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The American Spirit F Horn
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You've selected:
The American Spirit F Horn
Sheetmusic to print
55 sheet music found
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1
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51
The American Spirit - F Horn 1,2
The American Spirit - F Horn 1,2
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French horn (band part)
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Mark Hayes
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The American Spirit - F Horn 1
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.289492 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 11 pages. Hal Leonard - Digital...
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Digital Download SKU: HX.289492 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 11 pages. Hal Leonard - Digital #229875. Published by Hal Leonard - Digital (HX.289492).
$20.00 ≈
18.44€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Classical
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Sacred music
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Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00 ≈
16.59€
America (My Country, 'Tis of Thee) ? brass quintet
America (My Country, 'Tis of Thee) ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Contemporary
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Traditional
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Todd Marchand
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America
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Con Spirito Music
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SheetMusicPlus
Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.18189...
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Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.181897). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com
$15.00 ≈
13.83€
The American Spirit - F Horn
The American Spirit - F Horn
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French horn (band part)
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Pamela T
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The American Spirit - F Horn
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.289465 By Pamela T. Stewart. By Mark Hayes. Concert,Contemporary,Patriotic,Pop. Choral Instrumental Pak. 10 pages. Hal Leonard -...
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Digital Download SKU: HX.289465 By Pamela T. Stewart. By Mark Hayes. Concert,Contemporary,Patriotic,Pop. Choral Instrumental Pak. 10 pages. Hal Leonard - Digital #229875. Published by Hal Leonard - Digital (HX.289465).
$20.00 ≈
18.44€
Michael Row The Boat Ashore for Solo Horn in F and Piano
Michael Row The Boat Ashore for Solo Horn in F and Piano
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French Horn and Piano
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EASY
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Traditional
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Tim Curd
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Michael Row The Boat Ashore fo
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Tim Curd
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SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.1405333 Composed by Traditional. Arranged by Tim Curd. Folk,Religious,Spiritual. Score and part. 3...
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French Horn,Piano - Level 2 - Digital Download SKU: A0.1405333 Composed by Traditional. Arranged by Tim Curd. Folk,Religious,Spiritual. Score and part. 3 pages. Tim Curd #988384. Published by Tim Curd (A0.1405333). Michael Row The Boat Ashore for Solo Horn in F and PianoAn upbeat arrangement of the American spiritual.Piano and solo part included.There is a backing track that can be purchased here:.
$3.99 ≈
3.68€
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
Dvorak: String Quartet No.12 in F Op.96 “American" Mvt.II Lento - wind quintet
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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INTERMEDIATE
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by ...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1127691 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period,Spiritual. 16 pages. RayThompsonMusic #728293. Published by RayThompsonMusic (A0.1127691). 2nd mvt Lento - Arranged wind quintet The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States of America. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths.[21] The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. I have NOT simply copied the string parts across to the winds, as other have done. Rather, I have arranged the piece as though it had been written for wind quintet, so have given the horn repeated notes , in the same way as the slow movement of the slow movement Dvorak's wind serenade., and used the horn to sustain. Some of the arpeggio figures remain, but in a simplified form.and are shared between clarinet and bassoon.
$14.95 ≈
13.78€
In the Evening by the Moonlight
In the Evening by the Moonlight
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Brass ensemble
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INTERMEDIATE
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James Bland
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F
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In the Evening by the Moonligh
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.33€
Down by the Riverside - Traditional - 2 Horns in F; Piano and Drum Set - Intermediate level
Down by the Riverside - Traditional - 2 Horns in F; Piano and Drum Set - Intermediate level
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2 French horns (duet)
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INTERMEDIATE
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Traditional
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Raymond Fenech
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Down by the Riverside - Tradit
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Raymond Fenech
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SheetMusicPlus
French Horn Duet Horn - Level 3 - Digital Download SKU: A0.760334 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding...
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French Horn Duet Horn - Level 3 - Digital Download SKU: A0.760334 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score. 18 pages. Raymond Fenech #3574151. Published by Raymond Fenech (A0.760334). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$4.50 ≈
4.15€
Spirits of Big Bend
Spirits of Big Bend
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Concert band
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ADVANCED
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Dan Cook
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Spirits of Big Bend
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Pecan Valley Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 1...
