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Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
Therese Brenet
#
Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standar...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05 ≈
19.97€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
String Orchestra
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Poème de Ja
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
23.51€
Prayer of Saint Patrick - The Breastplate - Strings and Piano
Prayer of Saint Patrick - The Breastplate - Strings and Piano
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Sacred music
#
Connie Boss
#
Connie Boss
#
Prayer of Saint Patrick - The
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Connie Boss
#
SheetMusicPlus
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801792 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,E...
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - Digital Download SKU: A0.801792 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Christian,Easter,Holiday,Sacred. Score and parts. 5 pages. Connie Boss #6866933. Published by Connie Boss (A0.801792). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for strings - 2 violins and 1 cello and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$5.50 ≈
4.98€
Prayer of Saint Patrick - The Breastplate - Strings and Piano
Prayer of Saint Patrick - The Breastplate - Strings and Piano
#
Connie Boss
#
Connie Boss
#
Prayer of Saint Patrick - The
#
Connie Boss
#
SheetMusicPlus
Cello,Guitar,Piano,Violin - Digital Download SKU: A0.1067520 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Easter,Holiday,Irish,Sacred. Accomp...
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Cello,Guitar,Piano,Violin - Digital Download SKU: A0.1067520 Composed by Connie Boss. Arranged by Connie Boss. Celtic,Easter,Holiday,Irish,Sacred. Accompaniment. Duration 108. Connie Boss #6866935. Published by Connie Boss (A0.1067520). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for strings - 2 violins, 1 cello, and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$1.99 ≈
1.80€
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Ofer Ben-Amots
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Enchanted Landscapes, A Sympho
#
The Composer's Own Press
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00 ≈
32.61€
A Postcard from Brazil, A Tone Poem for Jazz Orchestra, Full Score and Parts
A Postcard from Brazil, A Tone Poem for Jazz Orchestra, Full Score and Parts
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Jazz Ensemble
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ADVANCED
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James Nathaniel Holland
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A Postcard from Brazil, A Tone
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James Nathaniel Holland
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.730468 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin. Score and parts. 23...
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Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.730468 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin. Score and parts. 232 pages. James Nathaniel Holland #3686065. Published by James Nathaniel Holland (A0.730468). Despite being a New Yorker at the time, actually the year 2001 was an excellent year for me. I had the opportunity to take a grand tour to the wonderful country of Brazil which I had always dreamed about. I can say it didn't disappoint. Before computers could imitate an orchestra well, I bought in Salvador many Brazilian instruments and carted them back home. This piece for jazz orchestra was the beginning of my personal renaissance as a composer, and here it is, all shiny and new and revised. The piece begins with a fast Samba, slows to mysterious calls of the rainforest, travels through Rio's bossa nova and ends with a bang. Great, serious piece for jazz concert.Instrumentation: picc, fl, alto fl, clBb, TS, BS, Tpt 1234, trmb 123, Btrm, percussion (5) (surdo high and low, tri., vibraslap, tri., ride cym w.sft. mall. and st., rainstick, pandeiro (tam.), congas, claves, snare, w.blk) pno, full stringsComposer website: https://www.facebook.com/jamesnathanielholland/YouTube Presentation: https://youtu.be/-zOxblZUcVg
$25.95 ≈
23.51€
Exil - Poème for strings (without basses)
Exil - Poème for strings (without basses)
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Contemporary
#
E
#
N
#
Exil - Poème for strings
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iStrings
#
SheetMusicPlus
Small Ensemble Viola,Violin - Digital Download SKU: A0.875783 Composed by E. Ysaÿe. Arranged by N. Szederkenyi. 20th Century. Score and parts. 30 page...
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Small Ensemble Viola,Violin - Digital Download SKU: A0.875783 Composed by E. Ysaÿe. Arranged by N. Szederkenyi. 20th Century. Score and parts. 30 pages. IStrings #3682111. Published by iStrings (A0.875783). Edited version with all parts and score of the original manuscript. This is a lesser known work by Ysaye, maybe because of its unusual orchestration, for six violins and two violas, without cello and double bass parts, however it is a masterwork that should be played much more often.
$19.00 ≈
17.21€
Jellicle Duo for recorder and guitar
Jellicle Duo for recorder and guitar
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Contemporary
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David Warin Solomons
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Jellicle Duo for recorder and
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Soprano Recorder - Level 2 - Digital Download SKU: A0.575799 Composed by David Warin Solomons. 20th Century. S...
