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Sarabande from the Dance Suite for Orchestra
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You've selected:
Sarabande from the Dance Suite for Orchestra
Sheetmusic to print
7 sheet music found
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1
Sarabande from the Dance Suite for Orchestra
Sarabande from the Dance Suite for Orchestra
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Orchestra
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INTERMEDIATE
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Robert E
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Sarabande from the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Published by R. E. Proctor (A0.809814). Sarabande - Apparently a notorious dance for it's day, having been banded in Spain by Philip II in 1590. This Sarabnde is written in C minor, in 3/4 meter, and a tempo set to 1/4 note = 44. Moody and somewhat dark, it will not be what your listeners will be expecting. A haunting melody is passed from various instruments over pizzicato strings then the orchestra as a whole. Approximate length 3 minutes and 51 seconds.
$7.95 ≈
7.35€
Flûte en suite
Flûte en suite
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Flute and Piano
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ADVANCED
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Joerg Widmann
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Flûte en suite
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano ...
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Flute and orchestra - difficult - Digital Download SKU: S9.Q25027 For flute and orchestral groups. Composed by Joerg Widmann. This edition: piano reduction with solo part. Il Flauto traverso. Downloadable, Piano reduction with solo part. Duration 22 minutes. Schott Music - Digital #Q25027. Published by Schott Music - Digital (S9.Q25027). This ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Almost every individual movement allots the solo flute a specific tonal colouring and an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra (including alto and bass flute and later also piccolo to include the entire flute family); the string section in the Sarabande; in both chorales (extremely muted in the first and brutalist in the second), the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This permits the flute to remain the provider of all impulses; it attaches itself to the wide variety of instrumental colours, becomes suffused with these colours and thereby shines in different lights – acerbic, pale and radiant. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound (which is indeed treated as such with the sum of its parts) and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg WidmannThis ‚Suite’ is not one of my ‘epic’ instrumental concertos such as the concertos for cello, violin or oboe, but a substantially smaller-structured series of dance forms arranged into a suite. Sunken worlds suddenly emerge here, only to reach the surface, hover in dangerously distorted fashion and then sink back to the bottom. Every individual movement allots the solo flute an instrumental group from the orchestra: in the opening Allemande, the flutes of the orchestra; the string section in the Sarabande; in both chorales the brass etc.; and it is only in the concluding Badinerie that all orchestral groups are combined, although they are terraced in the Baroque style, one following another, seldom all playing simultaneously. This first performance marks the conclusion of my two-year residence with the Cleveland Orchestra. The immense versatility of this fine body of sound and the exciting dark timbre of its principal flautist Joshua Smith have to a great extent determined the form and tonal character of my Flûte en suite. Jörg Widmann3 (2. auch Altfl., 3. auch Bassfl., alle auch Picc.) · 3 (2. auch Ob. d’am., 3. auch Engl. Hr.) · 0 · 3 (3. auch Kfg.) - 4 · 4 · 3 · 1 - S. (Glsp. · Vibr. · 3 hg. Beck. [h./m./t.] · chin. Beck. · 4 Gongs · 4 Buckelgongs · 2 Tamt. [m./t.] · Wassertamt. · gr. Tr. · Metal Chimes · Peitsche) (2 Spieler) - Hfe. · Cel. (auch Cemb.) - Str. (10 · 8 · 6 · 4 · 3).
$55.99 ≈
51.76€
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Choral SATB
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INTERMEDIATE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brow...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00 ≈
27.73€
Grieg: Holberg Suite Op.40 Mvt.I Prelude - wind dectet
Grieg: Holberg Suite Op.40 Mvt.I Prelude - wind dectet
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Classical
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Edvard Grieg
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Ray Thompson
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Grieg: Holberg Suite Op.40 Mvt
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RayThompsonMusic
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SheetMusicPlus
Level 5 - Digital Download SKU: A0.553692 Composed by Edvard Grieg. Arranged by Ray Thompson. Holiday,Romantic Period,Standards. 18 pages. RayThompsonMus...
