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You've selected:
Take It As It Comes
Sheetmusic to print
228 sheet music found
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226
Take It As It Comes
Take It As It Comes
#
Lyrics and Chords
#
Rock
#
The Doors
#
Take It As It Comes
#
Hal Leonard - Digital
#
SheetMusicPlus
Digital Download SKU: HX.170912 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170912). ...
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Digital Download SKU: HX.170912 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170912).
$1.99 ≈
1.84€
We're Not Gonna Take It
We're Not Gonna Take It
#
Bass guitar
#
INTERMEDIATE
#
Twisted Sister
#
Jared Plane
#
We're Not Gonna Take It
#
Jared Plane
#
SheetMusicPlus
Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1435908 By Twisted Sister. By Daniel Dee Snider. Arranged by Jared Plane. Rock. Score. 5 pages. Jare...
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Bass Guitar TAB - Level 3 - Digital Download SKU: A0.1435908 By Twisted Sister. By Daniel Dee Snider. Arranged by Jared Plane. Rock. Score. 5 pages. Jared Plane #1016010. Published by Jared Plane (A0.1435908). Mark The Animal Mendoza's original bass line as played to the Twisted Sister song, We're Not Gonna Take It from the 1984 album, Stay Hungry. This PDF download comes with both Standard Notation, bass TAB and chord symbols.
$5.00 ≈
4.62€
Clair de Lune (with piano fingering as needed)
Clair de Lune (with piano fingering as needed)
#
Piano solo
#
INTERMEDIATE
#
Classical
#
Claude Debussy
#
Scott Camp
#
Clair de Lune
#
Scott Camp
#
SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedd...
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Piano Solo - Level 3 - Digital Download SKU: A0.553098 Composed by Claude Debussy. Arranged by Scott Camp. 20th Century,Concert,Graduation,Standards,Wedding. Score. 13 pages. Scott Camp #3909193. Published by Scott Camp (A0.553098). Possibly the most beautiful piece of music ever.This edition presents Debussy's masterpiece with as close to 100% clarity as possible: no arrangement, no simplification, no abridgement, only solutions to the challenges of how to play this amazing masterpiece. In my experience, I would guess that Clair de lune has been the final, unfulfilled and unattained goal of piano students more than any other piece in music history.If you recognize the truth in this statement, you owe it to yourself to investigate this edition, in which for the first time, all of the technical challenges are clearly identified with their solutions. Playing a piece of music is not the same as mastering it. Surviving a performance is not the same as playing with confidence. There is no joy in being vulnerable to embarrassing mistakes. It is no way to live. You deserve a set of instructions (this edition) that enables you to master your performance, play with confidence and beauty, not an edition which blocks your access.Clair de Lune is so familiar that it is hard to appreciate just how revolutionary it (and Debussy) are. The word revolutionary is overused, so we fail to realize that Clair de Lune is difficult to play largely because it was difficult to notate. If the faculty of the Paris Conservatory didn't understand or appreciate Debussy, why would we expect the staff of a publishing company (as competent as they were) to understand the demands of his music. Debussy broke the boundaries of conventional piano notation. That means contradictions and ambiguity, which must be addressed.A note about fingering: where and why it is or is not presented. I've done my best to prepare an edition of this music that will enable the Intermediate Classical pianist to prepare and perform this masterpiece. My goal is to include information that the pianist needs, but does not already know. For Claire de Lune, some passages are dependent upon specific hand/fingering solutions, while other passages are either (1) equally playable with different fingering, or (2) only playable by what essentially becomes known as a self-evident solution. For example, m9-24, and m61-62, fall into this category. Octaves can only practically be played with fingers 1 and 5. I provide a lot of finger numbers, but that is not the same as creating an edition that can be played without significant staff reading. The premise is that an intermediate musician should have access to advanced material--that is a musician is motivated to play pieces one level more advanced. Attempting to bridge more than one level is not my goal.