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Instrumental Duet Guitar,Instrumental Duet,Soprano Recorder - Level 2 - Digital Download SKU: A0.575799 Composed by David Warin Solomons. 20th Century. Score and parts. 2 pages. David Warin Solomons #2028265. Published by David Warin Solomons (A0.575799). Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats) Originally it was intended for choir, but the estate of T S Eliot would not let me use the poem itself as a choral piece. However, they did allow me to use the word Jellicle in my instrumental titles. Each version follows the rhythms of the T S Eliot poem. The sound sample is a live performance with Tasse on recorder and the composer on guitar. The versions available are: A duo for descant recorder and guitar (Jellicle Duo for recorder and guitar) A quartet for recorders (Jellicle Quartet for recorders) and A quartet for strings (Jellicle Catgut for string quartet) There is also available a choral version of the music following the recorder quartet version, which is a drinking song for SATB choir, with new words by Jill Mitchell called Praise to the Vine.
$6.00 ≈
5.44€
Praise to the Vine for SATB choir
Praise to the Vine for SATB choir
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Choral SATB
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INTERMEDIATE
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David Warin Solomons
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Praise to the Vine for SATB ch
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David Warin Solomons
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575798 Composed by David Warin Solomons. 20th Century. Octavo. 5 pages. David Warin Solomons #20...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.575798 Composed by David Warin Solomons. 20th Century. Octavo. 5 pages. David Warin Solomons #2028255. Published by David Warin Solomons (A0.575798). Many years before Lloyd Webber's Cats I created my own setting for TS Eliot's Song of the Jellicles (from Old Possum's book of practical cats) The estate of T S Eliot would not let me use the poem itself as a choral piece. Â So this is the choral version of the Jellicle music as a drinking song for SATB choir, Â with new words by Jill Mitchell called Praise to the Vine Bring out the goblets! Pour the wine! Â Praise to the vintage, red and white! Â Salute to the harvest of the vine! Â Banish sobriety! Welcome delight! Â The performance is a live recording from a concert by Duodecimo. Â Other (instrumental) versions of the Jellicle music which are available are: A duo for descant recorder and guitar (Jellicle Duo for recorder and guitar) A quartet for recorders (Jellicle Quartet for recorders) and A quartet for strings (Jellicle Catgut for string quartet).
$2.99 ≈
2.71€
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Chamber Orchestra
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ADVANCED
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Mu...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95 ≈
23.51€
Claude Debussy: Poème for violin and orchestra, full score and solo part
Claude Debussy: Poème for violin and orchestra, full score and solo part
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Orchestra
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème for vio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534580 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. Score and parts. 59 pages. Musik Fabrik Music Publishing #4347323. Published by Musik Fabrik Music Publishing (A0.534580). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. The orchestration is for 21EH22/4200/timp/1perc/hp/strings (minimum 12.10.8.6.4). The work lasts aproximately ten minutesThis version the full score and solo part The piano reduction is available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$29.95 ≈
27.13€
Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
Thérèse Brenet: Six Poèmes for orchestra with principal piano, score and solo part
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Orchestra
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INTERMEDIATE/ADVANCED
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Therese Brenet
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Thérèse Brenet: Six Poèmes
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.533513 Composed by Therese Brenet. Contemporary,Standards. Score and parts. 66 pages. Musik Fabrik Music Publishing #3006617. Published by Musik Fabrik Music Publishing (A0.533513). I. Dans l’harmonie de la force et de l’amour 3’30â€II. Scintillement 1’35â€III. Un immense chant d’espérance 3’10â€IV. Andante 2’05â€V. Un élan de violence 1’00â€VI. Les cycles infinis de la beauté et de la grâce 3’10â€durée totale/total duration : 14’30â€In this work, the author expresses her aim of mediation, of mysticalthought and sometimes even cosmic thought, through a her searchfor contrasting orchestral couleurs, which offer to a composer aseemingly infinite and boundless choice.orchestration: 2(pic)222/4330/timp/2perc/glock/cel/hp/stringsparts on rental from the publisher
