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You've selected:
Sets of Three, Solo Harp
Sheetmusic to print
6 sheet music found
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1
Sets of Three, Solo Harp (from my book Two Hands One Harp)
Sets of Three, Solo Harp (from my book Two Hands One Harp)
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Harp
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Cindy Blevins
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Sets of Three, Solo Harp
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Cindy Blevins
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SheetMusicPlus
Harp - Digital Download SKU: A0.1059021 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 117. Cindy Blevins #312...
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Harp - Digital Download SKU: A0.1059021 Composed by Cindy Blevins. Contemporary,Instructional,New Age. Full Performance. Duration 117. Cindy Blevins #3125455. Published by Cindy Blevins (A0.1059021). This mp3 was recorded playing my Blevins harp. This song is from my book Two Hands One Harp (for all harps). You can purchase the eBook here on Sheet Music Plus, Item No. S0.247083.
$1.99
Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
Christmas Carols (A Collection of 10 Color-Coded Arrangements for One Octave Handbell Choir with Piano Accompaniment)
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Handbells
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EASY
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Christmas
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Various
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Christmas Carols
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Sharon Wilson
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SheetMusicPlus
Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children\'s Music. Score, Set of Parts, Solo Part. 87 pages. Published ...
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Composed by Various. Arranged by Sharon Wilson. Christian, Sacred, Folk, Christmas, Children\'s Music. Score, Set of Parts, Solo Part. 87 pages. Published by Sharon Wilson
This collection contains 10 familiar Christmas carols arranged for a one octave, 13-note chromatic scale Handbell choir with Piano accompaniment. For each song, the Piano provides an introduction then the Handbells play the melody and occasional 2-part harmony. Each song also includes an optional repeat and second ending in case a longer song is desired.
For each song, there is a combined score with both instruments (Handbells and Piano) on a grand staff plus two separate scores for the Handbells (one in standard format with black and white notes and the second with color-coded notes). A color-coded note chart is also provided for each song which shows the Handbell notes used as well as the number of times each note is played. The note distribution is helpful when assigning notes to ringers. You may want to assign fewer notes to beginners or evenly distribute the bells between all ringers.
The color-coded scores are enlarged so the colors are easier to distinguish and all sharps and flats are displayed (shown in the key of C) as reminders for beginning ringers. Also, only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat).
As noted above, one of the Handbell scores for each song is color-coded for easier note reading for beginning ringers. These separate color-coded scores use the ?Chroma-Notes? Colored Music System.? If you have a set of Handbells with a different color scheme, ?Chroma-Notes Stick Ons? can be purchased and applied so the Handbells match this color scheme.
The number of ringers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included for each song and range from 4 to 8 ringers.
These familiar Christmas carols are perfect for small groups and especially beginning ringers. Most songs can be performed with as few as 5 people (4 ringers and 1 piano player). The Piano accompaniment is written for an intermediate player.
Permission is granted to make up to 10 copies of each score. For more than 10 copies, please purchase additional sets.
Each song is also available separately with accompanying preview pages and audio samples. For each song, a piano accompaniment and/or rehearsal track (MP3 format) is available as a separate purchase.
Song titles included in this collection:
Angels We Have Heard on High
Bring a Torch, Jeannette, Isabella
Ding Dong! Merrily on High
Joy to the World
O Come, All Ye Faithful
O Come, O Come, Emmanuel
O Thou Joyful Day
Simple Gifts
The First Noel
We Three Kings
$19.99
Invention No. 2 in D minor for three voices
Invention No. 2 in D minor for three voices
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Piano solo
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INTERMEDIATE
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Robert W
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Invention No. 2 in D minor for
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Padgett Music Llc
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Scor...
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Piano Solo - Level 3 - Digital Download SKU: A0.1141383 Composed by Robert W. Padgett. Baroque,Classical,Contest,Festival,Instructional,Traditional. Score. 3 pages. Padgett Music Llc #741707. Published by Padgett Music Llc (A0.1141383). This three-part Invention No. 2 in D minor was composed in the summer of 1991. I shared it with my modal and tonal counterpoint instructor, Professor Richard Wilson, and he responded favorably to my venturesome modulations and use of the Neapolitan chord. Similar to my first invention in A minor, the motive is announced by the upper voice before it is restated an octave lower by the lower voice in bar 2 to form a stretto. In bar 3, the middle voice states the motive in the dominant key of A minor with the lower and upper voices playing the first and second countermotives respectively. An episode ensues and arrives at a half cadence in bar 8. The opening fragment of the motive is exploited in conjunction with a pedal tone and a variant of the second countermotive to navigate through a series of contrasting keys. At bar 14, the motive is reasserted in F-sharp minor layered over itself in stretto with a C-sharp pedal tone in bar 15. The voices from the episode in bars 5-8 are reshuffled in bars 18-21 as another exercise in invertible counterpoint. In measure 16, the motive and two countermotives are reprised in C-sharp minor, a half step below the tonic key. Starting in bar 18, the episode from bars 6-8 is reprised in F-sharp minor with the first and second countermotives exchanging positions. This is followed in bars 16-27 by a varied restatement of the episodic sequence from bars 8-17 that cadences in bar 27 before a restatement of the subject in bar 28 in G minor with slightly embellished countermotives. Bars 32-35 present a restatement of the episode from bars 5-8 with the motive relocated to the lower voice and the two countermotives in intimate proximity in the two upper voices. An unexpected descending scale in a series of compound harmonic 10ths forms an inversion of the second half of the motive and sets the stage for a perfect cadence to a Picardy Third in D major. After so many years, I remain especially pleased with the effect of that ending.
