of a legend than anything else, as no goblet was found in Bach’s estate at the end of his life and no documented proof of this story has been found. Goldberg was indeed a student of C. P. E Bach, Bach’s son and the son might have asked his father to write these works for his brilliant student. No manuscript for the Goldberg Variations exists, only a first edition corrected in the hand of Bach which contains certain tempo indications and other markings. The first edition also carried the following title: « Clavierübung, consisting of an Aria with diverse variations for the Harpsichord with two manuals composed for music lovers to refresh their spirits by J. S. Bach ». In this version for Saxophone Quartet, it is important to remember that Bach was writing for the harpsichord and not for the Piano-forte. Bach did indeed know of the Piano-forte and played one of the first instruments produced, but it would seem that he did not care much for this new instrument. To find something akin to the precise, clearly defined attacks of the harpsichord, precise articulation and clarity of sound must be the first priority. In general, even in the slowest movements, the attacks must take precedent over all other elements of performance. If the need for clarity of line and precision of attack is respected, the inherent musicality contained in the work should be evident, even in this new form.. As Bach himself transcribed many of his own works and those of others, I would like to hope that he would find this question to be interesting and the results to be surprising...
$16.95 ≈
$23.43
Jules DEMERSSEMAN Ave Maria for SATB Saxophone Quartet (or Voice and ATB Saxophone Trio)
Jules DEMERSSEMAN Ave Maria for SATB Saxophone Quartet (or Voice and ATB Saxophone Trio)
#
Saxophone Quartet: 4 saxophones
#
INTERMEDIATE
#
Jules Demersseman
#
Paul Wehage
#
Jules DEMERSSEMAN Ave Maria fo
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532821 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532821 Composed by Jules Demersseman. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred. 24 pages. Musik Fabrik Music Publishing #38027. Published by Musik Fabrik Music Publishing (A0.532821). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. Two versions of this work were published by the Adolphe Sax puublishing company: a version for voice and organ and a version for voice with Alto Saxophone, Sax Valved Trombone and Bass Saxhorn, an interesting combination which is perhaps not as easy to find as it was in Sax's showroom, where the piece was likely performed to show the qualities of Sax's instruments. These versions are also published by Musik Fabrik in seperate editions. This current version was arranged using the first edition of the trio version as its source, and the saxophone and voice parts remain essentially as in the original, with some editorial dynamic changes. The version may be performed in three possible ways: either as a piece for SATB Saxophone Quartet, as a work with Voice and ATB Trio, or as a work with Voice and SATB saxophone quartet, with the Soprano saxophone doubling the voice. A voical part (in C) is included with the set.
$12.95 ≈
$17.90
J.S. Bach: Quodlibet from the Goldberg Variations, arranged for SATB saxophone quartet
J.S. Bach: Quodlibet from the Goldberg Variations, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Quodlibet from the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534632 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534632 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 8 pages. Musik Fabrik Music Publishing #4849761. Published by Musik Fabrik Music Publishing (A0.534632). The Quodlibet variation from the Goldberg Variations. A quolibet is a musical form in which various melodies are arranged together in one harmonic structure.
$10.99 ≈
$15.19
J. S. Bach: The Art of The Fugue, arranged for SATB saxophone quartet
J. S. Bach: The Art of The Fugue, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: The Art of The Fug
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534350 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 242 pages. Musik Fabrik Music Publishing #3368447. Published by Musik Fabrik Music Publishing (A0.534350). The Art of the Fugue is considered to be one of the greatest musical creations everundertaken. A series of fourteen fugues (last of which is not complete) and four canonswhich are all based on the same d minor theme would perhaps seem, at first glance, to be apendantic academic exercise. However, in the hands of a composer such as Bach, themonothematic material is magnified through repetion which creates a sound universe whichis all it’s own.The work is also shrouded in mystery, as there are no tempo indications in the manuscript,no indications of the instrumentation which Bach intended and no clear indication as to theorder of the movements. An ordering was given to the work after the composer’s death bythe composer’s son, C. P. E. BACH which attempted to underline the pedogogical aspects ofthe composition (as a sort of a textbook for studying fugues and counterpoint). The orderused in this arrangement respects this ordering as it was given by Bach’s heirs. It wouldseem probable however, that this order was not that intended by Bach.The editor hopes that this new version of the Art of the Fugue will be useful in allowingSaxophonists everywhere to perform this great work. For those who might have scruplesabout performing this work on the saxophone, it is best to follow the example of our pianistfriends, who perform this work and others on an instrument that Bach himself said that hedisliked.
