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65 sheet music found
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51
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
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Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.83€
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
10.83€
The Serenity Prayer
The Serenity Prayer
#
Piano, Voice
#
EASY
#
John W
#
The Serenity Prayer
#
John Fisher
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1244258 Composed by John W. Fisher. 20th Century,Christian,Contemporary,Instructional,Religious. S...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1244258 Composed by John W. Fisher. 20th Century,Christian,Contemporary,Instructional,Religious. Score. 5 pages. John Fisher #839241. Published by John Fisher (A0.1244258). All around the world, Alcoholics Anonymous and other twelve step programs, end their meetings with The Serenity Prayer. These words inspired me to compose a SATB arrangement with piano which can be performed as a solo, as a quartet or with a full choir. It begins in A major with a variation of the traditional lyrics. It then takes a variation, which some groups use, in Bmajor, stressing that there is no one that we can change other than ourselves.
$5.00 ≈
4.51€
Playing Together: Piano Trios for the Advancing Pianist
Playing Together: Piano Trios for the Advancing Pianist
#
Piano Trio: piano, violin, cello
#
INTERMEDIATE/ADVANCED
#
Classical
#
Anonymous, C
#
Kiyoshi Tamagawa
#
Playing Together: Piano Trios
#
Mastery for Strings Press
#
SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. ...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - Digital Download SKU: A0.945465 Composed by Anonymous, C.M. Von Weber, Christian Petzold, J.P. Rameau, Johann Friedrich Burgmuller, Johann Sebastian Bach, Robert Schumann, Stephen Heller, Thomas Attwood, and Wolfgang Amadeus Mozart. Arranged by Kiyoshi Tamagawa. Baroque,Classical,Romantic Period. Score and parts. 57 pages. Mastery for Strings Press #5999949. Published by Mastery for Strings Press (A0.945465). Developed by Kiyoshi Tamagawa in chamber music workshops with younger pianists, Playing Together presents twelve standard works of keyboard literature for the intermediate to early advanced student combined with added violin and cello parts of moderate difficulty. The piano student who plays these arrangements with the aid of careful coaching will:1. Gain an introduction to the art of chamber music2. Learn basic ensemble and rehearsal skills3. Experience pieces he or she already knows in a new way4. Have fun making music with othersThe string parts occasionally extend beyond the first position; the violin to third position (in the Attwood Sonatina) and the cello to fourth (in the Musette, Attwood Sonatina, Bach G minor Minuet, Heller L’Avalanche, and both Petzold Minuets). String students who have not yet studied beyond first position may need to transpose occasional notes or passages an octave downward. More advanced players may of course elect to take even lower passages in alternate positions for musical reasons.
$11.99 ≈
10.82€
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
RENAISSANCE GUITAR MUSIC - Volume 4 INTERMEDIATE
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Guitar
#
INTERMEDIATE
#
Renaissance
#
Various
#
Socrates Arvanitakis
#
RENAISSANCE GUITAR MUSIC - Vol
#
Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. S...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1327548 Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 83 pages. Socrates Arvanitakis #915591. Published by Socrates Arvanitakis (A0.1327548). FROM THE PREFACEThe fourth volume of Renaissance music for classical guitar contains twenty mostly well-known and a few more rare intermediate Renaissance pieces taken mainly from lute and vihuela sources. I have tried to keep the upper level of technical difficulty to the contemporary grade VI level of the A.B.R.S.M. which takes the student to the advanced level (grades VII-VIII).The pieces are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in increasing the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.THEMATIC INDEX OF THIS VOLUME  & NAVIGATION BY ACTIVE LINKSThe thematic index following the cover page of this volume contains active links to the decorated pages of the pieces.The titles of the pieces are also active links interconnecting decorated and tablature pages of the same piece.The header in pages containing  the title of a piece is an active link bringing back to the thematic index. The YOUTUBE logo icons in the thematic index are external links to particular performances of these pieces by various artists.Socrates ArvanitakisLondon 2023CONTENTSPavana 1 Luys MilanPavana 2 L. MilanPavana 3 L. MilanPavana 4 L. MilanPavana 5 L. MilanPavana 6 L. MilanGallarda - Alonso de MudarraGuardame las Vacas I - Luis de NarvaezGuárdame las vacas II - Luis de NarvaezDance Of The Washerwomen - Hans NeusidlerTedesca - AnonymousAlmain - Richard AllisonGreensleeves 1-traditional/AnonymousGreensleeves 2- Francis CuttingAlman in Am - Robert Johnson The Round Battle Galliard - John DowlandThe King of Danemark's Galliard - John DowlandThe Night Watch - Anthony HolborneThe Cobbler - AnonymousGo From My Window - Anonymous.
