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You've selected:
People Watching [easy]
Sheetmusic to print
7 sheet music found
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1
People Watching [easy] by PHianonize - Piano Solo
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Piano solo
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EASY
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PHianonize
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People Watching [easy]
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Musicnotes
Sheet Music for People Watching [easy] by Phianonize arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes. ...
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Sheet Music for People Watching [easy] by Phianonize arranged for Instrumental Solo in F Major. Digital sheet music from Musicnotes.
$6.99 ≈
6.46€
Mad World
Mad World
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Choral 3-part
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BEGINNER
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Pop music
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Gary Jules, Tears For Fears
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Sandra Milliken
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Mad World
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Sandra Milliken
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SheetMusicPlus
SAB, with piano accompaniment - Easy/Beginner - Digital Download By Gary Jules, Tears For Fears. Arranged by Sandra Milliken. Score. 12 pages. Published by...
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SAB, with piano accompaniment - Easy/Beginner - Digital Download By Gary Jules, Tears For Fears. Arranged by Sandra Milliken. Score. 12 pages. Published by Sandra Milliken
Mad World is a 1982 song written by Roland Orzabal and sung by Curt Smith, members of the British band Tears for Fears. It was the band's third single release and its first chart hit, reaching number 3 on the UK Singles Chart in November 1982. It has since been covered by an extensive list of singers, most notably by Gary Jules and Michael Andrews for the soundtrack of the 2001 film Donnie Darko. This version became a UK number one hit when it was released as a single in 2003.
Orzabal wrote the song when he was 19, living in an apartment above a pizza shop in Bath. Here he would spend his time looking out the window, strumming guitar and watching people going about their daily business. "It's a bizarre viewpoint to watch people go about their daily routine, having to work for a living, when you're sitting in a flat, unemployed," he said. "That's where it came from."
In keeping with the poignant simplicity of the Gary Jules version, this choral arrangement seeks to maintain the clarity of the text, with passing dissonances highlighting the word ?mad?. The ending section includes overlapping motif ideas which can be effectively dramatized in accordance with the included performance notes.
Mad World is available in three voicings ? SSA, SAB and SATB ? all with piano accompaniment.
$2.20 ≈
2.03€
Mad World
Mad World
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Choral 3-part
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BEGINNER
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Pop music
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Gary Jules, Tears For Fears
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Sandra Milliken
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Mad World
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Sandra Milliken
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SheetMusicPlus
SSA, with piano accompaniment - Easy/Beginner - Digital Download By Gary Jules, Tears For Fears. Arranged by Sandra Milliken. Score. 12 pages. Publis...
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SSA, with piano accompaniment - Easy/Beginner - Digital Download By Gary Jules, Tears For Fears. Arranged by Sandra Milliken. Score. 12 pages. Published by Sandra Milliken
Mad World is a 1982 song written by Roland Orzabal and sung by Curt Smith, members of the British band Tears for Fears. It was the band's third single release and its first chart hit, reaching number 3 on the UK Singles Chart in November 1982. It has since been covered by an extensive list of singers, most notably by Gary Jules and Michael Andrews for the soundtrack of the 2001 film Donnie Darko. This version became a UK number one hit when it was released as a single in 2003.
Orzabal wrote the song when he was 19, living in an apartment above a pizza shop in Bath. Here he would spend his time looking out the window, strumming guitar and watching people going about their daily business. "It's a bizarre viewpoint to watch people go about their daily routine, having to work for a living, when you're sitting in a flat, unemployed," he said. "That's where it came from."
In keeping with the poignant simplicity of the Gary Jules version, this choral arrangement seeks to maintain the clarity of the text, with passing dissonances highlighting the word “mad”. The ending section includes overlapping motif ideas which can be effectively dramatized in accordance with the included performance notes.
Mad World is available in three voicings – SSA, SAB and SATB – all with piano accompaniment.
$2.20 ≈
2.03€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.68€
Glorificamus Deum
Glorificamus Deum
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Choral 2-part
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EASY
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Sacred music
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Timothy Piper
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Glorificamus Deum
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Timothy Piper
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SheetMusicPlus
Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1015164 Composed by Timothy Piper. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Timothy Pip...
