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You've selected:
Symphonic Melody for Band
Sheetmusic to print
53 sheet music found
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Symphonic Melody for Band
Symphonic Melody for Band
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Concert band
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INTERMEDIATE
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Classical
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Ron Whiddon
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Symphonic Melody for Band
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Ron Whiddon
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.816628 Composed by Ron Whiddon. Classical. Score and parts. 64 pages. Ron Whiddon #20689. Published by ...
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Concert Band - Level 3 - Digital Download SKU: A0.816628 Composed by Ron Whiddon. Classical. Score and parts. 64 pages. Ron Whiddon #20689. Published by Ron Whiddon (A0.816628). Originally written for orchestra, this is a band interpretation of the first movement to my Symphony No. 1 in d minor.
$25.00
A Distant Manger Fantasy - Harnessing the enchanting melody of 'Away in a Manger'.
A Distant Manger Fantasy - Harnessing the enchanting melody of 'Away in a Manger'.
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Concert band
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INTERMEDIATE
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James Symington
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James Symington
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A Distant Manger Fantasy - Har
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James Edward Ernest Symington
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worsh...
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Concert Band - Level 3 - Digital Download SKU: A0.1410136 Composed by James Symington. Arranged by James Symington. Christmas,Holiday,Jazz,Praise & Worship,Religious. 72 pages. James Edward Ernest Symington #992593. Published by James Edward Ernest Symington (A0.1410136). 🎺 Explore a fresh interpretation of a beloved Christmas carol with A Distant Manger Fantasy, a stunning composition for solo trumpet and symphonic wind band. 🎄Derived from the timeless carol Away in a Manger, this modern adaptation breathes new life into the traditional melody, infusing it with intricate arrangements and dynamic instrumentation. The result? A captivating musical journey that retains the charm of the original while offering a contemporary twist that resonates with audiences today.In this innovative rendition, the solo trumpet takes center stage, supported by the rich harmonies and vibrant colors of the symphonic wind band. Together, they weave a tapestry of sound that transports listeners to a place of holiday enchantment and wonder.But what sets A Distant Manger Fantasy apart is its thoughtful modifications to the public domain work. While honoring the essence of the original carol, this composition introduces fresh harmonies, rhythmic variations, and expanded instrumental parts, breathing new life into a beloved classic.With additional parts available for tenor horns and Eb Bass, this composition offers flexibility and versatility, making it an ideal choice for wind ensembles and concert bands seeking a unique addition to their repertoire.Experience the magic of Christmas in a whole new way with A Distant Manger Fantasy. Contact us today to explore licensing options and bring this modern masterpiece to your ensemble's next performance. 🌟🎶.
$49.99
Luminous Travels - The Journey of LightSail-A for Trombone and Symphonic Band
Luminous Travels - The Journey of LightSail-A for Trombone and Symphonic Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Luminous Travels - The Journey
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886109 Composed by Jason McChristian. Contemporary. Score and parts. 193 pages. Jason Gary McChristian ...
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Concert Band - Level 4 - Digital Download SKU: A0.886109 Composed by Jason McChristian. Contemporary. Score and parts. 193 pages. Jason Gary McChristian #238155. Published by Jason Gary McChristian (A0.886109). ​ In May 2015, a solar sail was launched into space by the publicly funded organization The Planetary Society. The construction of the sail consisted of a box the size of a loaf of bread (known as a CubeSat), metal booms, and four incredibly thin triangular Mylar sails. The vehicle was propelled by light from the Sun and in future projects; the sail would continue to gain momentum, ultimately accelerating to high speeds, allowing for travel along limitless distances. ​ Luminous Travels - The Journey of LightSail-A tells the account of this space-faring vessel in four major musical scenes. The first scene, UNFOLDING, features a lyrical melody first heard on the solo trombone then carried off by of the ensemble. The second scene, COMPUTING, depicts the inner-workings of the CubeSat. This new theme is rhythmic and aggressive, suggesting the hazards to come. The third scene, BLACKOUT, represents the communication blackouts that occurred during the flight that left the project in peril. This scene marks the cadenza of the work and depicts the lonely and frigid environment of space. Eventually, the unease is assuaged bringing hope back to the project. With a new sense of optimism, the final scene, ACCELERATING, represents the increase in speed that will occur in future solar sail space projects. The music from the earlier sections returns and changes, and as the music presses forward; the solo trombone rises into its highest register at breakneck speed as the solar sail crosses along infinite space. ​ The piece is dedicated to Keith Hunter, who has been a champion of my music and for whom Luminous Travels is dedicated. ​.