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Concert Band - Level 5 - Digital Download SKU: A0.1177761 Composed by Dan Cook. Classical,Contemporary,Contest,Festival,Instructional. Score and parts. 188 pages. Pecan Valley Music #777724. Published by Pecan Valley Music (A0.1177761). Grade 5Duration; 10:05I) Into the Chisos (3:15)II) Terlingua Nights (4:38)III) Red Ancho (2:12)Piccolo, Flutes 1 & 2, Oboes 1 & 2, Bassoons 1 & 2, Bb Clarinets 1, 2 & 3, Bass Clarinet, Alto Saxes 1 & 2, Tenor Sax, & Baritone SaxBb Trumpets 1, 2 & 3, Horns in F 1, 2 ,3 & 4, Trombones 1 & 2, Bass Trombone, Euphonium, & TubaTimpani, Chimes, Bells, Vibraphone, Xylophone, & MarimbaSnare Drum, Bass Drum, Sus. Cymbal, Triangle, Vibraslap, (3)Tenor DrumsSpirits. According to the Editors of Encyclopædia Britannica, Chisos may be a Native American word meaning “ghost†or “spiritâ€. The Chizo Indians were a nomadic group that used to inhabit Northern Mexico and the Big Bend area of Texas. The Chisos Mountains are the only mountain range contained entirely within the boundaries of a national park.Spirits. The Terlingua Ghost Town was once the home of thousands of Mexican mercury miners. It is said that the spirits of those miners return to the Terlingua Cemetery annually during Dia de los Muertos to enjoy an evening of celebration and remembrance with their loved ones.Spirits. Red Ancho. A bowl of red. Each fall, hundreds of spirited culinary adventurers travel to the Big Bend area to extract magic and good times from dried, ruby-red chili pods.Big Bend National Park and the surrounding area is like no other place on Earth. The people who call this part of Texas home are also like no other. This piece is dedicated to all of them, past and present, and to the land they cherish.
$100.00 ≈
92.18€
Spiritual: Listen to the Lambs for Brass Quintet
Spiritual: Listen to the Lambs for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Robert Nathaniel Dett
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Richard Decker
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Spiritual: Listen to the Lambs
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Rich...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 23 pages. Charles Decker Music Press #654420. Published by Charles Decker Music Press (A0.1050020). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for brass quintet. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. This brass quintet arrangement is scored for two B-flat trumpets (alternate C trumpet parts included), horn in F (alternate flugelhorn substitute part), trombone and tuba. The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99 ≈
13.82€
Tribal War Chant: 1st F Horn
Tribal War Chant: 1st F Horn
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Concert band
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Michael Story
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Tribal War Chant: 1st F Horn
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017533_H1 1st F Horn. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Music - Digit...
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Concert Band - Digital Download SKU: AX.00-PC-0017533_H1 1st F Horn. Composed by Michael Story. Multicultural. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017533_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017533_H1). UPC: 654979188735.Tribal War Chant is based on authentic Native American war dances. These culturally symbolic dances consisted of human voices accompanied by drums, bells, and rattles. The thematic material is meaningfully staged over driving traditional rhythms with intense stylistic variations. Before a war, men danced to attain spirit and power; after a war, they danced to celebrate a victory. This exciting composition is a must on your next program. (4:00).
$3.00 ≈
2.77€
Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
Down by the Riverside - Brass Quintet ( 2 B Flat Trumpets; Horn in F; Trombone/ Euphonium; Tuba and
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Traditional
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Raymond Fenech
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Down by the Riverside - Brass
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. East...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.759917 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 24 pages. Raymond Fenech #3453855. Published by Raymond Fenech (A0.759917). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged for Brass quintet i.e. 2 Trumpets in B Flat, French Horn in F; Trombone/ Euphonium and Tuba and Optional Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95 ≈
7.33€
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
Dvorak: String Quartet No.12 in F Op.96 "American" Mvt.IV Finale - symphonic wind dectet/bass
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Classical
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Antonin Dvorak
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Ray Thompson
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Dvorak: String Quartet No.12 i
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RayThompsonMusic
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thom...
