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147 sheet music found
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126
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Round Up - Score Only
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Orchestra
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Film/TV
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Various
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99 ≈
9.00€
Carousel - Score Only
Carousel - Score Only
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Robert A
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Carousel - Score Only
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Robert A. Howard
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #...
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Level 2 - Digital Download SKU: A0.1407270 Composed by Robert A. Howard. 21st Century,Chamber,Classical,Contemporary,Holiday. 3 pages. Robert A. Howard #989943. Published by Robert A. Howard (A0.1407270). Carousel is flexibly scored in up to seven instrumental parts. The piece attempts to evoke the motion and momentum of a fairground merry-go-round. This work is texturally cumulative as each of the 7 parts is added in turn, in crescendo, until the whole ensemble is playing and repeating, in a series of contrasting, but related musical figures. The simplicity of the piece's concept belies the increasing complexity of the music. Note: this document is the score (includes transpositions). The set is also available by searching via the COMA Music Library. No audio track is provided due to the flexibility and variability of the work.Duration: Variable.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$2.99 ≈
2.69€
A portrait of ridgeline [Concert Band] - Score Only
A portrait of ridgeline [Concert Band] - Score Only
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Concert band
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ADVANCED
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Masakazu YAMAMOTO
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A portrait of ridgeline [Conce
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Motch Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday....
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Concert Band - Level 5 - Digital Download SKU: A0.1093013 By Masakazu YAMAMOTO. By Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival,Holiday. 32 pages. Motch Music #697110. Published by Motch Music (A0.1093013). Original work by Masakazu Yamamoto.The majestic figure of the many layers of mountains shows the heights of art that cannot catch up with humans who are small beings, and we are immediately fascinated by the beautifully drawn ridgeline. This composition has been created with the aim of painting expression, that based on the imagination that the mountain itself or something that lives there protects the mountain and its surroundings. The theme is the Holy-ghost dancing lightly, the vital energy of the animals and plants that live there, and the majesty of the mountains, and they appear colorfully in various ways, such as the free intertwining of each phrase and powerful grooves that combines a wide variety of rhythms. The song shows tranquility and freedom at the beginning. In the first half of main part, the light and rhythmic theme and the calm majestic theme depict the contrast of each scene. In the second half, the tempo changes intermittently and gradually uplifts, and eventually it makes a climax through the return of the subject. It was created as a commissioned work to commemorate the 50th anniversary of the foundation of the Kofu Citizen Concert Band. It premiered by the band in March 2018. Duration : 7 minutes around [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon Bb Clarinets 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophones 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpets 1, 2, 3 F Horns 1, 2 Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Glockenspiel, Tubular-Bells, Xylophone） 2（Vibraphone, Marimba, Bass Drum, Wind-Chime） 3（Suspended cymbal, Sleigh-Bells, Triangle, Tambourine, Wind-Chime） 4（Tam-tam, Triangle, Crash Cymbals, Wind-Chime） Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english
$50.00 ≈
45.03€
SQ19 ... Jinx in Florence (2024) - Score Only
SQ19 ... Jinx in Florence (2024) - Score Only
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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SQ19 ... Jinx in Florence
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1493849 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 45 p...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1493849 Composed by Thomas Oboe Lee. 20th Century,21st Century,Chamber,Classical. 45 pages. Thomas Oboe Lee #1070506. Published by Thomas Oboe Lee (A0.1493849). Full scoreProgram note:There is a famous photograph that Ruth Orkin took of a young American girl strolling in a street in Florence surrounded by ogling Italian men catcalling. She blithely went on her way, completely ignoring them***. It is such an iconic photo that I was inspired to write my 19th string quartet in honor of Miss Orkin's photograph. After some research I discovered that the girl in the photograph has a made-up name of Jinx Allen. Her real name is Ninalee Craig. Ruth Orkin befriended this young American compatriot and ended shooting a ton of photographs of her in that city. I decided that these exquisite photographs would become the titles of the movements for the string quartet. I. American Girl in Italy II. Jinx in Goggles III. Jinx @ AMEX IV. Treasure Tours V. Jinx Staring VI. Jinx with Statue From a Wikipedia entry on Jinx Allen: Many interpret the photograph as one of harassment and chauvinism. In 2014, Ninalee Craig said: At no time was I unhappy or harassed in Europe. The photograph is not a symbol of harassment. It's a symbol of a woman having an absolutely wonderful time! She has also noted that Italian men are very appreciative, and it's nice to be appreciated. I wasn't the least bit offended..