$79.99
Sealed Kingdom For Concert Band
Sealed Kingdom For Concert Band
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Concert band
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INTERMEDIATE
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Landon Major
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Sealed Kingdom For Concert Ban
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LMajor
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1415333 Composed by Landon Major. Contest,Festival,Instructional. 42 pages. LMajor #997068. Published b...
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Concert Band - Level 3 - Digital Download SKU: A0.1415333 Composed by Landon Major. Contest,Festival,Instructional. 42 pages. LMajor #997068. Published by LMajor (A0.1415333). Sealed Kingdom is a grade 2 piece for Concert Band. It is for Middle School Symphonic bands, and sounds very impressive without being tough. It has unique melodies, and contrasting countermelodies that make the melodies really sing more. Make sure to work on tempo, dynamics, accents, staccatos, and make sure that no section overpowers the melody at any point.
$49.99
In The Name Of Pele (for Symphonic Band)
In The Name Of Pele (for Symphonic Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Becca Schack
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In The Name Of Pele
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3...
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Concert Band - Level 4 - Digital Download SKU: A0.1028005 Composed by Becca Schack. Contemporary,Folk,World. Score and parts. 111 pages. Ingenue Music #3140847. Published by Ingenue Music (A0.1028005). Commissioned by The Association for Music in International Schools AMIS. Premiered in Bangkok, Thailand in January 2011, conducted by Dimosthenis Dimitrakoulakos. Program Notes: The image of Pele, the Hawaiian goddess of fire and volcanoes, kept reappearing in my mind as the main focus for this piece. According to myth, the islands of Hawaii owe their existence to Pele who ran away from her jealous sister, a sea goddess, to these tiny islands. Her sister sent tidal waves and Pele answered by sending fiery lava into the ocean, making new land as it cooled. The spirit of Pele lives on in the craters of the volcano, watching over the islands, reminding us that fiery eruptions and emotional upheavals are followed by new life and change. Pele, unpredictable and powerful, makes her entrance with a loud bang of brass and percussion, followed by the entire ensemble joining in. As the trumpets trail off, words from the ancient Hawaiian chant E Pele, E Pele are heard moving between each section in contrasting rhythms, as the tuba and low brass unfold the main theme. This chant is performed in Hawaiian culture accompanied by hula kahiko, an ancient style of hula dancing. The vibraphone plays a tranquil melody reminiscent of a Hawaiian wind chime softly blowing in the wind. The congas and rainstick evokes a tribal element. The piece is meant to juxtapose the multi-faceted natures of Pele. Syncopated rhythms in the winds paired with big brass and percussion represent her passion and violent temper. The playful, quiet, lingering sections led by the flute and vibraphone represent her irresistible and enchanting mystery as she creates new land and the living things that inhabit these magnificent islands. Hawaiian Chant: E Pele e Pele ka`uka`ulï ana Ha`ina ka inoa no Pele la ea English Translation: O Pele o Pele, moving along In the name of Pele
$60.00
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
Bartók: Rumanian Folk Dances Sz.56 (Complete) -symphonic wind dectet
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Bela Bartok
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Ray Thompson
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Bartók: Rumanian Folk Dances
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thomp...
