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Solo for double bass Renaissance
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You've selected:
Solo for double bass Renaissance
Sheetmusic to print
76 sheet music found
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76
Bass String Sampler Sheet Music
Bass String Sampler
#
Double Bass
#
Contemporary
#
Robin Kay Deverich
#
Bass String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music Scho...
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Double Bass,String Bass Solo - Digital Download SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
¥35.65
"Green Sleeves" - Beautiful easy version for DOUBLE BASS SOLO.
"Green Sleeves" - Beautiful easy version for DOUBLE BASS SOLO.
#
Double Bass
#
BEGINNER
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful ea
#
Iury Cardoso
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1405021 Composed by English Folk Song. Arranged by Iury Cardoso. Classical,Medieval,Ren...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1405021 Composed by English Folk Song. Arranged by Iury Cardoso. Classical,Medieval,Renaissance,Traditional. Individual part. 2 pages. Iury Cardoso #988057. Published by Iury Cardoso (A0.1405021). Easy DOUBLE BASS SOLO arrangement of the piece: Green Sleeves (English folk song)This is an easy double bass solo arrangement of the traditional english folk song “Green Sleeves†and is great for beginning students who want to improve their technique, and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Solo version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double basseasy green sleeves sheet musicgreensleeves for double bassgreen sleeves double bass sheet musicgreen sleeves beautiful string bassbeautiful double bass green sleevesgreen sleeves beautiful arrangement for double bassgreen sleeves easy double basseasy string bass for beginnersbeautiful double bass sheet musiceasy double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bassgreen sleaves arrangement for easy double bassclassic sheet music for double bass duet.
$2.99 ≈
¥21.36
"Green Sleeves" - Beautiful easy version for DOUBLE BASS SOLO.
"Green Sleeves" - Beautiful easy version for DOUBLE BASS SOLO.
#
Double Bass
#
BEGINNER
#
Classical
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful ea
#
Iury Cardoso
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1405020 Composed by English Folk Song. Arranged by Iury Cardoso. Classical,Medieval,Ren...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1405020 Composed by English Folk Song. Arranged by Iury Cardoso. Classical,Medieval,Renaissance,Traditional. Individual part. 2 pages. Iury Cardoso #988056. Published by Iury Cardoso (A0.1405020). Easy DOUBLE BASS SOLO arrangement of the piece: Green Sleeves (English folk song)This is an easy double bass solo arrangement of the traditional english folk song â??Green Sleevesâ? and is great for beginning students who want to improve their technique, and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- Solo version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double basseasy green sleeves sheet musicgreensleeves for double bassgreen sleeves double bass sheet musicgreen sleeves beautiful string bassbeautiful double bass green sleevesgreen sleeves beautiful arrangement for double bassgreen sleeves easy double basseasy string bass for beginnersbeautiful double bass sheet musiceasy double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bassgreen sleaves arrangement for easy double bassclassic sheet music for double bass duet.
$2.99 ≈
¥21.36
THE DEEP for solo DOUBLE BASS
THE DEEP for solo DOUBLE BASS
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Double Bass
#
Contemporary
#
Alan Edgar
#
THE DEEP for solo DOUBLE BASS
#
Alan Edgar Ted Moon
#
SheetMusicPlus
Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932...
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Double Bass,String Bass Solo - Digital Download SKU: A0.1347908 Composed by Alan Edgar. 21st Century. Individual part. 10 pages. Alan Edgar Ted Moon #932722. Published by Alan Edgar Ted Moon (A0.1347908). Jacques Cousteau, Father of the Aqualung, wrote: The sea, once it casts its spell, holds one in its net of wonder for ever.This piece, for virtuoso double bass, imagines a scuba-diver encountering large animals, and consists of a suite of short depictions of animals in the form of variations on a melody plus a recurrent new melody representing the diver's smooth movements and bubbles. The variations are: Lobster Jazz Waltz, Sea-anemone Belly-dance, Tuna Tune, Luminous Light Show, Dolphin Fling, Jaws Serial and Blues Whale Pavane.The piece lasts about eight minutes with repeats.TECHNICAL NOTE The C harmonics will be a pip flat--they are only bursting bubbles anyway!Scuba Fins tries to feel the quiet calmness and agelessness of the underwater world, using the ancient and universal major pentatonic scale C,D,E, G,A ,C. The rhythm is mostly steady and simple, but triplets indicate the occasional extra effort. Now and again, he glances down at the infinite depths. Tintinnabulation and soft staccatissimo arpeggios represent the bubbles. Lobster Waltz is a jazz waltz with many staccato notes and leaps representing the many appendages and the tangle of lively giant crustaceans.Sea-anemone Belly-Dance pictures the soft body and tentacles swaying under the waves, using the Arabic scale Shad 'Araban, roughly G,Ab, B,C,D,Eb,F#,G and influenced by a dance to the folk tune known as Bint El-Salabiya.Tuna Tune is a quick moto perpetuo in the cheerful major mode, septuple time, the rapid rise and fall of the phrases and of volume reflecting the powerful shoal's unpredictable, ceaseless movements, approaching and retreating.Dolphin Fling is a stathspey, or highland fling, using the major mode and typical dance rhythms including the Scotch snap to depict the weighty but intelligent dolphins enjoying their leisure time and perhaps dancing with the diver.Jaws Serial reminds us of the fear a shark generates, using the dissonant 12-note serial mode and unpredictable leaps and pauses. The opening slow trill will chill you as it invokes the Jaws film theme by John Williams. You might even hear the diver's heart sink and the snap pizzicato of the teeth snapping. The prime row is the nearest possible to the original theme: Bb, Ab, F, Eb, B, C, E, G, Db, D, Gb.A, but I have followed the contours of the main themes. Blues Whale is a pavane, a slow, stately processional incorporating the typical renaissance drum rhythm. and using a blues scale, G, A, Bb, C, C#, D, F, G, and an implied 12-bar minor blues harmony.