$3.99
Violin Concerto
Violin Concerto
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Ryan Wigglesworth
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wig...
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2(2.pic).2.2.1.cbsn-2.2.0.0-timp-hp.cel-str violin and orchestra - Digital Download SKU: S9.Q42526 Fur Violine und Orchester. Composed by Ryan Wigglesworth. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 16 minutes. Schott Music - Digital #Q42526. Published by Schott Music - Digital (S9.Q42526). My Violin Concerto is scored for a Classical-sized orchestra, with the addition of a harp and celeste, and lasts around 17 minutes. Although the work sets out to explore the lyrical characteristics of the solo instrument, it is only gradually that the violin finds its full, lyric voice, and thence, as the work progresses, a more dominant role. This, in one sense, is the ‘journey’ of the piece. The work’s straightforward formal scheme consists of three movements (roughly fast–slow–fast) framed by a reflective introduction and epilogue. However, these formal divisions exist within a single, unbroken arc. Such an overall symmetrical shape places the slow Arioso (itself divided into three subsections) at the midpoint, sandwiched between the two Allegro movements. The dramaturgy of the piece centres on a twofold search. First there is the ongoing pursuit to ‘recapture’ the simple melodic material stated by the solo violin – accompanied by the harp’s bass register – during the opening bars. Whilst aspects of this melody are invoked frequently throughout (especially in the violin cadenza which closes the Arioso movement), it is only with the final and most important climax of the work that the melody appears again in its complete form, now accompanied by violent, orchestral stabs. The second search is for a tonal resting place, the arrival of which is delayed until the close of the epilogue. The original version of the Violin Concerto, commissioned by the Netherlands Chamber Orchestra, was premiered in Amsterdam in February 2012 with Gordan Nikolic as soloist. The present, revised version was created for Barnabás Kelemen and the Hallé. The piece is dedicated, with admiration, to my friend Oliver Knussen. (Ryan Wigglesworth).
$30.99
Sakura, Op. 155
Sakura, Op. 155
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Piano solo
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ADVANCED
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Samuel Wellman
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Samuel Wellman
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Sakura, Op. 155
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Samuel Wellman
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.882116 Composed by Samuel Wellman. Arranged by Samuel Wellman. Contemporary,Folk,World. Score. 5 pages. S...
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Piano Solo - Level 5 - Digital Download SKU: A0.882116 Composed by Samuel Wellman. Arranged by Samuel Wellman. Contemporary,Folk,World. Score. 5 pages. Samuel Wellman #3380881. Published by Samuel Wellman (A0.882116). My arrangement is a lush setting of the tune in a chromatic-romantic style. The short introduction mimics a player improvising on a harp-like instrument; this passage returns to close the piece. There are five verses in unrelated minor keys; after verse three there is a rather dissonant interlude which temporarily upsets the prevailing calm. One of the charms of this Japanese tune is its unusual phrase structure contained in 14 bars.
$4.00
Seven Steps To Heaven (2002) for string septet or string orchestra
Seven Steps To Heaven (2002) for string septet or string orchestra
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Thomas Oboe Lee
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Seven Steps To Heaven
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contem...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.869690 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz. Score and parts. 40 pages. Thomas Oboe Lee #5982647. Published by Thomas Oboe Lee (A0.869690). Seven Steps To Heaven was composed for the Terezin Chamber Music Foundation/Project STEP Summer Education Collaborative in the Berkshires. The work, scored for seven string instruments †2 violins, 2 violas, 2 cellos & contrabass, is in seven sections: four movements with three interludes in between.Moderato, Humble Vale Interlude IFunk ScherzoInterlude IIBossa nova Interlude III Perpetuo motoWhen Mark Ludwig, Director of the Terezin Chamber Music Foundation, told me that Seven Steps would be premiered at the Hancock Shaker Village, I thought it would be most appropriate to use a Shaker tune as a source for this work.The work begins with Humble Vale. Humble Vale is part of the Hancock Hymnal: 1850 compiled by Deborah Rentz Moore.The most obvious element in this beautiful melody is the predominance of the pentatonic mode. The Funk Scherzo movement is a dissertation on pentatonic subsets: major seconds, minor thirds and perfect fourths. The Bossa nova movement, although not pentatonic melodically, is full of chords derived pentatonically: chords stacked in fourths, for example. The last movement, Perpetuo moto, is most definitely pentatonic in its theme: an incessant repeating figure with explosive pentatonic flurries of major seconds, minor thirds and perfect fourths.In between the four movements I have inserted three interludes. Interlude I is an interlocking pair of waltzing pentatonic melodies for two violins. Interlude II is a solemn march on an Fâ€sharp pedal. Interlude III is a quasiâ€canonic descending scale that resolves into a big Gâ€flat major chord. It is my intention that these interludes provide a smooth and slithery connection from one movement into the next. Enjoy!!!The work is dedicated to Miles Davis. His 1963 LP/CD Seven Steps To Heaven is a seminal recording for all music lovers. It made a huge impression on me when I was a teenager in São Paulo, Brazil. I must have listened to it a thousand times. I know every solo by heart. Heaven is Miles’ domain.
$9.99
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1
Sets of Three, Solo Harp
