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You've selected:
Sonate en La majeur
Sheetmusic to print
942 sheet music found
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926
Sonate en Ré Majeur Allegro
Sonate en Ré Majeur Allegro
#
Soprano Saxophone and Piano
#
INTERMEDIATE/ADVANCED
#
Denis Gagnon
#
D
#
Sonate en Ré Majeur Allegro
#
D. Gagnon
#
SheetMusicPlus
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1134176 By Denis Gagnon. By Leonardo da Vinci (1452–1519). Arranged by D. Gagnon. 19t...
(+)
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1134176 By Denis Gagnon. By Leonardo da Vinci (1452–1519). Arranged by D. Gagnon. 19th Century,Baroque. Score and part. 7 pages. D. Gagnon #734263. Published by D. Gagnon (A0.1134176). Arrangement pour piano et saxophone soprano qui demande la respiration circulaire pour l'interprète.
$18.00 ≈
16.22€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - I. Cantabile
#
Flute
#
INTERMEDIATE
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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4.99€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - II. Vivace
#
Flute
#
INTERMEDIATE
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - IV. Spirituoso
#
Flute
#
INTERMEDIATE
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - III. Mesto
#
Flute
#
EASY
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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4.99€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - I. Cantabile
#
Cello
#
EASY
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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4.99€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - IV. Spirituoso
#
Cello
#
INTERMEDIATE
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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5.99€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - III. Mesto
#
Cello
#
EASY
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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4.99€
12 Sonate Metodiche, No. 6 in G major TWV 41:G4 - II. Vivace
#
Cello
#
EASY
#
Classical
#
Telemann
#
12 Sonates méthodiques, N°6
#
Tomplay
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5.99€
Sonate en La majeur
Sonate en La majeur
#
Michel Corrette
#
Vincent Beer-Demander
#
Sonate en La majeur
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Mandolin and string bass - Intermediate - Digital Download SKU: ZZ.DZ-3769 Composed by Michel Corrette. Arranged by Vincent Beer-Demander. Score and indi...
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Mandolin and string bass - Intermediate - Digital Download SKU: ZZ.DZ-3769 Composed by Michel Corrette. Arranged by Vincent Beer-Demander. Score and individual part. 22 pages. Les Productions d'OZ - Digital #DZ 3769. Published by Les Productions d'OZ - Digital (ZZ.DZ-3769). ISBN 9782897956868.
$9.95 ≈
8.97€
Sonate No. 6 in C major, Hob.XVI:10 – I. Moderato
#
Piano solo
#
EASY
#
Classical
#
Haydn
#
Sonate n° 6 en do majeur, Hob
#
Tomplay
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3.99€
Sonate No. 6 in C major, Hob.XVI:10 – II. Minuet - Trio
#
Piano solo
#
EASY
#
Classical
#
Haydn
#
Sonate n° 6 en do majeur, Hob
#
Tomplay
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3.99€
Sonate No. 6 in C major, Hob.XVI:10 – III. Finale
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Haydn
#
Sonate n° 6 en do majeur, Hob
#
Tomplay
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3.99€
Sonata No. 6 in D major, K. 284 – II. Rondeau en Polonaise
#
Piano solo
#
ADVANCED
#
Classical
#
Mozart
#
Sonate n° 6 en ré majeur, K.
#
Tomplay
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3.99€
Recorder Sonata in C Major, TWV 41:C5 - I. Adagio - Allegro - Adagio - Allegro (Alto Recorder)
#
Recorder
#
INTERMEDIATE
#
Classical
#
Telemann
#
Sonate pour flûte à bec en d
#
Tomplay
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5.99€
Piano Sonata No. 5 in G major, Hob.XVI:11 - I. Presto (accompaniment part)
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Classical
#
Haydn
#
Sonate pour piano n° 5 en sol
#
Tomplay
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1.99€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
#
Guitar
#
ADVANCED
#
Classical
#
Konstantin Bliokh
#
Sonata No. 6 "Kharkiv", Op. 48
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
(+)
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.16€
Sonatina No. 1
Sonatina No. 1
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Mark Anthony Cruz
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Sonatina No. 1
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Produ...
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Guitar - Digital Download SKU: ZZ.DZ-4272 Composed by Mark Anthony Cruz. Score. 16 pages. Les Productions d'OZ - Digital #DZ 4272. Published by Les Productions d'OZ - Digital (ZZ.DZ-4272). En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz l’écriture d’une pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans l’émission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo d’une sonatine en trois mouvements typique. Comme c’est le cas pour la plupart des œuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements d’une journée imaginaire.Un point d’intérêt dans le premier mouvement, le thème A : Cruz commence sur l’accord IV et évite intentionnellement d’utiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.Festival (3ème mouvement) utilise un thème d’ouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruz’s music, this Sonatina was completed as music written for music’s sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary day’s events.A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor.
$9.95 ≈
8.97€
Violin Sonata No. 9 in A major, Opus 47 'Kreutzer Sonata' – I. Adagio sostenuto. Presto
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Violin
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ADVANCED
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Classical
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Beethoven
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Sonate pour violon n° 9 en la
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
13.99€
Violin Sonata No. 9 in A major, Opus 47 'Kreutzer Sonata' – I. Adagio sostenuto. Presto
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Piano solo
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ADVANCED
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Classical
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Beethoven
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Sonate pour violon n° 9 en la
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Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
13.99€
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Sonate en La majeur
