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Same Old Scene
Sheetmusic to print
20 sheet music found
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1
Scenes, a quintet for flute/whistle, viola, bassoon, soprano saxophone and percussion
Scenes, a quintet for flute/whistle, viola, bassoon, soprano saxophone and percussion
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Scott R
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Scenes, a quintet for flute/wh
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Scott Meister
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SheetMusicPlus
Small Ensemble Bassoon,Flute,Hand Percussion,Multi-Percussion,Soprano Saxophone,Viola - Level 5 - Digital Download SKU: A0.777107 Composed by Scott R. Me...
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Small Ensemble Bassoon,Flute,Hand Percussion,Multi-Percussion,Soprano Saxophone,Viola - Level 5 - Digital Download SKU: A0.777107 Composed by Scott R. Meister. 20th Century,Concert,Contemporary,World. Score and parts. 67 pages. Scott Meister #5994645. Published by Scott Meister (A0.777107). Scenes is a contemporary chamber composition in three movements; the pub, medina quarter, and open country to the beltway. The pub utilizes an authentic jig and the medina quartet is based on an authentic Middle Eastern mode. and rhythms. Some special effects are use, ie., bending pitches, microtones, etc., and the use of different meters at the same time. This is a great concert piece for university students or a professional ensemble. A fascinating composition that holds the audiences attention throughout. First premiered at the Hayes School of Music.
$35.00
Scenes from Childhood Op.15 by Robert Schumann, for Piano Solo
Scenes from Childhood Op.15 by Robert Schumann, for Piano Solo
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Piano solo
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INTERMEDIATE
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Schumann, R
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Michael Bomier
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Scenes from Childhood Op.15 by
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Michael Butkus-Bomier
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.862653 Composed by Schumann, R. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Sacred,...
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Piano Solo - Level 3 - Digital Download SKU: A0.862653 Composed by Schumann, R. Arranged by Michael Bomier. Concert,Instructional,Romantic Period,Sacred,Standards. Score. 18 pages. Michael Butkus-Bomier #3588545. Published by Michael Butkus-Bomier (A0.862653). Scenes from Childhood contains ADULT music, meant to evoke a simple domestic vision of life as a juvenile in a gentry household in the mid-19th century. While many young people are able to play this music, it is NOT meant as children;s literature, as are the Album for the Young, and the Tschaikowsky album of the same name. These are concert works, played by many fully virtuostic performers over the last 150 years. So, having said THAT, we have indeed edited these so as to make them MORE accessible to the young person who is a student of the piano today. The notespage, which is visible in the music sample, tells the technical story. Most of the pieces are a single page. Single-sided printing is recommended. Audio here is Traumerei, the most-well-known and oft-played single piece. Priced to reflect our commitment to the wider distribution and affordability of the Classical Piano Experience. MBB.
$5.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Sing As We Go (sit On My Face)
Sing As We Go (sit On My Face)
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Brass ensemble
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Contemporary
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Monty Python
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Kevin P Holdgate
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Sing As We Go
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Davies. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 26 p...
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Brass Ensemble - Digital Download SKU: A0.791036 By Monty Python. By Harry Parr-Davies. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 26 pages. Kevin P Holdgate #4889987. Published by Kevin P Holdgate (A0.791036). Versatile Brass 'Old Time Favourites' CollectionThis is another popular song from the WW2 era, although it was written a few years before for a film of the same title.Sing As We Go is a 1934 British musical film starring Gracie Fields, John Loder and Stanley Holloway. The script was written by Gordon Wellesley and J. B. Priestley.Considered by many to be British music hall star Gracie Fields' finest vehicle, this film was written for her by leading novelist J.B. Priestley. In this morale-boosting depression movie, set in the industrial north of England, Fields stars as a resourceful, determined working class heroine, laid off from her job in a clothing mill, who has to seek work in the seaside resort of Blackpool. This gives her the opportunity both to fall into many misadventures and, of course, to sing.The decision to film on location brings the film a life and immediacy all too absent from most films of the period. The film provides us with a snapshot of life in a seaside resort in the 1930s. The final scene of the millworkers returning to the re-opened mill while Fields leads them in the rousing title song has become an almost iconic film cliché.This is a simple arrangement of the title song with the lead line on solo Cornet. There is a vocal part included if required.
