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Sketch for Violin and Piano Piano
Sheetmusic to print
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Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pa...
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Piano,Violin - Level 4 - Digital Download SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
11.61€
Sketch for Violin and Piano/ Piano & Violin Part, Op. 2
Sketch for Violin and Piano/ Piano & Violin Part, Op. 2
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Violin and Piano
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Contemporary
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Stanley King Stinchcombe
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Sketch for Violin and Piano/ P
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Stanley K Stinchcombe
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SheetMusicPlus
Piano,Violin - Digital Download SKU: A0.992894 Composed by Stanley King Stinchcombe. 20th Century,Concert,Contemporary. 7 pages. Stanley K Stinchcombe #3...
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Piano,Violin - Digital Download SKU: A0.992894 Composed by Stanley King Stinchcombe. 20th Century,Concert,Contemporary. 7 pages. Stanley K Stinchcombe #3579337. Published by Stanley K Stinchcombe (A0.992894). A lively, tricky piece for Violin and Piano.
$1.99 ≈
1.78€
"Dance Sketches" for violin and piano
"Dance Sketches" for violin and piano
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Violin and Piano
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ADVANCED
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Panagiotis Theodossiou
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"Dance Sketches" for violin an
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Panagiotis Theodossiou
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.886695 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 46 pages. Panagiotis Theodos...
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Piano,Violin - Level 5 - Digital Download SKU: A0.886695 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 46 pages. Panagiotis Theodossiou #3575041. Published by Panagiotis Theodossiou (A0.886695). Dance Sketches, for violin and piano (2003). Four dance like concertante pieces, each of them a portrait of a composer and a study of his style. A Tango or a Milonga for Nikos Skalkotas, a Waltz for Alban Berg, a Pas de deux for Paul Hintemith, and a Sarabande and Capriccio for G.F.Haendel και Igor Stravinsky respectively. The work performed by Spyros Travlos and Panagiotis Archontidis at Athenaeum Concert Hall, Athens, in the same year.
$15.00 ≈
13.45€
Winter Sketches for Violin and Piano
Winter Sketches for Violin and Piano
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Violin and Piano
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ADVANCED
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Contemporary
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Sy Brandon
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Winter Sketches for Violin and
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Sy Brandon
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.754903 Composed by Sy Brandon. 20th Century,Contemporary. 18 pages. Sy Brandon #3214163. Published by S...
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Piano,Violin - Level 5 - Digital Download SKU: A0.754903 Composed by Sy Brandon. 20th Century,Contemporary. 18 pages. Sy Brandon #3214163. Published by Sy Brandon (A0.754903). This three movement work opens with a Caprice with playful imitative figures in both parts. A lyrical Ode in 6/8 presents a reflective second movement. A rhythmic Toccata with frequent meter changes brings the work to an exciting close.
$9.99 ≈
8.96€
Philosophical Sketches for Violin and Piano
Philosophical Sketches for Violin and Piano
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Violin and Piano
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ADVANCED
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Stephen Weber
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Philosophical Sketches for Vio
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Dr. Stephen Weber
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.940360 Composed by Stephen Weber. Contemporary,Instructional,Standards. 28 pages. Dr. Stephen Weber #30...
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Piano,Violin - Level 5 - Digital Download SKU: A0.940360 Composed by Stephen Weber. Contemporary,Instructional,Standards. 28 pages. Dr. Stephen Weber #3089541. Published by Dr. Stephen Weber (A0.940360). Philosophical Sketches for Violin and Piano is comprised of five movements: 1) Hegel: The Dialectic, 2) Descartes: Cogito ergo sum, 3) Hobbes: State of Nature, 4) Nietzsche: The Pathos of In Vain, and 5) Locke: Tabula rasa. Each piece attempts to musically capture the aesthetic of the philosophical idea of the the philosophers. The suite of pieces is ideal for concert performance for advanced players, and is roughly 14 minutes in length. Composer Dr. Stephen Weber is a member of ASCAP and has his own YouTube channel at which you can hear performances of his works in the U.S., in Europe, and in Asia.
$9.99 ≈
8.96€
To A Wild Rose arranged for Violin and Piano
To A Wild Rose - Violin and Piano
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Violin and Piano
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EASY
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Classical
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Edward MacDowell
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Andrew Middleton
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To A Wild Rose - Violin and Pi
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Andrew Middleton
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.736213 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. 5 pages. Andrew Mid...
