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You've selected:
That Henri Herz Classical
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4 sheet music found
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1
Jacques Leguerney: String Quartet in D for two violins, viola and cello
Jacques Leguerney: String Quartet in D for two violins, viola and cello
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Contemporary
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Jacques Leguerney
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II. Intermezzo
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Jacques Leguerney: String Quar
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.534402 Composed by Jacques Leguerney. 20th Century,Standards. Score and parts. 125 pages. Musik Fabrik Music Publishing #3457403. Published by Musik Fabrik Music Publishing (A0.534402). Jacques Leguerney (1906-1997) composed two string quartets. The Premier Quatuor à cordes was composed in 1925 during Leguerneyâ??s private piano and composition study with French pianist Thérèse Cahen. His second quartet, subject of this publication by Musik Fabrik, was written between November 1947 and September 1948. The four movements are: I. Allegro moderato; II. Intermezzo; III. Scherzando; IV. Presto-Andantino. This work was, in part, Leguerneyâ??s response to the Premier Quatuor à cordes (inédit) by his colleague, Henri Sauguet. Leguerney stated in a personal interview with Patrick Choukroun (18 May 1989) that: â??I wrote it a bit in opposition to Sauguetâ??s Premier Quatuor. It seemed to me that his quartet was without interest: just scratchings! I wanted to express my way of looking at it from the classical viewpoint of the past: it is almost in the spirit of Mozart, except for the harmonic language, of course. In fact, I wanted to fight against everything that has been done to a quartet since Beethovenâ??s last ones.â? The premiere of the Quatuor à cordes en ré mineur was by the Quatuor Pro Arte at the Abbaye de Royaumont. Before this performance, Poulenc sent Leguerney the following note: â??Fortunate man for whom twelve strings are enough to charm people, I wish you good luck and respectfully embrace you.â? (Handwritten letter, Reims, 4 September 1959). Leguerney was appointed artistic director of the Lumen recording company in 1951, and remained in this position until 1959. He produced four recordings of his music, including the Quatuor Pro Arteâ??s recording of the Quatuor à cordes en ré mineur (1947-1948) (Lumen, LD 2.440, 1958). This disc won the Grand Prix du Disque de lâ??Académie Charles Cros on 13 March 1959. The Pro Arteâ??s members were Suzanne Plazonich, Violin I; Chantal Beylier, Violin II; Nicole Gendreau, Viola; and Micheline Burtin, Cello. Francis Poulenc wrote to Leguerney concerning this recording: â??It is very good Leguerney. Of course, frivolous as I am and shall always remain, it is the 2nd movement that I prefer. Between us, I am like you: I prefer the scherzos after the andantes; that way one is not forced to write a Finale allegro. Yours pleases me very much, in fact, so to my ears it is III-IV-I-II, in the order of pleasure.â? (Manuscript letter, Bagnols, 14 October 1959) The radio station France I broadcast the Quatuor with on 11 July 1959 on the program Schola of the series Concert de musique contemporaine, again with the Quatuor Pro Arte. An archive recording of this broadcast exists on magnetic tape. Critic Claude Rostand wrote: â??Jacques Leguerney does not seem to have looked for special innovations either in form or language. His basic thought seems especially to have written a quartet, that is to say on one hand to have used the four voices with elegance and originality, clarity and homogeneity (four-part writing seems to always have come naturally to him, even at the piano), and on the other hand to exploit all of the supple cushioning that can result from the caress of a bow on a string.â? Critic Emile Vuillermoz wrote: â??His only ambition is to expresses clear and affectionate melodic ideas, in a highly distinguished, elegant and refined language, meaning an homage, in the beginning of our century, to the trios of the greatest stylists of our time. In fact, it is from the vocabulary of Fauré, Debussy and Ravel that he takes his grammar and syntax and that with which he carries out with his this harmonic writing that is both supple and sparse, that is so congenial to the association of four string instruments. This quartet, whose first movement is of a rare perfection, is a delicate enchantment.â? The Musik Fabrik edition of the Quatuor à cordes en ré mineur is taken from a photocopy of the composerâ??s manuscript of the full score. We also had access to the quartet parts found in Leg.
$38.95 ≈
35.18€
Sonata for Alto Saxophone and Piano, Op. 4
Sonata for Alto Saxophone and Piano, Op. 4
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Alto Saxophone and Piano
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Contemporary
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Tyler J
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Sonata for Alto Saxophone and
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TJHoltMusic
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 ...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
$20.00 ≈
18.07€
String Quartet Nº 1 Op. 23
String Quartet Nº 1 Op. 23
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Classical
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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String Quartet Nº 1 Op. 23
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Fabio Dentello
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1192456 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Ma...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - Digital Download SKU: A0.1192456 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Classical,Romantic Period. 90 pages. Fabio Dentello #791893. Published by Fabio Dentello (A0.1192456). Composed in 2022, this String quartet is a work of considerable importance to me and one that I hold in high regard alongside my Opuses 19 to 22.Structured in four movements, it is characterized by an intriguing introduction that sets the stage for the Allegro con Brio, a beautiful and lyrical second movement, a playful Scherzo in the third, and a challenging Presto in the fourth.
$80.00 ≈
72.26€
Grieg: Anitra's Dance from Peer Gynt Suite for Clarinet & Piano
Grieg: Anitra's Dance from Peer Gynt Suite for Clarinet & Piano
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Clarinet and Piano
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Anitra's Dance from Pee
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549554 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultu...
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B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549554 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Multicultural,Romantic Period,Standards,World. Score and part. 15 pages. Jmsgu3 #3507527. Published by jmsgu3 (A0.549554). Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. Most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg, moreover, used Norwegian folk music in his compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is essential to realize that he did this in a manner similar to Jean Sibelius in Finland and Bedřich Smetana in Bohemia. Grieg's Anitra's Dance is a significant movement from his Peer Gynt Suite. It depicts a seductive dance emphasizing the grace and beauty of Anitra, the daughter of a chieftain, who steals Peer Gynt's money after he attempts to seduce her. The movement acts as a fun and playful scherzo, with a waltz feel and pizzicato string sections creating a chaotic and fast-paced atmosphere, reflecting Anitra's seductiveness and Peer Gynt's infatuation with her. This piece is part of Grieg's incidental music to Henrik Ibsen's play Peer Gynt, and it is a notable example of Grieg's ability to musically capture the essence of the play's characters and scenes.
$24.95 ≈
22.54€
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That Henri Herz Classical