$25.95 ≈
23.51€
The Geese - A Musical Poem for Chamber Orchestra
The Geese - A Musical Poem for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Natalie Goossens
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The Geese - A Musical Poem for
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Natalie Goossens
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.888879 Composed by Natalie Goossens. Concert,Contemporary. Score and parts. 154 pages. Natalie Goo...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.888879 Composed by Natalie Goossens. Concert,Contemporary. Score and parts. 154 pages. Natalie Goossens #6368831. Published by Natalie Goossens (A0.888879). ‘The Geese’, a musical poem for Chamber Orchestra, was inspired by the French poem ‘Les oies sauvages’ by Guy de Maupassant. It’s a poem about broken dreams and unattainable expectations. The beautiful dream ends in complete desperation.A moving concert piece for Chamber Orchestra. Instrumentation: 2 Flutes-2 Oboes-2 Clarinets-2 Bassoons-2 Horns-Timpani-Glockenspiel (ad lib.)-Strings Duration: ca. 13’40
$39.99 ≈
36.23€
ITHACA, for SATB choir and piano
ITHACA, for SATB choir and piano
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Choral SATB
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INTERMEDIATE/ADVANCED
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Marilena Zlatanou
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ITHACA, for SATB choir and pia
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887063 Composed by Marilena Zlatanou. A Cappella. 24 pages. Marilena Zlatanou #3033755. P...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.887063 Composed by Marilena Zlatanou. A Cappella. 24 pages. Marilena Zlatanou #3033755. Published by Marilena Zlatanou (A0.887063). SATB choir composition on Konstantinos Kavafis' poem ITHACA, in English translation - a wonderful philosophical reflection on our life's journey.Kavafis is a very well known and loved Greek poet with this particular poem as his most known and cherished.It is the first of a collection of FIVE KAVAFIS POEMS by the same composer, a cycle written in both the original Greek language and in the English translation, and in three forms: a cappella, with piano acc. and with strings acc., all available through her. Duration 8 and a half minutes. This composition has been often performed and very well received. The attached mp3 file is a converted sibelius file.Please visit website www.zlatanou.net for more informationMember of TONO, the Norwegian copyright org.
$15.00 ≈
13.59€
Prayer of St Patrick (The Breastplate) vocal duet, strings and piano
Prayer of St Patrick (The Breastplate) vocal duet, strings and piano
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Connie Boss
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Connie Boss
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Prayer of St Patrick
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Connie Boss
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SheetMusicPlus
Alto Voice,Cello,Piano Accompaniment,Soprano voice,Viola,Violin - Level 2 - Digital Download SKU: A0.1401490 Composed by Connie Boss. Arranged by Connie ...
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Alto Voice,Cello,Piano Accompaniment,Soprano voice,Viola,Violin - Level 2 - Digital Download SKU: A0.1401490 Composed by Connie Boss. Arranged by Connie Boss. Holiday. Full Performance. Duration 110. Connie Boss #984672. Published by Connie Boss (A0.1401490). This is an original piece using the lyrics of St. Patrick's poem, The Breastplate. It was a poem of faith and trust in God. This is for a duet with strings quartet and a simple but effective piano accompaniment.Questions email cdboss@cvalley.netLyrics:Refrain:Christ be within meChrist be behind meChrist be before meChrist beside meChrist to win me.Verse:Christ to comfort and restore meChrist beneath meChrist above meChrist inquiredChrist in dangerChrist in heart of all that love meChrist in mouth of friend and strangerRepeat refrain:EndingChrist to love me.
$1.99 ≈
1.80€
Voyage dans notre Autre --- Symphonic poem for violin cello and orchestra --- FULL SCORE AND PARTS J
Voyage dans notre Autre --- Symphonic poem for violin cello and orchestra --- FULL SCORE AND PARTS J
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Orchestra
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ADVANCED
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Contemporary
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Jean-Christophe Masson
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Voyage dans notre Autre --- Sy
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Jean-Christophe Masson
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.878770 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 38 pages. Jean-Christophe M...
