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Still, Still, Still for men's voices
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You've selected:
Still, Still, Still for men's voices
Sheetmusic to print
178 sheet music found
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176
Still, Still, Still - for men's voices (quartet or chorus)
Still, Still, Still - for men's voices (quartet or chorus)
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Choral TTBB
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INTERMEDIATE
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Traditional Austrian carol, 18
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Matt Astle
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Still, Still, Still - for men'
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Matt Astle Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891444 Composed by Traditional Austrian carol, 1865. Arranged by Matt Astle. Christmas,Romantic ...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.891444 Composed by Traditional Austrian carol, 1865. Arranged by Matt Astle. Christmas,Romantic Period. Octavo. 6 pages. Matt Astle Music #3444743. Published by Matt Astle Music (A0.891444). Still, Still, Still, arranged for men's voices. Appropriate for quartet or larger ensemble. This is a traditional Christmas carol about the scene of the birth of Jesus: the cold night, the mother with her baby, and the angels singing. It starts soft and still, grows to a burst of light, and then ends gently and, well, still. Difficulty level 3.5. Except for the first verse, the melody is in the second tenor or lead voice, much like the tradition in barbershop singing. However, this arrangement would not be appropriate for a barbershop contest.Arrangement by Matt Astle. For more information or to order a different custom arrangement, visit facebook.com/mattastlemusic or email mattastle@outlook.com.
$2.50 ≈
$3.37
Ständchen (Serenade) by Schubert arranged for men's voices a cappella (mp3)
Ständchen (Serenade) by Schubert - men's voices a cappella (mp3)
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David Warin Solomons
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David Warin Solomons
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Ständchen
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David Warin Solomons
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SheetMusicPlus
Choir - Level 3 - Digital Download SKU: A0.1310134 By David Warin Solomons (as the dwsChorale). By Franz Schubert. Arranged by David Warin Solomons. 19th...
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Choir - Level 3 - Digital Download SKU: A0.1310134 By David Warin Solomons (as the dwsChorale). By Franz Schubert. Arranged by David Warin Solomons. 19th Century,Contemporary,Romantic Period. Full Performance. Duration 152. David Warin Solomons #899273. Published by David Warin Solomons (A0.1310134). Leise flehen meine LiederDurch die Nacht zu Dir;In den stillen Hain hernieder,Liebchen, komm’ zu mir!(Hear my gentle songs beseechingThough the night to theeFrom this quiet grove I'm reachingCome down here to me)Flüsternd schlanke Wipfel rauschenIn des Mondes Licht;Des Verräters feindlich LauschenFürchte, Holde, nicht.(Whisp'ring slender treetops murmurIn the moonlit skyO my lovely do not fear the listener hid close by.)Leise flehen meine LiederDurch die Nacht zu Dir;In den stillen Hain hernieder,Liebchen, komm’ zu mir!(Hear my gentle songs beseechingThough the night to theeFrom this quiet grove I'm reachingCome down here to me.)Lass auch Dir die Brust bewegen,Liebchen, höre mich!Bebend harr’ ich Dir entgegen!Komm’, beglücke mich!(Let yourself be moved, my treasureDarling hear my songTrembling I await your pleasureHappiness prolong.)Hörst die Nachtigallen schlagen?Ach! sie flehen Dich,Mit der Töne süssen KlagenFlehen sie für mich.(Can you hear the nightingales singThey're imploring youWith their sweet complaint they're bringingMy devotion too.)English singing translation by David Warin Solomons.
$4.50 ≈
$6.07
I'll bid my heart be still (SSA)
I'll bid my heart be still (SSA)
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Choral 3-part
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INTERMEDIATE
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Sara Garrard
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I'll bid my heart be still
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Sara Garrard
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.819463 Arranged by Sara Garrard. Contemporary,Folk. Octavo. 5 pages. Sara Garrard #4623563. Publi...
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Choral Choir (SSA) - Level 3 - Digital Download SKU: A0.819463 Arranged by Sara Garrard. Contemporary,Folk. Octavo. 5 pages. Sara Garrard #4623563. Published by Sara Garrard (A0.819463). I'll bid my heart be still is a mostly forgotten gem of an old Scottish melody, with tragic lyrics about love lost in battle by Thomas Pringle. Arranged for women's voices, either choir or a trio. The parts are not overly difficult but will require (/help development of) good breath control and holding pitch on some expressive close chord clusters.If you tried and enjoyed this song I would love to hear from you, please consider leaving a review, or let me know of any performances.
