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The American Spirit Bassoon
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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The American Spirit Bassoon
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
Largo (from "Symphony No. 9") ("From the New World") (Db) (Woodwind Quintet - 1 Flute, 1 Oboe, 1 Cla
#
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by R...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.813842 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533959. Published by Regis Bookshar (A0.813842). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Woodwind Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Woodwind Quintet, consisting of 1 Flute, 1 Oboe, 1 Clarinet, 1 French Horn and 1 Bassoon, he has made quite a few other arrangements of this.
$15.00 ≈
¥109.04
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
#
Basson ensemble
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic ...
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00 ≈
¥109.04
The American Spirit - Bassoon
The American Spirit - Bassoon
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Doublebass (band part)
#
Mark Hayes
#
The American Spirit - Bassoon
#
Hal Leonard - Digital
#
SheetMusicPlus
Digital Download SKU: HX.289491 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 11 pages. Hal Leonard - Digital...
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Digital Download SKU: HX.289491 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 11 pages. Hal Leonard - Digital #229875. Published by Hal Leonard - Digital (HX.289491).
$20.00 ≈
¥145.39
Michael Row The Boat Ashore for Solo Bassoon and Piano
Michael Row The Boat Ashore for Solo Bassoon and Piano
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Bassoon, Piano (duet)
#
EASY
#
Traditional
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Tim Curd
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Michael Row The Boat Ashore fo
#
Tim Curd
#
SheetMusicPlus
Bassoon,Piano - Level 2 - Digital Download SKU: A0.1405323 Composed by Traditional. Arranged by Tim Curd. Folk,Religious,Spiritual. Score and part. 3 pag...
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Bassoon,Piano - Level 2 - Digital Download SKU: A0.1405323 Composed by Traditional. Arranged by Tim Curd. Folk,Religious,Spiritual. Score and part. 3 pages. Tim Curd #988365. Published by Tim Curd (A0.1405323). Michael Row The Boat Ashore for Solo Bassoon and PianoAn upbeat arrangement of the American spiritual.Piano and solo part included.There is a backing track that can be purchased here:.
$1.99 ≈
¥14.47
Just A Closer Walk With Thee, Gospel Hymn for Oboe and Bassoon Duet
Just A Closer Walk With Thee, Gospel Hymn for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE
#
Gospel/Spiritual
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Sacred music
#
Traditional
#
David McKeown
#
Just A Closer Walk With Thee,
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David McKeown
#
SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589877 Composed by Traditional. Arranged by David McKeown. Christia...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.589877 Composed by Traditional. Arranged by David McKeown. Christian,Contemporary,Gospel,Praise & Worship,Spiritual. Score and parts. 4 pages. David McKeown #6131239. Published by David McKeown (A0.589877). Just a Closer Walk With Thee is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Oboe and one Bassoon. Little is known of the origins of Just a Closer Walk With Thee, other than it was sung in African-American churches in the nineteenth century. National religious conventions in the 1930s gave the hymn a wider audience. Many versions were recorded in the 1940s and Just a Closer Walk With Thee was quickly adopted as a standard by the New Orleans Jazz revival.Just a Closer Walk With Thee is simply arranged in a key and range best suited to the instruments. The melody is played, with variations, five times in 6/8 meter. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Just a Closer Walk With Thee is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Just a Closer Walk With Thee is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.01
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
#
INTERMEDIATE
#
Classical
#
Antonin Dvorak
#
Ray Thompson
#
Dvorak: String Quartet No.12 i
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RayThompsonMusic
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95 ≈
¥108.68
Every Time I Feel the Spirit (for Woodwind Quartet)
Every Time I Feel the Spirit (for Woodwind Quartet)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
#
Sacred music
#
Sacred music
#
African-American Spiritual
#
Kenneth Abeling
#
Every Time I Feel the Spirit
#
LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1167831 Composed by African-American Spiritual. Arranged by Kenneth Abeling. Prai...
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Woodwind Ensemble,Woodwind Quartet - Level 4 - Digital Download SKU: A0.1167831 Composed by African-American Spiritual. Arranged by Kenneth Abeling. Praise & Worship,Religious,Spiritual. 13 pages. LINCOLN MUSIC PUBLICATIONS #768184. Published by LINCOLN MUSIC PUBLICATIONS (A0.1167831). Every Time I Feel the Spirit arranged here for Woodwind Quartet. This is an advanced intermediate arrangement of the energetic African-American Spiritual. The Playing time is approximately 2:15. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/.
