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Say Anything
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You've selected:
Say Anything
Sheetmusic to print
72 sheet music found
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1
26
51
Say Anything
Say Anything
#
Piano, Voice
#
Rock
#
Aaron Corley
#
Say Anything
#
Transdimensional Music
#
SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1001014 Composed by Aaron Corley. Lyrics by Aaron Corley. Pop,Rock. Score. 7 pages. Transdimensional Music #...
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Piano,Vocal,Voice - Digital Download SKU: A0.1001014 Composed by Aaron Corley. Lyrics by Aaron Corley. Pop,Rock. Score. 7 pages. Transdimensional Music #6879797. Published by Transdimensional Music (A0.1001014). 'Say Anything' is a emotionally charged story of false love. Approximate performance time is 3:07.
$3.99 ≈
£3.14
ANYTHING BUT FAIL
ANYTHING BUT FAIL
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Choral SATB
#
BEGINNER
#
Sacred music
#
Glenn Calcote
#
ANYTHING BUT FAIL
#
Glenn Calcote
#
SheetMusicPlus
Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.903646 Composed by Glenn Calcote. Children,Christian,Praise & Worship,Sacred,Spiritual. Octavo....
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Choral Choir (Mixed) - Level 1 - Digital Download SKU: A0.903646 Composed by Glenn Calcote. Children,Christian,Praise & Worship,Sacred,Spiritual. Octavo. 5 pages. Glenn Calcote #6403359. Published by Glenn Calcote (A0.903646). ANYTHING BUT FAIL IS A FUN, FAST, ENERGETIC UNISON PIECE FOR THE CHILDREN IN THE CHURCH. SIMPLY SAYING JESUS CAN DO ANYTHING BUT FAIL. ACCOMPANIMENT TRACK ALSO AVAILABLE ON THIS SITE.
$2.99 ≈
£2.36
It's So Hard To Say Goodbye To Yesterday
It's So Hard To Say Goodbye To Yesterday
#
Choral TTBB
#
INTERMEDIATE
#
Boyz II Men
#
Larry Wright
#
for assistance
#
It's So Hard To Say Goodbye To
#
Larry Wright
#
SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853857 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Larry Wright. A Cappe...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.853857 By Boyz II Men. By Christine Yarian and Freddie Perren. Arranged by Larry Wright. A Cappella,Barbershop. Octavo. 7 pages. Larry Wright #4718375. Published by Larry Wright (A0.853857). A MEN'S 4-part, a cappella, barbershop arrangement of this #1 hit song by the Boyz II Men group. Quartets and choruses singing at a B- contest level should be able to successfully learn and perform this arrangement making good use of the available excellent part predominant, vocal Learning Trax <www.larrywrightmusic.com>. If you've FIRST purchased the COMBO on my website store... and the per-copy pricing on the SMP website store is anything more than $1.89 per-copy, email me <larry@larrywrightmusic.com> for assistance. NOTE: SMP requires a minimum purchase of 10 copies for all choral selections. Sorry quartets!
$15.00 ≈
£11.82
Anything You Say
Anything You Say
#
Piano, Voice
#
INTERMEDIATE
#
Pop music
#
Walter Donaldson
#
George Kaplan
#
Anything You Say
#
George Kaplan
#
SheetMusicPlus
Piano,Vocal - Level 3 - Interactive Download SKU: A0.1261493 Composed by Walter Donaldson. Arranged by George Kaplan. This edition: Interactive Download....
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Piano,Vocal - Level 3 - Interactive Download SKU: A0.1261493 Composed by Walter Donaldson. Arranged by George Kaplan. This edition: Interactive Download. Pop. Score. 3 pages. Duration 112. George Kaplan #7NkRfvVC82knNVFO4pAHRk. Published by George Kaplan (A0.1261493). Key: C major.Fantastic 1928 fox trot from the pen of Walter Donaldson.