$64.95 ≈
$89.76
Richard Wagner: Bridal Chorus, from "Lohengrin" arranged for SATB saxophone quartet
Richard Wagner: Bridal Chorus, from "Lohengrin" - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Richard Wagner
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Paul Wehage
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Richard Wagner: Bridal Chorus,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533396 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533396 Composed by Richard Wagner. Arranged by Paul Wehage. Romantic Period,Wedding. 28 pages. Musik Fabrik Music Publishing #2894441. Published by Musik Fabrik Music Publishing (A0.533396). The traditional processional wedding march: Here comes the Bride, arranged for saxophone quartet. Also suitable for concert performance..
$11.95 ≈
$16.52
Emile Jonas: Prière for SATB saxophone quartet
Emile Jonas: Prière for SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Emile Jonas
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Paul Wehage
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Emile Jonas: Prière for SATB
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532796 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.532796 Composed by Emile Jonas. Arranged by Paul Wehage. Jewish,Romantic Period,Sacred,Standards. 19 pages. Musik Fabrik Music Publishing #22999. Published by Musik Fabrik Music Publishing (A0.532796). Emile Jonas was born March 5, 1827 in Paris and died on May 21, 1905 at Saint-Germain-en-Laye. Jonas entered the Paris Conservatory in 1841, studying piano and harmonie in the class of Félix Le Couppey, and composition with Michele Carafa. In 1849, he won the second Grand Prix de Rome with his Cantata Antonio. In 1847, Jonas became an assistant to the solfege classes at the Paris Conservatory, becoming a full professor in 1857. In 1859, be was named professor of musical composition and harmony at the Imperial military conservatory. In 1870, he retired from the Conservatory and took the post of Musical Director of the Garde Impériale. He was also cantor and choral director of the Portuguese synagogue in the rue Lamartine in Paris. Jonas was famous in his time for his comic operas, especially Le Canard à trois becs. His work Prière for saxophone quartet or sextet is one of the first ensemble pieces ever written for the saxophone. In 1854, he published a collection of Hebrew songs of the Sephardic tradition. This is the score and parts for the SATB saxophone quartet version. The version for SAATTB sextet is available as mfej001a on this site.
$12.95 ≈
$17.90
Franz Schubert: Ave Maria, arranged for SATB saxophone quartet
Franz Schubert: Ave Maria, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Franz Schubert
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Paul Wehage
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Franz Schubert: Ave Maria, - S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.533392 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.533392 Composed by Franz Schubert. Arranged by Paul Wehage. Christian,Contemporary,Romantic Period,Sacred,Wedding. 9 pages. Musik Fabrik Music Publishing #2894433. Published by Musik Fabrik Music Publishing (A0.533392). Franz Schubert's timeless masterpiece, arranged for SATB saxophone quartet, perfect for weddings, funerals and concerts.
$10.35 ≈
$14.30
Georg Friedrich Haendel: Overture to Guilio Cesare for SATB saxophone quartet
Georg Friedrich Haendel: Overture to Guilio Cesare for SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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Georg Friedrich Haendel
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Paul Wehage
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Georg Friedrich Haendel: Overt
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.502989 Composed by Geor...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.502989 Composed by Georg Friedrich Haendel. Arranged by Paul Wehage. Baroque,Classical,Contest,Festival,Opera. 20 pages. Published by Musik Fabrik Music Publishing (A0.502989). The Overture to one of Haendel's most popular operas arranged for SATB saxophone quartet.