$12.99 ≈
¥94.43
Were You There (When They Crucified My Lord) (for Woodwind Quartet)
Were You There (When They Crucified My Lord) (for Woodwind Quartet)
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Flute, Oboe, Clarinet, Bassoon
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INTERMEDIATE/ADVANCED
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Sacred music
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African American Spiritualï»
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514582 Composed by African American Spiritual. ...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514582 Composed by African American Spiritual. Arranged by Kenneth Abeling. Christian,Easter,Sacred. 13 pages. LINCOLN MUSIC PUBLICATIONS #3444989. Published by LINCOLN MUSIC PUBLICATIONS (A0.514582). Were You There (When They Crucified My Lord) arranged for Woodwind Quartet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40
$13.99 ≈
¥101.70
Were You There (When They Crucified My Lord) (for Woodwind Quintet)
Were You There (When They Crucified My Lord) (for Woodwind Quintet)
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE/ADVANCED
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Sacred music
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African American Spiritual
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514583 Composed by African American Spiritual. Arrang...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.514583 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. 16 pages. LINCOLN MUSIC PUBLICATIONS #3444991. Published by LINCOLN MUSIC PUBLICATIONS (A0.514583). Were You There (When They Crucified My Lord) arranged for Woodwind Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40 Â Preview this score on YouTube: https://www.youtube.com/watch?v=NUTO43XtrPYÂ
$14.99 ≈
¥108.97
Spirits of Big Bend
Spirits of Big Bend
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Concert band
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ADVANCED
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Dan Cook
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Spirits of Big Bend
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Pecan Valley Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 1...
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Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 188 pages. Pecan Valley Music #777724. Published by Pecan Valley Music (A0.1177761). Grade 5Duration; 10:05I) Into the Chisos (3:15)II) Terlingua Nights (4:38)III) Red Ancho (2:12)Piccolo, Flutes 1 & 2, Oboes 1 & 2, Bassoons 1 & 2, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1, 2 ,3 & 4, Trombones 1 & 2, Bass Trombone, Euphonium, & TubaTimpani, Chimes, Bells, Vibraphone, Xylophone, & MarimbaSnare Drum, Bass Drum, Sus. Cymbal, Triangle, Vibraslap, (3)Tenor DrumsSpirits. According to the Editors of Encyclopædia Britannica, Chisos may be a Native American word meaning “ghost†or “spiritâ€. The Chizo Indians were a nomadic group that used to inhabit Northern Mexico and the Big Bend area of Texas. The Chisos Mountains are the only mountain range contained entirely within the boundaries of a national park.Spirits. The Terlingua Ghost Town was once the home of thousands of Mexican mercury miners. It is said that the spirits of those miners return to the Terlingua Cemetery annually during Dia de los Muertos to enjoy an evening of celebration and remembrance with their loved ones.Spirits. Red Ancho. A bowl of red. Each fall, hundreds of spirited culinary adventurers travel to the Big Bend area to extract magic and good times from dried, ruby-red chili pods.Big Bend National Park and the surrounding area is like no other place on Earth. The people who call this part of Texas home are also like no other. This piece is dedicated to all of them, past and present, and to the land they cherish.
$100.00 ≈
¥726.96
Love, Oboe and Bassoon Duet
Love, Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE
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David McKeown
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Love, Oboe and Bassoon Duet
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.590596 Composed by David McKeown. Broadway,Holiday,Love,Musical/Sho...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 3 - Digital Download SKU: A0.590596 Composed by David McKeown. Broadway,Holiday,Love,Musical/Show,Wedding. Score and parts. 4 pages. David McKeown #6216865. Published by David McKeown (A0.590596). Love is a beautiful original composition by David McKeown, arranged as a duet for one Oboe and one Bassoon, and is one of series of pieces celebrating Love in different languages around the world.This duet is inspired by the songs from the great American Songbook. Musical theatre on Broadway reached its heyday in the ‘30s and ‘40s with composers such as George Gershwin and Cole Porter writing regular new shows. This period coincided with the jazz and swing era; as well as countless instrumental interpretations, singers such as Frank Sinatra and Ella Fitzgerald brought these songs to new audiences outside the theatre. They remain popular today, providing a soundtrack for every romantic occasion, and Love aims to capture the melody, form and spirit of these timeless songs.Love is written for players at an intermediate standard and upwards. Expressive throughout, after the rubato preamble, the song is a classic 32 bar AABA structure. Love has a performance time of around three minutes and a half minutes. Click the link above to listen to a full YouTube performance the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.01
Go Down Moses, Gospel Song for Oboe and Bassoon Duet
Go Down Moses, Gospel Song for Oboe and Bassoon Duet
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Oboe, Bassoon (duet)
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INTERMEDIATE/ADVANCED
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Sacred music
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Gospel/Spiritual
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Traditional
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David McKeown
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Go Down Moses, Gospel Song for
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David McKeown
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.590158 Composed by Traditional. Arranged by David McKeown. Christia...