$1.99 ≈
1.84€
Take It As It Comes by The Doors - Piano/Vocal/Chords
#
Piano, Voice
#
The Doors
#
Take It As It Comes
#
Musicnotes
Performed by: The Doors: Take It As It Comes Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file ...
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Performed by: The Doors: Take It As It Comes Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Piano;Voice; 3 pages -- Blues Rock~~Jazz-Rock~~Pop Rock~~Psychedelic
$5.50 ≈
5.08€
I Thought It Was You
I Thought It Was You
#
Jazz Ensemble
#
INTERMEDIATE/ADVANCED
#
Herbie Hancock
#
Johan Verhey
#
I Thought It Was You
#
DaimlerMusic
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged ...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1225926 By Herbie Hancock. By Herbie Hancock, Jeffrey Cohen, and Melvin Ragin. Arranged by Johan Verhey. Disco,Funk,Jazz,Rock. 83 pages. DaimlerMusic #821963. Published by DaimlerMusic (A0.1225926). Step into a world of musical enchantment as the talented Johan Verhey invites you to experience a mesmerizing big band reimagining of Herbie Hancock's 'I Thought It Was You.' Prepare to be swept away by the magic of Johan's artistry, where classic jazz meets contemporary brilliance.Johan Verhey's arrangement takes this jazz-funk gem to new heights, infusing it with a dynamic energy that's impossible to resist. Every note, every instrument, and every moment in this rendition is a testament to the passion and expertise of a true musical visionary.As you listen, you'll find yourself transported to a realm where the boundaries between the past and the present blur, all thanks to Johan's extraordinary craftsmanship. With a fusion of groovy rhythms, scintillating brass, and the sheer power of a big band, 'I Thought It Was You' comes to life in ways you've never imagined.This is more than music; it's an experience that transcends time and genre, a journey into the heart of jazz's future. Johan Verhey's arrangement encapsulates the essence of innovation and artistry, a testament to the enduring power of Herbie Hancock's timeless composition.Prepare to groove, be amazed, and let your soul dance to the rhythm of 'I Thought It Was You.' Johan Verhey's arrangement promises to leave you spellbound and craving for more. It's a musical transformation that you won't want to miss.Join Johan Verhey on this sonic adventure, where the past and the present converge, and the future of jazz shines brightly. Don't just listen; immerse yourself in the brilliance of 'I Thought It Was You.More music from Johan Verhey, see: www.bestarrangementsforbands.com.
$60.00 ≈
55.47€
Take Me Home, Country Roads (Easy Piano)
Take Me Home, Country Roads (Easy Piano)
#
Easy Piano
#
BEGINNER
#
Country
#
John Denver
#
Mario Stallbaumer
#
Take Me Home, Country Roads
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Ma...
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Piano Solo, Piano/Vocal/Chords, Easy Piano - Easy/Beginner - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!
With this easy piano sheet music, you can play “Country Roads” on piano.
I created a more challenging arrangement as well - you can find it here: https://www.sheetmusicplus.com/title/21148082
This here is an easy piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.
However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!
Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!
In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.
"Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!
Time to play some country music on piano!
Here are the full lyrics to "Country Roads":
"Almost heaven, West Virginia
Blue Ridge Mountains, Shenandoah River
Life is old there, older than the trees
Younger than the mountains, blowing like a breeze
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
All my memories gather round her
Miner's lady, stranger to blue water
Dark and dusty, painted on the sky
Misty taste of moonshine, teardrop in my eye
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
I hear her voice, in the morning hour she calls me
The radio reminds me of my home far away
And driving down the road I get a feeling
That I should have been home yesterday, yesterday
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
Take me home, down country roads
Take me home, down country roads"
$4.99 ≈
4.61€
Take Me Home, Country Roads
Take Me Home, Country Roads
#
Piano, Voice
#
Folk/Rock
#
John Denver
#
Mario Stallbaumer
#
Take Me Home, Country Roads
#
Mario Stallbaumer
#
SheetMusicPlus
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallba...