$4.50 ≈
$6.07
The Christ Child's Lullaby — SATB voices and organ
The Christ Child's Lullaby — SATB voices and organ
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Choral SATB
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EASY
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Hebridean folk melody
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Todd Marchand
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The Christ Child's Lullaby —
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Con Spirito Music
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Chri...
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Choral Choir,Choral,SATB Chorus - Level 2 - Digital Download SKU: A0.1490482 Composed by Hebridean folk melody. Arranged by Todd Marchand. Christian,Christmas,Folk,Sacred,Traditional. 5 pages. Con Spirito Music #1067324. Published by Con Spirito Music (A0.1490482). “The Christ Child's Lullaby” is an English translation of the Scots Gaelic “Tàladh Chrìosda,” a Christmas carol adapted and popularized in the 20th century from a longer work written in 1855 by Catholic priest Ranald Rankin for his parishioners at Fort William in the Scottish Highlands.Rankin’s hymn, representing a lullaby for the Christ Child by the Virgin mother Mary, was intended for performance at Midnight Mass (the first mass of Christmas) and is still sung then at churches in the Outer Hebrides of Scotland today. Titled “Tàladh ar Slànaigheir” (“The Lullaby of our Savior”) and containing 29 verses, it is altogether a lullaby, a retelling of elements of the Nativity story, and an explication of the nature and work of Christ. The English text of “The Christ Child’s Lullaby” (containing three verses and alleluias) is one of many translations, adaptations, and variants of the original Scots Gaelic text. The tune, too, is one of many variants of a traditional Hebridean folk melody. It has been further adapted and newly harmonized in this medium-easy arrangement for SATB choir and organ, featuring solo soprano on verse 1, sopranos-altos in open harmonies on verse 2, and full SATB in rich harmonies on verse 3 and the concluding “Alleluias.”Voices realized by Cantamus (https://cantamus.app/); organ realized by NotePerformer (https://www.noteperformer.com)©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, patriotic, and popular music for instruments and voices, visit www.conspiritomusic.com
$2.99 ≈
$4.03
I Still Call Australia Home
I Still Call Australia Home
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Guitar
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INTERMEDIATE
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acquiring this unique sheet mu
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Peter Allen
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Rafael Milhomem
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I Still Call Australia Home
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Milhomusic
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Stand...
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Guitar - Level 3 - Digital Download SKU: A0.1357622 Composed by Peter Allen. Arranged by Rafael Milhomem. Classical,Multicultural,Singer/Songwriter,Standards,Traditional,World. 31 pages. Milhomusic #942151. Published by Milhomusic (A0.1357622). I Still Call Australia Home - A Captivating Musical Journey for Choir and Guitar Orchestra by Rafael MilhomemIt is with immense pride that we present the sheet music for Rafael Milhomem's vibrant and passionate arrangement of Peter Allen's iconic I Still Call Australia Home. This brilliant work is a musical celebration of Australia, transforming Allen's timeless melody into a unique experience for choir and guitar orchestra.Arrangement Highlights:Celebrating Australian Identity: Milhomem's arrangement captures the essence of the original song, enriching it with emotional nuances and a distinctive touch, creating an atmosphere that resonates with the Australian soul.Captivating Interaction between Choir and Guitar Orchestra: The sheet music highlights a magical fusion of angelic voices and the vibrant strings of guitars, resulting in an engaging and memorable sonic experience.Eclectic Structure: Milhomem's ability to blend classical and contemporary elements provides a unique and emotionally rich interpretation of the piece, suitable for a variety of musical contexts.About the Arranger: Renowned for his passionate performances and innovative arrangements, Rafael Milhomem has invested his meticulous craftsmanship and passion into this creation. His artistic vision and technical prowess shine through, elevating the musical experience to new heights.Technical Information:Instrumentation: Choir and Guitar OrchestraApproximate Duration: [2´11´´]Experience the Australian Musical Magic: By acquiring this unique sheet music, you are invited to immerse yourself in a musical journey that not only pays tribute to Australia but also provides an exceptional experience for your musicians and audience. Contact us for more details on how to make this captivating work part of your repertoire.We appreciate your consideration and look forward to contributing to the elevation of your musical expression.Check out another sheet music by Rafael Milhomem!!!#Classicalguitar #Guitarorquestra #guitarquartet #Guitarensemble #Choirandguitar #Childorchestra #Choir.