$15.00 ≈
13.53€
Let Us Break Bread Together
Let Us Break Bread Together
#
Piano solo
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Gospel/Spiritual
#
Anonymous
#
Paul Thurmond
#
Let Us Break Bread Together
#
Paul Thurmond
#
SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 page...
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Piano Solo - Level 4 - Digital Download SKU: A0.828261 Composed by Anonymous. Arranged by Paul Thurmond. Christian,Gospel,Sacred,Spiritual. Score. 4 pages. Paul Thurmond #4969095. Published by Paul Thurmond (A0.828261). Tune: LET US BREAK BREADUse: Prelude, Offertory, CommunionThis song is an African-American spiritual. Some of the text may date back as far as the 18th century. Although it has been used in communion since at least the Civil War, that may not have been its original intent.I have heard lectures given by researchers who claim that many African-American spirituals contain coded messages, intended for slaves, about secret meetings, clandestine worship services, and escape plans. Some songs are even said to contain maps.The texts are innocuous on the surface, so as to not alert the slave owners. Some of the double meanings seem obvious in retrospect:When Israel was in Egypt land,Let My people go.Oppressed so hard they could not stand,Let My people go.And:Steal away, steal away, steal away to Jesus!Steal away, steal away home. I ain’t got long to stay here.In Let Us Break Bread Together, this curious line may have a double meaning:When I fall on my knees, with my face to the rising sunCommunion needn’t take place at daybreak, nor while facing east. The lyrics could be a pointer to a specific time and place for a prohibited meeting.Whatever its original meaning, this and many other African-American spirituals are now an important part of many worship traditions.
$4.99 ≈
4.50€
Rejoice in the Lord for beginning handbells/chimes and flute or piano
Rejoice in the Lord for beginning handbells/chimes and flute or piano
#
Anonymous
#
c
#
Rejoice in the Lord for beginn
#
C.E. Walz
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SheetMusicPlus
Flute,Handbell,Piano - Level 1 - Digital Download SKU: A0.767656 Composed by Anonymous. Arranged by c.e. walz. Easter,Sacred. 6 pages. C.E. Walz #4327103...
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Flute,Handbell,Piano - Level 1 - Digital Download SKU: A0.767656 Composed by Anonymous. Arranged by c.e. walz. Easter,Sacred. 6 pages. C.E. Walz #4327103. Published by C.E. Walz (A0.767656). Maestro remembers this song from his Sunday School days of long ago. Rejoice in the Lord Always for bells(handbellsor handchimes) and flute or piano would be out of the question for a beginning handbell choir, but when bells play half-note chords as accompaniment throughout AND flute or piano takes melody, it is truly a wonderful piece for Palm Sunday or Easter or anytime you want an uplifting musical worship time! There are a couple of options for performance: bells with flute melody, bells with piano melody only, and bells with piano full accompaniment. I don't recommend combining any of these since it might overpower the bells. Key of F, six pages total (2 for bells, 2 for flute melody, 2 for piano accompaniment). Flute and piano parts are early intermediate level. PERMISSION IS GRANTED to make as many copies as needed for your bell choir and flutist/pianist. Performance time: 1:15. The sample MP3 is the bell and flute version. You will be surprised how great your bell choir will sound! .
$4.99 ≈
4.50€
The King Shall Come When Morning Dawns
The King Shall Come When Morning Dawns
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Choral 2-part
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EASY
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Anonymous, Kentucky Harmony tu
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David Lantz
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The King Shall Come When Morni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1401122 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz....
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Choral Choir,Choral (SA) - Level 2 - Digital Download SKU: A0.1401122 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Advent,Sacred. 7 pages. Lantz Choral Publications #984308. Published by Lantz Choral Publications (A0.1401122). Intended use: AdventTheme: The Coming of ChristThis gem uses the ancient Greek Hymn text translated by John Brownlie set to the Kentucky Harmony tune MORNING SONG, from 1813. The SSA and piano arrangement by David Lantz III features an optional soprano descant on the final verse. This is an excellent offering for the Advent season, and it's preparation by the choir will take little time. Traditional sounding...and appealing!Also available for SATB (LCP0239), SAB (LCP0159), Two-part mixed (LCP0151), SSA (LCP0262) and TB (LCP0264) voices.NOTE: The audio recording is that of the SAB version.
