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You've selected:
Pioneers' Song
Sheetmusic to print
34 sheet music found
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1
26
Pioneers' Song
Pioneers' Song
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E
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Pioneers' Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5655 Composed by E.H. Garlichs. Gold mining, Gold rushes, Immigrants, Wealth. Lester S....
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Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.5655 Composed by E.H. Garlichs. Gold mining, Gold rushes, Immigrants, Wealth. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5655). Pioneers' Song. Words by Mrs. Mary Cameron Benjamin. Music by E.H. Garlichs. Published 1890 by L. Budd Rosenberg Music Publishing House in San Francisco. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Gold mining, Gold rushes, Immigrants, Wealth. First line reads Hurrah! Hurrah! We've found the land, where golden treasures lie.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.54€
Artza Alinu (Israeli pioneer song)
Artza Alinu (Israeli pioneer song)
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Piano solo
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INTERMEDIATE
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John Carter
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John Carter
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Artza Alinu
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John Carter
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.834220 Composed by John Carter. Arranged by John Carter. World. Score. 3 pages. John Carter #4790555. Pub...
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Piano Solo - Level 3 - Digital Download SKU: A0.834220 Composed by John Carter. Arranged by John Carter. World. Score. 3 pages. John Carter #4790555. Published by John Carter (A0.834220). Second in a group of Jewish folk songs arranged for solo piano. Israeli pioneers song.
$2.99 ≈
2.76€
Twelve Duos for Tubas based on Armenian Folk Songs
Twelve Duos for Tubas based on Armenian Folk Songs
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2 Tubas (duet)
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ADVANCED
#
Petros Shoujounian
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Twelve Duos for Tubas based on
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Gordon Cherry
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and p...
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Instrumental Duet Instrumental Duet,Tuba - Level 5 - Digital Download SKU: A0.792723 Composed by Petros Shoujounian. Contemporary,Folk,World. Score and parts. 31 pages. Gordon Cherry #6071203. Published by Gordon Cherry (A0.792723). Petros Shoujounian, Armenian/Canadian composer has written Twelve Duos for Tubas based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Tubas. My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works are nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence. Komitas has left a collection of about 3,000 cleaned versions of ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination. This is the motivation behind my own work and these Twelve Duos for Tubas: to make the essence of our ethnographic music accessible through Komitas. These Twelve Duos are appropriate for advanced performers and may be performed on C Tuba, F Tuba and the larger B-flat Bass Tubas.
$17.50 ≈
16.18€
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
I Gave My Love a Cherry (The Riddle Song ["The Twelfth of Never"])
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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English Folk Song by way of Am
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F
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I Gave My Love a Cherry
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arr...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1130062 Composed by English Folk Song by way of American Appalachians. Arranged by F. Leslie Smith. Celtic,Children,Folk,Irish,Traditional,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #730439. Published by Sweetwater Brass Press (A0.1130062). The origins of this lullaby can be traced back to 15th-century England. Pioneers from the British Isles brought it with them to the American Appalachians. Written in three verses, its lyrics tell of four seemingly impossible gifts the singer gave my love. The first verse describes each gift: cherry that has no stone, a chicken that has no bone. a story that has no end and a baby with no cryin'. The second verse poses the riddle: how can such items exist? The third provides the answers: A cherry when it's bloomin', it has no stone. A chicken when it's pippin', it has no bone. The story of I love you, it has no end. A baby when it's sleepin', has no cryin'. This Riddle Song has enjoyed somewhat of a revival since mid-20th century, making appearances in various movies, TV shows and recordings. In 1956, Jerry Livingston and Paul Francis adapted The Riddle Song tune, added an original bridge and created new lyrics; Johnny Mathis recorded it as The Twelfth of Never, giving the haunting melody probably its greatest surge in popularity. This arrangement is in G major and opens with an upbeat introduction. For the first statement of the melody, tempo slows and Trumpets alternate the lead. On the second time through, tempo speeds up slightly and tuba takes the lead. For the third, tempo is back to the opening speed and Horn in F plays the melody. On the fourth time through, Trumpets and Trombone frame the tune in a call-and-response form. In the fifth, Trombone takes the lead. In the sixth and final statement, Horn in F and Trombone play melody at half speed while Trumpets play a fairly complicated counterpoint (at what may seem like double speed!). This, until the last phrase (A baby when it's sleepin'), when the melody switches over to Trumpets and Trombone takes the counterpoint. Trumpet 1 plays its A above the staff a number of times. Tuba's lowest note is its F down below the staff. Otherwise, notes for all instruments are well within normal playing range. Because of the recommended tempo, the countermelody at measures 68-83 could be problematic for Trumpets and Trombone and may require a little extra work. Completed in 2022, performance time runs about 3 minutes, 42 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.35€
Viktor Kosenko: Four Children's Songs for Viola and Piano
Viktor Kosenko: Four Children's Songs for Viola and Piano
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Viola, Piano
#
EASY
#
Viktor Kosenko
#
Robert Debbaut
#
Viktor Kosenko: Four Children'
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ROBERT DEBBAUT
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.939409 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,Classical,Contest,Festival. ...