$20.00 ≈
¥142.89
"Green Sleeves" - Beautiful easy version for DOUBLE BASS DUET
"Green Sleeves" - Beautiful easy version for DOUBLE BASS DUET
#
2 Double basses (duet)
#
BEGINNER
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful ea
#
Iury Cardoso
#
SheetMusicPlus
Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397596 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Med...
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Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397596 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. 6 pages. Iury Cardoso #980901. Published by Iury Cardoso (A0.1397596). Easy DOUBLE BASS DUET arrangement of the piece: Green Sleeves (English folk song)(Score and parts: 6 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS DUET, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher.- Duet version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass dueteasy green sleeves sheet musicgreensleeves for double bass duetgreen sleeves double bass duet sheet musicgreen sleeves beautiful double bass duetbeautiful double bass duet green sleevesgreen sleeves beautiful arrangement for double bass duetgreen sleeves easy double bass dueteasy double bass chamber musiceasy double bass duet for beginnersbeautiful double bass duet sheet musiceasy double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for double bass duetgreen sleaves arrangement for easy double bass duetclassic sheet music for double bass duetMedieval double bass duetRenaissance double bass dueteasy chamber music double bass duet.
$3.99 ≈
¥28.51
"Green Sleeves" - Beautiful easy version for DOUBLE BASS DUET
"Green Sleeves" - Beautiful easy version for DOUBLE BASS DUET
#
2 Double basses (duet)
#
BEGINNER
#
English Folk Song
#
Iury Cardoso
#
"Green Sleeves" - Beautiful ea
#
Iury Cardoso
#
SheetMusicPlus
Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397598 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Med...
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Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397598 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. 6 pages. Iury Cardoso #980906. Published by Iury Cardoso (A0.1397598). Easy DOUBLE BASS DUET arrangement of the piece: Green Sleeves (English folk song)(Score and parts: 6 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS DUET, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher.- Duet version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass dueteasy green sleeves sheet musicgreensleeves for double bass duetgreen sleeves double bass duet sheet musicgreen sleeves beautiful double bass duetbeautiful double bass duet green sleevesgreen sleeves beautiful arrangement for double bass duetgreen sleeves easy double bass dueteasy double bass chamber musiceasy double bass duet for beginnersbeautiful double bass duet sheet musiceasy double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for double bass duetgreen sleaves arrangement for easy double bass duetclassic sheet music for double bass duetMedieval double bass duetRenaissance double bass dueteasy chamber music double bass duet.
$3.99 ≈
¥28.51
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
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Double bass, Piano (duet)
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BEGINNER
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English Folk Song
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Iury Cardoso
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"Green Sleeves" - Beautiful ea
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Iury Cardoso
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405002 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Med...
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405002 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988038. Published by Iury Cardoso (A0.1405002). Easy DOUBLE BASS/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and double bass part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass and pianoeasy green sleeves sheet musicgreensleeves for double bass and pianogreen sleeves string bass and piano sheet musicgreen sleeves beautiful double bass with pianobeautiful double bass and piano green sleevesgreen sleeves beautiful arrangement for double bass and pianogreen sleeves easy double bass pianoeasy double bass chamber musiceasy string bass and piano for beginnersbeautiful double bass with piano sheet musiceasy double basseasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bass and pianogreen sleaves arrangement for easy double bass pianoclassic sheet music for string bass piano.
