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TWO MEDITATIONS for VIOLA
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You've selected:
TWO MEDITATIONS for VIOLA
Sheetmusic to print
46 sheet music found
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1
26
TWO NEW MEDITATIONS for Viola
TWO NEW MEDITATIONS for Viola
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Viola
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INTERMEDIATE/ADVANCED
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Alan Edgar
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TWO NEW MEDITATIONS for Viola
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Alan Edgar Ted Moon
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SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Publ...
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Viola Solo - Level 4 - Digital Download SKU: A0.1405068 Composed by Alan Edgar. 20th Century. Individual part. 4 pages. Alan Edgar Ted Moon #988104. Published by Alan Edgar Ted Moon (A0.1405068). Duration: about 3 minutes. If you are to perform the pieces, please let us know: there is no charge. In contrast to my very popular Two Meditations, which were in ancient modes, these use 20thC techniques. Woodland was inspired by a notated motif and mysterious elements found in a tapestry by Libby Morton-Gibson and by the quartal-based Haru No Umi or The Sea in Spring by Michio Miyagi. After I play a game with the scale, every phrase delineates a four-note quartal: classical progressions including a circle of fifths are cunningly concealed within. The rhythms are unpredictable. Use your imagination. The scale game returns in retrograde at the end. Will- o'-the- Wisp is the eerie and elusive flame sometimes formed over marshes. The term is also used to mean an unobtainable wish. I use my octatonic scale.
$22.00 ≈
20.58€
Sullivan: The Lost Chord for Viola & Piano
Sullivan: The Lost Chord for Viola & Piano
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Viola, Piano
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INTERMEDIATE
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for V
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Roman...
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Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Â
$26.95 ≈
25.21€
Meditation (for String Quartet)
Meditation (for String Quartet)
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String Quartet: 2 violins, viola, cello
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BEGINNER
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Sharon Wilson
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Sharon Wilson
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Meditation
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Sharon Wilson
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078603 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged b...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078603 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Praise & Worship,Sacred,Wedding. Score and parts. 9 pages. Sharon Wilson #682827. Published by Sharon Wilson (A0.1078603). This song for a string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform. This quiet, prayerful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and especially lovely as a prayer response or for a wedding. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts.Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.67€
Quiet Reflection (for String Quartet)
Quiet Reflection (for String Quartet)
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String Quartet: 2 violins, viola, cello
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BEGINNER
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Sacred music
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Sharon Wilson
#
Sharon Wilson
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Quiet Reflection
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Sharon Wilson
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078606 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged b...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078606 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682831. Published by Sharon Wilson (A0.1078606). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform (for a longer performance, this piece can easily be repeated). This gently flowing arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and equally suited for a wedding ceremony or reception. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The Cello and Violin 1 parts are slightly more challenging than the Viola and Violin 2 parts, but all parts provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.67€
Consecration (for String Quartet)
Consecration (for String Quartet)
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String Quartet: 2 violins, viola, cello
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BEGINNER
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Sacred music
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Sharon Wilson
#
Sharon Wilson
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Consecration
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Sharon Wilson
