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Short piece for Orchestra in A minor
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You've selected:
Short piece for Orchestra in A minor
Sheetmusic to print
61 sheet music found
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1
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51
Short piece for Orchestra in A minor
Short piece for Orchestra in A minor
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Achilan Srichantapong
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Short piece for Orchestra in A
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Achilan Srichantapong
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.853532 Composed by Achilan Srichantapong. Romantic Period. Score and parts. 26 pages. Achilan Srichan...
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Full Orchestra - Level 4 - Digital Download SKU: A0.853532 Composed by Achilan Srichantapong. Romantic Period. Score and parts. 26 pages. Achilan Srichantapong #460093. Published by Achilan Srichantapong (A0.853532). This piece is for an orchestra with Violin 1, Violin 2, Viola, Violoncello, ContraBass, Timpani, Cymbals, Tambourine, Triangle, Horn in F, Trumpet in Bb, Flute, Oboen Clarinet in Bb and Bassoon. This piece is in A minor, the tempo is andente (walking pace). This piece represent a fantasy world in video games and/or moives.
$5.00 ≈
£3.81
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
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Trombone and Piano
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ADVANCED
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Cherry Classics Music
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John, W
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. ...
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
£26.67
Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 5 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....
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String Orchestra - Level 4 - Digital Download SKU: A0.1209097 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #807198. Published by jmsgu3 (A0.1209097). 5. Allegro ma non troppo.Beethoven's Bagatelles Op. 33 are pretty typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.Bagatelle No. 5 of Beethoven's Op. 33 is a short piece that showcases the composer's mastery of melody and harmony. The piece is in the key of C major and is written in a simple ternary form, with a lively and playful opening theme that is followed by a contrasting middle section in the homotonic key of C minor. The opening theme is characterized by its use of syncopation, which give it a lively and energetic feel. The middle section, on the other hand, is more introspective and lyrical, with a more subdued and melancholic mood. The piece ends with a return to the opening theme, which is now played in a surprising and forceful manner. Overall, Bagatelle No. 5 is a charming and delightful piece that showcases Beethoven's skill in creating memorable melodies and harmonies within a concise and compact form.
$42.95 ≈
£32.73
Bach: Toccata & Fugue in D Minor, BWV 565 for String Orchestra
Bach: Toccata & Fugue in D Minor, BWV 565 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue in D Min
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic...
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String Orchestra - Level 4 - Digital Download SKU: A0.1473627 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Halloween,Historic,Standards,Traditional. 48 pages. Jmsgu3 #1051343. Published by jmsgu3 (A0.1473627). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95 ≈
£38.06
Crystal Clear - Orchestra Score and Parts PDF.
Crystal Clear - Orchestra Score and Parts PDF.
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Orchestra
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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Crystal Clear - Orchestra Scor
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750884 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 31 pages. BJE Music #4351...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750884 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 31 pages. BJE Music #4351263. Published by BJE Music (A0.750884). Crystal Clear is an original composition for Orchestra with a theme of clear and simple lines reflecting the nature and symmetry of crystals found in the natural world – The original short tune was written in 2001 – Expanded into a full orchestra piece in 2019. It is scored for full orchestra with only two Trumpets and Horn parts. There is a 3rd Violin part – a sub for the Viola part with minor changes in written ranges. The only percussion parts are for Glockenspiel and Timpani. The MP3 was recorded with NotePerformer 3. Grade = 3 Duration = 4:00 mins.
$20.00 ≈
£15.24
Vecsey Valse Triste for Cello and String Orchestra
Vecsey Valse Triste for Cello and String Orchestra
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String Orchestra
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INTERMEDIATE
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Classical
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Franz von Vecsey
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Paul Wood
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Vecsey Valse Triste for Cello
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1343610 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScor...
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String Orchestra - Level 3 - Digital Download SKU: A0.1343610 Composed by Franz von Vecsey. Arranged by Paul Wood. Romantic Period. 21 pages. MyMusicScores.com #929134. Published by MyMusicScores.com (A0.1343610). Vecsey's piece, Valse Triste in C minor, composed in 1913 and dedicated to Princesse Elena Lante della Rovere, serves as a poignant reminder of Vecsey's musical genius. Through its haunting melodies and evocative harmonies, the composition encapsulates the depth of his emotions and the profound beauty of his art. Though his life was cut tragically short, Franz de Vecsey's legacy lives on.Here is an arrangement for cello and string orchestraThe PDF contains both the score and all parts.
$19.99 ≈
£15.23
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.63
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
£10.63
Vecsey Valse Triste for Violin and String Orchestra
Vecsey Valse Triste for Violin and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Franz de Vecsey
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Paul Wood
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Vecsey Valse Triste for Violin
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MyMusicScores.com
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1245852 Composed by Franz de Vecsey. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pa...