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Full Orchestra - Level 5 - Digital Download SKU: A0.878770 Composed by Jean-Christophe Masson. Contemporary. Score and parts. 38 pages. Jean-Christophe Masson #6307203. Published by Jean-Christophe Masson (A0.878770). Professional level Symphonic poem for violin solo, cello solo, and orchestra (flute, oboe, clar, horn, trumpet, trombone, Tubular bells, bass drum and strings) Duration : 7 minutes Niveau professionnel Poème symphonique pour violon solo, violoncelle solo, et orchestre (flûte, hautbois, clarinette, cor, trompette, trombone, cloches tubulaires, grosse caisse symphonique et cordes) Durée : 7 minutes Création au Temple de Dijon, le 27 mars 2009, par Simon Bouveret au violon et Lucie Mercat au violoncelle, direction Maxime Pitois. www.jcmasson.com
$30.00 ≈
27.18€
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
Symphony No. 4 ... War and Peace (2001) for soprano and orchestra
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Thomas Oboe Lee
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Symphony No. 4 ... War and Pea
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Thomas Oboe Lee
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SheetMusicPlus
Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period...
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Large Ensemble Voice - Level 4 - Digital Download SKU: A0.869357 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 95 pages. Thomas Oboe Lee #15877. Published by Thomas Oboe Lee (A0.869357). Instrumentation: 2222-4231-timp-2perc-hp-pf-strings. Program note: First of all, a huge embrace for Max Hobart who has been so very supportive by promoting and premiering new works for the orchestra. Since 1991, I have written three works for Max and the Civic Symphony Orchestra of Boston. Symphony No. 4 ... War and Peace is my fourth contribution and this work is dedicated to Max. A year ago, John Finney and the University Chorale of Boston College premiered my Mass for the Holy Year 2000. It was a millennial commission by the Jesuit Institution for the community of Boston College. For that occasion I had originally planned to write a Mass whose texts would include both the Latin from the Ordinary of the Mass - Kyrie, Gloria, Credo, Sanctus & Agnus Dei - and poems concerning the atrocities and senseless killing in warfare during the last century.However, as it turned out, the poems I chose ended up reflecting the Latin text, which is all about faith and redemption. But I still wanted to write an anti-war symphony. When I approached Max with this idea, he was very excited. Initially he was a little concerned that I might want to use the Tolstoy novel as my inspiration. I assured him that it would not be a four-hour symphony. In order to convey a political message through a symphonic work, texts set as songs are the most direct way. For this symphony, I have narrowed my focus to poems written by veterans of the First World War - some euphemistically call it the Great War. The first poem by Rupert Brooke, The Soldier, has an uneasy, patriotic cheerfulness to its message. The second poem by Wilfred Owen, Dulce et decorum est, is a more realistic view of warfare. Dying for one's own country is not so cool when the dead and the dying are staring at your face!!! The third and last poem by Ivor Gurney, To his love, reflects on the aftermath of war: peace, but at what cost!!! Rupert Brooke (1887 - 1915) died on a naval expedition near the Greek island of Gallipoli. He died of blood poisoning. Wilfred Owen (1893 - 1918) was wounded three times in France in the spring of 1917 and was sent back to England to recuperate. He returned to the Front, and was killed on November 4, 1918, just a few days before the Armistice was signed. Ivor Gurney (1890 - 1937), a composer as well, was acutely sensitive to the horrors of the war and, after being wounded and gassed in 1917, he was sent back home to a mental hospital. He died twenty years later without ever recovering from the traumas of war.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-4-war-and-peace-2001
$9.99 ≈
9.05€
The City In the Sea: Choral Tone Poem
The City In the Sea: Choral Tone Poem
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Choral SATB
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ADVANCED
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Contemporary
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Stanley M Hoffman
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The City In the Sea: Choral To
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stanleymhoffman.com
