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BEST WISHES (Happy Birthday) A201KS - 6 Key Sheet Music Book
BEST WISHES (Happy Birthday) A201KS - 6 Key Book
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Piano, Vocal and Guitar
#
EASY
#
Shag Evans
#
Shag Evans
#
BEST WISHES
#
Shag Evans
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1046855 Composed by Shag Evans. Arranged by Shag Evans. Jazz,Pop. Score. 28 pages. Shag Eva...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1046855 Composed by Shag Evans. Arranged by Shag Evans. Jazz,Pop. Score. 28 pages. Shag Evans #651351. Published by Shag Evans (A0.1046855). Save money with a Shag Evans 6 Key Book! Inside are six scores: the same arrangement of a single tune transposed into six different keys. BEST WISHES (Happy Birthday) is a fun, one-of-a-kind birthday song with a retro modern vibe. Arrangement #201 is a simple pop vocal with a happy snoopy-dance style piano part. Lots of jazz chords but it's still pop. Vocal melody part on this tune is a bit range-y (octave + fourth) but just briefly tags the low note. There is a simple harmony vocal part included. (This particular arrangement has a brief octave melody jump section which can be sung low, obviously.) Keys included in this book: A, C, D, E, F, G. Transpositions are organic, not clones (not exact computer duplicates). Each one is tweaked for natural playing in each different key. ATTENTION: The guitar chords in several keys require a capo. Here are lead vocal note spans for all 6 keys (low to high): Key of A means alto or tenor/baritone range C-F#. Key of C means mezzo/alto or tenor range Eb-A. Key of D means mezzo or bass range F-B. Key of E means soprano/mezzo, or baritone range G-C#. Key of F means soprano/mezzo, or baritone range Ab-D. Key of G means soprano/contralto or tenor/baritone range Bb-E. SUMMARY: Professional Sheet Music. Custom Made For Music Lovers. ADDITIONAL DETAILS : Quality PDF 300dpi resolution: Awesome viewing. Full length music scores: No repeats. Full instrument notation: 3 staves, 1 instrument part, 2 vocal parts. Contains accurate guitar chord diagrams: No approximations or generic substitutes. Separate full lyric sheet is included. 6 Keys included: Organic transpositions (not clones). Other keys available soon: Ab, Bb, Db, Eb. More keys & more arrangements coming soon! Be sure to watch & listen to the entertaining follow-the-bouncing-ball style Sing-A-Long Soundtrack video (click the YT link below).
$6.99 ≈
6.31€
BEST WISHES (Happy Birthday) - A201F
BEST WISHES (Happy Birthday) - A201F
#
Piano, Vocal and Guitar
#
EASY
#
Shag Evans
#
Shag Evans
#
BEST WISHES
#
Shag Evans
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044606 Composed by Shag Evans. Arranged by Shag Evans. Jazz,Pop. Score. 8 pages. Shag Evan...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044606 Composed by Shag Evans. Arranged by Shag Evans. Jazz,Pop. Score. 8 pages. Shag Evans #649213. Published by Shag Evans (A0.1044606). Fun, one-of-a-kind birthday song with retro modern vibe. Features nice birthday occasion lyrics. Arrangement #201 is a simple pop vocal with a happy snoopy-dance style piano part. Lots of jazz chords but it's still pop. Vocal melody part on this tune is a bit range-y (octave + fourth) but just briefly tags the low note. There is a simple harmony vocal part included. Key of F means soprano, mezzo, or baritone range. Lead vocal note span: Ab-D low to high. (This particular arrangement has a brief octave melody jump section which can be sung low, obviously.) ATTENTION: The guitar chords in Key of F require 3rd fret capo. Yes, the PDF file includes a full lyric sheet. More keys & more arrangements coming soon! ADDITIONAL DETAILS Quality PDF 300dpi resolution: Awesome viewing Full length music score: No repeats Full instrument notation: 3 staves, 1 instrument part, 2 vocal parts Contains accurate guitar chord diagrams: No approximations or generic substitutes Be sure to watch & listen to the entertaining follow the bouncing ball style Sing-A-Long Soundtrack video (YT link is below).
$2.99 ≈
2.70€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
Therese Brenet
#
Thérèse Brenet: Poème de Ja
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standar...