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Piano,Violin - Level 2 - Digital Download SKU: A0.736213 Composed by Edward MacDowell. Arranged by Andrew Middleton. Romantic Period. 5 pages. Andrew Middleton #6667297. Published by Andrew Middleton (A0.736213). To a Wild Rose is the first movement of Edward MacDowell's 1896 Woodland Sketches. It is said that the music is inspired by the wild roses that grew near his log cabin where he did most of his work. This arrangement for violin and piano is ideal for the intermediate performer.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$3.99 ≈
3.58€
Forest of the Birdsong
Forest of the Birdsong
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Violin and Piano
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ADVANCED
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John Michael Pekowski
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Forest of the Birdsong
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John Michael Pekowski
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.1317789 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 48 pages. John Michael Pekow...
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Piano,Violin - Level 5 - Digital Download SKU: A0.1317789 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. 48 pages. John Michael Pekowski #906476. Published by John Michael Pekowski (A0.1317789). Forest of the Birdsong is based upon the Symphonic Suite Sketches (2020), and is intended to pay tribute to the wisdom of the Native American people. The harmonic background was sketched from January 30-31, 2020, and the middle ground was sketched from June 6-19, 2020. Orchestration for violin and piano commenced from May 6-22, 2021.
$47.00 ≈
42.13€
Forest of the Birdsong for Soprano Sax
Forest of the Birdsong for Soprano Sax
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Soprano Saxophone and Piano
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ADVANCED
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John Michael Pekowski
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Forest of the Birdsong for Sop
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John Michael Pekowski
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SheetMusicPlus
Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 3...
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Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1317790 Composed by John Michael Pekowski. 21st Century,Chamber,Classical. Score and part. 33 pages. John Michael Pekowski #906477. Published by John Michael Pekowski (A0.1317790). Forest of the Birdsong is based upon the Symphonic Suite Sketches (2020), and is intended to pay tribute to the wisdom of the Native American people. The harmonic background was sketched from January 30-31, 2020, and the middle ground was sketched from June 6-19, 2020. Orchestration for violin and piano commenced from May 6-22, 2021. Arrangement for soprano saxophone and piano commenced from August 15-17, 2021.The world premiere of Forest of the Birdsong took place on November 14, 2021, at the Crickets Theater of Buddy Holly Hall in Lubbock Texas with David Dees on soprano sax and Nataliya Sukhina on piano.
$47.00 ≈
42.13€
Claude Debussy: Poème for violin and orchestra, piano reduction
Claude Debussy: Poème for violin and orchestra, piano reduction
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Violin and Piano
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ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Poème for vio
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.534579 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. 46 pages. Musik Fabrik Music ...
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Piano,Violin - Level 5 - Digital Download SKU: A0.534579 Composed by Claude Debussy/Robert Orledge. 20th Century,Standards. 46 pages. Musik Fabrik Music Publishing #4347287. Published by Musik Fabrik Music Publishing (A0.534579). This is the work that Debussy intended to write for the American violinist Arthur Hartmann for a projected tour of the US that never happened. Dr. Robert Orledge found five sketches that Debussy wrote between 1910 and 1914 and was able to complete this work using those sketches. This version is the piano reduction for violin and piano. The full score and solo part are available for sale as a seperate item. The parts are on rental from the publisher. Hear this work on Soundcloud: https://soundcloud.com/dylan-lindo/poeme-for-violin-and-orchestraPremiere (original form): Friday 5 February 2010 by Edmond Agopian (vln) with the Calgary University and Calgary Youth Orchestra, conducted by Daniel Bartholomew. Rosza Theatre, University of Calgary, Canada.
$25.95 ≈
23.26€
Nimrod (for Violin Solo and Piano)
Nimrod (for Violin Solo and Piano)
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Violin and Piano
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INTERMEDIATE
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Classical
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Edward Elgar
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Flavio Regis Cunha
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Nimrod
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Flavio Regis Cunha
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SheetMusicPlus
Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, W...
