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You've selected:
Red High Heels
Sheetmusic to print
12 sheet music found
<
1
High Country Suite
High Country Suite
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Lynn L
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High Country Suite
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Lynn L. Petersen
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.973239 Composed by Lynn L. Petersen. 21st Century,Chamber,Classical...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.973239 Composed by Lynn L. Petersen. 21st Century,Chamber,Classical,Contemporary,Contest,Festival. 46 pages. Lynn L. Petersen #4727325. Published by Lynn L. Petersen (A0.973239). High Country Suite (2009) is a work in three movements for string quartet. Hoedown a lively kick-up-your-heels movement containing cascading scales, measured tremolos, accented double-stops, and a syncopated fiddle motive. The solemn Hymn Without Words begins with the cello playing the simple chorale-like theme alone. In each of the three variations that follow, the theme is played by a different member of the quartet, accompanied by the other three. Hilltop Gallop is in a rollicking 6/8 meter, with long-short-long patterns and melodic fragments characterized by dramatic leaps and arpeggios, punctuated by pizzicato chords.
$21.99 ≈
19.81€
An Appalachian Christmas (Angels We Have Heard on High)
An Appalachian Christmas (Angels We Have Heard on High)
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Piano solo
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INTERMEDIATE
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Christmas
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French carol
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c
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An Appalachian Christmas
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C.E. Walz
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.767653 Composed by French carol. Arranged by c.e. walz. Christian,Christmas,Folk,Sacred. Score. 4 pages. ...
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Piano Solo - Level 3 - Digital Download SKU: A0.767653 Composed by French carol. Arranged by c.e. walz. Christian,Christmas,Folk,Sacred. Score. 4 pages. C.E. Walz #3907417. Published by C.E. Walz (A0.767653). I don't know if you've ever seen a great-grandmother dance a jig. Well, I see Grandma kick up her heels every time I play An Appalachian Christmas. I think it reminds her of the days back on the farm when all they had to make music was an old banjo and a washboard...and what fine music it was! This intermediate level piano solo can be practiced at a much slower pace than 104 bpm, but it will be fun working your way up to that speed (or faster) for performance. In the Appalachian style of a dulcimer drone, the bass employs a lot of fifths and repeated chords.Key of F with no key changes, four pages, performance time of approximately 2:15 minutes. .
$3.99 ≈
3.59€
Wheels Duets
Wheels Duets
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Jordan Morrison
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Wheels Duets
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Jordan Morrison Music
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SheetMusicPlus
Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural...
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Instrumental Duet - Level 3 - Digital Download SKU: A0.1392905 Composed by Jordan Morrison. 21st Century,Chamber,Contemporary,Instructional,Multicultural,World. 4 pages. Jordan Morrison Music #976431. Published by Jordan Morrison Music (A0.1392905). These two alternative notation duets are geared towards making a duo communicate, listen, flex their creativity, focus on sounds, and make artistic choices. You can read more below from the performance notes for the series but the highlights include: Choice of open instrumentation, choice of paper orientation, choice of rotation (clockwise or counter-clockwise), and choice of speed. More info below!The outside of the wheel connects to the events which are to be played upon an instrument capable of producing the written chords, while the inside wheel connects to the events which are to be played upon an instrument capable of the range and 3 timbres (open, muted, and either a harmonic of a multiphonic)***. This piece is meant to begin at whichever musical event the performers agree upon and rotate in a clockwise or counter-clockwise motion which is also determined and agreed upon by the performers. The orientation of the page is also left to the players discretion but must be agreed upon. When the lines connecting the musical events to the wheel are staggered around the wheel then each musical event must be played in full before the other performer starts his or her next event. When the lines are directly across from one and other the events are to be played simultaneously. The musical events must stay in the order in which they occur around the wheel. When two lines connect a single musical event to the wheel, that event is to be vamped(repeated) until the completion of the other player's event which occurs within that time. The moments of locking in time(both performers playing the selected notes in time with one another) are indicated by parentheses around one or more notes in two simultaneous events***. Accidentals only apply to the note indicated and do not carry through the event. Feel free to connect with me on Instagram @jordan.morrison.music.
$15.00 ≈
13.51€
Red High Heels by Kellie Pickler - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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Kellie Pickler
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Red High Heels
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Musicnotes
Performed by: Kellie Pickler: Red High Heels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: Kellie Pickler: Red High Heels Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 7 pages -- Country~~Country-Pop~~Contemporary Country~~Country~~Country-Pop~~Contemporary Country~~Country~~Country-Pop~~Country
$5.50 ≈
4.95€
Blu
Blu
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Piano solo
#
ADVANCED
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Ryuichi Sakamoto
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Ezra Knight
#
Blu
#
Ezra Knight
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1267433 By Ryuichi Sakamoto. By Ryuichi Sakamoto. Arranged by Ezra Knight. 21st Century,Classical,Contemp...