$12.99
Same Old Scene
Same Old Scene
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Piano, Vocal and Guitar
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Rock
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Roxy Music
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Rock
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Same Old Scene
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Roxy Music. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music...
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By Roxy Music. For piano, voice, and guitar (chords only). Pop; Rock. 7 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
Bryan Ferry: Same Old Scene for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Rock
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Bryan Ferry
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Virtualsheetmusic
Instantly printable sheet music by Roxy Music for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Roxy Music for voice, piano or guitar of MEDIUM skill level. / pop,rock
$7.97
Penitent Thief, The (for viola and piano)
Penitent Thief, The (for viola and piano)
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Viola, Piano
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David St...
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Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Penitent Thief, The
Penitent Thief, The
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Viola and Harp
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ADVANCED
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David M
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Penitent Thief, The
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David Sterrett Music
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SheetMusicPlus
Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred....
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Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,†profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…†Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.†The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.
$24.99
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
Gregory Sullivan Isaacs: The Death of Pyramus for bass buffo or baritone voice and piano
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Gregory Sullivan Isaacs
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Gregory Sullivan Isaacs: The D
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages...
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Small Ensemble - Level 4 - Digital Download SKU: A0.534549 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. Score and parts. 10 pages. Musik Fabrik Music Publishing #3627069. Published by Musik Fabrik Music Publishing (A0.534549). Text by William Shakespeare (A Midsummer Night's Dream Act V, Scene I)The ultimate overblown death scene for an actor of limited abilitiesIn the play, Nick Bottom thinks that he is the greatest actor alive. However, he is appallingly dreadful - he shamelessly overplays every line, mugs incessantly and makes word errors. He thinks that he is fabulous when, in fact, he is ridiculous. His suicide scene is one of the great moments for comic actors and it can take as long as the actor wishes - even up to 5 minutes. This aria is set in the same manner and many buffo singers immediately come to mind as models for such satire. This selection cannot be overplayed. It can be sung by any male voiceTEXT: Sweet Moon, I thank thee for thy sunny beams.I thank thee, Moon, for shining now so bright.For by thy gracious, golden, glittering gleams,I trust to take of truest Thisbe sight.—But stay, O spite!But mark, poor knight,What dreadful dole is here!Eyes, do you see?How can it be?O dainty duck! O dear!Thy mantle good,What, stained with blood?Approach, ye Furies fell!O Fates, come, come,Cut thread and thrum.Quail, crush, conclude, and quell!O wherefore, Nature, didst thou lions frame?Since lion vile hath here deflowered my dear,Which is—no, no—which was the fairest dameThat lived, that loved, that liked, that looked with cheer.Come, tears, confound!Out, sword, and wound!The pap of Pyramus— Ay, that left papWhere heart doth hop. (stabs himself)Thus die I, thus, thus, thus.Now am I dead.Now am I fled.My soul is in the sky.Tongue, lose thy light.Moon, take thy flight.Now die, die, die, die, die.(dies)
$11.95
Such Sweet Thunder
Such Sweet Thunder
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Jazz
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Duke Ellington
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Chris Gorman
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Such Sweet Thunder
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1086327 Composed by Duke Ellington. Arranged by Chris Gorman. Jazz. Brass Band. 25 pages. Chris Gorman #690527. Published by Chris Gorman (A0.1086327). In August 1956, Duke Ellington and his orchestra were in Canada, performing in the same city as the ongoing Stratford Shakespearean Festival. Curious, Ellington and his longtime composer/arranger Billy Strayhorn talked to festival staffers, and Ellington soon announced his next album project would be a conceptual piece, paying tribute to Shakespeare's varied works with appropriate jazz compositions. In addition to the Such Sweet Thunder album, he promised the entire suite would be performed at the 1957 edition of the festival. Ellington and Strayhorn began building a home library of Shakespeare, seeking out Shakespeare experts, and reading through the canon during orchestra downtime. The title comes from Act IV scene i of A Midsummer Night's Dream, where Hippolyta says: I never heard / So musical a discord, such sweet thunder. The suite that would constitute Such Sweet Thunder was written in just under three weeks and recorded in early 1957. Although most of the compositions were created for the suite in conjunction with Strayhorn, a few were versions of older Strayhorn songs that were reworked and re-titled for the collection.
