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Still, Still, Still Pat a Pan Bass Clef Instrument
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You've selected:
Still, Still, Still Pat a Pan Bass Clef Instrument
Sheetmusic to print
3 sheet music found
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Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional - for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba
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Bass Clef Instruments
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Traditional
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Still, Still, Still / Pat-a-Pa
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Musicnotes
Sheet Music for Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional arranged for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba ...
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Sheet Music for Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional arranged for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba in F Major. Digital sheet music from Musicnotes.
$2.99
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Instructional
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - Digital Download SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00
The Last Full Measure of Devotion for Concert Band
The Last Full Measure of Devotion for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Zack Richards
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The Last Full Measure of Devot
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Zack Richards
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack ...
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Concert Band - Level 4 - Digital Download SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #5319661. Published by Zack Richards (A0.894398). I originally wrote a Brass Band version of this work to be performed by the Freedom Brass Band of Northeast Ohio in the summer of 2011 knowing that I wanted it to be connected to a well-known patriotic text. It quickly became my most popular work and I decided to arrange it for Concert Band in 2018. Because it was adapted from a Brass Band setting, some of the instrument ranges are more advanced, but can still work for an advanced high school or college band.From a young age I found inspiration in Abraham Lincoln's Gettysburg Address. As a Boy Scout, I had read it at an annual service on Memorial Day. I had also studied it in school and even heard it spoken by a Lincoln impersonator. The words from this address speak to the ideals of human equality and freedom, and honor those who gave the ultimate sacrifice to protect those ideals. Lincoln refers to this sacrifice as the last full measure of devotion and it is to those men and women who so bravely sacrificed that I dedicate this work. The Score is formatted 11x17All parts are 8 1/2x11Instrumentation:PiccoloFlutes with divisiOboeBassoon1st, 2nd, and 3rd Bb Clarinets with divisiBass ClarinetAlto SaxophoneTenor SaxophoneBaritone Saxophone1st, 2nd, and 3rd Bb Trumpets with divisi4 French Horns in F2 TrombonesEuphonium (Treble and bass clef provided)TubaTimpani (4)Crash CymbalsSnare DrumBass DrumAdvanced IntermediateApprox. 7:00Visit zackrichards.com for more from this composer.
$49.99
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Still, Still, Still Pat a Pan Bass Clef Instrument
