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You've selected:
Say So Organ
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27 sheet music found
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1
26
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
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Saxophone and Organ
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ADVANCED
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Contemporary
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Judith Cloud
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What Would Nina Simone Say? Fo
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Judith Cloud
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and...
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Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
$15.00 ≈
13.81€
Frederick Frahm: Nooksack River Psalms for organ
Frederick Frahm: Nooksack River Psalms for organ
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Organ
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INTERMEDIATE/ADVANCED
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Sacred music
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Frederick Frahm
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Frederick Frahm: Nooksack Rive
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.534019 Composed by Frederick Frahm. Christian,Concert,Contemporary,Sacred,Standards. Score. 7 pages. Musik Fab...
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Organ - Level 4 - Digital Download SKU: A0.534019 Composed by Frederick Frahm. Christian,Concert,Contemporary,Sacred,Standards. Score. 7 pages. Musik Fabrik Music Publishing #3096681. Published by Musik Fabrik Music Publishing (A0.534019). Three evocations of psalm texts: I. ..The singers and the dancers will say, All my fresh springs are in you.(Psalm 87:6)II. ...Why are you so full of heaviness, O my Soul?...Psalm 42:6aIII0 ...I remember the time past;I muse upon all your deeds;I consider the works of your hands.Psalm 143:5Suitable for both concerts and services.
$10.35 ≈
9.53€
Sad Songs (Say So Much)
Sad Songs (Say So Much)
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Big Note Piano
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BEGINNER
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Rock
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Elton John
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Sad Songs
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Hal Leonard - Digital
#
SheetMusicPlus
Digital Download SKU: HX.458798 By Elton John. Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.458798).
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Digital Download SKU: HX.458798 By Elton John. Pop,Rock. E-Z Play Today. 4 pages. Published by Hal Leonard - Digital (HX.458798). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.75€
Say It Isn't So
Say It Isn't So
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Big Note Piano
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BEGINNER
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Say It Isn't So
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Hal Leonard - Digital
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SheetMusicPlus
Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.460441 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 2 pa...
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Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.460441 This edition: scorch. E-Z Play Today. Broadway,Jazz,Standards. Score. 2 pages. Hal Leonard - Digital #715921. Published by Hal Leonard - Digital (HX.460441). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.75€
You Are So Beautiful
You Are So Beautiful
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Guitar notes and tablatures
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INTERMEDIATE/ADVANCED
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Rock
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Joe Cocker
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John Rodney Ferguson
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You Are So Beautiful
#
John Ferguson
#
SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.924516 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by John Rodney Ferguson. Pop,Rock. Guitar T...
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Guitar - Level 4 - Digital Download SKU: A0.924516 By Joe Cocker. By Billy Preston and Bruce Fisher. Arranged by John Rodney Ferguson. Pop,Rock. Guitar Tab. 9 pages. John Ferguson #3577921. Published by John Ferguson (A0.924516). Guitar tablature and vocals for Joe Cocker’s acoustic version of ’You Are So Beautiful’ from his album ‘Organic’ released in October of 1996. This was Cocker’s second version of the song as he had previously released a version with piano accompaniment in January 1975. Billy Preston wrote You Are So Beautiful with one of his regular collaborators, Bruce Fischer. The song was first released in 1974 on Preston’s album ‘The Kids and Me.’ Some commentators say that Dennis Wilson of The Beach Boys also contributed to the song's genesis. Wilson performed the song live with the Beach Boys from the late 1970s onwards.
$4.99 ≈
4.59€
Who You Say I Am
Who You Say I Am
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Piano solo
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INTERMEDIATE
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Sacred music
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Christian contemporary
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Ben Fielding and Reuben Morgan
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Brian Buda
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G
#
Who You Say I Am
#
budaful music
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1263746 Composed by Ben Fielding and Reuben Morgan. Arranged by Brian Buda. Christian,Contemporary,Praise...