$17.00 ≈
$23.49
J.S. Bach: Ouverture from the Goldberg Variations, arranged for SATB saxophone quartet
J.S. Bach: Ouverture from the Goldberg Variations, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Ouverture from the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534631 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534631 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 18 pages. Musik Fabrik Music Publishing #4849755. Published by Musik Fabrik Music Publishing (A0.534631). The French Ouverture variation from the Goldberg variations, arranged for SATB saxophone quartet
$11.95 ≈
$16.52
J.S. Bach: Aria from the Goldberg Variations, arranged for SATB saxophone quartet
J.S. Bach: Aria from the Goldberg Variations, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J.S. Bach: Aria from the Goldb
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534630 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.534630 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Standards. 11 pages. Musik Fabrik Music Publishing #4849751. Published by Musik Fabrik Music Publishing (A0.534630). The main theme of the Goldberg Variations, arranged for SATB saxophone quartet
$11.95 ≈
$16.52
J. S. Bach: Air from the Third Orchestral Suite, arranged for SATB saxophone quartet
J. S. Bach: Air from the Third Orchestral Suite, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Paul Wehage
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J. S. Bach: Air from the Third
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533235 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533235 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Contemporary,Standards,Wedding. 8 pages. Musik Fabrik Music Publishing #2150981. Published by Musik Fabrik Music Publishing (A0.533235). The famous Air on a G String from the Third Orchestral Suite arranged for saxophone quartet. As it was originally meant for the entrance of a Lady, this work would be suitable for a wedding entrance march.
$11.95 ≈
$16.52
Two Famous Wedding Marches, arranged for SATB saxophone quartet
Two Famous Wedding Marches, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Wedding/Ballad
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Classical
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Richard Wagner, Felix Mendelss
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Paul Wehage
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Two Famous Wedding Marches, -
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533449 Composed by Richard Wagne...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.533449 Composed by Richard Wagner, Felix Mendelsshon. Arranged by Paul Wehage. Romantic Period,Wedding. 52 pages. Musik Fabrik Music Publishing #2916767. Published by Musik Fabrik Music Publishing (A0.533449). The two most famous wedding marches: the Bridal Chorus from Lohengrin by Wagner (the famous Here Comes the Bride march) and the Wedding March from A Midsummer Night's Dream by Mendelssohn. Arranged for clarinet quartet.
$19.95 ≈
$27.57
Mykola Leontovich : Carol of the Bells, arranged for SATB saxophone quartet
Mykola Leontovich : Carol of the Bells, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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EASY
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Christmas
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Mykola Dmytrovych Leontovych
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Paul Wehage
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Mykola Leontovich : Carol of t
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.534361 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.534361 Composed by Mykola Dmytrovych Leontovych. Arranged by Paul Wehage. Christmas,Romantic Period,Sacred,Standards. 8 pages. Musik Fabrik Music Publishing #3382429. Published by Musik Fabrik Music Publishing (A0.534361). Mykola Dmytrovych Leontovych (born December 13, 1877 and died January 23, 1921was a Ukrainian composer and chorus master. Carol of the Bells was written in 1916.The origin was the piece was a Ukranian folksong.
$7.75 ≈
$10.71
Jacques Offenbach: "La Bonne D'Enfant" Overture, arranged for SATB saxophone quartet
Jacques Offenbach: "La Bonne D'Enfant" Overture, - SATB saxophone quartet
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Jacques Offenbach
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Paul Wehage
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Jacques Offenbach: "La Bonne D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534105 Compos...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.534105 Composed by Jacques Offenbach. Arranged by Paul Wehage. Opera,Romantic Period. 45 pages. Musik Fabrik Music Publishing #3113255. Published by Musik Fabrik Music Publishing (A0.534105). The Children's Maid is a one-act comic opera about a maid who has two suitors, a fireman and a chimneysweep. After much hestiattion, she decides to marry the trumpet player in the Royal Guards. In the Overture, there are many military themes as well as the French traditional lullabye Do, Do, L'enfant do. A great way to begin your concert!
$28.95 ≈
$40.01
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Paul Wehage: Quartet for Saxophones for SATB saxophone quartet