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Small Ensemble Flute,Medium Voice,Piano - Level 4 - Digital Download SKU: A0.532835 Composed by Therese Brenet. 20th Century,Concert,Contemporary,Standards. Score and parts. 39 pages. Musik Fabrik Music Publishing #45421. Published by Musik Fabrik Music Publishing (A0.532835). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$22.05 ≈
19.90€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
#
String Orchestra
#
Contemporary
#
Therese Brenet
#
Thérèse Brenet: Poème de Ja
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
23.42€
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Chamber Orchestra
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ADVANCED
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Classical
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO I
#
Sneakwood Editions
#
SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00 ≈
16.24€
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
Just Another Night Music (Mozart´s Little Night Music in a Latin Version)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Augustin Lehfuss
#
the piece
#
Just Another Night Music
#
Gustfuss Records
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Cont...
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.876883 Composed by Wolfgang Amadeus Mozart. Arranged by Augustin Lehfuss. Baroque,Contemporary,Jazz. Score and parts. 23 pages. Gustfuss Records #3036639. Published by Gustfuss Records (A0.876883). This is a „take another crossroad version of Mozart´s famous Little Night Music, written by Austrian Arranger and Composer Augustin Lehfuss – a wild and funny arrangement for string quartet in a unusual latin style. Everybody knows the triad motive at the beginning of Mozart´s original composition, which reappears several times throughout the piece. The idea was, that the performing quartet, while playing the original work of Mozart – tired of always playing the same classical music – „turns left any time the characteristic motive appears, and switches to the latin version which is sold here. Then it runs wild for a while and enjoys Mozart´s theme in a crazy latin style, bevor, finally disciplinized again, finishes in Mozart´s original ending of his „Little Night Music. From the „turn out of Mozart´s original piece until the original ending the latin arrangement lasts about three minutes . For this arrangement starts with the famous triad motive, it can also be played as a stand alone version, though recognizable for the audience. There are phrasings and dynamics indicated in this arrangement, but every quartet should feel free to choose their own phrasings. This arrangement was written for students of a musical university, so it requires a little bit more advanced players – but it should not be taken too serious..visit also the arranger's hompagewww.lehfuss.com Please visit also the arrangers facebook and twitter accounts https://www.facebook.com/pg/Augustin-Lehfuss-Singer-and-Songwriter-694559137266782/about/?ref=page_i..... https://twitter.com/AugustinLehfuss
$11.95 ≈
10.78€
Christ Is Made the Sure Foundation (Downloadable Choral Score)
Christ Is Made the Sure Foundation (Downloadable Choral Score)
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Choral SATB
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EASY
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Jeremy J
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Christ Is Made the Sure Founda
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and organ, with optional congregation, treble choir, 2 trumpets, and timpani - Moderately Easy - Digital Download SKU: MQ.60-7040-E Composed b...
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SATB choir and organ, with optional congregation, treble choir, 2 trumpets, and timpani - Moderately Easy - Digital Download SKU: MQ.60-7040-E Composed by Jeremy J. Bankson. Christ the King, Reformation. Score & instrument parts. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-7040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7040-E). English.This concertato could also be used as a festive anthem for SATB and optional treble choir, since congregational participation is not essential. The tune WESTMINSTER ABBEY is scored for two trumpets, timpani, and organ. There is a short introduction made of melodic material not in the hymn tune (which is also used in between the phrases of stanza two and for interludes between verses). Stanza one begins in unison and finishes in four parts. Stanza two is unison treble (which can be children's choir or just soprano and alto voices). The introduction is heard again with trumpet fanfares as an interlude before the third stanza. Stanza three gives the melody to the first trumpet while the choir creatively harmonizes around it. A final interlude leads into the fourth stanza for unison with descant and trumpet fanfares.Instrumental Parts include: Trumpets I and II in C and B-flat, Timpani.