$4.99 ≈
£3.93
Oyfn yam ve'et a vintele for mezzo, flute, cello and guitar (mp3)
Oyfn yam ve'et a vintele for mezzo, flute, cello and guitar (mp3)
#
Carla Moraga
#
David Warin Solomons
#
Oyfn yam ve'et a vintele for m
#
David Warin Solomons
#
SheetMusicPlus
Cello,Flute,Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1396712 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza TohÃ...
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Cello,Flute,Guitar,Medium Voice - Level 3 - Digital Download SKU: A0.1396712 By Carla Moraga (mezzo soprano), Michel Bert (guitar), Pablo Sanhueza Tohá (flute), and Rodrigo GarcÃa (cello). By Traditional. Arranged by David Warin Solomons. Folk,Multicultural,Traditional,World. Full Performance. Duration 88. David Warin Solomons #980053. Published by David Warin Solomons (A0.1396712). Based on a traditional Yiddish folk song[Lyrics - English version below]Oyfn yam ve'et a vintele ve'et a vintele un di khvalyes shlogn un di khvalyes shlogn Khob zikh farlibt in a sheen yingele khob nit farvemen tzu zogn Ikh hob zikh g'boyt a shtibele g'boyt a shtibele arum un arum mit fenster arum un arum mit fenster Fun d'ale kartinkes vos ikh hob g'senn bist du bay mir der sheenster On the sea the wind is blowingand the waves are breakingI'm in love with a handsome youthBut I'm too shy o say anythingI have built a little housewith windows all aroundOf all the pictures I have seenYou are the most beautiful in my home.
$4.50 ≈
£3.54
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - full score
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - full score
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Germaine Tailleferre
#
Paul Wehage
#
Germaine Tailleferre : Choral
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.533052 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instruction...
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Concert Band - Level 4 - Digital Download SKU: A0.533052 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 17 pages. Musik Fabrik Music Publishing #432815. Published by Musik Fabrik Music Publishing (A0.533052). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the full score. The woodwind parts and the brass and percussion parts are available in two seperate sets. The individual parts are also available as separate items.
$19.95 ≈
£15.71
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - complete set of
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - complete set of
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Germaine Tailleferre
#
Paul Wehage
#
Germaine Tailleferre : Choral
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.533051 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instruction...
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Concert Band - Level 4 - Digital Download SKU: A0.533051 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 72 pages. Musik Fabrik Music Publishing #432813. Published by Musik Fabrik Music Publishing (A0.533051). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the complete brass and percussion parts. The full score and the woodwind parts are available in two seperate sets. The individual parts are also available as separate items.
$65.00 ≈
£51.20
Germaine Tailleferre : Choral et Fugue, arranged for concert band by Paul Wehage - complete set of
Germaine Tailleferre : Choral et Fugue, - concert band by Paul Wehage - complete set of
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Germaine Tailleferre
#
Paul Wehage
#
Germaine Tailleferre : Choral
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.533050 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instruction...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.533050 Composed by Germaine Tailleferre. Arranged by Paul Wehage. 20th Century,Contemporary,Instructional. Score and parts. 84 pages. Musik Fabrik Music Publishing #432811. Published by Musik Fabrik Music Publishing (A0.533050). In the late 1990s, a score was found in Germaine Tailleferre’s papers with the title page “Choral et Fugue pour orchestre d’harmonie†and a dedication “à L'Harmonie Municipale de Lyonâ€. The pages which followed contained the score of “Choral†for organ with optional brass and “Fugue†for orchestra. When the late composer Desiré Dondeyne was consulted concerning this score, he confirmed that this work had been projected, but refused to say anything further on the subject. Research was undertaken to try to locate a scale in the municipal archives of the City of Lyons (as the Municipal Band no longer exists) but proved to be unsucessful. It is unclear whether or not Tailleferre intended to undertake this work herself or if she intended to entrust it (as she often did) to Dondeyne. In any case, it would appear that the concert band version for this work was probably never completed. Paul Wehage, a longtime scholar of the works of Tailleferre, has undertaken the orchestration of this work The Fugue movement remains close to Tailleferre’s original version for orchestra. The choral section is entirely rescored. Instrumentation : Piccolo Flute I and II Oboe I and II English Horn Bassoon 1 and II Eb clarinet Bb clarinet I, II and III Alto Clarinet Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Cornet I, II and III Bb trumpet I and II F Horn I-IV Trombone I, II and III Baritone Tuba Timpani Percussion 1: snare drum Percussion II: bass drum Percussion III: triangle, two cymbals, xylophone, suspended cymbal duration ca. 7:00 This set contains the complete woodwind parts. The full score and the brass and percussion parts are available in two seperate sets. The individual parts are also available as separate items.
