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Six Reflections Romantic
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You've selected:
Six Reflections Romantic
Sheetmusic to print
22 sheet music found
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1
Reflections I - Six Pieces for Piano
Reflections I - Six Pieces for Piano
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Piano solo
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INTERMEDIATE
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Henry J
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Reflections I - Six Pieces for
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Henry J. Huisjes
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1308655 By Henry J. Huisjes. By Henry J. Huisjes. 21st Century,Celtic,Film/TV,Instructional,Irish,Romanti...
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Piano Solo - Level 3 - Digital Download SKU: A0.1308655 By Henry J. Huisjes. By Henry J. Huisjes. 21st Century,Celtic,Film/TV,Instructional,Irish,Romantic Period. Score. 24 pages. Henry J. Huisjes #897893. Published by Henry J. Huisjes (A0.1308655). Reflections I - Six Pieces for Piano1. Prelude2. At the Canyon3. Down the River4. Inner thoughts5. Celestial Dream6. Irish BlessingThis album also available on the popular streamingplatforms Spotify and Apple Music.
$18.00 ≈
16.57€
Reflections II - Six Pieces for Piano
Reflections II - Six Pieces for Piano
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Piano solo
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INTERMEDIATE
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Henry J
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Reflections II - Six Pieces fo
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Henry J. Huisjes
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1308657 By Henry J. Huisjes. By Henry J. Huisjes. 21st Century,Celtic,Classical,Film/TV,Irish,Romantic Pe...
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Piano Solo - Level 3 - Digital Download SKU: A0.1308657 By Henry J. Huisjes. By Henry J. Huisjes. 21st Century,Celtic,Classical,Film/TV,Irish,Romantic Period. Score. 24 pages. Henry J. Huisjes #897898. Published by Henry J. Huisjes (A0.1308657). Reflections II - Six Pieces for Piano1. Aubade2. Solitude3. Song for Piece4. Lamento5. Road to Lindisfarne6. Evening SongThis album also available on the popular streamingplatforms Spotify and Apple Music.
$18.00 ≈
16.57€
SERENADE - Ständchen - Schwanengesang, D. 957 No. 4 (for Piano Solo)
SERENADE - Ständchen - Schwanengesang, D. 957 No. 4 (for Piano Solo)
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Piano solo
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INTERMEDIATE
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Classical
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Franz Schubert
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Flavio Regis Cunha
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SERENADE - Ständchen - Schwan
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Flavio Regis Cunha
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SheetMusicPlus
Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Funeral, Graduation, Recital. Score. 6 pages. Published by Fl...
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Composed by Franz Schubert (1797-1828). Arranged by Flavio Regis Cunha. Romantic Period, Funeral, Graduation, Recital. Score. 6 pages. Published by Flavio Regis Cunha
Schwanengesang (Swan Song), D 957, is a collection of 14 songs written by Franz Schubert at the end of his life and published posthumously.Named by its first publisher, Tobias Haslinger, who presumably wished to present it as Schubert's last testament, Schwanengesang differs from the earlier Die schöne Müllerin and Winterreise song-cycles by including settings of more than one poet. Seven texts by Ludwig Rellstab (1799–1860) are followed by six by Heinrich Heine (1797–1856); inclusion of the last song, to words by Johann Gabriel Seidl (1804–1875), may or may not reflect Schubert's wishes. In any case, all 14 songs were composed in 1828 and the collection was published in 1829, a few months after the composer's death.
The song "Ständchen" ("Serenade") the singer exhorts his lover to make him happy.
Here we present an arrangement for piano solo.
$5.99 ≈
5.52€
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violoncello and Piano accompaniment)
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Cello, Piano
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INTERMEDIATE
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Classical
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period,...
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Piano Accompaniment, Cello - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Valentine's Day, St. Patrick's Day, Wedding. Individual Part, Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.52€
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
MÉDITATION - From the Opera Thaïs (for Violin and Piano accompaniment)
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Violin and Piano
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INTERMEDIATE
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Classical
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Jules Massenet
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Flavio Regis Cunha
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MÉDITATION - From the Opera T
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Flavio Regis Cunha
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SheetMusicPlus
Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period...