$3.99 ≈
¥28.51
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
"Green Sleeves" - Beautiful easy version for DOUBLE BASS and PIANO
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Double bass, Piano (duet)
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BEGINNER
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English Folk Song
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Iury Cardoso
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"Green Sleeves" - Beautiful ea
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Iury Cardoso
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405004 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Med...
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Double Bass,Piano,String Bass - Level 1 - Digital Download SKU: A0.1405004 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. Score and part. 5 pages. Iury Cardoso #988040. Published by Iury Cardoso (A0.1405004). Easy DOUBLE BASS/PIANO arrangement of the piece: Green Sleeves (English folk song)(Score and double bass part: 5 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for DOUBLE BASS and PIANO, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- This arrangement is also a version for teacher/student: the student can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard).- Duet version available: On this site there is also a version of this arrangement for several STRING DUETS (with or without piano accompaniment).- Solo version available: On this site, there is also a version of this arrangement for DOUBLE BASS solo.See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for double bass and pianoeasy green sleeves sheet musicgreensleeves for double bass and pianogreen sleeves string bass and piano sheet musicgreen sleeves beautiful double bass with pianobeautiful double bass and piano green sleevesgreen sleeves beautiful arrangement for double bass and pianogreen sleeves easy double bass pianoeasy double bass chamber musiceasy string bass and piano for beginnersbeautiful double bass with piano sheet musiceasy double basseasy pianoteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for string bass and pianogreen sleaves arrangement for easy double bass pianoclassic sheet music for string bass piano.
$3.99 ≈
¥28.51
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCA...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95 ≈
¥342.59
Double reed Quintet - Quem Pastores Laudavere
Double reed Quintet - Quem Pastores Laudavere
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Traditional
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Mike Lyons
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Double reed Quintet - Quem Pas
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.767515 Composed by Traditional. Arranged by Mike Lyons. Children,Christmas,Renais...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.767515 Composed by Traditional. Arranged by Mike Lyons. Children,Christmas,Renaissance. 11 pages. Lyons Music Services #4894443. Published by Lyons Music Services (A0.767515). A simple setting of this pretty carol for double reed quintet. Each verse the pitch goes up by a tone until the final verse which returns to the original key. Everybody except the Contrabassoon has a go at the melody and each verse is harmonised in a different syle. Verse 1 is a solo for Oboe, Verse 2 is a duet for oboe and Bassoon 3. Verse 3 adds the 1st Bassoon and Contra, Verse 4 is the first verse with all instruments playing. Verse 5 is a trio for Bassoons 2, 3 and contra. Verse 6 uses all instruments for the finale.This is a very simple arrangement and should be playable by any standard of ensemble.
$10.99 ≈
¥78.52
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥342.59
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Ear...
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Bass Trombone,Trumpet - Level 3 - Digital Download SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥342.59
Greensleeves - Strin bass (with chords)
Greensleeves - Strin bass (with chords)
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Double Bass
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BEGINNER
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Anonymus
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Alex Nunes Rodrigues
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Greensleeves - Strin bass
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Alex Rodrigues
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1476840 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1476840 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054353. Published by Alex Rodrigues (A0.1476840). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99 ≈
¥14.22
Greensleeves - Strin bass
Greensleeves - Strin bass
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Double Bass
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BEGINNER
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Anonymus
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Alex Nunes Rodrigues
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Greensleeves - Strin bass
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Alex Rodrigues
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SheetMusicPlus
Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1476842 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval...
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Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.1476842 Composed by Anonymus. Arranged by Alex Nunes Rodrigues. Classical,Folk,Medieval. Individual part. 2 pages. Alex Rodrigues #1054355. Published by Alex Rodrigues (A0.1476842). Greensleeves is a traditional English folk song whose melody dates back to the late 16th and early 17th centuries. Despite its initial popularity and influences being unknown, the piece remains a musical treasure, reflecting the rich cultural heritage of the Renaissance era.This version of Greensleeves has been adapted for solo instrument and piano, staying true to the original melody. The arrangement is ideal for beginner to intermediate musicians, providing an authentic and accessible interpretation of this classic piece.The composition is characterized by an Andante tempo, offering a moderate and graceful rhythm. In 6/8 time, the piece has a fluid and dance-like feel, typical of folk songs from that period.The essence of Greensleeves lies in its ability to evoke feelings of nostalgia and serenity. The gentle and engaging melody creates a contemplative atmosphere, allowing musicians and listeners to connect deeply with the music.
$1.99 ≈
¥14.22
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - Digital Download SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
¥342.59
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
Gabrieli: Canzon per Sonar Ch. 179 for Double Brass Choir à 12
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP....