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!
With this piano sheet music, you can play “Country Roads” on piano.
It’s a piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.
However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!
Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!
In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.
"Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!
Time to play some country music on piano!
Here are the full lyrics to "Country Roads":
“Almost heaven, West Virginia
Blue Ridge Mountains, Shenandoah River
Life is old there, older than the trees
Younger than the mountains, blowing like a breeze
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
All my memories gather round her
Miner's lady, stranger to blue water
Dark and dusty, painted on the sky
Misty taste of moonshine, teardrop in my eye
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
I hear her voice, in the morning hour she calls me
The radio reminds me of my home far away
And driving down the road I get a feeling
That I should have been home yesterday, yesterday
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
Country roads, take me home
To the place I belong
West Virginia, mountain mama
Take me home, country roads
Take me home, down country roads
Take me home, down country roads”
$4.99 ≈
4.61€
Don't You Go Down That Dark Path
Don't You Go Down That Dark Path
#
Jazz Ensemble
#
INTERMEDIATE
#
Slappy Hines
#
Don't You Go Down That Dark Pa
#
M. Sloan Hill
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1134319 By Slappy Hines. By M. Sloan Hill (ASCAP). Jazz,Rock. Score and parts. 74 pages....
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Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1134319 By Slappy Hines. By M. Sloan Hill (ASCAP). Jazz,Rock. Score and parts. 74 pages. M. Sloan Hill #734404. Published by M. Sloan Hill (A0.1134319). Don't You Go Down That Dark Path reminds us to avoid brooding and to simply take life as it comes. A happy little Alto Sax Duo feature in the Zydeco style, perfect for your high school big band!
$59.97 ≈
55.44€
How Far Is It to Bethlehem?
How Far Is It to Bethlehem?
#
Christmas
#
Ken Berg
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How Far Is It to Bethlehem?
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part treble voices - Digital Download SKU: C7.CGA999 Composed by Ken Berg. Christmas. Select Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Gu...
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Three-part treble voices - Digital Download SKU: C7.CGA999 Composed by Ken Berg. Christmas. Select Voices. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA999. Published by Chorister's Guild - Digital (C7.CGA999). UPC: 749193009291.Two Manger Carols is a setting for handbells, optional handchimes, flute, and oboe incorporating Whence Comes this Rush of Wings Afar (also known as Carol of the Birds) and Sleep of the Child Jesus. The opening phrase uses the singing bell technique, over which the flute plays a figure representing the rush of wings and the oboe introduces the carol melody. Throughout the arrangement, the melody moves between handchimes, flute, oboe, and handbells. Care must be taken to balance the dynamics of the various instruments, especially taking care that the oboe doesn't overpower the ensemble. As the piece slows to the end, carefully observe dynamics and musically interpret the text, King of Glory, sleep.
$1.95 ≈
1.80€
The Doors: Take It As It Comes - guitar (chords)
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Lyrics and Chords
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INTERMEDIATE
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Rock
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The Doors
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Virtualsheetmusic
Instantly printable sheet music by The Doors for guitar (chords) of MEDIUM skill level. / pop,rock
Instantly printable sheet music by The Doors for guitar (chords) of MEDIUM skill level. / pop,rock
$3.97 ≈
3.67€
The Doors: Take It As It Comes for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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The Doors
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Virtualsheetmusic
Instantly downloadable sheet music by The Doors for voice, piano and guitar of MEDIUM skill level.
Instantly downloadable sheet music by The Doors for voice, piano and guitar of MEDIUM skill level.
$7.99 ≈
7.39€
The Four Seasons in the Basque Country
The Four Seasons in the Basque Country
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6...