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Piano Solo - Level 3 - Digital Download SKU: A0.1263746 Composed by Ben Fielding and Reuben Morgan. Arranged by Brian Buda. Christian,Contemporary,Praise & Worship,Religious. Score. 16 pages. Budaful music #856686. Published by budaful music (A0.1263746). This is a piano solo arrangement of Hillsong's, Who You Say I Am. This arrangement does not follow the chords from the 'traditional' worship song so it works best as a solo. It's a perfect piece for the intermediate/advanced pianist to use in preludes and offertories. It's easy to play through the entire arrangement, although there are options to cut it short– or keep it going– if desired. The shorter version on the first 3 pages is more intermediate, wheras the full version becomes more advacned as it progresses. Form: V1, Chorus, V2, Chorus 2X, Bridge, Chorus 2X. Play 2 verses with choruses, or the entire arrangement. 3 key options available: A, Ab, and G. (It was originally arranged in A, then transposed to Ab & G. Some chord voicings and fingerings might need to be adjusted in those keys.).
$6.99 ≈
6.44€
Test Drive
Test Drive
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Organ
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INTERMEDIATE/ADVANCED
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John Powell
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Anna Lapwood
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Test Drive
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Anna Lapwood
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SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classica...
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Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1315319 By John Powell. By John Powell. Arranged by Anna Lapwood. 21st Century,Classical,Contemporary,Film/TV. Individual part. 10 pages. Anna Lapwood #904065. Published by Anna Lapwood (A0.1315319). Over the past couple of years I have written a number of film music transcriptions on and for the organ of the Royal Albert Hall in London. While the transcriptions are written with this organ in mind, often calling for specific colours such as the bass drum, carillons or tubular bells, they are adaptable on a number of different instruments and I’ve loved tweaking them in order to play them on organs all across the world. I hope you enjoy playing them as much as I’ve enjoyed writing them! One of the soundtracks that I get asked to perform most regularly is Test Drive by John Powell. This is one of the earlier transcriptions I wrote, and I often use it as a piece to illustrate the difference between different organs. It’s quite useful to have one piece to use as a comparison point, so I post little videos of this wherever I’m playing to demonstrate how radically different the same piece of music can sound depending on the kind of instrument. For me, this piece feels like an instant serotonin boost. There is a great crescendo where you get to take the organ from relatively quiet to earth-shatteringly loud over the course of about 30 seconds, and I always say that playing that part feels a bit like flying a dragon! - Anna Lapwood
$5.99 ≈
5.52€
Wildfire Toccata
Wildfire Toccata
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Organ
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INTERMEDIATE
#
Aaron Shows
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Wildfire Toccata
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Aaron Shows
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #...
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Organ - Level 3 - Digital Download SKU: A0.1278816 Composed by Aaron Shows. Classical,Contemporary,Film/TV,Romantic Period. Score. 9 pages. Aaron Shows #870380. Published by Aaron Shows (A0.1278816). Originally included in the Postludes, Vol I set by the same composer, this has become an often-requested piece to perform in concerts and in church services alike. This firey piece sounds much more difficult than it actually is to play, so basically less work and more reward! Written in the French toccata style of the Romantic period, this piece is sure to excite and energize audiences anywhere (as it already has done so in organ concerts around the world)!Funny fact: this piece was once announced in an organ program before it was played, and someone in the audience misheard it as the Wildflower Toccata, soon becoming very confused when it did not sound like beautiful wildflowers in any way. Needless to say, after the concert they had to ask the performer for clafication that it was indeed meant to be the Wildfire Toccata.
$15.00 ≈
13.81€
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
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INTERMEDIATE/ADVANCED
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A
#
Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99 ≈
46.03€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
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Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.59€
The Trombonist's Toolkit Method book
The Trombonist's Toolkit Method book
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Brink, Philip
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The Trombonist's Toolkit Metho
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Gordon Cherry
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SheetMusicPlus
Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual par...