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged b...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - Digital Download SKU: A0.1078608 By Sharon Wilson. By F. Irvin and Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Instructional,Praise & Worship,Sacred. Score and parts. 9 pages. Sharon Wilson #682833. Published by Sharon Wilson (A0.1078608). This song for string quartet is one of the five pieces in the collection Sacred Meditations for Strings. Designed for those times when a short, reflective musical interlude is needed, this selection takes less than one minute to perform (for a longer performance, this piece can easily be repeated from the beginning or from measure 12). This peaceful arrangement is ideal for filling those moments during or after a prelude, offertory, invitation, or communion, and equally suited for a wedding ceremony or reception. This is a straight-forward arrangement suitable for beginner to early intermediate string players with all notes playable in the first two positions. The gently flowing notes provide an excellent opportunity for mastering tone and vibrato as well as experimenting with various slurring techniques. The Violin 3 part is the same as the Viola part in case a Viola player is not available. The purchase price includes the 3 page combined score plus a 1 page, 1 staff score for each of the 5 parts. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99 ≈
4.67€
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
DvoÅ™ák: Largo from the New World Symphony for Viola & Piano
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Viola, Piano
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EASY
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Classical
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Antonin Dvorak
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James M
#
dynamic control
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DvoÅ™ák: Largo from the Ne
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jmsgu3
#
SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Viola - Level 2 - Digital Download SKU: A0.549418 Composed by Antonin Dvorak. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3493991. Published by jmsgu3 (A0.549418). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25 Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. Dvořák Background AntonÃn Dvořák (1841 –1904) was, of course, a composer from Czechoslovakia. As a matter of fact, he was among the first Bohemian composers to attain universal recognition. It is important to realize that the late Romantic Nationalist period featured composers who used traditional and folk elements to portray the character of their nation. In particular, we see this in the music of Grieg (Norway), Finland (Sibelius), and Smetana (Bohemia).  Dvořák relied markedly on rhythms and other characteristics of Moravian and Bohemian folk music. Ascent to Fame Dvořák was truly a child musical prodigy on the violin. The premiere performances of his compositions notably occurred in 1872 and 1873. He submitted his First Symphony in particular to a German competition, but it failed to win. Consequently, in 1874 he presented two more symphonies to the Austrian State Prize for Composition. Johannes Brahms was the principal of the jury and was accordingly very impressed. They forthwith awarded the prize to Dvořák in 1874, 1876, and 1877. At this point, Brahms thereupon endorsed Dvořák to the publisher Simrock. Later, the publisher commissioned Dvořák to compose the Slavonic Dances, Op. 46. These became popular overnight and, as a result, Dvořák's worldwide status was launched. International Status Dvořák visited England upon invitation nine times. On each visit, he frequently conducted performances of his own compositions. He conducted concerts of his music, especially in Moscow and St. Petersburg. Eventually, the Prague Conservatory in fact appointed Dvořák as a professor. There, to be sure, he wrote his famous Dumky Trio. United States Consequently, the National Conservatory of Music of America appointed him as director in 1892. As a result, Dvořák composed his two most famous symphonic works: the Symphony No. 9 (From the New World), which spread his name universally, and his Concerto for Cello and Orchestra, one of the most famous of all cello works. Moreover, he wrote his most celebrated American String Quartet during this time. At the same time, because of his growing recognition in Europe and his homesickness for his own country, he left to return to Bohemia in 1895.
$32.95 ≈
30.83€
Beneath the Cross of Jesus (String Trio) (Two Violins, Viola)
Beneath the Cross of Jesus (String Trio) (Two Violins, Viola)
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String Trio: 2 violins, viola
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INTERMEDIATE
#
Sacred music
#
Fredrick C
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Cathy Stamegna
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Beneath the Cross of Jesus
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Cathy Stamegna
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SheetMusicPlus
String Ensemble,String Trio Viola,Violin - Level 3 - Digital Download SKU: A0.781086 Composed by Fredrick C. Maker. Arranged by Cathy Stamegna. Easter,Pr...
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String Ensemble,String Trio Viola,Violin - Level 3 - Digital Download SKU: A0.781086 Composed by Fredrick C. Maker. Arranged by Cathy Stamegna. Easter,Praise & Worship,Sacred. Score and parts. 12 pages. Cathy Stamegna #6702611. Published by Cathy Stamegna (A0.781086). This compassionate Lenten hymn has been newly arranged for instrumental trio. Appropriate as a Prelude or Meditation for Lent, Holy Week, Penance Services. Accessible as a Concert or Recital piece as well. Concert Key: C, modulating to D. Set of Parts. Performance Time: 3:49.
$7.99 ≈
7.47€
Pas de Deux from The Satyricon Ballet Viola and Piano
Pas de Deux from The Satyricon Ballet Viola and Piano
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Viola (band part)
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INTERMEDIATE
#
James Nathaniel Holland
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Pas de Deux from The Satyricon
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James Nathaniel Holland
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SheetMusicPlus
Viola Solo - Level 3 - Digital Download SKU: A0.730261 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 ...