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Large Ensemble Bassoon,Clarinet,Double Bass,Horn,Oboe,Piccolo - Level 4 - Digital Download SKU: A0.1038136 Composed by Bela Bartok. Arranged by Ray Thompson. 20th Century,Classical,Folk. Score and parts. 46 pages. RayThompsonMusic #643066. Published by RayThompsonMusic (A0.1038136). The complete set arranged wind dectet and bass Romanian Folk Dances Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915. He later orchestrated it for small ensemble in 1917 as Sz. 68, BB 76. It is based on seven Romanian tunes from Transylvania, originally played on fiddle or shepherd's flute. The original name for the piece was titled Romanian Folk Dances from Hungary but was later changed by Bartók when Transylvania became part of Romania in 1920. It is nowadays available in the 1971 edition which is written with key signatures although Bartók rarely ever used key signatures. This set of dances consists of six movements and, according to the composer, it should take four minutes and three seconds to perform, but most professional pianists take up to five minutes. The list of the movements is as follows (with the original Hungarian title listed first, the most commonly known Romanian title second, and the English translation in parentheses): Bot tánc / Jocul cu bâtă (Stick Dance)The melody of the first movement, according to Bartók, came from the Mezőszabad (present-day Voiniceni) village that was part of Mezőcsávás (present-day Ceuașu de Câmpie) commune which was located in the Maros-Tordaadministrative county within Transylvania, and he first heard it when two gypsy violinists were playing it. Brâul (Sash Dance)The second movement is a typical dance from Romania called Brâul, for which traditionally a sash or a waistband was used. This melody came from Egres (present-day Igriș), in the Banat region. Topogó / Pe loc (In One Spot)The third dance comes also from Egres (Igriș), but its theme is much darker and its melody recreates Middle Eastern instruments, such as the flute.[4] Bucsumà tánc / Buciumeana (Dance from Bucsum)The fourth dance came from Bucsony, Alsó-Fehér County (today Bucium, Alba county in Romania) Román polka / Poarga Românească (Romanian Polka)The fifth dance is an old Romanian dance similar to the Polka and comes from Belényes (present-day Beiuş, in Bihor county), near the border between Hungary and Romania. Aprózó / Mărunțel (Fast Dance)The sixth and last dance is formed by two different melodies: the first one comes from Belényes (present-day Beiuș) and the second one comes from the then named Nyagra (present-day Neagra) village within the Palotailva (present-day Lunca Bradului) commune. Both on the orchestral version and on the original piano version, the final two dances are performed attacca-without a break between movements.
$19.95
When Billie Came Bounding Over: March for Concert Band
When Billie Came Bounding Over: March for Concert Band
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Concert band
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INTERMEDIATE
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Lawrence H
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When Billie Came Bounding Over
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Lawrence H Underwood
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.967744 Composed by Lawrence H. Underwood. Contemporary,Folk. Score and parts. 68 pages. Lawrence H Unde...
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Concert Band - Level 3 - Digital Download SKU: A0.967744 Composed by Lawrence H. Underwood. Contemporary,Folk. Score and parts. 68 pages. Lawrence H Underwood #6199155. Published by Lawrence H Underwood (A0.967744). When Billie Came Bounding Over is a traditional march for symphonic band written in 6/8 time and a minor key. The lower voices are featured carrying the melody during the second strain of the piece, giving them a chance to step into the spotlight. Orchestral bells and chimes provide interesting counter-lines that, along with the addition of non-traditional march percussion like woodblock and triangle and hummable melodies will make this march as much fun to perform as it is for the audience to hear! This piece is of medium difficulty (approximately Grade 3).
$35.00
Yemanya (for Symphonic Band)
Yemanya (for Symphonic Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Becca Schack
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Yemanya
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue M...