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Brass Ensemble Bass Trombone,Cornet,Horn - Level 3 - Digital Download SKU: A0.1227832 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 72 pages. Jmsgu3 #823794. Published by jmsgu3 (A0.1227832). Minimum instrumentation: 4 Cornets in Bb, 4 Horns in F, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian' e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used particular notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes, there was probably a third group near the main altar.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.First WorksFinally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). Furthermore, these compositions indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges characterized by instrumental accompaniment. Gabrieli's later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here, the instruments are an essential part of the presentation—also, only parts marked Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance.
$47.95 ≈
¥342.59
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
Gabrieli: Canzona in Echo Ch. 180 for Double Brass Choir
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Brass Quartet: 2 trumpets, horn, trombone
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INTERMEDIATE
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Giovanni Gabrieli
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James M
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Gabrieli: Canzona in Echo Ch.
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jmsgu3
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Cha...
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Brass Ensemble Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1226488 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #822490. Published by jmsgu3 (A0.1226488). Minimum instrumentation: 4 Trumpets (or Cornets), 4 French Horns, 2 Tenor Trombones, and 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥342.59
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
Gabrieli: Canzon per Sonar Ch 179 for Double Brass Choir à 10
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon per Sonar Ch
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jmsgu3
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SheetMusicPlus
Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Con...
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Brass Ensemble Cornet,Horn,Trombone - Level 3 - Digital Download SKU: A0.1227819 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Renaissance,Traditional. Score and Parts. 44 pages. Jmsgu3 #823781. Published by jmsgu3 (A0.1227819). Minimum instrumentation: 4 cornets in Bb, 4 French Horms in F, 2 Trombones. See also arrangement à 12 which includes 2 Bass Trombones.InnovationsGabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
¥342.59
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
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Renaissance
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Tomaso Albinoni
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Don Werdick (1946 - )
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II score and solo parts
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Double Oboe d’amore Concerto
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Chamber Ensemble of Minnesota, Inc.
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don ...
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Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Renaissance. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6415585. Published by Chamber Ensemble of Minnesota, Inc. (A0.955182). Complete score and parts of T. Albinoni’s Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, arranged for Oboe d’amore and String Orchestra in A Major by D Werdick. Includes separate Oboe d’amore I & II score and solo parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe d’amore I & II Parts, Oboe d’amore Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing.
$17.75 ≈
¥126.82
"Green Sleeves" - Beautiful easy version for CELLO and DOUBLE BASS DUET
"Green Sleeves" - Beautiful easy version for CELLO and DOUBLE BASS DUET
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Cello, String Bass (duet)
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BEGINNER
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Classical
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English Folk Song
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Iury Cardoso
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"Green Sleeves" - Beautiful ea
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Iury Cardoso
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SheetMusicPlus
Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397614 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classic...
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Cello,Double Bass,Instrumental Duet - Level 1 - Digital Download SKU: A0.1397614 Composed by English Folk Song. Arranged by Iury Cardoso. Chamber,Classical,Medieval,Renaissance,Traditional. 6 pages. Iury Cardoso #980922. Published by Iury Cardoso (A0.1397614). Easy VIOLONCELLO and DOUBLE BASS DUET arrangement of the piece: Green Sleeves (English folk song)(Score and parts: 6 pages)This arrangement of Green Sleeves transforms the traditional English folk song into an easy version for VIOLONCELLO and DOUBLE BASS DUET, presenting new harmonys, textures and musical colors. This arrangement is ideal for beginner students who want to improve their technique and also for presentations at recitals or gatherings, inspiring the public with the timeless beauty of the Green Sleeves melody.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians.- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols on this website.- Duet version with piano accompaniment available: On this site, there is also a version of this same arrangement with the piano accompaniment.- Solo version available: On this site, there is also a version of this arrangement for VIOLONCELLO solo or DOUBLE BASS solo (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy green sleeves for violoncello double bass dueteasy green sleeves sheet musicgreensleeves for violoncello and double bass duetgreen sleeves cello double bass duet sheet musicgreen sleeves beautiful violoncello double bass duetbeautiful violoncello double bass duet green sleevesgreen sleeves beautiful arrangement for cello double bass duetgreen sleeves easy violoncello and double bass dueteasy cello and double bass chamber musiceasy violoncello double bass duet for beginnersbeautiful violoncello and double bass duet sheet musiceasy cello and double bassteacher student duetgreen sleeves sheet musicgreensleeves best easy arrangement for cello and double bass duetgreen sleaves arrangement for easy violoncello double bass duetclassic sheet music for violoncello double bass duetMedieval violoncello double bass duetRenaissance violoncello double bass dueteasy chamber music violoncello double bass duet.
$3.99 ≈
¥28.51
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Solo for double bass Renaissance