$2.35 ≈
2.12€
The King Shall Come When Morning Dawns
The King Shall Come When Morning Dawns
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Choral 2-part
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EASY
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Anonymous, Kentucky Harmony tu
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David Lantz
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The King Shall Come When Morni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (TB) - Level 2 - Digital Download SKU: A0.1401126 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz....
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Choral Choir,Choral (TB) - Level 2 - Digital Download SKU: A0.1401126 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Advent,Sacred. 7 pages. Lantz Choral Publications #984313. Published by Lantz Choral Publications (A0.1401126). Intended use: AdventTheme: The Coming of ChristThis gem uses the ancient Greek Hymn text translated by John Brownlie set to the Kentucky Harmony tune MORNING SONG, from 1813. The SSA and piano arrangement by David Lantz III features an optional soprano descant on the final verse. This is an excellent offering for the Advent season, and it's preparation by the choir will take little time. Traditional sounding...and appealing!Also available for SATB (LCP0239), SAB (LCP0159), Two-part mixed (LCP0151), SSA (LCP0262), and SA (LCP0263) voices.NOTE: The audio recording is that of the SAB version.
$2.35 ≈
2.12€
The King Shall Come When Morning Dawns
The King Shall Come When Morning Dawns
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Choral 3-part
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EASY
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Anonymous, Kentucky Harmony tu
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David Lantz
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The King Shall Come When Morni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.1401113 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz...
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Choral Choir,Choral (SSA) - Level 2 - Digital Download SKU: A0.1401113 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Advent,Sacred. 7 pages. Lantz Choral Publications #984296. Published by Lantz Choral Publications (A0.1401113). Intended use: AdventTheme: The Coming of ChristThis gem uses the ancient Greek Hymn text translated by John Brownlie set to the Kentucky Harmony tune MORNING SONG, from 1813. The SSA and piano arrangement by David Lantz III features an optional soprano descant on the final verse. This is an excellent offering for the Advent season, and it's preparation by the choir will take little time. Traditional sounding...and appealing!Also available for SATB (LCP0239), SAB (LCP0159), Two-part mixed (LCP0151), SA (LCP0263) and TB (LCP0264) voices.NOTE: The audio recording is that of the SAB version.
$2.55 ≈
2.30€
EASY RENAISSANCE GUITAR MUSIC - Volume 3
EASY RENAISSANCE GUITAR MUSIC - Volume 3
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Guitar
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BEGINNER
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Renaissance
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Various
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EASY RENAISSANCE GUITAR MUSIC
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Socrates Arvanitakis
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SheetMusicPlus
Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arv...
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Composed by Various. Arranged by Socrates Arvanitakis. Renaissance. Individual part. 77 pages. Socrates Arvanitakis #889149. Published by Socrates Arvanitakis
This collection contains sixty easy Renaissance pieces from various European countries, and from works of well known, but also obscure or anonymous composers, transcribed for the classical guitar mainly from lute, vihuela, and bandore sources. The pieces will be published in three volumes, each volume containing twenty pieces.
I have tried to include pieces of varied difficulty in all three volumes and also to keep the upper level of technical difficulty to the contemporary grade IV level of the A.B.R.S.M. which takes the student to the intermediate level (grades IV-VI).
The pieces in each volume are given in two versions, first as decorated pages in ordinary notation, and then the same pieces are again given in undecorated pages of notation and tablature. Therefore each volume contains two books in one and the choice is left to the user whether to keep the volume as presented, or to construct his own book by inclusion or deletion of unwanted pages, blank pages, etc, for use either as a printed or a tablet-screen book version. The addition of tablature of course results in doubling the number of pages needed for the presentation of the pieces, therefore the staff sizes are here reduced to an appropriate degree which can maintain the two-page view principle of any piece without need for automatic or manual page turners, foot pedals etc.
The inclusion of tablatures which shows a preference for open string combinations whenever that is possible, clarifies sufficiently the left hand playing positions without need for additional fingerings.
Having said that, my professional advice to all guitar students is to abandon completely their reliance on tablatures and study seriously through many easy collections of music such as the present one in order to familiarise themselves to all aspects of musical notation. And always have in mind that tablatures were invented and still are in use only for fretted instruments, and only due to commercial (publisher’s) considerations primarily, while other string instrumentalists neither have them available, nor need them in order to study/play music.