$2.65 ≈
2.39€
That's Not How This Works Feat. Dan + Shay
That's Not How This Works Feat. Dan + Shay
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Choral SATB
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INTERMEDIATE
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Charlie Puth
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Jacob Klingsten
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That's Not How This Works Feat
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Jacob Klingsten
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1347140 By Charlie Puth. By Charlie Puth, Daniel Smyers, and Jordan Reynolds. Arra...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1347140 By Charlie Puth. By Charlie Puth, Daniel Smyers, and Jordan Reynolds. Arranged by Jacob Klingsten. 21st Century,A Cappella,Contemporary,Pop. 14 pages. Jacob Klingsten #931792. Published by Jacob Klingsten (A0.1347140). That's Not How This Works by Charlie Puth is a 2023 pop hit with chilling harmonies and a confrontational message on setting expectations. This arrangement is for SATB a cappella groups or choirs and sits at an intermediate level for the high school/collegiate age. While there isn’t a vocal percussionist part in the score, it is recommended to perform this arrangement with one, as the score indicates entrances and exits for the VP.This arrangement features three soloists, all with their own respective line in the score. If one wishes to, the third solo part can be merged into the other two solo parts. While this piece appears to be difficult, the fairly repetitive nature, mostly homophonic texture, and limited range of the vocal parts eases the learning process.Additional Details: Key: A Major 14 Pages Length: 2m 43s Ranges: Soloist 1: F#3-E5 Soloist 2: F#3-E5 Soloist 3: F#3-A4 Soprano: C4-E5 Alto: G#3-A4 Tenor: D3-E4 Bass: F#2-A3 (Optional D2) If you would like the score changed to fit your ensemble's needs, the practice tracks to this piece once purchased, or if you are looking to have a new arrangement commissioned for your ensemble, please let Jacob Klingsten, the arranger, know at jacobkarranging@gmail.com. He will change the score to your needs (within reason) and provide practice tracks at no additional charge to your purchase, and he typically charges $50-75 per commissioned arrangement. Jacob would love to work with you and your ensemble!
$1.99 ≈
1.80€
There Shall Be New Life for Me
There Shall Be New Life for Me
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Piano solo
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EASY
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Abasiama Akpan
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Abas Obot
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There Shall Be New Life for Me
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Abas Obot
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SheetMusicPlus
Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1490590 By Abasiama Akpan (Abas Obot). By Abas Obot. Arranged by Abas Obot. A Cappella,Chris...
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Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1490590 By Abasiama Akpan (Abas Obot). By Abas Obot. Arranged by Abas Obot. A Cappella,Christian,Country,Opera. Score and individual part. 2 pages. Abas Obot #1067378. Published by Abas Obot (A0.1490590). There Shall be New Life for Me is a modern hymn dedicated to Christians facing persecution, suffering and trials around the world. The hymn was first written by Abasiama Akpan (Abas Obot) in 2011 and updated in 2014 following the rise of Christian persecution through terrorism in Nigeria. You can also get a copy of this great hymn in tonic sofa notations on request by contacting the song writer through abasjohn45@gmail.com.Abasiama Akpan, whose pen name is Abas Obot is a writer, SEO specialist and a web developer who have deep passion for biotechnology and music. He has written many songs as a ghost writer for artistes and hymns for churches. There shall be new life for me is just one of the many hymns from the composer. As a writer, he publishes most of his authorship works on Inspired Scoop as the founder.
$6.00 ≈
5.41€
Let It Snow! Let It Snow! Let It Snow!: Score
Let It Snow! Let It Snow! Let It Snow!: Score
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Jazz Ensemble
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Jule Styne
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Gordon Goodwin
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Secular
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Let It Snow! Let It Snow! Let
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PR-0005461 Score. Composed by Jule Styne. Arranged by Gordon Goodwin. Jazz; Secular. Score. 19 pages. ...
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Jazz Ensemble - Digital Download SKU: AX.00-PR-0005461 Score. Composed by Jule Styne. Arranged by Gordon Goodwin. Jazz; Secular. Score. 19 pages. Alfred Music - Digital Sheet Music #00-PR-0005461. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005461). UPC: 038081385556.A medium swing chart in the style of Basie and Hefti, you'll love this Goodwin adaptation of the wonderful holiday classic. Not a drum showcase, but the drummer has plenty of solo space beginning on brushes then to sticks and the intensity rises. There is a flute part on second alto (can be omitted) and a percussion part for vibes. Optional solo space for alto, tenor, trumpet and trombone, lead trumpet range is to written high E plus a nice sax soli round out this excellent chart. This chart is so nice, you'll want to play it all twelve months a year!