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Piano,Viola - Level 2 - Digital Download SKU: A0.939409 Composed by Viktor Kosenko. Arranged by Robert Debbaut. 20th Century,Classical,Contest,Festival. Score and part. 25 pages. ROBERT DEBBAUT #6342707. Published by ROBERT DEBBAUT (A0.939409). This suite of lovely melodies and spritely dances was created by Ukrainian composer Viktor Kosenko (1896-1938) in 1935. The haunting Melody, the Olden Dance's minuet, the jocular Scherzino and the lively March are a perfect works appropriate for the young violist to display their talent. Written to be played in first position these works serve an educational as well as an artistic purpose. Viktor Kosenko was one of the early pioneers in Music Education in the Soviet Union. His death in 1938 remains unexplained.
$9.95 ≈
9.20€
Twelve Duos for Trumpets based on Armenian Folk Songs
Twelve Duos for Trumpets based on Armenian Folk Songs
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2 Trumpets (duet)
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ADVANCED
#
Folkloric/Traditional
#
Petros Shoujounian
#
Twelve Duos for Trumpets based
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Cherry Classics Music
#
SheetMusicPlus
Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music ...
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Trumpet Duets - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. Score. 27 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trumpets based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trumpets.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 has reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trumpets: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and are written for C Trumpets, B-flat Trumpets, Cornets, B-flat Piccolo Trumpets, and Flugelhorns.
$22.50 ≈
20.80€
Twelve Duos for Trombones based on Armenian Folk Songs
Twelve Duos for Trombones based on Armenian Folk Songs
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2 Trombones (duet)
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ADVANCED
#
Folkloric/Traditional
#
Petros Shoujounian
#
Twelve Duos for Trombones base
#
Cherry Classics Music
#
SheetMusicPlus
Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music...
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Trombone - Advanced - Digital Download Composed by Petros Shoujounian. 21st Century. 23 pages. Published by Cherry Classics Music
Petros Shoujounian, an Armenian/Canadian composer has written Twelve Duos for Trombones based on the folksong collection of the Armenian priest Komitas, known as the founder of the Armenian national school of music and one of the pioneers of ethnomusicology. Below are comments from the composer about his inspiration in writing these Twelve Duos for Trombones.
My interest in the collected works of Komitas's ethnographical songs was aroused when I was introduced to Bela Bartok's similar works followed by Alan Hovhaness's huge creative world. Bartok completed his project having at his disposal a large collection of ethnographic music, while Hovhannes studied the wealth of Komitas's music with great interest. It is difficult to say to what extent the Armenian underpinning of Hovhannes's works is nurtured by Komitas's musical world, but his classical interpretation of the Armenian ethnographical music created a huge interest in the listener. Needless to say, there is also Aram Katchaturian's legacy, which at its core has the ardent presence of the Armenian spirit, nurtured by Komitas's very existence.
Komitas has left a collection of about 3,000 cleaned versions of the ethnographic song and dance pieces, of which 1,700 have reaches us, about 400 of which have been activated. I believe that in those beautiful musical fragments reside the power to be revived, once we enrich them with colorful musical instruments and unbounded polyphonic imagination.
This is the motivation behind my own work and these Twelve Duos for Trombones: to make the essence of our ethnographic music accessible through Komitas.
These Twelve Duos are appropriate for advanced performers and may be performed on Alto, Tenor, and Bass Trombones.
$22.50 ≈
20.80€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
#
EASY
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo & H
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.69€
Come, Come Ye Saints/Hope of Israel
Come, Come Ye Saints/Hope of Israel
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Piano solo
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INTERMEDIATE/ADVANCED
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Sacred music
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English folk song/William Clay
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Callie Madson
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Come, Come Ye Saints/Hope of I
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Callie Madson
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.1282246 Composed by English folk song/William Clayson. Arranged by Callie Madson. Historic,Praise & Worsh...