Metronome marks are only suggestions that need not be taken too literally and are placed mainly for guiding a score writer programme such as Sibelius for performance and extraction of audio and video files. To this end many other expression and/or technique and tempo marks may have been added to the score and made invisible.
NAVIGATION INDEXES – External and Internal links
The second page in every volume is an index divided into three columns. The first column has the titles of the pieces as active invisible links which take the user to the relevant tablature page. The header of that page brings the user back to this index.
The second column has visible links (in frames) to live performances of the pieces either by professional guitarists or students, which are only for getting familiar with the music, but not as suggestions that particular performances should be followed for study purposes.
The third column contains active links to information about particular composers, found mainly in Wikipedia, but sometimes also in other external sources.
The third page in every volume contains a thematic index of active links to the decorated (without tablatures) pages of the pieces. The header of every decorated page brings the user back to this index.
Finally, the titles of all decorated and tablature pages are active links of interconnection between these pages.
This product was created by a member of ArrangeMe, Hal Leonard’s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$15.00 ≈
13.53€
Agnus dei: Gloriosa spes reorum, from Anonymous 4's "Secret Voices" - Score Only
Agnus dei: Gloriosa spes reorum, from Anonymous 4's "Secret Voices" - Score Only
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Anonymous 4
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Susan Hellauer
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harmonia mundi 807510)
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Agnus dei: Gloriosa spes reoru
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Susan Hellauer
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SheetMusicPlus
Digital Download SKU: A0.878599 By Anonymous 4. By Anonymous. Arranged by Susan Hellauer. Early Music,Medieval,Sacred. 3 pages. Susan Hellauer #3213269. ...
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Digital Download SKU: A0.878599 By Anonymous 4. By Anonymous. Arranged by Susan Hellauer. Early Music,Medieval,Sacred. 3 pages. Susan Hellauer #3213269. Published by Susan Hellauer (A0.878599). An ornate 13th-century Agnus dei, featured on Anonymous 4's cd Secret Voices  (2011; harmonia mundi 807510). This chant for the Mass liturgy (duration 3' 27) is adorned with two-voice polyphony, and expanded with a trope (added text and music), both of which increase the solemnity of the Agnus dei chant for a high feast.The Las Huelgas Codex (c. 1300) contains the polyphonic tropes. The rest is taken from a 13th-century chant manuscript from Madrid.
$1.99 ≈
1.80€
Crossing Jordan: Three Spirituals for flute, piano and cello
Crossing Jordan: Three Spirituals for flute, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged...
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Instrumental Duet,Piano Cello,Flute,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272503 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864728. Published by Maria Thompson Corley (A0.1272503). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me. Please note that the YouTube version uses a clarinet. The flute version is slightly different, to accommodate the difference in range.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
27.07€
Crossing Jordan: Three Spirituals for violin, piano and cello
Crossing Jordan: Three Spirituals for violin, piano and cello
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Piano Quartet: piano, 2 violins, cello
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ADVANCED
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arrange...
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1272508 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 35 pages. Maria Thompson Corley #864733. Published by Maria Thompson Corley (A0.1272508). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. Please note that the YouTube version for clarinet is slightly different than the one with violin, to accommodate the differences in range.
$30.00 ≈
27.07€
Crossing Jordan: Three Spirituals for clarinet, piano and cello
Crossing Jordan: Three Spirituals for clarinet, piano and cello
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Sacred music
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Maria Thompson Corley
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Maria Thompson Corley
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Crossing Jordan: Three Spiritu
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Maria Thompson Corley
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous...
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Instrumental Duet,Piano B-Flat Clarinet,Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.1272500 By Maria Thompson Corley. By Anonymous. Arranged by Maria Thompson Corley. 21st Century,Classical,Religious,Sacred,Spiritual. 31 pages. Maria Thompson Corley #864725. Published by Maria Thompson Corley (A0.1272500). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.The first instrumental version of “Deep River†was for trumpet and piano, performed by my sister, Alicia Thompson, and her son, Justin Griffin, during a church service in Atlanta shortly after I arranged it. After hearing a recording, I took borrowed her idea of adding a repeat (which she did to allow enough time for the ushers to take up collection). The clarinet, cello and piano version was premiered by the Isosceles Trio (Doris Hall-Gulati (clarinet), Sara Male (cello), and me (piano)). When Naima Burrs, violinist and conductor of the Petersburg Symphony, asked if I had any pieces for trio, I created a version for violin, piano and cello. The flute/piano/cello version may have been performed, but if so, nobody has mentioned it to me.P.S. I’d love to hear that version, if you have a recording of it.