$8.00 ≈
$10.79
Alleluia, Alleluia! Hearts to Heaven and Voices Raise — brass, organ hymn accompaniment
Alleluia, Alleluia! Hearts to Heaven and Voices Raise — brass, organ hymn accompaniment
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Sir Arthur Seymour Sullivan
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Todd Marchand
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Alleluia, Alleluia! Hearts to
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand....
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1362360 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Sacred. 21 pages. Con Spirito Music #946819. Published by Con Spirito Music (A0.1362360). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,†and his All Saints Day text, “Hark! The Sound of Holy Voices,†Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his ï¬rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiersâ€), FORTUNATUS (“Welcome, Happy Morningâ€), ST. KEVIN (“Come, Ye Faithful, Raise the Strainâ€), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and ï¬nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
$33.72
LUX EOI — festival hymn accompaniment for organ, brass quintet
LUX EOI — festival hymn accompaniment for organ, brass quintet
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Sacred music
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Sir Arthur Seymour Sullivan
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Todd Marchand
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LUX EOI — festival hymn acco
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Con Spirito Music
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SheetMusicPlus
Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1248898 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christi...
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Horn,Organ,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1248898 Composed by Sir Arthur Seymour Sullivan. Arranged by Todd Marchand. Christian,Easter,Holiday,Sacred. 21 pages. Con Spirito Music #843370. Published by Con Spirito Music (A0.1248898). Perhaps most often associated with Christopher Wordsworth’s Easter hymn text, “Alleluia, Alleluia! Hearts to Heaven and Voices Raise,†and his All Saints Day text, “Hark! The Sound of Holy Voices,†Arthur S. Sullivan's tune LUX EOI may be used with any hymn in 8.7.8.7 D meter.Best known for his Victorian-era collaborations with dramatist and librettist W.S. Gilbert on comic operas including H.M.S. Pinafore, The Pirates of Penzance, and The Mikado, Sullivan (1842-1900) displayed prodigious musical talent early in life, writing his ï¬rst anthem at age eight, joining the Chapel Royal as a chorister at age 12, and earning a scholarship to the Royal Academy of Music at age 14. He later studied at the Leipzig Conservatory, and while still in his teens began building a reputation as a promising young composer. Among Sullivan’s works are 24 operas, 11 full orchestral works, 10 choral works and oratorios, and more than 70 hymns and anthems, including the hymn tunes ST. GERTRUDE (“Onward, Christian Soldiersâ€), FORTUNATUS (“Welcome, Happy Morningâ€), ST. KEVIN (“Come, Ye Faithful, Raise the Strainâ€), and the tune that is the basis for this arrangement.Following an opening fanfare by brass which is answered by organ, the verses proceed as follows: organ accompaniment verse (may be repeated as needed), brass accompaniment verse, penultimate verse (organ accompaniment with countermelody by trumpets), interlude, and ï¬nal verse (organ with brass punctuations and conclusion).©Copyright 2023 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
$33.72
Men of Song, Sing Out!
Men of Song, Sing Out!
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Choral 3-part
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Douglas E
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Men of Song, Sing Out!
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Heritage Music Press
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SheetMusicPlus
TBB choir and Piano - Digital Download SKU: LX.15-3736H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3736H. Publish...
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TBB choir and Piano - Digital Download SKU: LX.15-3736H Arranged by Douglas E. Wagner. General. Octavo. 8 pages. Heritage Music Press #e15/3736H. Published by Heritage Music Press (LX.15-3736H). ISBN 9780787768287.Doug Wagner's arrangement of a staple of men's a cappella choral repertoire boasts a fresh, updated set of lyrics, along with a supportive piano accompaniment designed to instill confidence in performance. Voice leading is carefully thought out, with a few measures of easy tenor divisi. The piece features two verses with the same vocal parts and a thrilling coda sure to send voices soaring at the end. There's no sound on earth like that of a men's ensemble, and this title is sure to capture that excitement.