$35.00
Lift Me Up
Lift Me Up
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Rihanna
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Hollywood Charts
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Lift Me Up
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Hollywood Charts
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SheetMusicPlus
Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Ar...
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Bass Voice,Guitar,Piano - Level 1 - Digital Download SKU: A0.1313808 By Rihanna. By Ludwig Goransson, Robyn Fenty, Ryan Coogler, and Temilade Openiyi. Arranged by Hollywood Charts. Film/TV,Pop,R & B. 3 pages. Hollywood Charts #902526. Published by Hollywood Charts (A0.1313808). This vocal arrangement is scored for rhythm section and includes a single 'Master Rhythm' part with the important figures for piano, guitar, and bass. This ensures your entire band will be on the same page, literally!Experience the captivating essence of Rihanna's Lift Me Up from the blockbuster Marvel movie, Black Panther: Wakanda Forever, through this rhythm section sheet music transcription. As the lead single from the film's soundtrack album, Lift Me Up marks Rihanna's triumphant return to the music scene, offering an stripped down ballad that resonates with a heartfelt message​.This rhythm section sheet music invites you to delve into the poignant narrative encapsulated within the song's melody and lyrics. The song, co-written by a stellar team including Rihanna, Tems, Ludwig Göransson, and the film's director Ryan Coogler, stands as a beautiful tribute to the late Chadwick Boseman, echoing the enduring legacy and indomitable spirit of the beloved actor​​.Not only is this song an integral part of the Black Panther: Wakanda Forever narrative, but it also shone brightly on the grand stage of the 2023 Oscars, earning Rihanna her first Oscar nomination. This rhythm section arrangement will enable you to recreate the soft glory and lustrous performance that left the audience in awe on that memorable night​​.With this rhythm section sheet music transcription of Lift Me Up, you're not just playing a song; you're partaking in a narrative of hope, resilience, and tribute that transcends the cinematic realm to touch real emotions and honor a real hero. This music piece is not just a collection of notes, but a story waiting to be told, a legacy waiting to be celebrated, and a melodic journey waiting to be embarked upon.
$12.99
Where Eagles Dare (Theme)
Where Eagles Dare (Theme)
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Orchestra
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INTERMEDIATE/ADVANCED
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Ron Goodwin
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Kevin Riley
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Where Eagles Dare
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1363816 Composed by Ron Goodwin. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #948214. Published by Kevin Riley (A0.1363816). Where Eagles Dare is a 1968 British-American action adventure war thriller spy film directed by Brian G. Hutton and starring Richard Burton, Clint Eastwood and Mary Ure. It follows a Special Operations Executive team of men attempting to save a captured American General from the fictional Schloß Adlerfortress, except the mission turns out not to be as it seems. It was filmed in Panavision using the Metrocolor process, and was distributed by Metro-Goldwyn-Mayer. Alistair MacLean wrote the screenplay, his first, at the same time that he wrote the novel of the same name. Both became commercial successes.The film involved some of the top filmmakers of the day and was shot on location in Austria and Bavaria. Hollywood stuntman Yakima Canutt was the second unit director and shot most of the action scenes; British stuntman Alf Joint doubled for Burton in many sequences, including the fight on top of the cable car; award-winning conductor and composer Ron Goodwin wrote the film score; and future Oscar-nomineeArthur Ibbetson worked on the cinematography. Where Eagles Dare received mostly positive critical reaction, with praise for the action sequences, musical score and the performances of Burton and Eastwood, and is considered a classic.
$70.00
Making the Darkness Conscious
Making the Darkness Conscious
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Tenor Saxophone and Piano
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ADVANCED
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the end of the piece, the solo
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Brett L
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Making the Darkness Conscious
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Sonata Grendel Publishing
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Sc...