$30.00 ≈
27.07€
The King Shall Come When Morning Dawns
The King Shall Come When Morning Dawns
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Choral 2-part
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EASY
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Anonymous, Kentucky Harmony tu
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David Lantz
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The King Shall Come When Morni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1242727 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Ad...
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1242727 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Advent,Sacred. Octavo. 7 pages. Lantz Choral Publications #837817. Published by Lantz Choral Publications (A0.1242727). Intended for Advent, this gem uses the ancient Greek Hymn text translated by John Brownlie set to the Kentucky Harmony tune MORNING SONG, from 1813. This two-part mixed and piano arrangement by David Lantz III features an optional soprano descant on the final verse. This is an excellent offering for the Advent season, and it’s preparation by the choir will take little time. Traditional sounding…and appealing!Also available for SAB voices (LCP0159).
$2.35 ≈
2.12€
The King Shall Come When Morning Dawns
The King Shall Come When Morning Dawns
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Choral 3-part
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EASY
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Anonymous, Kentucky Harmony tu
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David Lantz
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The King Shall Come When Morni
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Lantz Choral Publications
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1242735 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Adven...
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Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1242735 Composed by Anonymous, Kentucky Harmony tune MORNING SONG. Arranged by David Lantz. Advent,Sacred. Octavo. 7 pages. Lantz Choral Publications #837825. Published by Lantz Choral Publications (A0.1242735). Intended for Advent, this gem uses the ancient Greek Hymn text translated by John Brownlie set to the Kentucky Harmony tune MORNING SONG, from 1813. This SAB and piano arrangement by David Lantz III features an optional soprano descant on the final verse. This is an excellent offering for the Advent season, and it’s preparation by the choir will take little time. Traditional sounding…and appealing!Also available for Two-part Mixed voices (LCP0151).
$2.35 ≈
2.12€
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
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Recorder
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INTERMEDIATE
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Folkloric/Traditional
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Duets
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Favorite Recorder Tunes - Beau
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital S...
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Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.
This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99 ≈
11.72€
Staines Morris
Staines Morris
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Anonymous
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Gordon Jackson
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Staines Morris
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Gordon Jackson
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SheetMusicPlus
Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,...
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Small Ensemble Bouzouki,Guitar,Harpsichord,Mandolin,Violin - Digital Download SKU: A0.1017678 Composed by Anonymous. Arranged by Gordon Jackson. Baroque,Celtic,Classical,Folk,Irish,Multicultural,World. Score and parts. 4 pages. Gordon Jackson #6436745. Published by Gordon Jackson (A0.1017678). Staines MorrisThe song, Staines Morris, is very well known by singers of traditional songs. It’s a 17th century song. It’s a 19th century song. Actually, it’s both! The lyrics were certainly published, and probably written, by Robert Cox for his play Actaeon and Diana, published in 1656. The tune was first published in John Playford’s The English Dancing Master in 1651. There is no evidence that, in the 17th century, the lyrics were sung to this melody. That didn’t happen for two hundred years, when William Chappell put the two together for his Popular Music of the Olden Time, vol. 1 (1859). I have added chords to the melody. Whilst humming the tune to myself, I found myself moving into 6/8 time, and that inspired me to compose a galliard based on it, complete with ‘divisions’ (runs of semiquavers or 32nd notes) and counterpoint. The song melody and the galliard can be played separately or as parts of one piece, perhaps with the galliard played between two of the verses. I put the galliard in A minor, to provide a contrast with the D minor song melody, but play them in whatever key takes your fancy. I have also added below the lyrics, as most often sung today.Come ye young men, come alongWith your music, dance and songBring your lasses in your handsFor ’tis that which love commands Then to the Maypole haste away For ’tis now our holidayIt is the choice time of the yearFor the violets now appearNow the rose receives its birthAnd the pretty primrose decks the earthAnd when you well reckoned haveWhat kisses you your sweetheart gaveTake them all again, and moreIt will never make them poorWhen you thus have spent your timeAnd the day be past its primeTo your beds repair at nightAnd dream there of your day’s delight
$4.99 ≈
4.50€
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