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Level 5 - Digital Download SKU: A0.553692 Composed by Edvard Grieg. Arranged by Ray Thompson. Holiday,Romantic Period,Standards. 18 pages. RayThompsonMusic #3507995. Published by RayThompsonMusic (A0.553692). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg. It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century. The movements of the suite are: Praeludium (Allegro vivace) ( This one) Sarabande (Andante) Gavotte (Allegretto) Air (Andante religioso) Rigaudon (Allegro con brio) The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era. Although it is not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit. It is arranged here for double wind quintet, and I have transposed it from the original G to Ab. (Clarinets in Bb) I have simplified the constant semi quaver throughout, so it is less tiring for the wind player.
$7.95 ≈
7.35€
Grieg: Holberg Suite Op.40 Mvt.V Rigaudon - wind dectet
Grieg: Holberg Suite Op.40 Mvt.V Rigaudon - wind dectet
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Classical
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Edvard Grieg
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Ray Thompson
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Grieg: Holberg Suite Op.40 Mvt
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RayThompsonMusic
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SheetMusicPlus
Level 4 - Digital Download SKU: A0.553691 Composed by Edvard Grieg. Arranged by Ray Thompson. Holiday,Romantic Period. 16 pages. RayThompsonMusic #350797...
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Level 4 - Digital Download SKU: A0.553691 Composed by Edvard Grieg. Arranged by Ray Thompson. Holiday,Romantic Period. 16 pages. RayThompsonMusic #3507971. Published by RayThompsonMusic (A0.553691). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg.It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century.The movements of the suite are:Praeludium (Allegro vivace)Sarabande (Andante)Gavotte (Allegretto)Air (Andante religioso)Rigaudon (Allegro con brio) ( This one)The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era.Although it is not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit.It is arranged here for double wind quintet, and I have transposed it from the original G to F to aid the clarinet 1 quaver figure.
$7.95 ≈
7.35€
Grieg: Holberg Suite Op.40 - symphonic wind/bass
Grieg: Holberg Suite Op.40 - symphonic wind/bass
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Classical
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Edvard Grieg
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Ray Thompson
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Grieg: Holberg Suite Op.40 - s
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Centur...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1311675 Composed by Edvard Grieg. Arranged by Ray Thompson. 20th Century,Chamber,Romantic Period. 69 pages. RayThompsonMusic #900670. Published by RayThompsonMusic (A0.1311675). Arranged wind dectet/bass (double wind quintet)The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg.It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century.The movements of the suite are:Praeludium (Allegro vivace)Sarabande (Andante)Gavotte (Allegretto)Air (Andante religioso)Rigaudon (Allegro con brio)The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era.Although it is not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit. I have reduced the tempi in both the prelude and rigaudon. This makes it more playable as a wind player, but still maintains the musicality of the piece.The prelude is quite a long blow for a wind player, and is quite a challenge.
$19.95 ≈
18.44€
Grieg: Holberg Suite Op. 40 (For Brass Band)
Grieg: Holberg Suite Op. 40 (For Brass Band)
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Brass ensemble
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ADVANCED
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Classical
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Edvard Grieg
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Roar Kvam
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Grieg: Holberg Suite Op. 40
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.768479 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 174 pages. ...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.768479 Composed by Edvard Grieg. Arranged by Roar Kvam. Romantic Period. Score and parts. 174 pages. KVAMusic Edition #33653. Published by KVAMusic Edition (A0.768479). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid, German: Aus Holbergs Zeit), subtitled Suite in olden style (Norwegian: Suite i gammel stil, German: Suite im alten Stil), is a suite of five movements based on eighteenth century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Danish-Norwegian humanist playwright Ludvig Holberg. It exemplifies nineteenth century music which makes use of musical styles and forms from the preceding century. The movements of the suite are: Praeludium (Allegro vivace) Sarabande (Andante) Gavotte (Allegretto) Air (Andante religioso) Rigaudon (Allegro con brio) The Holberg Suite was originally composed for the piano, but a year later was adapted for string orchestra. The suite consists of an introduction and a set of dances. It is a charming, early essay in neo-classicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era. This edition is an arrangement for a traditional Brass Band, and the music works very well for the band.
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Sarabande from the Dance Suite for Orchestra