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Viola Solo - Level 3 - Digital Download SKU: A0.730261 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Sacred,Wedding. Individual part. 5 pages. James Nathaniel Holland #1910761. Published by James Nathaniel Holland (A0.730261). Arranged for Viola solo and Orchestra Reduction Piano Accompaniment (Duration: 5:12) Enjoy playing this beautiful Pas de Deux from James Nathaniel Holland's ballet The Satyricon Meditative and relaxing, a nice addition to cafe music repertoire, weddings and special music for religious services. Originally written for viola, violin and orchestra. Piano full score and part included. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$3.95 ≈
3.70€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535388 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 82 pages. Musik Fabrik Music Publishing #3043975. Published by Musik Fabrik Music Publishing (A0.535388). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir.
$25.95 ≈
24.28€
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
Carson Cooman: Ascensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and orga
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Choral SATB
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ADVANCED
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Carson Cooman
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Carson Cooman: Ascensions
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Mu...
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.535387 Composed by Carson Cooman. Baroque,Contemporary,Sacred. Octavo. 65 pages. Musik Fabrik Music Publishing #3043973. Published by Musik Fabrik Music Publishing (A0.535387). I. SinfoniaII. To Mary on the vigil of her AssumptionIII. A Votive SongIV. The Heliotrope-the mind of man turned to GodAscensions (2009) for SATB chorus, traverso, baroque violin, viola da gamba, and organ was commissioned by and isdedicated to the Cornell University Chamber Singers, Holland J. Jancaitis, director.The work is a cantata consisting of an instrumental sinfonia followed by choral settings of three poems by neo-Latin poetJakob Balde, S.J. (1604–68), hailed as the Horace of Germany and considered one of the greatest Latin poets of any era.In the case of the three poems selected, Balde’s vivid imagery and mastery of Latin poetics are put in service of religiousexpression. The poems are filled with countless allusions to the classical poetic tradition; notably, he creates a strongcorrelation between the Virgin Mary of his Christian tradition (Balde was a Jesuit priest) and the goddesses invoked inclassical Latin poetry. Thus, Balde uses the older forms to express something that was, for him, contemporary andrelevant. (An analogue to this use of language is the idea of creating new music to be played on period instruments.)The opening sinfonia begins with an ascending pattern of triads, which returns throughout the work. The forwardmomentum is interrupted several times before the movement settles tonally. The first choral movement employs abouncy momentum to set the celebratory poem on the Virgin’s assumption. The second movement is a prayerful song onthe acceptance of death; it is spare and meditative, unfolding as a series of sectional canons over several drones. The finalmovement returns to the celebratory spirit of the opening; this time, instead of the Virgin’s journey, the poem describesthe speaker’s journey and compares a purposeful sea voyage to a directed life.Balde’s poems are provided in their original Latin and in two translations. One is a free translation in rhyming poeticEnglish created by James J. Mertz, S.J., longtime professor at Loyola University. The other is a newly-created literaltranslation by Edward J. Vodoklys, S.J., Senior Lecturer in Classics at the College of the Holy Cross.Carson P. Cooman, January 2009, Cambridge, Massachusetts, USAPERFORMANCE NOTES: The composer prefers a classically-informed Italianate pronunciation of the Latin(church Latin is acceptable). (It is important that V always be pronounced as V, not as the W soundoften used by classical Latinists.)The work is conceived for a chamber choir, as a larger choir would not balance the timbres of the baroqueinstruments. It is suggested that 16–24 singers be employed (no fewer than 12).As with much early repertoire, dynamic and expressive markings are kept to a minimum. It is expected thatdirector and performers will inflect lines expressively and naturally. The organ part is notated for a small portatiforgan with pull-down pedal (with no independent pedal stops). If played on a larger instrument, this smallerregistration plan should be kept in mind so as to create balance with the instruments and choir
$19.95 ≈
18.66€
Silent Night (Bb) (Viola Quintet)
Silent Night (Bb) (Viola Quintet)
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Viola ensemble
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INTERMEDIATE
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Christmas
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813975 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Co...