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Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1124411 Composed by Antonin Dvorak. Arranged by Ray Thompson. Romantic Period. Score and parts. 55 pages. RayThompsonMusic #725159. Published by RayThompsonMusic (A0.1124411). Arranged double wind quintet/bass The String Quartet in F major, Op. 96, nicknamed the American Quartet, is the 12th string quartet composed by AntonÃn Dvořák. It was written in 1893, during Dvořák's time in the United States. The quartet is one of the most popular in the chamber music repertoire. For the London premiere of his New World symphony, Dvořák wrote: As to my opinion I think that the influence of this country (it means the folk songs)) is to be seen, and that this and all other works (written in America) differ very much from my other works as well as in colour as in character,. A characteristic, unifying element throughout the quartet is the use of the pentatonic scale. This scale gives the whole quartet its open, simple character, a character that is frequently identified with American folk music. However, the pentatonic scale is common in many ethnic musics worldwide, and Dvořák had composed pentatonic music, being familiar with such Slavonic folk music examples, before coming to America Specific American influences have been doubted: In fact the only American thing about the work is that it was written there, writes Paul Griffiths. The specific American qualities of the so-called American Quartet are not easily identifiable, writes Lucy Miller, ...Better to look upon the subtitle as simply one assigned because of its composition during Dvořák's American tour. This is my arrangement of the 4th movement: Finale (Vivace ma non troppo) It is in a traditional rondo form, A–B–A–C–A–B–A. The main melody is pentatonic. The B section is more lyrical, but continues in the spirit of the first theme. The C section is a chorale theme. I have adapted the string music for winds, and included some sustained horn chords. It has a similar feel to the finale of Dvorak’s wind serenade in D minor op.44.
$14.95 ≈
13.78€
Were You There - African-American Spiritual for Brass Quintet
Were You There - African-American Spiritual for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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Sacred music
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Sacred music
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Traditional
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Jerald Juhnke
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Were You There - African-Ameri
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Gordon Cherry
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1200186 Composed by Traditional. Arranged by Jerald Juhnke. Religious. 8 pages. Gordo...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1200186 Composed by Traditional. Arranged by Jerald Juhnke. Religious. 8 pages. Gordon Cherry #798988. Published by Gordon Cherry (A0.1200186). Were You There, an African-American Spiritual arranged for Brass Quintet by Jerald Juhnke first appeared in 1899, likely composed by slaves. The text refers to the crucifixion scene and the suffering of Jesus on the Cross, but also has hidden meanings connecting his suffering with the suffering of the black slaves.This gorgeous arrangement by Jerold Juhnke of about 3.5 minutes is for standard brass quintet of 2 Trumpets in B-flat, Horn in F, Trombone and Tuba and is appropriate for moderately advanced performers.
$25.00 ≈
23.05€
Joy to the World — festival hymn accompaniment for organ, brass quintet, timpani
Joy to the World — festival hymn accompaniment for organ, brass quintet, timpani
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Sacred music
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G
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Todd Marchand
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Joy to the World — festival
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Con Spirito Music
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SheetMusicPlus
B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1279233 Composed by G.F. Handel / Lowell Mason. Arranged by Todd Mar...
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B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download SKU: A0.1279233 Composed by G.F. Handel / Lowell Mason. Arranged by Todd Marchand. Christian,Christmas,Holiday,Sacred. 17 pages. Con Spirito Music #870731. Published by Con Spirito Music (A0.1279233). One of the most popular English hymns, “Joy to the World†began not as a Christmas carol but as a lyrical paraphrase of Psalm 98 written in 1719 by the English Congregational minister, theologian, and hymn writer Isaac Watts (1674-1748).Watts published the poem in his collection, The Psalms of David, Imitated in the Language of The New Testament. The free paraphrase is Watts’ Christological interpretation of the psalm, celebrating Jesus’ role as King of both his church and the world. More than a century later, the second half of Watts' poem was adapted and set to music by the American music educator and hymn-tune composer Lowell Mason (1792-1872) in his Occasional Psalms and Hymn Tunes (1836). Mason based the music, in part, on excerpts from  George Frideric Handel's (1685-1759) oratorio Messiah, with the descending major scale accompanying the opening words, “Joy to the world! The Lord is come†echoing Handel’s chorus, “Lift up your heads.â€Â This accompaniment to unison voices proceeds as follows:•  Introduction: organ, brass, timpani •  Verse 1: organ •  Verse 2: brass, timpani•  Verse 3: organ with alternate harmonization•  Interlude: all•  Verse 4: organ, brass, timpani, with alternate harmonization•  Coda: allIncludes full score, parts for organ, Bb tpt. 1, Bb tpt. 2, F horn, tbn, tuba, timpani, and reproducible bulletin insert for voices.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$25.00 ≈
23.05€
Gary Lanier: WERE YOU THERE (Duet – Horn in F & Piano with Parts)
Gary Lanier: WERE YOU THERE (Duet – Horn in F & Piano with Parts)
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French Horn and Piano
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Gospel/Spiritual
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Gospel/Spiritual
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American Spiritual
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Gary Lanier
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Gary Lanier: WERE YOU THERE
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The Lanier Company
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SheetMusicPlus
Composed by American Spiritual. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Spiritual, Easter. Score, Solo Part. 11 pages. Published by ...