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Instrumental Duet Bassoon,Instrumental Duet,Oboe - Level 4 - Digital Download SKU: A0.590158 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 5 pages. David McKeown #6195575. Published by David McKeown (A0.590158). Go Down Moses is an Afro-American Spiritual Song. This version is arranged as a duet for one Oboe and one Bassoon. Go Down Moses was first published in 1853 after Afro-American Contraband regiments sang it during the American Civil War. In the recording age Go Down Moses was made famous by Paul Robeson and Louis Armstrong. William Faulkner named a novel after the song and there is a memorable performance in the 1941 film, Sullivan’s Travels.Go Down Moses is arranged in a key and range best suited to the instruments. There are four verses, one slow and stately, the other three in a gospel swing style with constant variations. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Go Down Moses is suitable for players at an advanced intermediate level and above. With a performance time of around three and a half minutes, this version of Go Down Moses is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$3.99 ≈
¥29.01
Were You There (When They Crucified My Lord?)
Were You There (When They Crucified My Lord?)
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Violin, Bassoon (duet)
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BEGINNER
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Sacred music
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Sacred music
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African-American Spiritual
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André Nusa
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Were You There
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Andre_Nusa
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SheetMusicPlus
Bassoon,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1367967 Composed by African-American Spiritual. Arranged by André Nusa. Easter,R...
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Bassoon,Instrumental Duet,Violin - Level 1 - Digital Download SKU: A0.1367967 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Religious,Sacred,Spiritual. 3 pages. Andre_Nusa #952344. Published by Andre_Nusa (A0.1367967). Experience the poignant melody of Were You There When They Crucified My Lord? uniquely arranged for violin and bassoon, tailored for beginner players. This accessible arrangement allows aspiring musicians to delve into the emotional depth of this classic piece with ease. The sheet music strikes the perfect balance, offering simplicity for beginners while preserving the beauty of the original composition. Elevate your musical journey and capture the essence of this timeless piece, a harmonious blend of simplicity and soul-stirring melodies.
$2.99 ≈
¥21.74
Were You There (When They Crucified My Lord?)
Were You There (When They Crucified My Lord?)
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Clarinet, Bassoon (duet)
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BEGINNER
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Sacred music
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Sacred music
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African-American Spiritual
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André Nusa
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Were You There
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Andre_Nusa
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SheetMusicPlus
B-Flat Clarinet,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1367985 Composed by African-American Spiritual. Arranged by André Nusa....
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B-Flat Clarinet,Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1367985 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Religious,Sacred,Spiritual. 3 pages. Andre_Nusa #952363. Published by Andre_Nusa (A0.1367985). Experience the poignant melody of Were You There When They Crucified My Lord? uniquely arranged for clarinet and bassoon, tailored for beginner players. This accessible arrangement allows aspiring musicians to delve into the emotional depth of this classic piece with ease. The sheet music strikes the perfect balance, offering simplicity for beginners while preserving the beauty of the original composition. Elevate your musical journey and capture the essence of this timeless piece, a harmonious blend of simplicity and soul-stirring melodies.
$2.99 ≈
¥21.74
Were You There (When They Crucified My Lord?)
Were You There (When They Crucified My Lord?)
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Oboe, Bassoon (duet)
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BEGINNER
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Sacred music
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Sacred music
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African-American Spiritual
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André Nusa
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Were You There
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Andre_Nusa
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SheetMusicPlus
Bassoon,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.1367974 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Rel...
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Bassoon,Instrumental Duet,Oboe - Level 1 - Digital Download SKU: A0.1367974 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Religious,Sacred,Spiritual. 3 pages. Andre_Nusa #952352. Published by Andre_Nusa (A0.1367974). Experience the poignant melody of Were You There When They Crucified My Lord? uniquely arranged for oboe and bassoon, tailored for beginner players. This accessible arrangement allows aspiring musicians to delve into the emotional depth of this classic piece with ease. The sheet music strikes the perfect balance, offering simplicity for beginners while preserving the beauty of the original composition. Elevate your musical journey and capture the essence of this timeless piece, a harmonious blend of simplicity and soul-stirring melodies.
$2.99 ≈
¥21.74
Were You There (When They Crucified My Lord?)
Were You There (When They Crucified My Lord?)
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Flute, Bassoon (duet)
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BEGINNER
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Sacred music
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Sacred music
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African-American Spiritual
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André Nusa
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Were You There
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Andre_Nusa
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SheetMusicPlus
Bassoon,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1367980 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Re...
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Bassoon,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1367980 Composed by African-American Spiritual. Arranged by André Nusa. Easter,Religious,Sacred,Spiritual. 3 pages. Andre_Nusa #952358. Published by Andre_Nusa (A0.1367980). Experience the poignant melody of Were You There When They Crucified My Lord? uniquely arranged for flute and bassoon, tailored for beginner players. This accessible arrangement allows aspiring musicians to delve into the emotional depth of this classic piece with ease. The sheet music strikes the perfect balance, offering simplicity for beginners while preserving the beauty of the original composition. Elevate your musical journey and capture the essence of this timeless piece, a harmonious blend of simplicity and soul-stirring melodies.
$2.99 ≈
¥21.74
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The American Spirit Bassoon