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Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts. One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
$14.95
Four Canadian Sketches (Brass Band)
Four Canadian Sketches (Brass Band)
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00
Gymnopédie (From "The World of Eugène Atget")
Gymnopédie (From "The World of Eugène Atget")
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Easy Piano
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EASY
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Jeremy Cullen
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Gymnopédie
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Jeremy Cullen
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SheetMusicPlus
Easy Piano - Level 2 - Digital Download SKU: A0.939554 Composed by Jeremy Cullen. 20th Century,Contemporary,Romantic Period. Score. 5 pages. Jeremy Culle...
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Easy Piano - Level 2 - Digital Download SKU: A0.939554 Composed by Jeremy Cullen. 20th Century,Contemporary,Romantic Period. Score. 5 pages. Jeremy Cullen #4736751. Published by Jeremy Cullen (A0.939554). This piece is part of a cycle of works composed as the soundtrack to an imaginary documentary called The World of EugeÌ€ne Atget. If the film did exist, I’d like to think that this music would make a suitable accompaniment to the French photographer’s haunting images. In 2005 I saw an exhibition of Atget's work at the San Francisco Museum of Modern Art and was captivated by his photos of Old Paris in the early 20th Century. He viewed his images as documents rather than art but they are beautifully atmospheric and influenced the Surrealists. Of course, this GymnopeÌdie was also inspired by Erik Satie who lived and worked in Paris around the same time as Atget (although I don't know if they ever met). My recording of this piece can be found on the album Scenes Vol. 1 by Jeremy Cullen, available on on Spotify, Apple Music, iTunes and Amazon.
$3.99
Pictures at an exHERbition
Pictures at an exHERbition
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Soprano voice, Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Sally Whitwell
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Pictures at an exHERbition
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Sally Whitwell
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Publish...
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.873044 Composed by Sally Whitwell. Contemporary. 12 pages. Sally Whitwell #6130719. Published by Sally Whitwell (A0.873044). If you really pushed me to make a call, Mussorsgky’s Pictures at an Exhibition would be one of my favourite pieces in the classical repertoire. Somewhat outrageously, for a pianist, I prefer the colours and textures of the orchestrated version. I reasonably regularly listen to it, especially in transit. But to be honest, it’s not the kind of music that I perform all that often i.e. music by dead, white, male composers. I mean, it’s 2020 and as the meme says I can’t believe I still have to protest this sh*t. And I feel it too for those in the visual art world. I mean, things are a good deal better over there in contemporary art world, where women are exhibited regularly and everyone seems to embrace it without a fuss. As for women artists from centuries gone by, it’s less good news but they’re working on it. I’m reminded of the situation daily as my older brother, who is excellent at choosing gifts thoughtfully, gave me some Guerrilla Girls merchandise which I use as an iPad cover. Entitled Advantages of Being a Woman Artist, it’s a list of truths that’s pretty relatable for any creative woman. My favourite bit - Being reassured that whatever kind of art you make it will be labeled feminine. Ooft. Too real. And so I conceived of this song cycle as a kind of gift for those fighting the traditional, patriarchal structures of the entire creative sector. Three songs, inspired by three works by three wonderful Australian women artists of last century. All are depictions of scenes around Sydney Harbour. In-curve is inspired by Grace Cossington Smith’s The Bridge in-curve, a depiction of an unfinished Sydney Harbour Bridge, painted in 1930 The Code is inspired by Thea Proctor’s woodcut print Women with fans. It is thought to be a portrait of two other artists, printmakers Ethel Spowers and Eveline Syme, sitting above Rushcutters Bay. Where would we sail? is inspired by a very different view of the same location Still life and Rushcutters Bay by Margaret Olley.
$10.00
Because I Could Not Stop for Death
Because I Could Not Stop for Death
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Choral SATB
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INTERMEDIATE/ADVANCED
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Opera
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Classical
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Richard deCosta
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Richard deCosta
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Because I Could Not Stop for D
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Richard deCosta
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,C...