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Piano Accompaniment, Violin - Intermediate - Digital Download Composed by Jules Massenet (1842-1912). Arranged by Flavio Regis Cunha. Romantic Period, Opera, Wedding, Graduation, Recital. Score, Solo Part. 12 pages. Published by Flavio Regis Cunha
This arrangement was modified in its edition and violin indications. A very clean piano part was written. Very good edition of the entire score.
The Méditation is an instrumental entr'acte performed between the scenes of Act II in the opera Thaïs. In the first scene of Act II, Athanaël, a Cenobite monk, confronts Thaïs, a beautiful and hedonistic courtesan and devotée of Venus, and attempts to persuade her to leave her life of luxury and pleasure and find salvation through God. It is during a time of reflection following the encounter that the Méditation is played by the orchestra. In the second scene of Act II, following the Méditation, Thaïs tells Athanaël that she will follow him to the desert.
The piece is in D major and is approximately five minutes long (although there are a number of interpretations that stretch the piece to over six minutes). Massenet may also have written the piece with religious intentions; the tempo marking is Andante religioso, signifying his intention that it should be played religiously (which could mean either strictly in the tempo or literally with religiously-founded emotion) and at walking tempo, or around 60 BPM. The piece opens with a short introduction, with the solo violin quickly entering with the motif. After the violin plays the melody twice, the piece goes into a section marked animato, gradually becoming more and more passionate (Massenet wrote poco a poco appassionato). The climax is reached at a place marked poco piu appassionato (a little more passion) and is then followed by a short cadenza-like passage from the soloist and returns to the main theme. After the theme is played twice, the soloist joins the piano while playing harmonics on the upper register as the piano quietly play below the solo line.
$5.99 ≈
5.52€
Granados - Romantic and Poetic Scenes
Granados - Romantic and Poetic Scenes
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Guitar
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INTERMEDIATE
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Classical
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Granados - Romantic and Poetic
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
For Guitar (Classical and Fingerpicking). Spanish. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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For Guitar (Classical and Fingerpicking). Spanish. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609744472. Enrique Granados (1867-1916), one of Spain's greatest twentieth-century composers, was a fine pianist and teacher who composed numerous works for the piano, his favorite instrument. His Escenas Poeticas (Poetic Scenes) and Escenas Romanticas (Romantic Scenes) are two suites which show pianistic influences of Grieg, Schumann and Liszt. These two suites are not as well known in America, nor are they as "Spanish sounding" as some of his other works; however, they still reflect the composer's original compositional style and beautiful melodic writing. The Escenas Romanticas contains six pieces from easy to difficult, while the Escenas Poeticas has three pieces mostly easy to medium in difficulty. This is the first transcription and arrangement of these works for guitar. They are written in standard notation only.
$9.99 ≈
9.20€
Tango to Go
Tango to Go
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String Quartet: 2 violins, viola, cello
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Tango
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Geoff Cottrell
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Tango to Go
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Geoffrey Cottrell
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.866320 Composed by Geoff Cottrell. Concert,Jazz,Latin,Standards,Wedding. Score and parts. 39 pag...
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String Quartet String Quartet - Digital Download SKU: A0.866320 Composed by Geoff Cottrell. Concert,Jazz,Latin,Standards,Wedding. Score and parts. 39 pages. Geoffrey Cottrell #6217675. Published by Geoffrey Cottrell (A0.866320). Tango to Go is a rhythmically vibrant, romantically charged and lusciously textured latin tango for string quartet. The vigorous opening fanfare soon dissolves into an impassioned, soaring melody propelled with a momentum that doesn't stop for over six minutes, even during the more reflective middle section. Tango to Go is just as effective when played by the larger forces of a string chamber orchestra. Apart from being suitable for a wide range of events including weddings, dances and receptions, Tango to Go suppliments the repertoire of lighter concert works, including encores. Alternatively, Tango to Go can be played at home, simply for enjoyment. The technical level is intermediate, and is suitable for amateur players. This is a comprehensive revision of an earlier original compositionIncluded is a full score and set of parts. The audio clip is the first part of a live performance.