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Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00
Grainger: Two Mvts. from “Lincolnshire Posy” - symphonic winds
Grainger: Two Mvts. from “Lincolnshire Posy” - symphonic winds
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Percy Aldridge Grainger
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Ray Thompson
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Grainger: Two Mvts. from “Li
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1255616 Composed by Percy Aldridge Grainger. Arranged by Ray Thompson. ...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1255616 Composed by Percy Aldridge Grainger. Arranged by Ray Thompson. 20th Century,Folk. 34 pages. RayThompsonMusic #849128. Published by RayThompsonMusic (A0.1255616). Lincolnshire Posy is a musical composition by Percy Aldridge Grainger for concert band commissioned in 1937 by the American Bandmasters Association. Considered by John Bird, the author of Grainger's biography, to be his masterpiece, the 16-minute-long work has six movements, each adapted from folk songs that Grainger had collected on a 1905–1906 trip to Lincolnshire, England.In a similar fashion to these folk songs, many of the movements are in strophic form.This is my arrangement of 2 mvts: No.II Harkstow Grange and No.VI. The Lost Lady FoundArranged symphonic wind dectet (double wind quintet) and bassNo.II Harkstow Grange  (alternate spelling Horkstow Grange)In strophic form, in the concert band version the theme is stated by the clarinets and horns at the opening of the movement. Shifting between 44 and 54 time, the movement features a cornet solo, which is often substituted with soprano saxophone.In my version the opening solo is given to one horn, and cornet solo is played on the oboeNo.VI The Lost Lady FoundA lilting 3/4 melody in strophic form. As the tempo is too fast for the conductor to gesture each beat of every measure, the movement is typically conducted in 1 where each gesture given by the conductor indicates a full measure instead of each beat. Every section of the ensemble states the theme at some point in the movement.
$19.95
Muscat Old Town (Quick March) Wind Band
Muscat Old Town (Quick March) Wind Band
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Concert band
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INTERMEDIATE
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Stephen Rockey
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Muscat Old Town
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Stephen Rockey
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.761054 Composed by Stephen Rockey. World. Score and parts. 43 pages. Stephen Rockey #4286229. Published...
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Concert Band - Level 3 - Digital Download SKU: A0.761054 Composed by Stephen Rockey. World. Score and parts. 43 pages. Stephen Rockey #4286229. Published by Stephen Rockey (A0.761054). Muscat Old Town is a British style quick march written for wind band or symphonic wind band. It is a descriptive piece, the first two sections describing the life of the old town and markets, the middle section with a slower moving harmony and calmer melody, suggesting the quieter side of the town.
$30.00
Fortnight
Fortnight
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Piano, Vocal and Guitar
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BEGINNER
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Taylor Swift Feat
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Paul Lorenz
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Fortnight
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Paul Lorenz
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1426245 By Taylor Swift Feat. Post Malone. By Austin Post, Jack Antonoff, and Taylor Swift....
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1426245 By Taylor Swift Feat. Post Malone. By Austin Post, Jack Antonoff, and Taylor Swift. Arranged by Paul Lorenz. Pop,R & B,Singer/Songwriter,Soul. Score. 6 pages. Paul Lorenz #1006964. Published by Paul Lorenz (A0.1426245). Taylor Swift Fortnight Sheet Music in Original key signature for piano and voice A New Era for Sheet Music Immerse yourself in the innovative world of Taylor Swift Fortnight Sheet Music, an exclusive collection designed for enthusiasts and professionals alike. At Paul Lorenz Music, where tradition meets innovation, we are thrilled to offer this unique selection that captures the essence of Taylor Swift’s album Fortnight. Tailored to perfection, each piece promises to enrich your musical repertoire with its intricate harmonies and vibrant rhythms. For Every Instrument, Every Note Sing Your Heart Out with Fortnight Sheet Music Vocal Vocalists will find their voice with our Fortnight sheet music vocal arrangements. Whether you're performing solo or with a choir, these sheets are engineered to ensure that every note and nuance of Swift's vocals are at your fingertips. Sing with the clarity and passion that Taylor Swift's music demands. Master the Keys with Fortnight Piano Sheet Music Pianists can explore the depth of Swift's music with our Fortnight piano sheet music. Each arrangement is carefully encoded to highlight the dynamic range and emotional depth of the piano, making it perfect for both practice and performance. Experience the joy of playing Swift's hits with sheet music that speaks to both