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00 ≈
92.45€
Bach Fuga BWV 539 For Woodwind Quintet
Bach Fuga BWV 539 For Woodwind Quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Bach Fuga BWV 539 For Woodwind
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroqu...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.889416 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Standards. 31 pages. Luis Anjos Teixeira #3485727. Published by Luis Anjos Teixeira (A0.889416). 2018 Chamber Music Contest EntryAs a violin player this was always one of my beloved pieces and it has accompanied all my Life. The G minor Fuga is the most compact of the three fugues in the volume for violin solo (and note that in this versions they are not in fact fugues in the proper sense of the word, but rather a kind of fugue/Baroque-concerto hybrid form). It was also transcribed for lute by Bach at some later time (BWV 1000). My arrangement is based on a version of this piece for the organ made by Bach himself - BWV 539. I follow very intimately the organ version, not adding or letting out any of the original notes. As an arrangement I transposed it to H-Minor and some of the notes where made through the interpretation symbols more or less shorter in order to accentuate the polyphonic, rhythmic and natural dynamic of the piece. I also added some legatos. Crescendos, or fortes and similar indications are left out like in the original, waiting for your own interpretation. In the musical consciousness of Bach the polyphony and dialog between the voices were a projection of an ideal world for the Human Society and this should be in the first line of focus and in the mind of all the members in the group. The power of this piece comes from within its structure and relays in its polyphonic dimension. Allow yourself to focus on the Art of enhancing the beauty of this dialog, the bless of communicating with each other. Bach is Love - Love each another I really advise all performers to have a very humble and sensitive approach in the interpretation of this piece towards loudness because you will have to be listening to each other very carefully while performing. Linear time, sound and silence are the basic of dynamic expression. Dynamic will than happen naturally and without much effort when bringing the „Art of playing the silence and the Art of the „duration of the notes to a state of consciousness within the whole piece itself. Often in the old music notation the duration of the notes is longer written in the score then it should be played. Understandable because It takes a lot more time for a composer to write in detail the sound and the silence than to write only the raw length of the notes! Back in those times the performing artists were trained very well to read their raw parts and became very skilled in making their own thing out of the scores so the composers did not have to worry with so much detail like nowadays. In some scores we even find words like:-„please play this note simply as written and without embellishments! On the original score of the Fuga a sixth voice joins the group between bars sixty and sixty one and this voice can be heard very well in the sound file. This „Ghost voice is noted on the clarinet part as an extended possibility. To play it with just one clarinet is absolutely possible as well as arbitrary. Do at will some experiments and let than the group decide. In case of doubt play simply the bottom voice or let yourself get inspired with the sound file. One of my suggestions would be also to play the bottom line as long as the other one is silent, than jump to the upper voice as it comes in and go back again to your usual voice while the other voice „takes a break. This work brought me a new insight into the consciousness and the universal nature of Bach`s music. It requires high skilled and experienced artists to execute. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. Thank you very much f.
$25.00 ≈
23.11€
Dust In The Wind
Dust In The Wind
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Piano solo
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INTERMEDIATE/ADVANCED
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Rock
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Kansas
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Elena Fortin
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Dust In The Wind
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Elena Fortin
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SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren. Arranged by Elena Fortin. Rock. Score. 6 pages. Elena Fortin #5727089...
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Piano Solo - Level 4 - Digital Download SKU: A0.744626 By Kansas. By Kerry Livgren. Arranged by Elena Fortin. Rock. Score. 6 pages. Elena Fortin #5727089. Published by Elena Fortin (A0.744626). DUST IN THE WIND - By Kerry LivgrenArranged by Elena Fortin for Intermediate - Early Advanced PlayersThe group Kansas made a recording of this song by Kerry Livgren. The popularity of the song has stood the test of time. The lyrics refer to how quickly time passes and is a lovely reminder to take each day as it comes and make the most of it.The arrangements I am working on this year are songs that I consider to be important. This song is one of my favourites--I loved the Kansas version of it--with the violin, voice, and two guitars.My arrangement is written in 4/4 time with an almost constant left hand arpeggio bass as a nod to the guitar arrangement. The verse and chorus are repeated three times, each time a little bit differently and explores the full range of the piano. I write this for intermediate to early advanced players--it is a good challenge! There are tricky double-note passages, and some interesting syncopated rhythms. There are full four-note chords in some areas and you need a quick left hand to make some of the harmonic changes!You can check out my other arrangements on my publisher page: https://www.sheetmusicplus.com/search?Ntt=Elena+fortin or come and visit me at my website https://www.the-piano-studio.comYou can see some of my work on my YouTube channel (the-piano-studio.com)
$4.99 ≈
4.61€
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
Tears from My Eyes: Mourning in the Rain (For Clarinet Choir)
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Clarinet Ensemble
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Tito Abeleda
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Tears from My Eyes: Mourning i
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Visionary Quest Records
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SheetMusicPlus
Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Qu...