$11.99 ≈
11.04€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.2 of 6 Andante - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.2 of 6 Andante - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150410 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150410 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750587. Published by RayThompsonMusic (A0.1150410). Arranged wind quintet Horn in Eb (Alt part for hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.2 Andante sostenuto
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.5 of 6 Allegro assai - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.5 of 6 Allegro assai - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149582 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 11 pages. RayThompsonMusic #749729. Published by RayThompsonMusic (A0.1149582). Arranged wind quintet Horn in Bb basso (alt hn in F) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.5 Allegro assai.
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.4 of 6 Andante - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.4 of 6 Andante - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149179 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149179 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749309. Published by RayThompsonMusic (A0.1149179). Arranged wind quintet Horn in D, Clarinet in A Alt. parts for hn in F/clt in Bb The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.4 Andante.
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.3 of 6 Allegretto - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.3 of 6 Allegretto - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1149073 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 10 pages. RayThompsonMusic #749198. Published by RayThompsonMusic (A0.1149073). Arranged wind quintet. Horn in G/Clarinet in A (Alt parts for Hn in F/Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.3 Allegretto.
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.6 of 6 Vivace - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.6 of 6 Vivace - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150248 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750424. Published by RayThompsonMusic (A0.1150248). Arranged wind quintet The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.6 Vivace My mp3 tempo dotted crotchet = 56, which is still vivace enough, and the semi quaver runs are still playable by the woodwind!
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.1 of 6 Allegro - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 No.1 of 6 Allegro - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150413 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1150413 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 9 pages. RayThompsonMusic #750590. Published by RayThompsonMusic (A0.1150413). Wind quintet Hogn in G, Clarinet in A (Alt parts for Hn in F, Clt in Bb) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas pieces’. This is my arrangement of No.1 Allegro
$2.99 ≈
2.75€
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 Complete Nos.1 to 6 - wind quintet
Mendelssohn: Sechs Kinderstücke (6 Christmas Pieces) Op.72 Complete Nos.1 to 6 - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Classical
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Felix Bartholdy Mendelssohn
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Ray Thompson
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Mendelssohn: Sechs Kinderstüc
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150583 Composed by Felix Bartholdy Mendelssohn....
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1150583 Composed by Felix Bartholdy Mendelssohn. Arranged by Ray Thompson. Christmas,Romantic Period. 49 pages. RayThompsonMusic #750761. Published by RayThompsonMusic (A0.1150583). Arranged wind quintet Natural Horn in varying keys: G, F. Eb. D and Bb Basso (Alternate part for hn in F) Clarinet part for Bb/A (Alt part for Bb clt) The six Kinderstücke, Op 72, along with the separate Andante in E flat major and Sostenuto in F major, were written in 1842 for the children of F W Benecke, a London wool merchant who was the uncle of Mendelssohn’s wife, Cécile (née Jeanrenaud). Exhibiting distinctive characteristics of the Lieder ohne Worte (treble song-like melodies and ternary ABA forms, for example), these pieces belong as well to the category of children’s music, in the tradition, say, of Schumann’s Klavieralbum für die Jugend and Bizet’s later Jeux d’enfants, and evince a naive innocence reflective of their intended audience. Of the eight, Mendelssohn ultimately chose six to shape into Op 72, the last work he saw through the press. It appeared in December 1847, one month after his death, and in England with the designation of ‘Christmas Pieces’. This my arrangement of the complete setcheck out my other Christmas arrangements.
$14.95 ≈
13.77€
Dawn
Dawn
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Piano solo
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INTERMEDIATE
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New Age
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Contemporary
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Sydney Stevens
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Dawn
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Sydney Stevens, Water Music
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SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Ste...