$9.99 ≈
9.00€
Where Eagles Dare (Theme) - Score Only
Where Eagles Dare (Theme) - Score Only
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Orchestra
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INTERMEDIATE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Pu...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99 ≈
13.50€
Turn It Up
Turn It Up
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Choral 3-part
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INTERMEDIATE
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Dustin Burnett and Tyrone N We
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Garrett Breeze
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Turn It Up
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Lagom Music
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1256205 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,P...
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Choral Choir (SAB) - Level 3 - Digital Download SKU: A0.1256205 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. Octavo. 9 pages. Lagom Music #849674. Published by Lagom Music (A0.1256205). **This product is the SAB piano vocal score only.**Purchase the show band accompaniment score and parts separatelySATB and SSA voicings also availableThis epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$2.50 ≈
2.25€
Turn It Up
Turn It Up
#
Choral 3-part
#
INTERMEDIATE
#
Dustin Burnett and Tyrone N We
#
Garrett Breeze
#
Turn It Up
#
Lagom Music
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1256206 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,P...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.1256206 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. Octavo. 9 pages. Lagom Music #849675. Published by Lagom Music (A0.1256206). **This product is the SSA piano vocal score only.**Purchase the show band accompaniment score and parts separatelySATB and SAB voicings also available.This epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$2.50 ≈
2.25€
Turn It Up
Turn It Up
#
Choral SATB
#
INTERMEDIATE/ADVANCED
#
Dustin Burnett and Tyrone N We
#
Garrett Breeze
#
Turn It Up
#
Lagom Music
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1256204 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1256204 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. Octavo. 9 pages. Lagom Music #849673. Published by Lagom Music (A0.1256204). **This product is the SATB piano vocal score only.**Show Band accompaniment score and parts available separatelySSA piano and SAB piano voicings also availableThis epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!
$2.50 ≈
2.25€
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestra
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ADVANCED
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score an...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99 ≈
27.01€
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.81€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
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Various
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Alastair Lodge
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.81€
Cherry Blossom in Three Days - Score Only
Cherry Blossom in Three Days - Score Only
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Johnson Gao
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Johnson Gao
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Cherry Blossom in Three Days -
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Johnson Gao
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1308176 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Histor...
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Woodwind Ensemble,Woodwind Trio - Level 3 - Digital Download SKU: A0.1308176 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 20th Century,Historic,Standards,Traditional. 5 pages. Johnson Gao #897430. Published by Johnson Gao (A0.1308176). It is based on a Chinese ancient melody called 梅花三弄.On October 20, 2023 I woke up early in the morning around 5:00 am, and I was thinking what gift could I present to my wife for her birthday near the end of October? Strangely, I got a melody in my ear, which is a song that I practiced with my Chinese violin when I was a high school boy about 66 years ago in 1957, named 梅花三弄, and  this year I am 86 alreay. Thanks to my gene which provided with me a good long memory that I could still remember most parts of the melody of that song, and fortunately, that I have not got the Alzheimer's disease, so that it permits me to arrange that song to form a nice new song, which I call it Cherry Blossom in Three Days. Then, I used that song to make a video presenting to my wife Catherine as a special birthday card. I hope that viewers can reuse my video to their honeys.This is the second version of the song with some improvements in dynamic of the melody and I made a new MTV.2023 å¹´ 10 月 20 日，我早上 5 點左å³é†’來，想著我å¯ä»¥ç‚ºå¦»å在 10 月底的生日é€ä»€éº¼ç¦®ç‰©ï¼Ÿ 奇怪的是，我的耳邊響起了一段旋律，這是大約66å¹´å‰çš„1957年，我還是高ä¸ç”Ÿæ™‚用ä¸åœ‹äºŒèƒ¡ç·´ç¿’çš„æŒæ›²ï¼Œåå«ã€Šæ¢…花三弄》，今年我86æ²äº†ã€‚æ„Ÿè¬æˆ‘çš„åŸºå› çµ¦äº†æˆ‘å¾ˆå¥½çš„é•·é 記​​憶力，我還能記得那首æŒçš„大部分旋律，而且幸é‹çš„是我沒有得阿茲海默症，所以æ‰å…許我把那首æŒæ”¹ç·¨æˆä¸€é¦–好è½çš„æ–°æŒï¼Œæˆ‘稱之為「三天櫻花ã€ã€‚ 然後，我用這首æŒè£½ä½œäº†ä¸€å€‹è¦–é »ï¼Œä½œç‚ºä¸€å¼µç‰¹åˆ¥çš„ç”Ÿæ—¥å¡é€çµ¦æˆ‘的妻å凱瑟ç³ã€‚ 我希望觀眾å¯ä»¥é‡è¤‡ä½¿ç”¨æˆ‘的影片給他們的寶è²å€‘。這是這首æŒçš„第二個版本，在旋律的動態上åšäº†ä¸€äº›æ”¹é€²ï¼Œæˆ‘製作了一個新的 MTV。.