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String Orchestra - Level 4 - Digital Download SKU: A0.1245852 Composed by Franz de Vecsey. Arranged by Paul Wood. Romantic Period. Score and Parts. 21 pages. MyMusicScores.com #840684. Published by MyMusicScores.com (A0.1245852). Vecsey's piece, Valse Triste in C minor, composed in 1913 and dedicated to Princesse Elena Lante della Rovere, serves as a poignant reminder of Vecsey's musical genius. Through its haunting melodies and evocative harmonies, the composition encapsulates the depth of his emotions and the profound beauty of his art. Though his life was cut tragically short, Franz de Vecsey's legacy lives on.The PDF file contains the score and all instrumental parts.
$14.99 ≈
£11.42
Orchestral Suite No 3 in D Major BWV 1068
Orchestral Suite No 3 in D Major BWV 1068
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Chamber Orchestra
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ADVANCED
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Classical
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Maj
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standar...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00 ≈
£20.57
Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
Beethoven: Bagatelle Op. 33 No. 2 for String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP....
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String Orchestra - Level 4 - Digital Download SKU: A0.1208721 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Classical,Contest,Festival,Instructional,Traditional. Score and Parts. 19 pages. Jmsgu3 #806801. Published by jmsgu3 (A0.1208721). 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece.
$42.95 ≈
£32.73
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
Toccata, Adagio and Fugue in C, BWV 564 for Violin & Viola
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Johann Sebastian Bach
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Kamada, Mikio
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Toccata, Adagio and Fugue in C
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ACORDO Sheet Music
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SheetMusicPlus
Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sh...
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Instrumental Duet - Level 5 - Digital Download SKU: A0.1475965 Composed by Johann Sebastian Bach. Arranged by Kamada, Mikio. Baroque. 23 pages. ACORDO Sheet Music #1053543. Published by ACORDO Sheet Music (A0.1475965). Toccata, Adagio and Fugue in C, BWV 564 is one of Johann Sebastian Bach's most famous organ works.Toccata: This part starts with an introduction that sounds like improvisation. It has fast, single-note passages like a concerto's cadenza. At measure 32, it changes to a bright, full sound like an orchestra.Adagio: This part is slow and very beautiful, with a sad feeling in a minor key.Fugue: In 6/8 time, this part is lively and bright, like a dance such as a Gigue or Passepied, even though it is not labeled as a dance.In my previous publication, Toccata & Fugue, BWV 565 for Violin and Viola, I showcased the unique beauty of string instruments. Similarly, in this piece, the beautiful melody of the Adagio fits perfectly with the Violin and Viola, as if it were originally composed for them. The dance-like energy of the Fugue is also easier to express with string instruments.When two people perform this piece, it creates an interesting dialogue, almost like a conversation. The introduction of the Toccata reflects this, inspired by my students who would chat enthusiastically before starting their practice. Their conversation in the music lasts for 31 measures without any chords together. The short unison phrase in measure 13 symbolizes their agreement to start playing together. After that, their conversation continues, with triplets and important motifs of this movement appearing, increasing the expectation for the ensemble to begin. From measure 32, the real ensemble playing begins. Although we don't know what Bach imagined when he wrote this introduction, I now hear it as a conversation, even when listening to the original organ version.In the Adagio viola part, the continuo notes are marked in black, and the notes that create harmony are marked in blue. Players who can control the volume balance of double stops should balance it so that the continuo flows naturally. Players who are not skilled in playing double stops, it might be better to omit the blue notes in difficult sections. If omitted, the section might feel empty, but with careful playing before and after, it could still sound natural.
$14.20 ≈
£10.82
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Sacred music
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.
$59.90 ≈
£45.64
G minor Suite - III. 4/4
G minor Suite - III. 4/4
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W
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G minor Suite - III. 4/4
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Paroxymoxide Music
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SheetMusicPlus
Small Ensemble Clarinet,Double Bass,Flute - Level 3 - Digital Download SKU: A0.1010618 Composed by W. Stubbs. 20th Century,Classical,Contemporary,Instruc...
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Small Ensemble Clarinet,Double Bass,Flute - Level 3 - Digital Download SKU: A0.1010618 Composed by W. Stubbs. 20th Century,Classical,Contemporary,Instructional. Score and parts. 12 pages. Paroxymoxide Music #2893211. Published by Paroxymoxide Music (A0.1010618). A short piece for beginner to intermediate level orchestra including a clarinet or flute solo (parts interchangeable) for intermediate level player. A simple piece that works like a music box type idea that is easy for beginner students to play in a small orchestra, and a solo part for a woodwind player looking to try something a little harder.Original music perfect for:School ensemblesSmall gatheringsProgrammed as a 'nice' interludeThis is the projected third part in a four movement piece. The first movement is a 6-4 almost 'Russian' sounding march with a short fugue during the development.