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Piano Solo - Level 3 - Digital Download SKU: A0.859686 Composed by Sydney Stevens. 20th Century,Concert,Contemporary,New Age. Score. 10 pages. Sydney Stevens, Water Music #3089231. Published by Sydney Stevens, Water Music (A0.859686). Contact: sydneystevenspianostudio@gmail.comDawn: Beautiful, dreamy instrumental that evokes compassion, comfort and warmth. Arranged for solo piano. Includes chord symbols above the staff. Composed by Sydney Stevens (ASCAP). Sounds like: Paul Cardall, John Fluker, Jennifer Thomas, Jim Brickman, Michele Mclaughlin, Greg Star, Doug Hammer, Steven Cravis, Rachel Currea, Laura Sullivan, A la Windham HillFrom Album: Seasons Theme: Music that portrays the peaceful hour of dawn.Mood: Peaceful, romantic, meditative.Musical Traits: Left hand rhythm is a repeated broken chord pattern throughout the piece. The right hand plays a strong, but simple melody. Contemporary Classical (tonal with strong themes), New Age acoustics, Romantic, Easy listening.Performance Time: 6:42Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusicMore Links: https://sydneystevenswatermusic.com/https://www.linkedin.com/in/sydney-stevens-532a113a/ Review of Seasons CD by Kathy Parsons (mainlypiano.com):Seasons is a beautiful collection of original pieces by pianist/composer Sydney Stevens. Some of the pieces are solo piano and others feature duets with Mitch Iimori on English horn, oboe, and guitar (but not all at the same time!). The two musicians are obviously exceptionally comfortable and in tune with each other, and the results can be stunning. Very classical in scope and structure, the music is reflective of the natural surroundings of Ms Stevens’ home in the Colombia Gorge region of northern Oregon. The first eight of the fourteen tracks make up the Seasons Suite, a group of lyrical compositions inspired by the various times of year in a remote area of eastern Oregon. The other six pieces also have themes of nature and serenity.The Seasons Suite begins with Colors Change, obviously about the transition of summer into fall, but also about the concept of change as we grow. Reflective and subdued, the interplay between Stevens’ piano and Iimori’s oboe is effortless and flowing. Autumn Wind picks up the pace a bit, but continues the easy flow, bringing images of leaves swirling in the ceaseless wind of that area. Signs of Winter is a bit darker and more mysterious. Iimori is a big fan of Paul McCandless, and that musician’s influence is very strongly heard in these first three pieces - a very good thing!In Clouds, Iimori switches from oboe to English horn. This duet with the piano is a dramatic musical depiction of the gathering clouds and anticipation of a coming thunder storm. I really like it a lot! Snow is tranquility set to music. Sparrow’s Song brings us to the beginnings of spring - the freshness in the air, and the joyful songs of birds in the yard. July reflects the laziness of a hot summer day. Season’s Reprise brings together the themes from the various seasons, creating a lovely closing to the Suite. On Summit, Iimori trades his woodwinds for guitar in a gentle, sweeping duet with the piano. Waning Star is a gorgeous piano solo that has a peaceful grace and quiet serenity - a favorite. Reach For the Stars is a piano solo that has an uplifting sense of moving forward and reaching out. Dawn closes the CD with a warm and soothing confection. The piano is accompanied by light percussion, bass, and washes of synth strings. Full of hope and optimism without being sugarcoated, this piece is spellbinding in its gentle way.