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Piano Solo - Level 5 - Digital Download SKU: A0.1267433 By Ryuichi Sakamoto. By Ryuichi Sakamoto. Arranged by Ezra Knight. 21st Century,Classical,Contemporary. Score. 5 pages. Ezra Knight #859994. Published by Ezra Knight (A0.1267433). Blu (2014) by Ryuichi SakamotoClassical / Neo-Romantic / Solo Piano (Advanced, RCM 8-9)Adapted from the Tokyo Philharmonic Orchestra version.Written to commemorate Aoyama clothing company 50th anniversary.Ryuichi Sakamoto (born January 17, 1952 in Tokyo, Japan; died March 28, 2023, in Tokyo) was a Japanese musician, composer and actor. Sakamoto studied at the Tokyo National University of Fine Arts and Music, where he graduated with a BA in composition, and a Master's degree with special emphasis electronic and ethnic music. Sakamoto began his career in the mid 1970s, working as a composer, arranger and producer with some of Japan's most popular rock, jazz and classical artists. He released his first solo album in 1978 but came to fame as a member of Japanese synth-rock outfit Yellow Magic Orchestra with co-founders Haruomi Hosono and Yukihiro Takahashi. He collaborated with David Sylvian on a number of singles and most of Sylvian's albums. He appeared in the 1983 Nagisa Oshima film Merry Christmas, Mr Lawrence alongside British rock singer David Bowie; he also wrote the film's musical score. He won the Academy Award for his score to the 1987 Bernardo Bertolucci film The Last Emperor. He also wrote soundtracks for Pedro Almodovar's film High Heels, and Oliver Stone's Wild Palms. Sakamoto was married to Japanese pianist and singer Akiko Yano, collaborating with her on some of her recordings. He was also known as a critic of copyright law, saying it is antiquated in the information age.— Discog.
$10.00 ≈
9.01€
Red High Heels
Red High Heels
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Piano, Vocal and Guitar
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Country
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Kellie Pickler
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Pop
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Red High Heels
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Kellie Pickler. For piano, voice, and guitar (chords only). Country; Pop. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Kellie Pickler. For piano, voice, and guitar (chords only). Country; Pop. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Karyn Rochelle: Red High Heels for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Country
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Karyn Rochelle
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Virtualsheetmusic
Instantly printable sheet music by Kellie Pickler for voice, piano or guitar of MEDIUM skill level. / country,pop
Instantly printable sheet music by Kellie Pickler for voice, piano or guitar of MEDIUM skill level. / country,pop
$8.97 ≈
8.08€
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (piano score - pno, vln, cel)
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Mark O'Connor
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Piano Trio No. 2 "Strange Rims
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Mark O'Connor Musik International
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SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861895 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 74 pages. Mark O'Connor Musik International #6206123. Published by Mark O'Connor Musik International (A0.861895). Piano Trio No. 2 Strange Rims (piano score – pno, vln, cel) MO166APiano Score (parts available)Music by Mark O’Connor70 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in 3 movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166ACopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$18.00 ≈
16.21€
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (violin part - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 2 "Strange Rims
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861896 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206133. Published by Mark O'Connor Musik International (A0.861896). Piano Trio No. 2 Strange Rims (violin part – piano, vln, cel) MO166BViolin Part (score and parts available)Music by Mark O’Connor24 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166BCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00 ≈
10.81€
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
Piano Trio No. 2 "Strange Rims" (cello part - pno, vln, cel)
#
Mark O'Connor
#
Piano Trio No. 2 "Strange Rims
#
Mark O'Connor Musik International
#
SheetMusicPlus
Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pag...
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Piano Trio,String Ensemble - Level 5 - Digital Download SKU: A0.861897 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 29 pages. Mark O'Connor Musik International #6206137. Published by Mark O'Connor Musik International (A0.861897). Piano Trio No. 2 Strange Rims (cello part – piano, vln, cel) MO166CCello Part (score and parts available)Music by Mark O’Connor23 pages - 27:00 minutes in lengthI.II.III.Piano Trio No. 2 Strange Rims in three movements was composed in 2005, and was the 1st piece I composed after relocating to New York City. It was composed during a 40-day bus tour around the country as well as at my new apartment in midtown New York City. The complexity and difficulty of the music reflects some of the transitions to the new urban big city life I encountered in New York coming from a more sedate lifestyle in amongst the avocado groves of north San Diego county. I had a hunch that my composing could change direction somewhat during this time of transition and reflect a different character. In anticipation of this new stage, decided to compose one of the more technically difficult ensemble works I have written to date. I pushed the boundaries of my own style and ability in order to compose something unique for piano in this piece. I had in mind a brilliant pianist Soyeon Lee from Korea who inspired the composition with her virtuoso technique, and her unique personality. The musical direction was further directed by one of the strangest music tours I have been on with a cast of characters containing some who did not get along at all and quit the tour, while others got along too well and created a different kind of havoc. With a pianist from the Pacific Rim as one source of inspiration, while the wheels on the strange bus tour kept turning on the American highways, the title Strange Rims captured the many layers I was living and seeing at the time. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2005 Composed by Mark O’ConnorMark O’Connor Piano Trio with Soyeon Lee and Soo Bae soon to be released on OMAC Records Catalogue Number MO166CCopyright © 2005 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$12.00 ≈
10.81€
Edwin Culver: a bridge a-way, exits within (for solo guitar)
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitar
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INTERMEDIATE
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Contemporary
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99 ≈
10.80€
Greensleeves 2012
Greensleeves 2012
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Piano solo
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ADVANCED
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Classical
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Public Domain, as performed
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Isadar
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Greensleeves 2012
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Mainya Music Publishing
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SheetMusicPlus
Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age...