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Bass Clarinet - Digital Download SKU: A0.1070240 Composed by Tito Abeleda. 20th Century,Contemporary,Easter. Full Performance. Duration 403. Visionary Quest Records #4718277. Published by Visionary Quest Records (A0.1070240). E Flat Clarinet Solo, 5 B Flat Clarinets, 2 A Clarinets, 2 Bass Clarinets. Composed by Tito Abeleda (1964 - ). Full Score plus Parts 78 pages. Duration: 6:25. Digital Download PRO: BMI (ISRC: QZDA81912907) Original Sound Recording produced by Visionary Quest Records (www.visionaryquestrecords.com)Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now Tears from My Eyes: Mourning in the Rain (for Clarinet Choir).Tears from My Eyes music collection is very suitable and moving for funerals, memorials, church, or contemplative settings. Helpful hints: In addition to getting the counts down, even more important is to practice feeling the music collectively together because rigid counting takes away from the flowing emotive nature of the piece. There are actually 3 smaller ensembles within this piece that all three subgroups must musically move together in harmony, rhythm, and balance. When that is achieved, the music and harmonic overtones will be exquisite. The instrumentation is also so important because of the timbre that each instrument contributes to the ensemble. Musicality is key to this piece.This song is the title song on Tito Abeleda's album Mourning in the Rain released on 9/11/2019.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesPerforming Rights Organization is BMI.com.Customer Service: 800-925-8451
$2.99 ≈
2.76€
The Spear of Destiny
The Spear of Destiny
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Violin and Piano
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ADVANCED
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Contemporary
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Jesus J
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The Spear of Destiny
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Jesus Martinez Music
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and part...
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Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
$32.99 ≈
30.50€
Scooby Doo, Where Are You?
Scooby Doo, Where Are You?
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Choral TTBB
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INTERMEDIATE
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Ben Raleigh and David Monk
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Alex Frank
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Scooby Doo, Where Are You?
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Alex Frank
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pag...
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.997249 Composed by Ben Raleigh and David Monk. Arranged by Alex Frank. A Cappella. Octavo. 5 pages. Alex Frank #5218187. Published by Alex Frank (A0.997249). This arrangement is a unique take on the Scooby Doo theme song, as it is to be sung by just 4 voices together in close harmony in the style of Barbershop, a type of A Capella music. It is designed for an all-male barbershop quartet to sing at competitions, shows, parties, and many other kinds of gatherings. It may be sung by a larger Barbershop chorus, with 4 distinct parts and multiple people on each part, but works best when sung as a quartet. The arrangement is based off of the theme song to a Saturday morning animated cartoon series titled Scooby Doo, Where Are You!, which debuted in 1969 and ran actively until 1976. The premise of the show is a gang of five mystery-solving teenagers and their Great Dane dog, Scooby Doo investigating the various spooky occurrences in the area caused by supernatural creatures that terrorize the people in the area. While the gang is overall very intelligent and adept at finding clues which always leads to success at apprehending any suspects involved, their key to success lies in Scooby-Doo, whom the gang depends on for his waggish nature and the tricks he plays on the monsters or villains. While Scooby Doo is often filled with trepidation at the thought of being near any monsters or haunted houses, he often overcomes that fear when his team needs it the most, especially when his favorite treat is promised for coming through: Scooby Snacks. The theme song seeks to instill this message that the main character comes through when needed most. Contact me for any further questions at frankalexander92@gmail.com.