$4.95 ≈
4.56€
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
Mendelssohn: Prelude & Fugue in C Minor Op. 37 No. 1 for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Prelude & Fugue i
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1353485 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 36 pages. Jmsgu3 #938223. Published by jmsgu3 (A0.1353485). The Significance of Mendelssohn's Preludes and Fugues, Op. 37, lies in its role in developing the organ repertoire and reflecting Mendelssohn's compositional style. The work, written in 1837, consists of three preludes and fugues for organ. Here are some critical aspects of its significance: Mendelssohn's compositional style: The Preludes and Fugues, Op. 37, showcase Mendelssohn's unique style, characterized by a combination of Romantic expressiveness and Classical form. This style is evident in the structure, harmony, and melodic content.  Influence of J.S. Bach: Mendelssohn's Preludes and Fugues, Op. 37, are heavily influenced by the style of J.S. Bach, a composer Mendelssohn greatly admired. This influence can be seen in the pieces' counterpoint, harmonic language, and formal structure. Pedal technique: In Op. 37, Mendelssohn composed independent pedal parts that reveal a thorough understanding of the role of the pedals in organ music. For the first time, he composed pedal passages that required more than minimal competency, demonstrating his skill in writing for the organ. Expansion of the organ repertoire: Mendelssohn was an accomplished organist and wrote dozens of works for the instrument. The Preludes and Fugues, Op. 37, contribute to expanding the organ repertoire and demonstrate Mendelssohn's mastery of the medium. Historical context: The Preludes and Fugues, Op. 37, were written when Mendelssohn was also working on his Six Sonatas, Op. 65. This period of productivity and exploration of the organ medium further highlights the significance of Op. 37 in Mendelssohn's compositional output. In summary, Mendelssohn's Preludes and Fugues, Op. 37, are significant to music history due to their reflection of Mendelssohn's compositional style, influence by J.S. Bach, innovative pedal technique, contribution to the organ repertoire, and historical context within Mendelssohn's compositional output.
$32.95 ≈
30.34€
Hommages and Prelude No. 1
Hommages and Prelude No. 1
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Piano solo
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ADVANCED
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Classical
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David Fraser
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Hommages and Prelude No. 1
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David Fraser
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99 ≈
27.62€
Grieg: Notturno Op. 54 No. 4 for Flute & Piano
Grieg: Notturno Op. 54 No. 4 for Flute & Piano
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Flute and Piano
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EASY
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Classical
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Edvard Grieg
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James M
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Grieg: Notturno Op. 54 No. 4 f
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jmsgu3
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SheetMusicPlus
Flute,Piano - Level 2 - Digital Download SKU: A0.550023 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Perio...
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Flute,Piano - Level 2 - Digital Download SKU: A0.550023 Composed by Edvard Grieg. Arranged by James M. Guthrie. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 14 pages. Jmsgu3 #4580279. Published by jmsgu3 (A0.550023). Edvard Grieg's Notturno Op. 54, No. 4 is a piano piece from his Lyric Pieces, a collection of short piano pieces. The significance of this piece lies in its tranquil and evocative nature. It is described as a calming and almost surreal composition, blending elements of both sadness and happiness. Grieg's Notturno is part of the Lyric Suite, orchestrating four of the six piano pieces from Book V of his Lyric Pieces, Op. 54. Grieg conducted the Lyric Suite several times in the last years of his life, and it has been recorded and performed by other conductors. The piece is known for its serene and reflective character, making it a notable contribution to Grieg's work.
$32.95 ≈
30.34€
Borodin Medley for Strings-Notturno and Helena Polka
Borodin Medley for Strings-Notturno and Helena Polka
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String Orchestra
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INTERMEDIATE/ADVANCED
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Alexander Borodin
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Bud Caputo
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Borodin Medley for Strings-Not
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Bud Caputo
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.826721 Composed by Alexander Borodin. Arranged by Bud Caputo. Romantic Period,Standards,World. Scor...
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String Orchestra - Level 4 - Digital Download SKU: A0.826721 Composed by Alexander Borodin. Arranged by Bud Caputo. Romantic Period,Standards,World. Score and parts. 44 pages. Bud Caputo #6115617. Published by Bud Caputo (A0.826721). These two Borodin selections are offered at a six dollar discount when purchased together. SMP also lists these titles separately.See See https://www.youtube.com/watch?v=TIzngka22r4&t=17s The link below has some errors so use this one. Notturno, is the most famous movement of Borodin’s 1881, String Quartet No. 2 in D major. The solo cello part in the original is distributed to other voices to maintain student interest. Bowings have been carefully edited by Dr. Priscilla Howard creating a beautiful and lyrical selection. Originally for two pianos, the Borodin Helena Polka is a jovial piece with typical changes of pace to reflect the dance form. As the polka is only two and one-half minutes in length, it will serve nicely as a second movement to the Notturno. All bowings are included and a Violin3/substitute for Viola part is included to bolster the Viola section.
$30.00 ≈
27.62€
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Six Reflections Romantic