$1.99 ≈
1.79€
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
1.79€
Turn It Up
Turn It Up
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Jazz combo
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ADVANCED
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Dustin Burnett and Tyrone N We
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Garrett Breeze
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Turn It Up
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Lagom Music
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SheetMusicPlus
Jazz Combo - Level 5 - Digital Download SKU: A0.1256207 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. 62 p...
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Jazz Combo - Level 5 - Digital Download SKU: A0.1256207 Composed by Dustin Burnett and Tyrone N Wells. Arranged by Garrett Breeze. Contemporary,Pop. 62 pages. Lagom Music #849676. Published by Lagom Music (A0.1256207). **This product is the instrumental accompaniment score and parts only:**Purchase the SATB voicing:Purchase the SSA voicing:Purchase the SAB voicing:Purchase accompaniment and part dominant learning tracks:This epic closer covers a lot of ground in a short amount of time, filled with huge vocal moments, tons of dynamic contrast, and shifting styles of band accompaniment that help propel the arrangement to a massive conclusion. Â First performed by Papillion La Vista South High School Titanium in 2022.From the Breeze Tunes Show Choir Championship Series, a curated collection of tried and true arrangements performed by the nation's top competitive show choirs, now available as stock arrangements through sheetmusicdirect.com and sheetmusicplus.com.For custom arrangements and show designs for competitive show choir visit https:/breezetunes.com.Visit garrettbreeze.com to find music for traditional choral ensembles and a cappella groups, as well as resources for arrangers and composers!Â
$150.00 ≈
135.10€
Deep Into The Ground
Deep Into The Ground
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Choral TTBB
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INTERMEDIATE
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Cast Of Billy Elliot - The Mus
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Matt Clifford Sharp
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Deep Into The Ground
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Matthew Sharp
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SheetMusicPlus
Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arrange...
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Choral Choir,Choral (TTBB Chorus) - Level 3 - Digital Download SKU: A0.1495648 By Cast Of Billy Elliot - The Musical. By Elton John and Lee Hall. Arranged by Matt Clifford Sharp. Broadway,Musical/Show. 7 pages. Matthew Sharp #1072171. Published by Matthew Sharp (A0.1495648). From the musical production of Billy Elliot. This has a simple, evocative melody in which Billy's Father expresses his painfully sad life story, whilst still harbouring a deep, emotional connection to his community and home. The opening acapella solo is very effective, though can easily be given to a whole section if required. It's a simple arrangement where all parts get some melody and the tenors only go up to Eb. Your lower basses will enjoy the optional 8vb on the final line!A VOCAL SCORE AND FULL SET OF REHEARSAL TRACKS IS AVAILABLE FOR FREE.Contact: msharp93@live.co.uk www.matthewsharppianist.com
$2.99 ≈
2.69€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - Digital Download SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
9.01€
I'll Be Around
I'll Be Around
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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The Mills Brothers
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John Fries
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I'll Be Around
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202157 By The Mills Brothers. By Alec Wilder. Arranged by John Fries. 20th Century,Jazz,St...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1202157 By The Mills Brothers. By Alec Wilder. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 2 pages. John Fries #800814. Published by John Fries (A0.1202157). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. I'll Be Around is a popular song written by Alec Wilder and published in 1942. The first hit version was by The Mills Brothers in 1943 when the song reached No. 17 in the Billboard pop charts. The song has become a well-known standard, recorded by many artists. Wilder said, in an interview with Jay Nordlinger, that the song came to him in a taxi cab in Baltimore. Just the title. I spotted [the title] as I was crumpling up the envelope some days later. Since I was near a piano, I wrote a tune, using the title as the first phrase of the melody. I remember it only took about 20 minutes. The lyric took much longer to write..