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Piano Solo, Violin - Intermediate - Digital Download Composed by Edward Elgar (1857-1934). Arranged by Flavio Regis Cunha. Romantic Period, Easter, Wedding, Funeral, Recital. Score, Solo Part. 8 pages. Published by Flavio Regis Cunha
Edward Elgar composed his Variations on an Original Theme, Op. 36, popularly known as the Enigma Variations, between October 1898 and February 1899. It is an orchestral work comprising fourteen variations on an original theme.
Elgar dedicated the work "to my friends pictured within", each variation being a musical sketch of one of his circle of close acquaintances (see musical cryptogram). Those portrayed include Elgar's wife Alice, his friend and publisher Augustus J. Jaeger and Elgar himself.
In naming his theme "Enigma" Elgar posed a challenge which has generated much speculation but has never been conclusively answered. The Enigma is widely believed to involve a hidden melody.
The name of the variation IX (NIMROD) refers to Augustus J. Jaeger, who was employed as music editor by the London publisher Novello & Co. He was a close friend of Elgar's, giving him useful advice but also severe criticism, something Elgar greatly appreciated. Elgar later related how Jaeger had encouraged him as an artist and had stimulated him to continue composing despite setbacks. Nimrod is described in the Old Testament as "a mighty hunter before the Lord", Jäger being German for hunter.
In 1904 Elgar told Dora Penny ("Dorabella") that this variation is not really a portrait, but "the story of something that happened". Once, when Elgar had been very depressed and was about to give it all up and write no more music, Jaeger had visited him and encouraged him to continue composing. He referred to Ludwig van Beethoven, who had a lot of worries, but wrote more and more beautiful music. "And that is what you must do", Jaeger said, and he sang the theme of the second movement of Beethoven's Piano Sonata No. 8 Pathétique. Elgar disclosed to Dora that the opening bars of "Nimrod" were made to suggest that theme. "Can't you hear it at the beginning? Only a hint, not a quotation."
This variation has become popular in its own right and is sometimes used at British funerals, memorial services, and other solemn occasions. It is always played at the Cenotaph, Whitehall in London at the National Service of Remembrance. A version was also played during the Hong Kong handover ceremony in 1997 and at the opening ceremony of the London 2012 Olympic Games. The “Nimrod” variation was the final orchestral composition (before the national anthem) played by the Greek National Orchestra in a televised June 2013 concert, before the 75-year-old Athenian ensemble was dissolved in the wake of severe government cutbacks.
An adaptation of the piece appears at the ending of the 2017 film Dunkirk as part of the score
$5.99 ≈
5.37€
Jacques Leguerney: Trio for violin, violoncello and piano
Jacques Leguerney: Trio for violin, violoncello and piano
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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Jacques Leguerney
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Jacques Leguerney: Trio for vi
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score an...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.533315 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 48 pages. Musik Fabrik Music Publishing #2343071. Published by Musik Fabrik Music Publishing (A0.533315). French composer Jacques Leguerney (1906-1997) has been recognized for hisoutstanding oeuvre of songs for voice and piano, mostly composed upon poems of theFrench poets of the Pleiade. After his death, the Leguerney Estate decided to allow thepublication of his instrumental chamber music. These works, many of which werewritten in his early years, are valuable contributions to the French chamber musicrepertoire, representing the 20th century from its early years through World War II.This Trio was composed in 1928, but not performed until December 3, 1932. Therespected French musicians Hortense de Sampigny (violinist) and Jacques Serres(cellist) gave its first and, as far as we know, only performance along withLeguerney’s friend and mentor, Thérèse Cahen, at the piano. The concert includingthis work was organized by the Société Musicale Indépendante at the concert hall ofthe Ecole Normale de Musique in Paris. A review, in the Journal des débâts, reads:“We do not know this composer. Judging from his composition, whose variegatedstyle reminds us of [Cesar] Franck, of Maurice Ravel and of Spanish dances, he mustbe quite young.â€The same month as this performance, Leguerney’s father, Marcel Leguerney, died. Atthis point, he interrupted his musical activity in order to take over his father’s businessto support his mother and sister. He was not able to resume musical composition until1940, when the outbreak of the war led him to close the business.This edition is based upon two autograph manuscript sources of the full score, as wellas copyist’s parts for the violin and ‘cello. His first completed sketch as well as hisfinal copy are in the Leguerney archives. The parts, made by a copyist, were obviouslyused for a performance, and contain suggested phrasing, as well as bowings (whichwe have not reproduced). We surmise that the violin and ’cello parts were used for thefirst performance. We also think that Thérèse Cahen must have kept her piano score,as the copyist's score of it was not found with the other parts.We have added rehearsal numbers, and corrected a few notational mistakes in themanuscript.We would like to thank Jean Libermann, cellist, and Marion Larigaudrie, violinist,for their advice in the preparation of this edition.