$12.99 ≈
12.01€
Clashing Destinies
Clashing Destinies
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Concert band
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ADVANCED
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Contemporary
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Brayden Bogdon
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Clashing Destinies
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braben music co.
#
SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #9462...
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Concert Band - Level 5 - Digital Download SKU: A0.1361865 Composed by Brayden Bogdon. 21st Century,Classical,Video Game. 84 pages. Braben music co. #946269. Published by braben music co. (A0.1361865). Includes: Digital .pdf w/Full Score and PartsClashing Destinies was originally a work for digital media composed in March-April of 2023, later adapted for Full Orchestra/Symphonic Wind Ensemble. Clashing Destinies takes the listener through a spiral into insanity, starting with the constant thudding of the lows. Even as different parts add on, the thudding persists, representing one's inability to think clearly. There is a sharp dissonant line initially played by the glockenspiel that comes up time and time again, representing the internal panic that cuts through one's rational thoughts during their spiral into madness. Finally we hit the breaking point, a moment of silence followed by the screams of pain one experiences after reaching their breaking point. Soon after, a screaming trumpet takes the spotlight, any form of rational thought has now dithered away. Nothing is left but screams. After an intense battle of struggling to find a grasp on reality, there is a moment of calm. Things slow down as it is believed sanity is being regained, but still, there is that persistent thudding and sharp dissonance. Alas, the realization occurs, it is impossible to regain sanity. As the brass section overtakes the calm of the woodwinds, insanity fully takes over. The homestretch of this piece is pure chaos, every motif comes back. It is one huge reprise of all the feelings that have been experienced, except now they are all sounding much more rapidly, all just a small part of the chaos that is ensuing. Now there is nothing left to do except yell for help. There are three final screams, three final pleads for help. After screaming for help, it is realized... No one is there. Now there is nothing, left unresolved, all alone in the silence.
$14.99 ≈
13.86€
La Tomatina for Symphonic Band
La Tomatina for Symphonic Band
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Concert band
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INTERMEDIATE
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GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica No...
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Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00 ≈
55.47€
Resilience
Resilience
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Handbells
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Alex Guebert
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Resilience
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Chorister's Guild - Digital
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SheetMusicPlus
3, 4, 5, 6, or 7 octaves handbells - Level 4+ - Digital Download SKU: C7.CGB1040 Composed by Alex Guebert. General. Master Ringer. With Bass, 5, 6 or 7 o...
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3, 4, 5, 6, or 7 octaves handbells - Level 4+ - Digital Download SKU: C7.CGB1040 Composed by Alex Guebert. General. Master Ringer. With Bass, 5, 6 or 7 octaves handchimes. Score. 12 pages. Chorister's Guild - Digital #CGB1040. Published by Chorister's Guild - Digital (C7.CGB1040). UPC: 749193026793.From Joshua 1:9: …Be strong and courageous. Do not be afraid; do not be discouraged, for the Lord your God will be with you wherever you go. Resilience is a musical painting of the journey of life, and of a resilient soul. We hear the serenity of sure comfort at the beginning, and then a melody appears--it emanates peacefulness, but also challenge. Major seventh and minor seventh chords are used back-to-back to portray the juxtaposition of light and darkness. When the minor chords take over and the melody begins to fall, a contemplative, tearful section begins, only to be interrupted by a confident rhythm. The 11/8 time signature conveys unsteadiness, but as it continues and grows, it becomes steady and powerful. Finally, the main theme returns in exuberance--the true form of a resilient spirit. As the music comes to a close, the final chord is a major seventh, not minor--good has triumphed over evil--and the notes float up heavenward to the final resting place--it is finished; having persevered, the soul has earned its peaceful rest.
$5.50 ≈
5.08€
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Take It As It Comes