$4.99 ≈
4.49€
Prayers and Blessings (Piano/Vocal Score)
Prayers and Blessings (Piano/Vocal Score)
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Gwyneth W
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Prayers and Blessings
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. ...
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Bass/baritone voice solo, violoncello and organ - Moderately Easy - Digital Download SKU: MQ.6593-E Composed by Gwyneth W. Walker. 21st century, prayer. Score. 19 pages. Duration 10 minutes. E. C. Schirmer Music Company - Digital #6593-E. Published by E. C. Schirmer Music Company - Digital (MQ.6593-E). English.The three songs Welcome Love (Ubi caritas), Make Me an Instrument of Thy Peace, and Gaelic Blessing are interconnected motivically yet distinct in meter, tonality, and message. These three songs are interconnected motivically, yet distinct in meter, tonality, and message. Peace and reverence flow throughout. The songs are for a bass-baritone. Commissioned in 2003 by David Arnold, a North Carolina bass-baritone who is a soloist in the 80-voice Chancel Choir at Centenary United Methodist Church in Winston-Salem. Mr. Arnold premiered these songs at Centenary with organist Ray Ebert and cellist Jennifer Alexandra Johnston on February 27, 2005. A new version for voice and piano was created in 2005. A transposition for lyric Baritone was added in 2015, commissioned by Ferris Allen (Baritone) and Linda Holzer (Pianist) of Little Rock, AR.The lyrics for Ubi Caritas are based on a new translation, by Christopher Brunelle, of the traditional Ubi Caritas Est Vera. A recurrent image in this translation is the gesture of welcoming: welcoming love, welcoming God, welcoming the friendly unfamiliar thought, welcoming Christ with us. The musical interpretation of welcoming is stepwise motion, either up or down, around a pitch center. Perhaps this might be heard as an opening of the door, or an opening of the heart.An interlude leads to the second song, Make Me an Instrument of Thy Peace, a musical setting of the Prayer of Saint Francis. The accompaniment is sparse, with material reminiscent of the welcoming pattern in the first song. This song alternates between triple meter for the thematic sections (Lord, make me an instrument of thy peace) and duple meter for the more recitative sections (O Divine Master...). The music ends as it began, with simple open fifths accompaniment, this time filling in the chords to express the fullness of the lyrics born to eternal life.A second interlude provides the bridge to the third song, Gaelic Blessing. The text for this song is a series of blessings for peace. The gentle chordal arpeggiations in the piano are intended to provide a peaceful accompaniment. [Once again, the stepwise intervals and recurrent regular rhythms relate to the first song.]In keeping with the simplicity and repetition of the text, the music is formed by a series of four-measure phrases (blessings). The blessings are similar in contour, each spanning an interval of a fourth. Growth is achieved through repetition and some dynamic contrast. However, the principal aesthetic of this song is constancy and gentle flow. Only at the end of the song, when the voice descends into the deep range, is the melodic contour altered, and dynamic contrast introduced. As the voice ends on low tones, the piano line rises, perhaps to the source of peace.Duration: 10 min.
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When the World Drops In to Town
When the World Drops In to Town
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Piano, Vocal and Guitar
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INTERMEDIATE
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Publishe...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
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Irish National Anthem (Unofficial) for String Orchestra
Irish National Anthem (Unofficial) for String Orchestra
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String Orchestra
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INTERMEDIATE
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Patriotic
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Part...
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.
A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).
"Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.
On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.
There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.
The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.
Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".
Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.
In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)
The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.
You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?
If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)
My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:
Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.
The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
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