$25.95 ≈
23.26€
Sketch for Violin and Piano/ violin part, Op. 2
Sketch for Violin and Piano/ violin part, Op. 2
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Violin
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ADVANCED
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Contemporary
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Stanley King Stinchcombe
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Sketch for Violin and Piano/ v
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Stanley K Stinchcombe
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.992896 Composed by Stanley King Stinchcombe. 20th Century,Concert,Contemporary. 2 pages. Stanley K Stinc...
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Violin Solo - Level 5 - Digital Download SKU: A0.992896 Composed by Stanley King Stinchcombe. 20th Century,Concert,Contemporary. 2 pages. Stanley K Stinchcombe #3579345. Published by Stanley K Stinchcombe (A0.992896). A lively, tricky piece for violin and piano.
$1.99 ≈
1.78€
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
Scriabin: Prelude Op. 11 No. 2 for Violin & Piano
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Violin and Piano
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Roman...
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Piano,Violin - Level 3 - Digital Download SKU: A0.549461 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. 12 pages. Jmsgu3 #3499709. Published by jmsgu3 (A0.549461). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95 ≈
17.88€
Nocturne for violin and orchestra
Nocturne for violin and orchestra
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Orchestra, Violin
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Classical
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Nocturne for violin and orches
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Schott Music - Digital
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SheetMusicPlus
Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Clau...
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).
We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.
My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99 ≈
17.92€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.19€
An Elegy for Hopes and Dreams
An Elegy for Hopes and Dreams
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Piano Trio: piano, violin, cello
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INTERMEDIATE/ADVANCED
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William Heath
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An Elegy for Hopes and Dreams
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William Heath
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. ...
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Piano Trio Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.1142148 Composed by William Heath. Classical,Contemporary,Film/TV,Thriller. 19 pages. William Heath #742526. Published by William Heath (A0.1142148). A Piano Trio, written for the Leeds University Union Music Society Winter Concert Series. Performed by the Hughes Trio featuring Christopher Hughes (Piano), Amy Howe (Violin), and Nikki Kemp (Cello) Programme Notes: This is a rather melodramatic piece that follows the Five Stages of Grief. I first sketched the piece for string quartet after an absolutely horrific interview at the Royal Northern College of Music. Feeling disheartened and dejected, I got home and messily scribbled on some manuscript paper An Elegy for Hopes and Dreams, and started writing this extremely over-dramatic and self-indulgent piece. I had abandoned this piece for an entire year before reviving it and writing the whole piece in just over a week and a half, now reimagined for Piano Trio. The piece starts with an atonal representation of grief before quickly moving into an upbeat Denial section which features a sort of fragile and manic sense of repression as a theme that initially sounds upbeat quickly unravels with whole-tone scales and chromatic movement. A representation of Anger is then seen with the whole trio playing the same melody with a jarring Bb in the harmony. The denial and anger sections repeat and regress before abruptly moving to a Bargaining section in which the original theme, ominously played in the lower piano and cello registers, is juxtaposed with a conjunct, major variation of the same theme in the violin. The Depression section takes the form of a cello solo as I find it to be one of the most emotive and expressive instruments and I take inspiration from Elgar's Cello Concerto, which I angstily listened to on the flight home from my aforementioned interview. A lilting and lamenting cello solo is contrasted with an atonal, aimless piano accompaniment which reflects the topic of depression. The bargaining theme reprises slightly with both strings performing the major variation before leading to the final climax. The Acceptance section sees the principal theme finally fully resolved in a major mode and with diatonic harmony. This is an expressive section as the whole trio plays the same melody with very simple yet emotive harmonic accompaniment underneath. Here the depression theme pairs with the principal theme coming to a final resolution. For individual parts for performance please contact owhcomposer@gmail.com.