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Composed by Public Domain, as performed and recorded by Isadar. Arranged by Isadar. Contemporary Classical, Neo- Classical, Christmas, Recital, New Age. Sheet Music Single. 8 pages. Published by Mainya Music Publishing
Contains:
"Greensleeves 2012"
- taken from the Isadar solo piano collection, "O Christmas" (also available on SMP)
Sounds like: Vince Guaraldi's "A Charlie Brown Christmas," Liz Story's "The Gift," George Winston's "December," legacy Windham Hill solo piano artists, "A Winter's Solstice" compilations.
Note: “Greensleeves 2012” is a revisited and evolved arrangement which like my earlier version, was inspired by – and also pays ‘homage’ to – Liz Story’s brilliant take on this timeless piece.
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album review by: Michael Diamond (http://michaeldiamondmusic.com):
Fresh on the heels of his highly acclaimed chart-topping CD, Reconstructed, Isadar gifts us with a sparkling new album of holiday-themed instrumental music for solo piano, entitled “O Christmas.” Given the proximity to his recent release, one might assume that this one was quickly produced, but in reality O Christmas has been 7 years in the making. Various circumstances including other recording projects, a segue into the field of video production, and a cross country move from NYC to the west coast and later back again, created delays with the completion of the album. But as they say, “good things come to those who wait.”
One of the most interesting things about this album is the fact that the selections are traditional Christmas songs, yet some were chosen because they are less well known, or “off the beaten path” as Isadar characterizes them. This follows the pattern set by his 1999 Christmas album “In Search For The Meaning Of Christmas,” yet this new CD mines even deeper in its quest for interesting and unusual choices.
The album begins with a track called “Good Christian Men.” Steeped in history, the song dates back to 14th century Germany and its Latin title was originally “In Dulci Jubilo” before it was translated into English in the 1800’s. Isadar’s interpretation creates a lively and festive air that makes a perfect portal to the recording. The high-spirited mood continues on the next song, “Teddy Bears Picnic,” which although not technically a Christmas song, has been interwoven by Isadar with “March Of The Toys” to tie it in with the holidays – a clever arrangement of these intriguing melodies. One of the more well-known carols on the album is “O Christmas Tree” and is sure to have listeners humming along with it’s familiar refrain.
A track entitled “Still” is an innovative rendition of the classic “Still, Still, Still” which Isadar has put his own spin on, or as he jokingly puts it “jazzed up shamelessly.” No such liberties were taken on the classic “O Come, O Come, Emmanuel,” however. This song provides a showcase for Isadar’s accomplished grand piano work, featuring lush left hand arpeggios creating a strong foundation for his more delicate right hand melodies to dance upon – a powerful and moving combination. Another of the less well known, yet equally inspiring tunes is a Puerto Rican carol entitled “Song Of The Wise Men.” It has been said that: “Christmas is, above all, a children’s holiday, and many hymns are addressed to children, reminding them that the real reason for the sugarplums and Christmas trees is the celebration of the birth of the Christ Child.” This theme is well reflected in Isadar’s choice of “O Come Little Children,” based on a carol from the 1800’s.
Among my favorite tracks on the album are the wistful strains of “Greensleeves 2012,” which Isadar interprets with elegance and grandeur and also pays ‘homage’ to Liz Story’s brilliant take on this enduring composition. This is followed by a rendition of “Masters In This Hall,” which can best be described as, well… “masterful.” The song dates back to the sixteenth century, and is another of the less well-known tunes that Isadar has chosen to feature. The album draws to a close with Isadar invoking artistic license on what is perhaps one of the most unique and liberal versions of a classic carol heard here yet. Based on “We Wish You A Merry Christmas,” Isadar characterizes it as “an uninhibited melancholy arrangement.” While I don’t know if “melancholy” is the word I would use to describe it, it does have a pensive quality and is presented more as a nocturne than usual lively carol it is known as. I really liked the interpretation and respect Isadar’s creativity and distinctive rendering of the song.
“O Christmas” is an exceptional holiday collection, not only for Isadar’s elegant grand piano artistry, but as well for the interesting and sometimes unexpected repertoire contained within. Like ornaments on a tree, the songs adorn the album, enhancing its beauty with their diversity, individuality, and timelessness. Given the well-deserved accolades and popularity of Isadar’s distinctive piano style, I’m sure that fans will want to include “O Christmas” in their collection and make it a part of their holiday tradition.
$5.99 ≈
5.39€
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Red High Heels