$2.40 ≈
$3.24
Still, Still, Still (Downloadable Choral Score)
Still, Still, Still (Downloadable Choral Score)
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Choral SATB
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EASY
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Christmas
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Mark Shepperd
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Still, Still, Still
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir and keyboard, with optional flute, oboe, and string quintet - Moderately Easy - Digital Download SKU: MQ.50-1307-E Composed by Mark Shepperd. ...
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SATB choir and keyboard, with optional flute, oboe, and string quintet - Moderately Easy - Digital Download SKU: MQ.50-1307-E Composed by Mark Shepperd. Christmas. Instrument part. 7 pages. MorningStar Music Publishers - Digital Sheet Music #50-1307-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1307-E). The familiar Austrian carol is presented here in a tender setting for SATB voices with keyboard accompaniment. Close harmonies contrasted by unison sections create added appeal. Stanza two is arranged for 3-part women's voices underscoring the lyric, Heavnly voices sound so clear. This carol may be performed with the addition of optional strings, flute, and oboe. A perfect choice for Christmas Eve!
$2.25 ≈
$3.03
Bach: Siciliano from BWV 1031 for Brass Quintet
Bach: Siciliano from BWV 1031 for Brass Quintet
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Darrell Goforth
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i
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Bach: Siciliano from BWV 1031
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Darrell Harrison Goforth
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Bar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.747403 Composed by Johann Sebastian Bach. Arranged by Darrell Goforth. Baroque,Graduation,Instructional,Wedding. Score and parts. 12 pages. Darrell Harrison Goforth #2162765. Published by Darrell Harrison Goforth (A0.747403). One of Bach's most familiar pieces, the Siciliano from the Flute Sonata in E flat (BWV 1031) is here set for Brass Quintet.This arrangement features the lower voices; i.e. Tuba, Horn and Trombone, which makes it a little different from the usual setting for this piece. There is still work for the trumpets, so no one is left out.At only 2 minutes in length, this arrangement can be inserted into almost any performance setting, such as weddings, graduations and just general performances.Comments or questions are always welcome at dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/ and visit my YouTube channel at https://www.youtube.com/user/dgoforth2 .
$19.99 ≈
$26.96
The Parting Glass (women's voicing)
The Parting Glass (women's voicing)
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Choral SSAA
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EASY
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Contemporary
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Traditional
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Liz Garnett
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The Parting Glass
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Liz Garnett
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SheetMusicPlus
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garn...
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.856245 Composed by Traditional. Arranged by Liz Garnett. Contemporary. Octavo. 3 pages. Liz Garnett #5732647. Published by Liz Garnett (A0.856245). This setting of the traditional Scottish song of farewell is designed as an 8-part arrangement that male and female quartets or choruses can sing together to finish a joint performance, as well as two separate 4-part arrangements for the respective groups to use when they're not sharing the stage. It was conceived to address the 'cost-per-wear' problem of special occasion pieces that only get performed occasionally but still need rehearsing to the same standard as the rest of the set.This is the setting for women's voices, in which the melody is taken for the most part by female leads, then handed off to the basses for the 3rd phrase of each verse. The first verse is homophonic, while the second explores a variety of melody+accompaniment textures before restoring the harmonic texture to introduce a tag that blossoms out from unison.The versions for men's voicing and combined voicings are also available for purchase.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: E flat 4 - E flat 5
$2.99 ≈
$4.03
Die Forelle
Die Forelle
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Choral 2-part
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INTERMEDIATE
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Classical
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Franz Schubert
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D
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Die Forelle
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Tully Road Music
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Ins...