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Bass Trombone,Tenor Trombone,Trombone Solo - Level 4 - Digital Download SKU: A0.810966 Composed by Brink, Philip. Instructional,Standards. Individual part. 134 pages. Gordon Cherry #4286489. Published by Gordon Cherry (A0.810966). Philip Brink has spent his entire career building the knowledge to assemble this major book on the pedagogy of the Trombone. Below are his words to describe what the book entails. Trombonist’s Toolkit was conceived as exactly that: a resource for troubleshooting one’s playing, for working out problems, for advancing one’s playing skills. It is NOT a method in the traditional sense – no weekly lessons, no planned schedule for arriving at a certain point after a year, two years, etc. The player [you, the reader] can search the topic list for specific problems in need of solution. Most of the topics are organized by general subject areas: air, embouchure, range building, etc. The source for most of what I write is my own personal experience as student, teacher, freelancer and orchestral performer. I owe a great debt of gratitude to teachers, mentors, colleagues and students past and present, for listening to my playing, trying out my concepts, putting up with my questions and so forth. Some of those people are present, some are far away, and sadly, some are no longer living. To all of them I say Thank you, and I hope those of you who read this can recognize what you told me! A word about the organization of the book: most of the concepts requiring practice and/or a physical approach are written out in a special manner; explanatory text is interspersed with exercises detailing a gradual approach to the topic at hand. The appendix contains a number of exercises all together, most of which were developed for my class at Mahidol University College of Music in Thailand. Philip Brink - 2019
$35.00 ≈
32.23€
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99 ≈
1.83€
"The Angel Gabriel" choral anthem
"The Angel Gabriel" choral anthem
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Choral SATB
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INTERMEDIATE
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Traditional, Mary Rose Jensen
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Mary Rose Jensen
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"The Angel Gabriel" choral ant
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Garden Rose Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874146 Composed by Traditional, Mary Rose Jensen. Arranged by Mary Rose Jensen. Christian,Christ...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.874146 Composed by Traditional, Mary Rose Jensen. Arranged by Mary Rose Jensen. Christian,Christmas,Contemporary,Folk,Sacred. Octavo. 10 pages. Garden Rose Music #3859657. Published by Garden Rose Music (A0.874146). 2018 Holiday Contest EntryChoir anthem for Advent or Christmas, SATB with organ accompaniment. 3 30The Angel Gabriel is especially useful for Lessons and Carols and Christmas Eve church services.The main tune is the traditional Basque carol, GABRIEL'S MESSAGE. Music of verse 3 is newly composed.The words have been almost completely rewritten to follow more closely the scripture passage, Luke 1:26-38, the account of the Annunciation.Lyrics:The angel Gabriel was sent by GodTo Mary in a town in Galilee.He greeted her and said, The Lord is with you now.You are the highly favored one. Gloria! But Mary wondered what his words could mean.The angel told her Do not be afraid.You will conceive and bear a son named Jesus.You are the highly favored one. Gloria! He will be great and will be called the Son of God most high And sit on David’s throne. And sit on David’s throne.His rule of Jacob’s house and kingdom will not end.His kingdom will not end. His kingdom will not end.Gloria, gloria, gloria. Gloria, gloria, gloria.Gloria, gloria, gloria. Gloria, gloria, gloria. Then Mary, as a virgin, wondered, How?He said, All things are possible with GodAs God the Holy Spirit overshadows youYou are the highly favored one. Gloria! Then Mary said, Behold, I serve the Lord.So let it be according to your word.The angel then departed and we say with him,You are the highly favored one. Gloria!
$1.99 ≈
1.83€
WORSHIP BELLS - three hymns for beginning handbells
WORSHIP BELLS - three hymns for beginning handbells
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Handbells
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BEGINNER
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Sacred music
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John Bacchus Dykes, Spanish Hy
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c
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WORSHIP BELLS - three hymns fo
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C.E. Walz
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SheetMusicPlus
Handbell - Level 1 - Digital Download SKU: A0.767671 Composed by John Bacchus Dykes, Spanish Hymn, and and Johann M. Haydn. Arranged by c.e. walz. Sacred...
