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Still, Still, Still Pat a Pan F Instrument
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You've selected:
Still, Still, Still Pat a Pan F Instrument
Sheetmusic to print
7 sheet music found
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1
Still, Still, Still / Pat-a-Pan - F Instrument by Traditional - for F Instrument or French Horn
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F Instruments
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Traditional
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Still, Still, Still / Pat-a-Pa
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Musicnotes
Sheet Music for Still, Still, Still / Pat-a-Pan - F Instrument by Traditional arranged for F Instrument or French Horn in C Major. Digital sheet music from Musi...
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Sheet Music for Still, Still, Still / Pat-a-Pan - F Instrument by Traditional arranged for F Instrument or French Horn in C Major. Digital sheet music from Musicnotes.
$2.99 ≈
2.78€
Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional - for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba
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Bass Clef Instruments
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Traditional
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Still, Still, Still / Pat-a-Pa
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Musicnotes
Sheet Music for Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional arranged for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba ...
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Sheet Music for Still, Still, Still / Pat-a-Pan - Bass Clef Instrument by Traditional arranged for Baritone Horn, Bassoon, Cello, Double Bass, Trombone or Tuba in F Major. Digital sheet music from Musicnotes.
$2.99 ≈
2.78€
Will You Still Love Me
Will You Still Love Me
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Rock
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Chicago
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Patrick Sheehan
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Will You Still Love Me
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Patrick Sheehan
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SheetMusicPlus
Small Ensemble,Strings Rhythm Instrument - Level 5 - Digital Download SKU: A0.748334 By Chicago. By David Babyface Foster, Richard Baskin, and Tom Keane....
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Small Ensemble,Strings Rhythm Instrument - Level 5 - Digital Download SKU: A0.748334 By Chicago. By David Babyface Foster, Richard Baskin, and Tom Keane. Arranged by Patrick Sheehan. Pop,Rock. Score and parts. 91 pages. Patrick Sheehan #6456721. Published by Patrick Sheehan (A0.748334). Transcribed by recorded by CHICAGO on their album CHICAGO 18, released in 1986. INSTRUMENTATION: Lead Vocal I, Lead Vocal II, Background Vocal I, Background Vocal II, Background Vocal III, Horn (F), Keyboard I, Keyboard II, Keyboard III, Electric Guitar, Bass, Violin I, Violin II, Viola, Cello, Contrabass, Tambourine, Drumset. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
46.48€
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
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Orchestra
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INTERMEDIATE
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Classical
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g
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Michael Barrera
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Micha...
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99 ≈
74.35€
The Last Full Measure of Devotion for Concert Band
The Last Full Measure of Devotion for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Zack Richards
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The Last Full Measure of Devot
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Zack Richards
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack ...
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Concert Band - Level 4 - Digital Download SKU: A0.894398 Composed by Zack Richards. Contemporary,Folk,Holiday,Patriotic. Score and parts. 66 pages. Zack Richards #5319661. Published by Zack Richards (A0.894398). I originally wrote a Brass Band version of this work to be performed by the Freedom Brass Band of Northeast Ohio in the summer of 2011 knowing that I wanted it to be connected to a well-known patriotic text. It quickly became my most popular work and I decided to arrange it for Concert Band in 2018. Because it was adapted from a Brass Band setting, some of the instrument ranges are more advanced, but can still work for an advanced high school or college band.From a young age I found inspiration in Abraham Lincoln's Gettysburg Address. As a Boy Scout, I had read it at an annual service on Memorial Day. I had also studied it in school and even heard it spoken by a Lincoln impersonator. The words from this address speak to the ideals of human equality and freedom, and honor those who gave the ultimate sacrifice to protect those ideals. Lincoln refers to this sacrifice as the last full measure of devotion and it is to those men and women who so bravely sacrificed that I dedicate this work. The Score is formatted 11x17All parts are 8 1/2x11Instrumentation:PiccoloFlutes with divisiOboeBassoon1st, 2nd, and 3rd Bb Clarinets with divisiBass ClarinetAlto SaxophoneTenor SaxophoneBaritone Saxophone1st, 2nd, and 3rd Bb Trumpets with divisi4 French Horns in F2 TrombonesEuphonium (Treble and bass clef provided)TubaTimpani (4)Crash CymbalsSnare DrumBass DrumAdvanced IntermediateApprox. 7:00Visit zackrichards.com for more from this composer.
$49.99 ≈
46.47€
Divinum Mysterium
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
69.72€
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
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Orchestra
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INTERMEDIATE
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Classical
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Sergei Rachmaninoff
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Michael Barrera
#
Rachmaninoff: Alla Marcia in g
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Michael Barrera
#
SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 ...
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes
Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.
Instrumentation
2 Flutes
2 Oboes
2 Clarinets (B flat)
2 Bassoons
4 Horns (F)
3 Trumpets (B flat)
2 Trombones
1 Bass Trombone
1 Tuba
Timpani
Snare Drum
Tambourine
Harp (substitute piano ifnecessary)
Violins I and II
Viola
Violincello
Double Bass
$19.99 ≈
18.58€
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1
Still, Still, Still Pat a Pan F Instrument