$65.00 ≈
£51.20
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
#
Guitar
#
EASY
#
Brian Streckfus
#
Guitar Chord Progression Gener
#
Brian Streckfus
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Br...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
£1.57
Nada que ver [piano]
Nada que ver [piano]
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Piano solo
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INTERMEDIATE
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Juan MarÃa Solare
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Nada que ver [piano]
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Juan Maria Solare
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria ...
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Piano Solo - Level 3 - Digital Download SKU: A0.596517 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 8 pages. Juan Maria Solare #3425193. Published by Juan Maria Solare (A0.596517). Nada que ver. mercenary waltz for piano The Spanish expression nada que ver has two senses: literal and idiomatic. In its broader sense, nada que ver is just that: there is nothing to see (this is what the police usually say when they want you not to stop). But as an idiom, nada que ver implies what you are saying is absolutely unrelated and therefore you are totally wrong. Why is this waltz mercenary? Because it is very direct, traditional and does not intend to experiment with anything. In addition to the original version (for solo piano) the composer has made one for violin and piano (which can be played without major problems with flute, or with clarinet with slight adaptations). Nada que ver is included in the album Sombras blancas [White Shadows], label Janus Music & Sound, JMS-014, and present in Spotify, Apple Music, Deezer and all the usual streaming services, in addition to iTunes or Amazon mp3. https://open.spotify.com/track/0POhB4VuQXsjrgSkHU3HkS The score comes in two sizes: reduced (two pages) and normal (three pages). You will choose one or the other depending on the power of your eyes and the size of your music stand. Juan MarÃa Solare, January 2018
$2.00 ≈
£1.58
Get Out PVG
Get Out PVG
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Piano, Voice
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INTERMEDIATE
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Steven H
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Ashley Ivers
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Get Out PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983997 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 12 pages. Boothe Publishing #4360831. Published by Boothe Publishing (A0.983997). Whether its food, alcohol, drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life , family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will recieve His strength and power to leave the addiction behind. With Him we can overcome anything.
$3.99 ≈
£3.14
Get Out Piano Minus Vocal
Get Out Piano Minus Vocal
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Piano solo
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Steven H
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Ashley Ivers
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Get Out Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publi...
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Piano - Digital Download SKU: A0.1069990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Accompaniment. Duration 210. Boothe Publishing #4737115. Published by Boothe Publishing (A0.1069990). Whether its food, alcohol,drugs, or viewing pornography. Addictions destroy the lives of everyone around them. I look at addictions as if they were little devils that have us down and are jumping on top of us and won’t let us get up. Little by little the addicted and all of his friends and family lose faith, hope, love, peace, joy, and self respect. The shame of addiction keeps them in despair. They constantly have voices in their heads that say you’re no good, you’re no good, do you hear me, you’re no good. Well I’m here to tell you that is a lie. You are good. You are worth something. Life ,family, love, peace, joy. Those are all things that are worth fighting for. Take them back. You are not unworthy. You can fight the addiction. You have made mistakes that are correctable. God tells us to resist the devil and he will flee from you. Then God says to draw near unto Him and He will draw near unto you. When God draws close to us, we will receive His strength and power to leave the addiction behind. With Him we can overcome anything.