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813975 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Concert,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635877. Published by Regis Bookshar (A0.813975). Viola Quintet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a Viola Quintet, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00 ≈
4.68€
In the Forest (Amazing Grace): for string quartet
In the Forest (Amazing Grace): for string quartet
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String Quartet: 2 violins, viola, cello
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Sarah Wallin Huff
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In the Forest
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Novel Soundtrax
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SheetMusicPlus
String Quartet String Quartet - Digital Download SKU: A0.800318 Composed by Sarah Wallin Huff. 21st Century,Contemporary,New Age,Religious. 15 pages. Nov...
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String Quartet String Quartet - Digital Download SKU: A0.800318 Composed by Sarah Wallin Huff. 21st Century,Contemporary,New Age,Religious. 15 pages. Novel Soundtrax #2035901. Published by Novel Soundtrax (A0.800318). This original work creatively weaves the beloved Amazing Grace melody in and out of a second original tune titled In the Forest, evoking a meditative and melancholy sense of wandering and reflection, as if hidden from the outside world. This composition for string quartet was composed in 2011 at the request of Danielle Rosaria Cummins and the organization Alternate Avenues. The piece existed originally as only an unfinished sketch for solo piano, started some years prior; When Wallin Huff was requested to compose a quick-and-dirty string quartet arrangement of the traditional tune Amazing Grace for a formal fundraising banquet being held in two days, Wallin Huff was inspired to take her old sketch of In the Forest and turn it into this present gem of a string quartet that was instantly well-received and sought after.
$10.00 ≈
9.36€
Mozart: Romanze from K. 525 for Piano Quartet
Mozart: Romanze from K. 525 for Piano Quartet
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Piano Quartet: piano, violin, viola, cello
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INTERMEDIATE
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Classical
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Wolfgang Amadeus Mozart
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James M
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Mozart: Romanze from K. 525 fo
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jmsgu3
#
SheetMusicPlus
Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Class...
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Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.549784 Composed by Wolfgang Amadeus Mozart. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Sacred,Standards,World. Score and parts. 25 pages. Jmsgu3 #3535863. Published by jmsgu3 (A0.549784). Mozart's Romanze from Eine Kleine Nachtmusik, K. 525 for Piano Quartet (String Trio and Piano). Duration: ca. 7:00. Score: 11 pages. Violin: 4 pages, Viola: 3 pages, Cello: 2 pages, piano: 4 pages. This is one of the most beloved works in all of Mozart's catalog making it a strong choice for a recital, meditation, nightclub, church or wedding reception. Eine kleine Nachtmusik Eine kleine Nachtmusik is also at the same time known as Serenade No. 13. Indeed, we find it listed in the Köchel Catalog as K. 525. With this in mind, Mozart composed the piece by all means in 1787 probably as a commission. To clarify, the title translates as a little night-music. Mozart originally scored the work in particular for an ensemble of two violins, viola, and cello with double bass (optional). In modern times the work is certainly usually performed by string orchestras, though it is often in fact performed by a string quartet – with or without double bass. Publication A point often overlooked is that the name of the work derives from the entry Mozart made in his private journal. He wrote: Eine kleine Nacht-Musik. This explains that Mozart was probably not naming the piece, but only entering a record that he had completed it. Nevertheless, the work was published by and large in 1827. It had been sold to the publisher for the most part in 1799 by Mozart's widow Constanze. Nowadays, it is on balance extensively performed and recorded. Some critics ultimately claim that it is the most popular of all Mozart's works. Early Years Wolfgang Amadeus Mozart (1756 – 1791), was a productive and significant Austrian classical composer. Mozart displayed unusual musical capability from his earliest childhood. It seems like he was already capable on keyboard and violin at the age of two. He started composing at age five and performed before European royalty. Middle Period At 17, Mozart was working as a musician at the Salzburg Royal court but grew agitated from boredom and traveled to search for a more interesting job. While visiting Vienna in 1781, he was summarily dismissed from his Salzburg job. Nevertheless, he decided to stay in the capital (Vienna), where he achieved much fame but little economic haven. Throughout his concluding years in the Capital, he composed many of his most famous works: symphonies, operas, and concertos. Final Period The conditions surrounding his death have been much the subject of much conjecture and mythology. He composed more than 600 works, many recognized as highpoints of symphonic, chamber, concertante, choral and operatic. He is among the most everlastingly popular of classical composers, and his impact is substantial on succeeding Western art music. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$19.95 ≈
18.66€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Viola, Piano
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EASY
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Contemporary
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
#
SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament – "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.83€
Here in Nomansland (A Meditation in the Vosges) for two violas and guitar
Here in Nomansland (A Meditation in the Vosges) for two violas and guitar
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Viola, Guitar (duet)
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EASY
#
Contemporary
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David Warin Solomons
#
Here in Nomansland
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David Warin Solomons
#
SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.578544 Composed by David Warin Solomons. 20th Century,Contemporary....