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Piano Solo - Level 4 - Digital Download SKU: A0.1282246 Composed by English folk song/William Clayson. Arranged by Callie Madson. Historic,Praise & Worship,Religious,Sacred. Score. 5 pages. Callie Madson #871776. Published by Callie Madson (A0.1282246). This piece is a medley of Come, Come Ye Saints and Hope of Israel. It's arranged for solo piano, to be performed by intermediate to advanced pianists. This arrangement is perfect for church meetings, Pioneer Day celebrations, etc. I've always had a deep appreciation and admiration for my ancestors, who were pioneers in the Church of Jesus Christ of Latter-day Saints. At the same time, I'm constantly inspired by the righteous Saints of our day, who lead the Lord's church with strength and integrity. They, together with the pioneers of old, truly are the Hope of Israel.
$3.99 ≈
3.69€
Pioneer Medley
Pioneer Medley
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1 Piano, 4 hands
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INTERMEDIATE
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Evan Stephens, Henri F
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Anne Britt
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Pioneer Medley
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Anne Britt
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SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.741210 Composed by Evan Stephens, Henri F. Hemy, James G. Walton, and John Bacchus Dykes....
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1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.741210 Composed by Evan Stephens, Henri F. Hemy, James G. Walton, and John Bacchus Dykes. Arranged by Anne Britt. Patriotic,Sacred. Score. 24 pages. Anne Britt #4615883. Published by Anne Britt (A0.741210). A moving piano duet medley in honor of the pioneers of The Church of Jesus Christ of Latter-day Saints. This arrangement opens with Lead, Kindly Light, portraying a sense of weariness from the difficulties of trail life and a desperate need for divine guidance. The mood turns more hopeful as the primo part continues Lead, Kindly Light while the secondo part moves into Faith of Our Fathers, and finally comes the joyful expression of gratitude and praise with For the Strength of the Hills. One piano, four hands. Primo and secondo parts are both intermediate level in difficulty. Purchase price is for two copies so you and your duet partner can each have one. 5 pages for each part, or 13 pages for the combined score. The PDF download contains both layouts so you can play from the one you prefer. Performance time: approximately 4:10.Also available as part of the Piano Duets: The Holiday Collection songbook: https://www.sheetmusicplus.com/title/21321591Visit the publisher's website for contact info and some free sheet music downloads: https://annebrittmusic.com/
$5.99 ≈
5.54€
OH, SUSANNA!
OH, SUSANNA!
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Piano, Voice
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INTERMEDIATE
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LYRICS AND MUSIC BY STEPHEN FO
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Clay Boland Jr
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From:
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OH, SUSANNA!
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.913677 Composed by LYRICS AND MUSIC BY STEPHEN FOSTER 1848. Arranged by Clay Boland Jr. Contempora...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.913677 Composed by LYRICS AND MUSIC BY STEPHEN FOSTER 1848. Arranged by Clay Boland Jr. Contemporary,Country,Folk,Traditional. Score. 8 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #3544325. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913677). ONE OF THE FAVORITE SONGS THAT WERE SUNG TO THE ACCOMPANIMENT OF BANJO OR GUITAR AROUND THE CAMPFIRE BY THE AMERICAN PIONEERS OF THE WESTERN IMMIGRATION OF THE 1800’S. From: FAVORITE AMERICAN FOLK SONGS, HYMNS, & SPIRITUALS OF THE 1800’S, VOL. II.
$4.56 ≈
4.22€
My Jesus Told Me So
My Jesus Told Me So
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Piano, Voice
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EASY
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Contemporary
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The Marshall Tucker Band
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Jeff Tincher
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My Jesus Told Me So
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Jeff Tincher
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.585419 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. Contemporary. Score...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.585419 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. Contemporary. Score. 14 pages. Jeff Tincher #6264511. Published by Jeff Tincher (A0.585419). Here is a great Contemporary Christian song from one of the pioneers of Country Rock. In the original key from The Marshall Tucker Band's debut LP, this song has half-time feel vocals with a typical Country Rock rhythm. Duration = 5:26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99 ≈
5.54€
They All Laughed
They All Laughed
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C Instruments
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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John Fries
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Bro...
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C Instrument - Level 4 - Digital Download SKU: A0.1191381 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #790898. Published by John Fries (A0.1191381). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$3.99 ≈
3.69€
My Jesus Told Me So
My Jesus Told Me So
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Brass quartet : 2 trumpets, trombone, tuba
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EASY
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Contemporary
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The Marshall Tucker Band
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Jeff Tincher
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My Jesus Told Me So
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Jeff Tincher
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SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585423 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. ...