$1.99 ≈
£1.57
Does It Matter?
Does It Matter?
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Mike Lyons
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Does It Matter?
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Lyons Music Services
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SheetMusicPlus
High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #2384...
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High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.767060 Composed by Mike Lyons. 20th Century,Contemporary. 18 pages. Lyons Music Services #238419. Published by Lyons Music Services (A0.767060). This song was written in response to Siegfried Sassoon's well-known war poem of the same title. I have tried to emulate the ironic tone of Sassoon's descriptions of the treatment of wounded and damaged men by the society for whom they have been fighting. This is as current a topic today as it was 50 years ago. The song is short at just under 2 minutes, but demands some difficult techniques from both singer and pianist. The vocal line, in particular, will need good control of breathing and pitch in the sliding arpeggio on the Ah!! after letter B and the line And people won't say that you're mad. The sudden ending is quite deliberate and the final bar rest should be counted in full. The listener should expect more, but there isn't anything more to say - we treat our soldiers badly!
$3.99 ≈
£3.14
Rejoice, the Lord is King! PIANO SOLO
Rejoice, the Lord is King! PIANO SOLO
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Piano solo
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ADVANCED
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Jeanni Gould
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Jeanni Gould
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again I will say, rejoice
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Rejoice, the Lord is King! PIA
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Jeanni Gould
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contem...
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Piano Solo - Level 5 - Digital Download SKU: A0.1428192 By Jeanni Gould. By Charles Wesley and Horatio Parker. Arranged by Jeanni Gould. Christian,Contemporary,Easter,Praise & Worship,Religious. Score. 5 pages. Jeanni Gould #1008493. Published by Jeanni Gould (A0.1428192). YOU CAN PLAY THIS PIANO SOLO. Upbeat and bright, with big dynamic range from powerful to reverent. Rich and complex chords with gentle moments for contrast. Advanced level yet very accessible. Enjoy a big payoff when you perform this piece. Not too difficult and not too long.BACKSTORY Year 60 A.D. Oh my goodness! Paul was in prison in Rome, but wrote Rejoice in the Lord always; again I will say, rejoice. (Philippians 4:4) He continued. Let your reasonableness be known to everyone. The Lord is at hand; do not be anxious about anything, but in everything by prayer and supplication with thanksgiving let your requests be made known to God. And the peace of God, which passes all understanding, shall keep your hearts and minds through Christ Jesus. UPDATE 1744 A.D. Charles Wesley with his brother John started the Methodist movement, but they were persecuted and suffered lives of hardship. Charles wrote this song to encourage his followers. He wanted them to not get discouraged and lose hope, but to be a singing, joyful people.
$2.99 ≈
£2.36
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco....
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Cello,Clarinet,Piano,Violin - Level 3 - Digital Download SKU: A0.1381033 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965749. Published by Barabba Music (A0.1381033). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with Flute and Oboe in place of the clarinet available. For more information visit www.jasonbarabba.com.
$45.60 ≈
£35.92
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 ...
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Cello,Oboe,Piano,Violin - Level 3 - Digital Download SKU: A0.1381048 Composed by Jason V. Barabba. 21st Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965763. Published by Barabba Music (A0.1381048). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and flute in place of the oboe available. For more information visit www.jasonbarabba.com.
$45.60 ≈
£35.92
Non mi porti a Funkytown? (Disco & Pavane)
Non mi porti a Funkytown? (Disco & Pavane)
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Jason V
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Non mi porti a Funkytown?
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Barabba Music
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SheetMusicPlus
Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48...