$14.00 ≈
12.63€
There Is A Fountain, easy piano solo
There Is A Fountain, easy piano solo
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Piano solo
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BEGINNER
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William Cowper
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Amy J
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There Is A Fountain, easy pian
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 1 - Digital Download SKU: A0.733604 Composed by William Cowper (lyrics), Early American melody. Arranged by Amy J. Snyder. Christian,C...
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Piano Solo - Level 1 - Digital Download SKU: A0.733604 Composed by William Cowper (lyrics), Early American melody. Arranged by Amy J. Snyder. Christian,Concert,Easter,Sacred. Score. 4 pages. Amy J. Snyder #5714247. Published by Amy J. Snyder (A0.733604). There Is a Fountain is one of the most beautiful hymns, and is based on an early American melody. The lyrics speak of a fountain filled with Jesus' blood that washes sinners clean. This is an elementary level 3 piano solo that begins very simply with a single melody line, then with each verse the LH changes it's pattern and the RH adds a little harmony. Pedaling is marked and helpful fingering is added. It is in the key of C and uses primary chords in the LH. A pretty little interlude breaks up the verses and is used again at the end. It is a simple pattern in the RH that descends by 2nds. Nice piece for recitals and church special music. Lyrics (not included) are by William Cowper, the melody is early American, and this arrangement is by Amy J. Snyder. Visit Amy at https://www.facebook.com/amyjsnyder7.
$3.99 ≈
3.60€
(Not Such A) Silent Night
(Not Such A) Silent Night
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Jazz Ensemble
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INTERMEDIATE
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Christmas
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Traditional
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Zac Harrison
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(Not Such A) Silent Night
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Zac Harrison
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1133469 Composed by Traditional. Arranged by Zac Harrison. Christmas,Holiday,Jazz. Score...
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1133469 Composed by Traditional. Arranged by Zac Harrison. Christmas,Holiday,Jazz. Score and parts. 35 pages. Zac Harrison #733629. Published by Zac Harrison (A0.1133469). The piece starts with a soft calming piano rendition of the tune which is rudely interrupted by a loud and swinging arrangement. Arranged for 4 piece horn section (trumpet, alto, tenor, baritone) with optional additions of trombone, flute and clarinet. Written with amateur or high school players in mind, ranges are kept within reasonable limits. The second clarinet part is suitable for players that are not yet comfortable with the upper register. There are two options of drum parts: one written and one just featuring rhythm slashes.
$45.00 ≈
40.61€
Birdies In the Bushes, original harp solo
Birdies In the Bushes, original harp solo
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Harp
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INTERMEDIATE
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New Age
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Contemporary
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Cindy Blevins
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Birdies In the Bushes, origina
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Cindy Blevins
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SheetMusicPlus
Harp - Level 3 - Digital Download SKU: A0.541580 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3115413. Published by Ci...
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Harp - Level 3 - Digital Download SKU: A0.541580 Composed by Cindy Blevins. Contemporary,New Age. Score. 3 pages. Cindy Blevins #3115413. Published by Cindy Blevins (A0.541580). This original song is from my harp book Harping On the Black Notes which contains 20 pages of beautiful original harp solos, in the approximate range of intermediate. There are 10 songs in the book. The book is friendly for almost all harps, as long as you have C below middle C and 24-26 strings (or more). There are chord symbols included.You can purchase the harp recording (mp3) of this song here on Sheet Music Plus. The item # is S0.242449. Â
$3.99 ≈
3.60€
Never Alone - Concert Band Score and Parts PDF
Never Alone - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Pop music
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Brendan Elliget MAGA 537
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Never Alone - Concert Band Sco
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.751067 Composed by Brendan Elliget MAGA 537. Pop. Score and parts. 65 pages. BJE Music #6535831. Publis...