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Choral Choir,Choral (TB) - Level 3 - Digital Download SKU: A0.1346467 Composed by Franz Schubert. Arranged by D. Jason Bishop. 19th Century,Classical,Instructional,Romantic Period. 8 pages. Tully Road Music #931253. Published by Tully Road Music (A0.1346467). Die Forelle (D. 550, Op. 32) is among Schubert’s early contributions to the genre of the Lied, a 19th-century German art song for solo voice and piano. Schubert composed over 600 Lieder, and although many of them became popular, Die Forelle was – and still is – one of the most widely recognized and performed. Composed in 1817, Die Forelle takes its text from a 1783 poem of the same name by Christian Friedrich Daniel Schubart. In it, a casual observer stands on the banks of a tranquil stream, admiring the movements of a “frisky†fish as it darts below the surface. The tone of the music changes when, to the observer’s horror, a fisherman puts an end to both his and the trout’s merriment by snagging the fish on his hook and reeling him in. In a final stanza which Schubert omits from his setting, we learn that Schubart’s poem is actually a metaphorical story intended to warn young women against the trickery of their young male suitors. As in Gretchen am Spinnrade and many other Lieder, Schubert “characterizes†the piano accompaniment, in this case through both the upward-winding sixteenth-note triplets representing the wriggling movements of a fish, and the abrupt shift towards agitated rhythms in measure 33 when the fish is hooked. The song gained such swift popularity that only two years after its composition in 1817, Schubert was commissioned to write an instrumental chamber work incorporating music from Die Forelle. The result was his Trout Quintet of 1819 (Piano Quintet in A Major, D. 667), the fourth movement of which is a set of variations on the Die Forelle tune.This arrangement is also available for 3-part treble (SSA) voices published by Hal Leonard Corporation, 10500871.
$2.50 ≈
$3.37
Josquin: 22 Duets for French Horn & Bass Trombone
Josquin: 22 Duets for French Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for French H
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jmsgu3
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SheetMusicPlus
Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fes...
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Bass Trombone,Horn,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074291 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678587. Published by jmsgu3 (A0.1074291). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Trombone & Tuba
Josquin: 22 Duets for Trombone & Tuba
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trombone
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jmsgu3
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SheetMusicPlus
Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Fe...
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Instrumental Duet,Tenor Trombone,Tuba - Level 3 - Digital Download SKU: A0.1074311 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678601. Published by jmsgu3 (A0.1074311). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period. Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Bassoon & Contrabassoon
Josquin: 22 Duets for Bassoon & Contrabassoon
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Josquin des Prez
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James M
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Josquin: 22 Duets for Bassoon
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival...
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Contrabassoon,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074025 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678293. Published by jmsgu3 (A0.1074025). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Trumpet & Bass Trombone
Josquin: 22 Duets for Trumpet & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Trumpet
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jmsgu3
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SheetMusicPlus
Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contes...
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Bass Trombone,C Trumpet,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074276 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678569. Published by jmsgu3 (A0.1074276). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Baritone Horn & Bass Trombone
Josquin: 22 Duets for Baritone Horn & Bass Trombone
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Josquin des Prez
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James M
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Josquin: 22 Duets for Baritone
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jmsgu3
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SheetMusicPlus
Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie....
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Baritone Horn TC,Bass Trombone,Instrumental Duet - Level 3 - Digital Download SKU: A0.1074280 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678573. Published by jmsgu3 (A0.1074280). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Clarinet & Cello
Josquin: 22 Duets for Clarinet & Cello
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Clarinet, Cello (duet)
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EASY
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Josquin des Prez
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James M
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Josquin: 22 Duets for Clarinet
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,...
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B-Flat Clarinet,Cello,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074010 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Traditional,Wedding. 50 pages. Jmsgu3 #678278. Published by jmsgu3 (A0.1074010). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Alto & Tenor Sax
Josquin: 22 Duets for Alto & Tenor Sax
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2 Saxophones (duet)
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EASY
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Josquin des Prez
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James M
#
Josquin: 22 Duets for Alto & T
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festiva...
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Alto Saxophone,Instrumental Duet - Level 2 - Digital Download SKU: A0.1074056 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678327. Published by jmsgu3 (A0.1074056). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
Josquin: 22 Duets for Soprano & Alto Sax
Josquin: 22 Duets for Soprano & Alto Sax
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2 Saxophones (duet)
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EASY
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Josquin des Prez
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James M
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Josquin: 22 Duets for Soprano
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jmsgu3
#
SheetMusicPlus
Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthri...
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Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678317. Published by jmsgu3 (A0.1074047). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon†and the more complex “strict canon.†He was also an early adopter of the “inverted canon†form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.
$32.95 ≈
$44.44
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Still, Still, Still for men's voices