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Choral Choir (SA) - Level 2 - Digital Download SKU: A0.1015164 Composed by Timothy Piper. Christian,Praise & Worship,Sacred. Octavo. 7 pages. Timothy Piper #4747147. Published by Timothy Piper (A0.1015164). Glorificamus Deum is a setting of Psalm 23. This setting works well in both a church service and a concert setting.It takes the very traditional words of the psalm, and spins them with a fresh new approach. The music takes you on a journey from a quiet beginning, into a jazzy-pop expression of wonder as the words joyfully proclaim that goodness and mercy shall follow me all the days of my life.... An added refrain of Glorificamus Deum adds an accent of exuberance throughout the piece. This piece of music is not difficult and is accessible to most choirs. Mostly sung in unison, it goes into two parts briefly, but the two parts are canonic and thus, easy to master. The piece is musically interesting for the conductor of a youth ensemble. The range is just over an octave and has young people singing in their head voices. There are opportunities for controlled expressive singing, and also opportunities for more exuberant let-it-out singing. The piece goes back and forth between the major and minor modes. It has one particularly challenging interval with a descending major 7th. As well, there is a large dynamic range and some excellent opportunities for rubato and watching the conductor carefully in the softer, more expressive sections. This piece is fun, melodic, and will be a favorite with every chorister, the instant it is learned.
$1.99 ≈
1.84€
God's Rainbow Promises of Christmas - Performance Trax CDs
God's Rainbow Promises of Christmas - Performance Trax CDs
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Christmas
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Betty Hager and Fred Bock
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God's Rainbow Promises of Chri
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Fred Bock Music Company
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SheetMusicPlus
Children's Choir, Choral - Difficulty: easy-medium SKU: HL.8738041 Composed by Betty Hager and Fred Bock. Accomp. CD. Fred Bock Publications. Christmas, ...
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Children's Choir, Choral - Difficulty: easy-medium SKU: HL.8738041 Composed by Betty Hager and Fred Bock. Accomp. CD. Fred Bock Publications. Christmas, Children's and Christian. 2 accompaniment CDs. Fred Bock Music Company #BGTC0874. Published by Fred Bock Music Company (HL.8738041). UPC: 073999380415. 5x5.5 inches. Betty Hager & Fred Bock.In 'God's Rainbow Promises of Christmas', seven children-shepherds are watching their sheep for their parents, who have gone into Bethlehem for the census and tax. During their tending, a light rain falls and a rainbow appears - only this rainbow is alive! Each color stands for a different promise God has extended to His people. The rainbow is especially beaming because it holds the secret that God's promised Son, Jesus the Messiah, is to be born this night. Also Available: Director's Edition, Singer's Edition, Listening Cassette, Preview Pak (Singer's Edition and Listening Cassette), Posters and Bulletins.
$75.00 ≈
69.26€
THE CROWN - FOR STRING QUARTET
THE CROWN - FOR STRING QUARTET
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Film/TV
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Zimmer, Gregson-Williams, Ba
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Helen Marple-Horvat
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THE CROWN - FOR STRING QUARTET
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Helen Marple-Horvat
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SheetMusicPlus
Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. ...
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Violin, Viola, Cello, String Quartet - Advanced Intermediate - Digital Download By Zimmer, Gregson-Williams, Balfe. Arranged by Helen Marple-Horvat. Score, Set of Parts. 22 pages. Published by Helen Marple-Horvat
'The Crown' is an award winning Netflix series that has won the hearts of many people around the world. Hans Zimmer wrote the theme for the main title with Rupert Gregson-Williams, from Wiltshire, composing music for the first series, joined by Lorne Balfe, a Scottish composer for series two.
I have made an arrangement for String Quartet and hope to make more for different combinations of instruments and piano in the future.
As usual my arrangement can be played by professionals for concerts, weddings and events but also tackled by young people. The key is the original one, D minor, which is easy for strings, and younger players can make use of open strings and take as many bows as they need. I have included some bowing as a guide. Most of the double stopping includes one open string but less experienced players can leave out one of the notes where necessary, especially of it is doubled by one of the other players. I have included some 'commas' in this arrangement and recommend recovering the bow and watching the leader like a hawk!
The long ‘piano’ sections will need lots of crescendo and decrescendo markings to sound effective. I put down some ideas, but feel free to experiment. The main thing is that they grow and decay again, to keep up the tension. Without that movement, those soft passages might sound boring, albeit the chords are gorgeous.
I have included a crescendo in the penultimate bar before each new dynamic, but ideally a long crescendo is needed between each new dynamic marking. The texture becomes gradually thicker, which will help, but I am looking forward to Capriccio Quartet recording this one as they are so good at building up excitement.
There must be a great deal of drama at letters D and O. After a massive increase in dynamic I am hoping for a ‘breath’ at the comma, and a very sudden softness for the chords that follow. I also like harmonics for the viola at bars 21-22, giving way to a natural note on the fourth beat of 22. I would like the harmonic in viola to be almost imperceptible as the piece closes out. I haven’t marked it as such, and I couldn’t write a ‘simile’ on the page without clashes of staves or an extra page. I intended it to be a harmonic to the end though.
Please send me any recordings you make because I love to hear people playing my arrangements, even if it is a phone recording, and especially younger players! I am on facebook and I have a Youtube Channel too. Helen Marple-Horvat Songwriter, Arranger, Composer.
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