$1.99 ≈
£1.52
"A dobei (Drum Dance)", op. 59
"A dobei (Drum Dance)", op. 59
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Adrian Gagiu
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"A dobei
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1004732 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 54 pages. Adrian Gagiu ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1004732 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 54 pages. Adrian Gagiu #6456151. Published by Adrian Gagiu (A0.1004732). A short orchestral piece in C minor, in neoclassical style, based on ancient Romanian dances for the Winter Solstice rituals. Appropriate for advanced students wishing to get accustomed to an almost unknown ancient European culture transfigured in neoclassical style and with Bartok's influence. Duration: 3 min. Performing Rights Organization: SOCAN.
$15.00 ≈
£11.43
Bach: Toccata & Fugue in D Minor, BWV 565 for String Quartet
Bach: Toccata & Fugue in D Minor, BWV 565 for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue in D Min
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jmsgu3
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1473062 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1473062 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Halloween,Historic. 36 pages. Jmsgu3 #1050683. Published by jmsgu3 (A0.1473062). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (Toccata), a fugal section (fugue), and a short free closing section.The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period.It gained widespread recognition after being featured in Disney's 1940 film Fantasia, where it was adapted for orchestra by Leopold Stokowski. The piece has become strongly associated with horror films and Gothic imagery in Western culture.The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$39.95 ≈
£30.44
Bach: Toccata & Fugue in D Minor, BWV 565 for Brass Quintet
Bach: Toccata & Fugue in D Minor, BWV 565 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue in D Min
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jmsgu3
#
SheetMusicPlus
Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthri...
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Brass Quintet Bass Trombone,Horn,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1473676 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Traditional. 49 pages. Jmsgu3 #1051393. Published by jmsgu3 (A0.1473676). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95 ≈
£38.06
Bach: Toccata & Fugue, BWV 565 for Saxophone Quintet
Bach: Toccata & Fugue, BWV 565 for Saxophone Quintet
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Saxophone Quintet: 5 Saxophones
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue, BWV 565
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jmsgu3
#
SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1474154 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051783. Published by jmsgu3 (A0.1474154). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95 ≈
£38.06
Bach: Toccata & Fugue, BWV 565, for Clarinet Quintet
Bach: Toccata & Fugue, BWV 565, for Clarinet Quintet
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Clarinet Quintet: 5 clarinets
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INTERMEDIATE/ADVANCED
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Johann Sebastian Bach
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James M
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Bach: Toccata & Fugue, BWV 565
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jmsgu3
#
SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474197 Composed by Johann Sebastian Bach. Arranged...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1474197 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Halloween,Historic,Standards. 49 pages. Jmsgu3 #1051843. Published by jmsgu3 (A0.1474197). The Toccata and Fugue in D Minor, BWV 565, is one of Johann Sebastian Bach's most famous organ compositions. It follows a typical North German structure with three main sections - a free opening (toccata), a fugal section (fugue), and a short free closing section. The exact date of composition is uncertain, but it's believed to have been written before 1708. There is no surviving autograph manuscript. The oldest known source is an undated copy by Johannes Ringk, a student of one of Bach's pupils. It was first published in 1833 through the efforts of composer Felix Mendelssohn during the early Bach Revival period. It gained widespread recognition after being featured in Disney's 1940 film Fantasia, which Leopold Stokowski adapted for orchestra. The piece has become strongly associated with horror films and Gothic imagery in Western culture. The Toccata begins with dramatic flourishes and arpeggios, showcasing the organist's virtuosity. The fugue is characterized by overlapping repetitions of the central theme in different melodic lines. It employs simple triadic harmony but includes some unexpected elements, such as a C minor subject entry and a solo pedal statement.
$49.95 ≈
£38.06
Preludio n.4 in Do minore
Preludio n.4 in Do minore
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Piano solo
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EASY
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Marco Poggi
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Preludio n.4 in Do minore
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Marco Poggi
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SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1284475 By Marco Poggi. By Marco Poggi. 21st Century,Classical,Contemporary. Score. 3 pages. Marco Poggi ...
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Piano Solo - Level 2 - Digital Download SKU: A0.1284475 By Marco Poggi. By Marco Poggi. 21st Century,Classical,Contemporary. Score. 3 pages. Marco Poggi #875648. Published by Marco Poggi (A0.1284475). This short piece for solo piano is part of a collection of ten preludes written in Rome between 2008 and 2013. Like preludes 2 & 3, it was conceived in a romantic mood, tinged with longing and tenderness. In this case, I wanted to write a piece with a catchy theme, harmonically and formally (ABA') simple in order to make it appreciable at first listen. I fall in love (!) with this piece, especially when played by strings, and so I derived from it other pieces: Agnus Dei for SATB choir & string orchestra, Andante for string quartet and Simple Song for solo organ.
$3.49 ≈
£2.66
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Short piece for Orchestra in A minor