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Concert Band - Level 3 - Digital Download SKU: A0.751067 Composed by Brendan Elliget MAGA 537. Pop. Score and parts. 65 pages. BJE Music #6535831. Published by BJE Music (A0.751067). This original composition for the Concert Band with a light Pop feel has two contrasting themes - the first is very optimistic in nature while the Bridge theme is darker in tone - The piece of music alternates between the two moods but ultimately finishes on the brighter theme. The bass line is very sustained and repetitive in its structure. The Harp part could easily be played on a keyboard instead… There is also a version for Orchestra.The MP3 was recorded with Note Performer 3.Grade = 4 Duration = 4:25 mins.
$23.00 ≈
20.76€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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String Trio: violin, viola, cello
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INTERMEDIATE
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Contemporary
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 p...
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String Ensemble,String Trio - Level 3 - Digital Download SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.22€
Mysterious Moment for oboe and string trio
Mysterious Moment for oboe and string trio
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Contemporary
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David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and...
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.22€
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 1st Movement Opus 33 - (1 of 7) - Score Only
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Orchestra
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ADVANCED
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" O
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grah...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425941 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 43 pages. Grahame Gordon Innes #1006730. Published by Grahame Gordon Innes (A0.1425941). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENT 1 – The Kytonian Expanse TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.1. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
40.61€
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
Symphony No 22 "Galaxymbion" Opus 33-36 - 4th Movement (4 of 7) - Score Only
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Orchestra
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ADVANCED
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Grahame Gordon Innes
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Symphony No 22 "Galaxymbion" O
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Grahame Gordon Innes
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grah...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1425953 Composed by Grahame Gordon Innes. 21st Century,Classical,Contemporary,Film/TV. 37 pages. Grahame Gordon Innes #1006742. Published by Grahame Gordon Innes (A0.1425953). Symphony No 22 Galaxymbion is a 7-movement symphonic setting of scenes from my novel The Galaxymbion Odyssey MOVEMENTS 4 – The Sirantiga Disaster TOTAL NUMBER OF BARS = 2670 TOTAL DURATION = 125 minutes General methodology of composition;1. No fixed tonal centre2. Each movement inherits material from its predecessor3. The work is modular. This means that the 1st, 4th and 7th movements can be presented together as the symphony proper if full staging is not possible. The movements that double as concertos can be presented separately in their own right, hence their individual opus numbers.4. The work has developed from a highly individualized harmonic language that establishes its own laws independent from and additional to conventional harmonic practice. The same is true of the work’s unusual tonality. Central to this approach is the use of dodecaphonic principles in both the melodic and harmonic content. The intent here is to incorporate Schoenberg’s theoretical model of tone rows in an inclusive way, so that it is part of the work’s musical language and an additional tool in structuring and developing ideas. As a result the work remains tonal, albeit inhabiting a distinct and exotic aural landscape.There is no rigid adherence to conventional forms or methods of symphonic development, rather the work takes an entirely eccentric and highly individual approach. Whilst this is the ‘spark’ or heart of the work there is still an intention to create music instead of noise. Discords are therefore used as elsewhere in my more conventionally tonal works; as a natural consequence of the work itself instead of a forced snub at tonal music.
$45.00 ≈
40.61€
Danse Macabre
Danse Macabre
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Harp
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EASY
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Classical
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Camille Saint-Saens
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Barbara Fischer
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Danse Macabre
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Fischarper, LLC
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SheetMusicPlus
Harp - Level 2 - Digital Download SKU: A0.898131 Composed by Camille Saint-Saens. Arranged by Barbara Fischer. Contemporary. Score. 2 pages. Fischarper, ...
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Harp - Level 2 - Digital Download SKU: A0.898131 Composed by Camille Saint-Saens. Arranged by Barbara Fischer. Contemporary. Score. 2 pages. Fischarper, LLC #6092701. Published by Fischarper, LLC (A0.898131). This version of ¨Danse macabre was arranged specifically with lever harp in mind. Lever changes are notated between staves (the lever indicated only needs to be changed in one octave). A left-hand accompaniment is written out, & a few fingering are notated. There are no written dynamics; the performer can interpret as he/she wishes. Also suitable for piano. Are you working on this arrangement of Danse macabre? Let me know at https://www.fischarper.com/contact. Want to join the Fischarper email list? https://www.fischarper.com/list Check out the Fischarper website & blog at https://www.fischarper.com.
$2.99 ≈
2.70€
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Shes Not There: Score