classical and contemporary styles. All-Inclusive Arrangements for Bands and Soloists Our Fortnight lead sheet collection is perfect for musicians looking for a comprehensive guide to mastering Swift's hits. With melody lines, chords, and lyrics, these sheets are invaluable for bands and soloists aiming to recreate the distinctive Swift sound in their performances. Dive Into Versatility with Fortnight Violin Sheet Music Violinists will revel in the detailed Fortnight violin sheet music, meticulously crafted to convey every emotion woven through Taylor Swift's melodies. Whether you're a solo performer or part of an ensemble, these sheets provide the precision and depth needed to bring out the vibrant tones of each track. Instant Access with Digital Excellence Seamless Integration with Fortnight Sheet Music PDFIn today’s digital age, immediate access to resources is a must, and our Fortnight sheet music PDF files are crafted with this in mind. Downloadable instantly, each PDF offers a pristine, user-friendly format, ensuring that you spend more time playing and less time waiting. Why Choose Paul Lorenz Music? At Paul Lorenz Music, our commitment to quality, innovation, and connection is evident in every sheet of music we produce. Collaborating with industry giants like the London Symphonic Orchestra and recording in world-class studios such as Abbey Road, we ensure that each piece of music not only meets but exceeds the highest standards of musical excellence.Whether you're a budding musician or a seasoned artist, Paul Lorenz Music’s Taylor Swift Fortnight Sheet Music collection is your gateway to mastering some of the most poignant musical compositions of our time. Embrace the blend of classic technique and modern innovation, and let your performance tell a story that resonates across generations.
$4.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and p...
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Centennial Overture from 1876 for Brass Quintet
Centennial Overture from 1876 for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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D
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Charles Decker
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Centennial Overture from 1876
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817124 Composed by D. S. McCosh. Arranged by Charle...
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Brass Quintet E-Flat Cornet,Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817124 Composed by D. S. McCosh. Arranged by Charles Decker. 19th Century,Chamber,Historic,Patriotic,Romantic Period. 33 pages. Charles Decker Music Press #3546515. Published by Charles Decker Music Press (A0.817124). This original overture from the post Civil War brass band era adds to Americana programming with an exciting musical alternative to the popular melody and dance arrangements played by the all-brass bands of the mid and late 19th century. This centennial musical celebration from 1876 is scored for traditional brass band instruments (E-flat and B-flat cornets, E-flat alto horn, baritone, tuba) but includes alternate parts B-flat cornet/trumpet for E-flat cornet and F horn for E-flat alto horn. The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications at Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions at Charles Decker Music Press for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series at Charles Decker Music Press with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.  For more of my brass quintet editions use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
$14.95
Sacred Joy (for Bb Clarinet with Jazz Band)
Sacred Joy (for Bb Clarinet with Jazz Band)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Clifton Davis ASCAP
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Sacred Joy
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Clifton Allen Davis Music, ASCAP
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927289 Composed by Clifton Davis ASCAP. Graduation,Jazz,Standards. Score and parts. 65 p...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.927289 Composed by Clifton Davis ASCAP. Graduation,Jazz,Standards. Score and parts. 65 pages. Clifton Allen Davis Music, ASCAP #5873615. Published by Clifton Allen Davis Music, ASCAP (A0.927289). Written for Solo Bb Clarinet and standard Jazz Band, this 4.40 minute work is a great feature for a guest to play with your band. Opening with a memorable Mambo groove and happy melody, the middle section is reminiscent of cinematic scoring with the melody shared by all sections before returning to the opening theme. Also available for solo clarinet and symphonic band.
$50.00
Canon Gloria Deo for Trumpet Ensemble
Canon Gloria Deo for Trumpet Ensemble
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Trumpet ensemble
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EASY
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Guillaume Dufay
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Charles Decker
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Canon Gloria Deo for Trumpet E
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Charles Decker Music Press
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SheetMusicPlus
Trumpet Ensemble Trumpet - Level 2 - Digital Download SKU: A0.817163 Composed by Guillaume Dufay. Arranged by Charles Decker. Contest,Early Music,Festiva...