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1074352 Composed by Stanley M Hoffman. Classical,Contemporary. Octavo. 32 pages. Stanleymhoffman.com #678653. Published by stanleymhoffman.com (A0.1074352). PROGRAM NOTES As of the present writing, this choral tone poem had been gestating for over thirty years, and the concept and harmonies for it for over forty years. In the 1980s I began to work with the latter two in my brief orchestral piece Little Sea Nocturne. When reading the poetry of Edgar Allan Poe (1809–1849), I am most struck by how musical they are. When recited aloud they exhibit their own rhythmic sense. I was eager to incorporate those rhythms into my music. I had long been familiar with his poem The City In the Sea and began to sketch choral passages for the present choral tone poem in the 1990s. It took me until 2022 to complete it because I required many more years of experience at my craft to do so to lead into out of the choruses. In 2012 I completed a seven-minute unaccompanied version of the choruses with music unique to and unifying it simply called The City In the Sea. In composing The City In the Sea - Choral Tone Poem, my goal was to write a piece that, while steeped in tradition, sounds unlike anything in the literature that had come before it. The result is an original hybrid work that successfully and memorably combines salient aspects of the tonal, atonal, and modal musical languages into an organic whole. George Perle coined the term “twelve-tone tonality†to describe the music of Alban Berg and composers influenced by him such as Luigi Dallapiccola. The last title of which I am aware that accomplishes anything remotely related to what I am trying to accomplish musically in this choral tone poem is the piece Paradiso Choruses by Donald Martino (1974). However, I take twelve-tone tonality in entirely other directions in my work. That the duration of The City In the Sea - Choral Tone Poem came out to be thirteen minutes seems appropriate for piece about a sunken city. Rather than write program notes that narrate how the music unfolds I will simply shout out the most memorable aspects of what careful listeners will discern: a recurring heartbeat motif; shifting polychordal harmonies; echo technique; rhythmic diminutions and augmentations; an a cappella chorus featuring those harmonies with a surprisingly memorable recuring theme on top; sensuous flute duets; string section underpinnings by way of either sustained passages or wave-like gestures; tritone-related melodies, harmonies, and tone centers; several strategically placed grand pauses; tritone-related modal-sounding passages; melodic and chord clusters, especially the two climactic ones. INSTRUMENTATION 2 Flutes (2. doubles on Piccolo) 2 Oboes (2. doubles on English Horn) 2 Bb Clarinets 2 Bassoons 2 F Horns 2 C Trumpets 2 Trombones Tuba Timpani Percussion (Gong, Bass Drum, Chimes, Glockenspiel) Harp Strings DURATION 13:00 Stanley M. Hoffman (b. 1959) For biographical information visit: www.stanleymhoffman.com.
$5.60 ≈
5.07€
Poem
Poem
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Bertold Hummel
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Poem
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Schott Music - Digital
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SheetMusicPlus
Str. (8 · 0 · 2 · 2 · 1) ad lib. chorisch cello and 13 solo-strings - Digital Download SKU: S9.Q7093 For Violoncello and 13 Solo Strings
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Str. (8 · 0 · 2 · 2 · 1) ad lib. chorisch cello and 13 solo-strings - Digital Download SKU: S9.Q7093 For Violoncello and 13 Solo Strings. Composed by Bertold Hummel. This edition: piano reduction with solo part. Cello Library. Downloadable, Piano reduction with solo part. Op. 80. Duration 25 minutes. Schott Music - Digital #Q7093. Published by Schott Music - Digital (S9.Q7093). The content and formal structure of the two-movement Poem have been subjectively borrowed from the poem Steps [Stufen] by Hermann Hesse. The frequently appearing short motifs in both parts of the work are based in “magic formulaic style†on the parable of the Glass Bead Game which in the ring for the game with coloured beads becomes a game with symbols.Magic and dreams, a sense of departure and grievance and valediction and transfiguration are the moods which follow one another, frequently in rapid succession – fundamentally the thirst for life and the yearning for sorrow and consummation.
$29.99 ≈
27.17€
In The Bleak Midwinter for solo guitar
In The Bleak Midwinter for solo guitar
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Guitar
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INTERMEDIATE
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Christmas
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Gustav Holst
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Simon James
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In The Bleak Midwinter for sol
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DML
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1101385 Composed by Gustav Holst. Arranged by Simon James. 20th Century,Christmas,Classical,Contemporary...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1101385 Composed by Gustav Holst. Arranged by Simon James. 20th Century,Christmas,Classical,Contemporary,Instructional. Individual part. 5 pages. DML #704780. Published by DML (A0.1101385). In the Bleak Midwinter is a poem by the English poet Christina Rossetti, commonly performed as a Christmas carol. The poem was published, under the title A Christmas Carol, in the January 1872 issue of Scribners Monthly and was first collected in book form in Goblin Market, The Prince's Progress and Other Poems (Macmillan, 1875). In 1906, Gustav Holst composed a setting of Rossetti's words (titled Cranham) in The English Hymnal which is sung throughout the world and is the basis of this arrangement. A wonderful tune that works well on the guitar as a solo piece. The arrangement makes extensive use of open strings and I have indicated this wherever it is important.
$2.99 ≈
2.71€
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Poem for Strings