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Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1308012 By Richard deCosta. By Richard deCosta. Arranged by Richard deCosta. A Cappella,Chamber,Classical,Opera,Romantic Period. 4 pages. Richard deCosta #897289. Published by Richard deCosta (A0.1308012). Words by Emily DickinsonMusic by Richard deCostaBecause I could not stop for Death –He kindly stopped for me –The Carriage held but just Ourselves –And Immortality.We slowly drove – He knew no hasteAnd I had put awayMy labor and my leisure too,For His Civility –We passed the School, where Children stroveAt Recess – in the Ring –We passed the Fields of Gazing Grain –We passed the Setting Sun –Or rather – He passed Us –The Dews drew quivering and Chill –For only Gossamer, my Gown –My Tippet – only Tulle –We paused before a House that seemedA Swelling of the Ground –The Roof was scarcely visible –The Cornice – in the Ground –Since then – 'tis Centuries – and yetFeels shorter than the DayI first surmised the Horses' HeadsWere toward Eternity –-=-In the reclusive chambers of Emily Dickinson's 19th-century Massachusetts home, the haunting poem, 'Because I Could Not Stop for Death,' was conceived. Living much of her life in isolation, Dickinson's thoughts often ventured into the shadowlands of existence. This poem, published posthumously in 1890, offers a chilling reflection of her contemplation. The Grim Reaper, a timeless symbol, is portrayed as a carriage driver, guiding the reader through a somber journey that mirrors the ephemeral nature of life. Passing scenes of childhood innocence, maturity's labor, and the twilight of existence, it culminates in the cold embrace of the grave. Her words, etched in a gothic darkness, resonate with the uncertainties and fears of her time, transcending to speak to the eternal human condition.
$7.99
The Sound of Music
The Sound of Music
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Piano, Voice
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INTERMEDIATE
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Broadway
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Rodgers & Hammerstein
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Mario Stallbaumer
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Hammerstein
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The Sound of Music
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Mario Stallbaumer
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SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 4 pages. Published by...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "The Sound of Music" (as performed by Julie Andrews in the 1965 film) on piano!
With this sheet music, you get a piano transcription of the full song - it’s an accurate arrangement which is playable, and sounds beautiful!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics!
"The Sound of Music" is the title track from the 1965 musical film of the same name (directed by Robert Wise).
The film is itself an adaption of the 1959 stage musical "The Sound of Music", which was composed by Richard Rodgers (with lyrics by Oscar Hammerstein II).
In the film's iconic opening scene, "The Sound of Music" is performed by Julie Andrews (who plays Maria von Trapp) in a magnificent mountain scenery.
The film won five Academy Awards (including "Best Picture" and "Best Music"), two Golden Globe Awards, and is preserved in the United States Library of Congress.
The film's soundtrack became a part of American cultural heritage, and is full of wonderful melodies.
"The Sound of Music" is certainly one of the most beautiful songs from the film's soundtrack, and it makes for an amazing piano cover!
If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99
The Sound of Music - Piano Solo
The Sound of Music - Piano Solo
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Easy Piano
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EASY
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Film/TV
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Rodgers & Hammerstein
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Mario Stallbaumer
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Hammerstein
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The Sound of Music - Piano Sol
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Mario Stallbaumer
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SheetMusicPlus
By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer...
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By Rodgers & Hammerstein. Arranged by Mario Stallbaumer. 3 pages. Published by Mario Stallbaumer
Here's how to play "The Sound of Music" (as performed by Julie Andrews in the 1965 film) on piano!
With this sheet music, you get a piano transcription of the full song - it’s an accurate arrangement which is playable, and sounds beautiful!
The full melody is included in the piano part, so it makes for a perfect instrumental (piano solo) cover.
Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself!
"The Sound of Music" is the title track from the 1965 musical film of the same name (directed by Robert Wise).
The film is itself an adaption of the 1959 stage musical "The Sound of Music", which was composed by Richard Rodgers (with lyrics by Oscar Hammerstein II).
In the film's iconic opening scene, "The Sound of Music" is performed by Julie Andrews (who plays Maria von Trapp) in a magnificent mountain scenery.
The film won five Academy Awards (including "Best Picture" and "Best Music"), two Golden Globe Awards, and is preserved in the United States Library of Congress.
The film's soundtrack became a part of American cultural heritage, and is full of wonderful melodies.
"The Sound of Music" is certainly one of the most beautiful songs from the film's soundtrack, and it makes for an amazing piano cover!
If you like this arrangement, please consider leaving a review - it would mean a lot!
$4.99
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Same Old Scene