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Trumpet Ensemble Trumpet - Level 2 - Digital Download SKU: A0.817163 Composed by Guillaume Dufay. Arranged by Charles Decker. Contest,Early Music,Festival,Instructional,Renaissance. 18 pages. Charles Decker Music Press #6356569. Published by Charles Decker Music Press (A0.817163). A spirited and festive canon by the Renaissance master in which the two-voice canon is exchanged between both pairs of trumpeters providing all four performers the opportunity to play the canon melody. The canon is accompanied throughout by tonic dominant figures. The audio file is an actual trumpet ensemble performance and not a computer playback of the score.See 40+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition. Â Use this link to Kendor Music for more of my trumpet ensemble arrangements of music by J.S. Bach, Handel, and Renaissance composers Gervaise and Susato.
$4.95
Three Scottish Songs for Horn Quartet
Three Scottish Songs for Horn Quartet
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Brass Quartet: 4 horns
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INTERMEDIATE
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Celtic/Irish
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Traditional Scottish Melodies
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L
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Three Scottish Songs for Horn
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LCH Music
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SheetMusicPlus
Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919038 Composed by Traditional Scottish Melodies. Arranged by L.C. Harnsberger. Celtic,Contempor...
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Brass Ensemble Horn - Level 3 - Digital Download SKU: A0.919038 Composed by Traditional Scottish Melodies. Arranged by L.C. Harnsberger. Celtic,Contemporary,Folk,Irish,Wedding. Score and parts. 23 pages. LCH Music #6426577. Published by LCH Music (A0.919038). This arrangement of Scottish traditional songs includes three iconic Scottish melodies: Bluebells of Scotland, Turn Again, Thou Fair Elisa, and Annie Laurie. The long soaring melodies and bagpipe-style drones of these songs work beautifully for horn quartet. These arrangements are ideal for weddings, preludes, funerals, and any recital.The origins of Scottish traditional music date back to at least the late Middle Ages, with songs passed down orally until many of the songs were published in collections in the 18th century. Scotland’s National Poet Robert Burns (1759-1796) famously collected Scottish folk songs and adapted many of the melodies to include his poetry. Today, elements of Scottish traditional music are found in epic film soundtracks such as Braveheart, Mary Queen of Scots, and Rob Roy, as well as classical symphonic works including Mendelssohn’s Scottish symphony. Bluebells of Scotland was most famously used by Arthur Pryor in his piece Blue Bells of Scotland for solo trombone and band. There are a few different versions of the melody Turn Again, Thou Fair Elisa, but the melody Robert Burns used (as published in the 1903 edition of The Songs of Robert Burns) is arguably the most beautiful. The timeless song Annie Laurie describes the ill-fated romance between Scottish soldier William Douglas and Annie Laurie, the young daughter of a British aristocrat. The music is often attributed to Lady John Scott (1810-1900).
$12.99
The Cross Kirk and the lang walk
The Cross Kirk and the lang walk
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Concert band
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INTERMEDIATE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Mediev...
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Estonia National Anthem: Mu Isamaa (My Fatherland)
Estonia National Anthem: Mu Isamaa (My Fatherland)
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Concert band
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EASY
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Patriotic
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Fredrik Pacius
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Colin Kirkpatrick
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Estonia National Anthem: Mu Is
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score a...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522128 Composed by Fredrik Pacius (1809 - 1891). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 35 pages. Colin Kirkpatrick Publications #3382783. Published by Colin Kirkpatrick Publications (A0.522128). Colin Kirkpatrick’s National Anthems Express ESTONIA: Mu Isamaa This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Note that this anthem is virtually identical to the anthem of Finland. There is a minor difference in part of the melody and the repeat structure is different. This arrangement consists of a two-page score with seven instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$4.99
South Africa National Anthem: Nkosi Sikelel' iAfrika
South Africa National Anthem: Nkosi Sikelel' iAfrika
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Concert band
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INTERMEDIATE
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Patriotic
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Enoch Mankayi Sontonga
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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South Africa National Anthem:
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). ...
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Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
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Symphonic Melody for Band