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Composed by American Spiritual. Arranged by Gary Lanier. Christian, Contemporary Christian, Gospel, Spiritual, Easter. Score, Solo Part. 11 pages. Published by The Lanier Company (S0.99867). - Score,Solo Part - Christian,Contemporary Christian,Gospel,Spiritual,Easter - The Lanier Company
$6.99 ≈
6.44€
Kumbaya for Horn in F and Piano
Kumbaya for Horn in F and Piano
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French Horn and Piano
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BEGINNER
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Sacred music
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Traditional
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Tim Curd
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Kumbaya for Horn in F and Pian
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Tim Curd
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SheetMusicPlus
French Horn,Piano - Level 1 - Digital Download SKU: A0.717517 Composed by Traditional. Arranged by Tim Curd. Children,Christian,Praise & Worship,Spiritua...
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French Horn,Piano - Level 1 - Digital Download SKU: A0.717517 Composed by Traditional. Arranged by Tim Curd. Children,Christian,Praise & Worship,Spiritual. Score and part. 3 pages. Tim Curd #6272675. Published by Tim Curd (A0.717517). Kumbaya for Horn in F and Piano.Kumbaya which means come by hear is an Afro American spiritual that is thought to originate from the islands near South Carolina and Georgia. This arrangement features a triumphal counter melody that runs through the piece.Solo and piano part included.
$3.99 ≈
3.68€
Down by the Riverside - 5 Horns in F
Down by the Riverside - 5 Horns in F
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Traditional
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Raymond Fenech
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Down by the Riverside - 5 Horn
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Raymond Fenech
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.759960 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. ...
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.759960 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Score and parts. 21 pages. Raymond Fenech #3469990. Published by Raymond Fenech (A0.759960). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This spiritual song is arranged with an Optional Drum Set and so it could be played without the Drum Set. The level is Advanced Intermediate and the duration is 2.39minutes.
$7.95 ≈
7.33€
American Patrol - brass quintet
American Patrol - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE/ADVANCED
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Patriotic
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F
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Todd Marchand
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American Patrol - brass quinte
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Con Spirito Music
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SheetMusicPlus
Composed by F.W. Meacham (1856?1909). Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 24 pages. Published by Con Spirito M...
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Composed by F.W. Meacham (1856?1909). Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 24 pages. Published by Con Spirito Music (S0.182135). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
?American Patrol? is the best-known work by Frank White (F.W.) Meacham (1856?1909), an arranger and composer associated with Tin Pan Alley, the home of New York City-based songwriters and music publishers who dominated the popular music of the United States in the late 19th and early 20th century. ?American Patrol? incorporates both original musical themes by Meacham and melodies from patriotic songs of the era such as ?Columbia, the Gem of the Ocean? and ?Dixie.? The ?patrol? format was popular in the latter 19th century, and was intended to represent a military band approaching, passing, and fading into the distance. It typically included an introduction played pianissimo or piano, in imitation of bugle calls or drums, then themes played progressively louder until a recapitulation of the first theme(s), gradually fading away and finishing softly, like the march began. Published for piano in 1885 and for wind band in 1891, ?American Patrol? became and remained popular through World War I and II, enjoying renewed popularity during WWII and beyond thanks to a swing arrangement for Glenn Miller's band by Jerry Gray. ©Copyright 2013 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
13.83€
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The American Spirit F Horn