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Brass Ensemble Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.585423 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. Contemporary. Score and parts. 26 pages. Jeff Tincher #6264523. Published by Jeff Tincher (A0.585423). Here is a great Contemporary Christian song from one of the pioneers of Country Rock. In the original key from The Marshall Tucker Band's debut LP, this song has half-time feel vocals with a typical Country Rock rhythm. Duration = 5:26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.01€
They All Laughed
They All Laughed
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Frank Sinatra
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John Fries
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Thomas Edison's phonograph
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They All Laughed
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202383 By Frank Sinatra. By George Gershwin and Ira Gershwin. Arranged by John Fries. 20th Century,Broadway,Jazz,Musical/Show,Pop,Standards. Score. 2 pages. John Fries #801074. Published by John Fries (A0.1202383). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. They All Laughed is a song composed by George Gershwin, with lyrics by Ira Gershwin, written for the 1937 film Shall We Dance where it was introduced by Ginger Rogers as part of a song and dance routine with Fred Astaire.  The lyrics compare those who laughed at me, wanting you with those who laughed at some of history's famous scientific and industrial pioneers, asking, Who's got the last laugh now? People and advances mentioned are Christopher Columbus's proof the Earth is round; Thomas Edison's phonograph; Guglielmo Marconi's wireless telegraphy; the Wright brothers's first flight; the Rockefeller Center; Eli Whitney's cotton gin; Robert Fulton's North River Steamboat; Milton S. Hershey's Hershey bar chocolate; and Henry Ford's Tin Lizzy Model T car.
$4.99 ≈
4.61€
My Jesus Told Me So
My Jesus Told Me So
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Saxophone Quartet: 4 saxophones
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EASY
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Contemporary
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The Marshall Tucker Band
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Jeff Tincher
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My Jesus Told Me So
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585421 By The...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.585421 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. Contemporary. 25 pages. Jeff Tincher #6264519. Published by Jeff Tincher (A0.585421). Here is a great Contemporary Christian song from one of the pioneers of Country Rock. In the original key from The Marshall Tucker Band's debut LP, this song has half-time feel vocals with a typical Country Rock rhythm. Duration = 5:26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.01€
My Jesus Told Me So
My Jesus Told Me So
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Flute, Oboe, Clarinet, Bassoon
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EASY
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Contemporary
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The Marshall Tucker Band
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Jeff Tincher
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My Jesus Told Me So
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Jeff Tincher
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.585422 By The Marshall Tucker Band. By Toy Caldwell. ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.585422 By The Marshall Tucker Band. By Toy Caldwell. Arranged by Jeff Tincher. Contemporary. 26 pages. Jeff Tincher #6264521. Published by Jeff Tincher (A0.585422). Here is a great Contemporary Christian song from one of the pioneers of Country Rock. In the original key from The Marshall Tucker Band's debut LP, this song has half-time feel vocals with a typical Country Rock rhythm. Duration = 5:26. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
12.01€
No Mystery
No Mystery
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Chick Corea
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Jeff Tincher
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No Mystery
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Jeff Tincher
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1391121 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1391121 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 37 pages. Jeff Tincher #974651. Published by Jeff Tincher (A0.1391121). Here is an early hit from one of the pioneers of Jazz Fusion. Title cut in the original key, this song has a lot of unison syncopation with a great melody. Duration = 5:44. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
12.01€
No Mystery
No Mystery
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Piano solo
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INTERMEDIATE
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Chick Corea
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Jeff Tincher
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No Mystery
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Jeff Tincher
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1391116 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score. 12 pages. Jef...
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Piano Solo - Level 3 - Digital Download SKU: A0.1391116 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score. 12 pages. Jeff Tincher #974646. Published by Jeff Tincher (A0.1391116). Here is an early hit from one of the pioneers of Jazz Fusion. Title cut in the original key, this song has a lot of unison syncopation with a great melody. Duration = 5:44. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$5.99 ≈
5.54€
No Mystery
No Mystery
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Saxophone Quartet: 4 saxophones
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INTERMEDIATE
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Chick Corea
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Jeff Tincher
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No Mystery
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Jeff Tincher
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1391127 By C...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1391127 By Chick Corea. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. 40 pages. Jeff Tincher #974657. Published by Jeff Tincher (A0.1391127). Here is an early hit from one of the pioneers of Jazz Fusion. Title cut in the original key, this song has a lot of unison syncopation with a great melody. Duration = 5:44. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$12.99 ≈
12.01€
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Pioneers' Song