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Handbell - Level 1 - Digital Download SKU: A0.767671 Composed by John Bacchus Dykes, Spanish Hymn, and and Johann M. Haydn. Arranged by c.e. walz. Sacred. Score. 7 pages. C.E. Walz #4802319. Published by C.E. Walz (A0.767671). Maestro gives his seal of approval for these beginning handbell arrangements of three traditional worship hymns (Come, Christians, Join to Sing, Holy, Holy, Holy, and O Worship the King.) Created to insure quick success for new ringers, WORSHIP BELLS hymn trio does not include hymn melody or intricate rhythm patterns. Ringers play 'simple to count' chords for the most part. I use the color-coding method of highlighting the ringer's notes in the handbell chart and then highlighting with the same color the notes in the hymn. Each measure is numbered and if your ringer can count and follow the colors, he/she can ring! For those new to reading music, music instruction begins with identifying 1/4, 1/2, whole notes, dotted notes, repeat signs, and practicing specific rhythm patterns for each hymn. Identifying note names comes later. You'll have a great sounding handbell choir in no time, especially when you add in your piano/organ accompaniment of these hymns and a soloist, ensemble, or congregational singing! Seven pages total. The first page of the set gives more helpful information, so as Maestro would say, Go ring those bells!.
$4.00 ≈
3.68€
Praise the Lord! - Unedited Version
Praise the Lord! - Unedited Version
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Sacred music
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Gospel/Spiritual
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Matthew Yarnell
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Praise the Lord! - Unedited Ve
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Flome the Gnome
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SheetMusicPlus
Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.993321 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spirit...
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Small Ensemble Organ,Piano,Voice - Level 2 - Digital Download SKU: A0.993321 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 2 pages. Flome the Gnome #3684399. Published by Flome the Gnome (A0.993321). Praise the Lord is a more upbeat song that helps you recall what Jesus has done while at the same time allowing you to sing mightily - Praise the Lord. This is the unedited version in that it has five verses whereas the shorter version has four verses. Both versions include the Praise the Lord chorus. If you're looking for a new song that will encourage your congregation to stand up and praise the Lord, then please consider adding this song to your collection.I pray that this song nourishes your soul, your family, and/or your congregation. Please let others know about my songs; say a prayer for me, my family, and ministry; and consider supporting my ministry financially so that I might have more time to write additional songs and/or serve the Lord.This song would be good for all churches but is probably best suited for those that enjoy more traditional hymns.I can be found online at my website: www.flomethegnome.com and on facebook. You can email me at flomethegnome@gmail.com You can snail mail me at Matthew Yarnell, 2098 Marble Valley Basin Road, Addy, WA. 99101. Or, you can call me at 509-675-3420.
$3.99 ≈
3.67€
The better life mix
The better life mix
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corey turner
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corey turner
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The better life mix
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C.D. Turner
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano,Voice - Digital Download SKU: A0.1031205 Composed by corey turner. Arranged by corey turner. Christian,Dance,Film/...
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Small Ensemble Harpsichord,Organ,Piano,Voice - Digital Download SKU: A0.1031205 Composed by corey turner. Arranged by corey turner. Christian,Dance,Film/TV,Graduation,Pop,World. Score and parts. 3 pages. C.D. Turner #3019171. Published by C.D. Turner (A0.1031205). Get one of the best songs of 2016 The better life mix is an uplifting and powerful tune to calm the nerves on a stressful day. The music that some people say is a great pick me up to get through the day. Would make a great song for any occasion,holidays events etc so get yours today.
$2.99 ≈
2.75€
The short mesure off my Lady Wynkfylds rownde
The short mesure off my Lady Wynkfylds rownde
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Violin
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Anonymous
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Gordon Jackson
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The short mesure off my Lady W
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Gordon Jackson
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SheetMusicPlus
Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Violin - Digital Download SKU: A0.1017677 Composed by Anonymous. Arranged by Gordon Jackson. Cl...
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Large Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Organ,Violin - Digital Download SKU: A0.1017677 Composed by Anonymous. Arranged by Gordon Jackson. Classical,Folk,Multicultural,Renaissance,World. Score and parts. 1 pages. Gordon Jackson #6435545. Published by Gordon Jackson (A0.1017677). The short mesure off my Lady Wynkfylds rowndeIn English Keyboard Music Before the Nineteenth Century John Caldwell writes: ‘There can be little doubt that this music was intended for performance at the court of Henry VIII.’ Caldwell goes on to say that this tune may have been composed by Hugh Aston (born c1485 – buried 17 November 1558, so presumably – we would hope – he died a short time before that).It's a pretty tune to which I’ve composed a counterpoint. I’ve also added chord names for those who want them.
$4.99 ≈
4.59€
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.56€
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Say So Organ