$27.99 ≈
25.09€
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
Chopin - Waltz in E minor op. posth. arr. for Piano and Violin, B.56 KK IVa/15
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Violin and Piano
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INTERMEDIATE/ADVANCED
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Classical
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Frederic Chopin
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Nicole Elyse DiPaolo
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Chopin - Waltz in E minor op.
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole ...
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Piano,Violin - Level 4 - Digital Download SKU: A0.799603 Composed by Frederic Chopin. Arranged by Nicole Elyse DiPaolo. Romantic Period. 7 pages. Nicole Elyse DiPaolo #3123257. Published by Nicole Elyse DiPaolo (A0.799603). This is my own arrangement of one of my favorite Chopin waltzes for the piano. As the Duo del Mare, violinist Amy Schlicher and I performed this arrangement aboard the ms Zaandam cruise liner, where it proved very popular. Because Amy and I did not have extra time or venues in which to rehearse, I intentionally made this arrangement very accessible (so that we could play it well without rehearsal or an intermediate-level duo could master it with some practice). This waltz would make a great encore or showpiece on your next program.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$5.95 ≈
5.33€
Hungarian Sketch
Hungarian Sketch
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Violin and Piano
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EASY
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Geza Horvath
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Nick Lacanski
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Hungarian Sketch
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theupperstaff
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SheetMusicPlus
Piano,Violin - Level 2 - Digital Download SKU: A0.647718 Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Stand...
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Piano,Violin - Level 2 - Digital Download SKU: A0.647718 Composed by Geza Horvath. Arranged by Nick Lacanski. Concert,Instructional,Romantic Period,Standards. 6 pages. Theupperstaff #2860021. Published by theupperstaff (A0.647718). This composition is in ABA form. The B section is slower, lyrical and in the parallel minor. Take a look at this one for the upcoming recital.
$4.99 ≈
4.47€
Objets Trouvés for flute and piano
Objets Trouvés for flute and piano
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Flute and Piano
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ADVANCED
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Contemporary
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William Grosvenor Neil
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Objets Trouvés for flute and
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and p...
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Instrumental Duet Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.980586 Composed by William Grosvenor Neil. Contemporary. Score and parts. 18 pages. TheComposerStudio.Com, LLC #4579299. Published by TheComposerStudio.Com, LLC (A0.980586). Objets Trouvés (2019) (score and parts) This piece for flute and piano is dedicated to the silenced artists that perished during WWII and is inspired by two fragments that I found in the in the United States Holocaust Museum in Washington, D.C.: an ink drawing entitled A Brighter Future, by Bedrich Fritta, and a musical sketch of a twelve-tone row composed by the Moravian composer, Gideon Klein. I was captivated by the ink drawing with its clear expression of freedom and the still life that depicts a violin and musical manuscript containing a music motive in Ab major. The construction of my composition is largely derived from the dual tonal-atonal nature of the two motives as it drives forward in thematic variations expressing the conflicting emotions of hope and despair. WN The download contains the score and flute part. More information on this piece can be found at www.thecomposerstudio.com and www.williamneil.net The audio is from a concert performed at Viterbo University in La Crosse, WI performed by Jonathan Borja, flute and Mary Ellen Haupert, piano .
$30.00 ≈
26.89€
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
Rachmaninoff - Etude-Tableau in G minor op. 33 no. 7 arr. for Piano and Violin
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Violin and Piano
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ADVANCED
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Sergei Rachmaninoff
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Nicole Elyse DiPaolo
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Rachmaninoff - Etude-Tableau i
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period....
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Piano,Violin - Level 5 - Digital Download SKU: A0.799602 Composed by Sergei Rachmaninoff. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #3125333. Published by Nicole Elyse DiPaolo (A0.799602). This is my own arrangement of one of my favorite Rachmaninoff pieces, his Etude-Tableau in G minor from the op. 33 set (labeled no. 5 or no. 7 in the set, depending on whom you ask), written in 1911. Suitable for early advanced players, this arrangement is a great addition to your next recital program. The violin part contains numerous parallel sixths, making this a fruitful study in double-stopped 6ths for the high-school or college-age violinist. In addition, the piano accompaniment might also work well on the harp.Both the score and the violin part are included with your purchase. About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 and 2017 National Society of Arts and Letters Vocal Competitions (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$6.95 ≈
6.23€
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Sketch for Violin and Piano Piano 