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Cello,Flute,Piano,Violin - Level 3 - Digital Download SKU: A0.1381044 Composed by Jason V. Barabba. 20th Century,Chamber,Classical,Contemporary,Disco. 48 pages. Barabba Music #965759. Published by Barabba Music (A0.1381044). It’s difficult to know what to say about this piece. It will probably always be an aberration when considered as part of my larger body of works. My challenge when writing this piece was to incorporate two different dance styles, and I immediately decided it was time to face the disco music of my childhood. Yes, I had the Bee Gees on LP when I was a kid.…and ABBA…but I left them out of this piece.Obviously, this is meant to be fun. There are direct (if not always obvious) quotations to the following songs:       Anita Ward’s “Ring My Bellâ€Â       “Night Fever†by the Bee Gees       Gloria Gaynor’s “I Will Survive†(Just had to be included)       Lipps Inc’s “Funktownâ€Â       and “Boogie Nights†from HeatwaveThe ancient dance form known as the pavane is, weirdly enough, the perfect pairing with the disco…in that their rhythmic structures easily go together, allowing me to spread the disco material around throughout the piece. In fact, the references to “I Will Survive†are in the slower pavane section, not the disco.The piece is basic A-B-A form (Disco-Pavane-Disco) with a fadeout ending…because in all my research I don’t remember finding a single disco piece that didn’t have a fadeout ending. It just wasn’t done. Please have some fun listening to this piece, because I had a great time writing it. It’s unlike anything I’ve ever written..pdf contains a complete set of score and parts. There are also versions with clarinet and oboe in place of the flute available. For more information visit www.jasonbarabba.com.
$45.60 ≈
£35.92
High Over You Piano Vocal Performance
High Over You Piano Vocal Performance
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Pop music
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Steven H
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Ashley Ivers
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High Over You Piano Vocal Perf
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1069973 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 298. Boothe Publis...
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Piano,Voice - Digital Download SKU: A0.1069973 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 298. Boothe Publishing #4633713. Published by Boothe Publishing (A0.1069973). After being married for several years I realized that I had never written a love song for my wife. So, one day during a lull in guitar lessons I wrote her a song. I truly believe she is the light in my life and that without her my life would be about as interesting as a stone. When I am with her I feel that I can accomplish anything. She inspires me to be better than I am because she is in every way better than I am. She has more patience, kindness, is more caring and less concerned about how others view her than anyone else I know. I'm glad I finally worked up the courage to ask her to marry me. I was afraid to open my mouth and speak what was on my mind. After many months, when I thought I was going to lose her completely, I opened up my feelings to her, and to my great relief she had some of the same feelings that I had. She didn't say yes she would marry me right away, (I had to lock her in a room to get that response) however, over time she did decide of her own free will and choice to marry me. Thank you Karen Ziegelbauer, you are the best.
$1.99 ≈
£1.57
High Over You Guitar Minus Vocal
High Over You Guitar Minus Vocal
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Pop music
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Steven H
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High Over You Guitar Minus Voc
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Boothe Publishing
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1069954 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 280. Boothe Publishing #4633647. Published by Boothe...
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Guitar - Digital Download SKU: A0.1069954 Composed by Steven H. Boothe. Pop. Accompaniment. Duration 280. Boothe Publishing #4633647. Published by Boothe Publishing (A0.1069954). After being married for several years I realized that I had never written a love song for my wife. So, one day during a lull in guitar lessons I wrote her a song. I truly believe she is the light in my life and that without her my life would be about as interesting as a stone. When I am with her I feel that I can accomplish anything. She inspires me to be better than I am because she is in every way better than I am. She has more patience, kindness, is more caring and less concerned about how others view her than anyone else I know. I'm glad I finally worked up the courage to ask her to marry me. I was afraid to open my mouth and speak what was on my mind. After many months, when I thought I was going to lose her completely, I opened up my feelings to her, and to my great relief she had some of the same feelings that I had. She didn't say yes she would marry me right away, (I had to lock her in a room to get that response) however, over time she did decide of her own free will and choice to marry me. Thank you Karen Ziegelbauer, you are the best.
$1.99 ≈
£1.57
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
£7.87
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Say Anything