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Instrumental Duet Guitar,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.578544 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 10 pages. David Warin Solomons #6104591. Published by David Warin Solomons (A0.578544). Voice one solos with the guitar for the first verse and Voice 2 joins in for the second verse.
$9.00 ≈
8.42€
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 3 Cellos)
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Inst...
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String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.813995 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636653. Published by Regis Bookshar (A0.813995). String Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas and 3 Violoncellos, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.48€
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Christmas
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. In...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636651. Published by Regis Bookshar (A0.813994). String Octet - Intermediate - Digital Download. This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.48€
Bach: Prelude & Fugue in D Minor BWV 554 for String Quartet
Bach: Prelude & Fugue in D Minor BWV 554 for String Quartet
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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James M
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Bach: Prelude & Fugue in D Min
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1124622 Composed by Johann Sebastian Bach. Arranged by James M. Gut...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1124622 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Standards. 13 pages. Jmsgu3 #725376. Published by jmsgu3 (A0.1124622). Score: 6 pages. Duration: ca. 2:30Johann Sebastian Bach's Prelude & Fugue in D Minor BWV 554 is a work of art that has been praised and admired by musicians and audiences alike for centuries. It is one of Bach's most famous works and is considered a masterpiece of Baroque music. The piece is composed of two contrasting sections: a prelude and a fugue. The prelude is a slow, meditative section that is characterized by a mournful, dark tone. The fugue is a faster, more intricate section that is full of counterpoint and contrapuntal devices.Bach's Prelude & Fugue in D Minor BWV 554 has become one of the most beloved pieces of Baroque music. It is a favorite of many classical music enthusiasts and has been performed by some of the greatest classical musicians in history. The piece is also a staple of many piano repertoires, and is often used as a teaching tool for aspiring pianists. Its beauty and complexity have made it a timeless work of art that will continue to be enjoyed for generations to come.
$32.95 ≈
30.83€
Canon Op.59 N.4 for two Violins and Cello
Canon Op.59 N.4 for two Violins and Cello
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String Trio: violin, viola, cello
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INTERMEDIATE
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Max Reger
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Cristiano Vecchi
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Canon Op.59 N.4 for two Violin
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Cristiano Vecchi
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SheetMusicPlus
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963371 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Cent...
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.963371 Composed by Max Reger. Arranged by Cristiano Vecchi. 20th Century,Instructional,Sacred,Standards,Wedding. Score and parts. 7 pages. Cristiano Vecchi #4890475. Published by Cristiano Vecchi (A0.963371). A tender and meditative canon from the Twelve Pieces for Organ, Op.59 by Max Reger, transposed a fourth above.Version for 2 Violins and Cello. The second Violin can be substitued by a Viola (part included).SCORE and PARTSMP3 also available on this website.Also available for String Trio (in E Major), Woodwind Trio.
$3.99 ≈
3.73€
TWO MEDITATIONS for VIOLA
TWO MEDITATIONS for VIOLA
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Viola
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Alan Edgar
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TWO MEDITATIONS for VIOLA
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Alan Edgar Ted Moon
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SheetMusicPlus
Composed by Alan Edgar. Early Music. Solo Part. 2 pages. Published by Alan Edgar Ted Moon (S0.6469). - Solo Part - Early Music - Alan Edgar Ted Moon...
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Composed by Alan Edgar. Early Music. Solo Part. 2 pages. Published by Alan Edgar Ted Moon (S0.6469). - Solo Part - Early Music - Alan Edgar Ted Moon
$5.00 ≈
4.68€
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TWO MEDITATIONS for VIOLA
