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The American Spirit Tuba
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The American Spirit Tuba
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Ensemble - Trps, Hrns, Trbs, Tubas)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813843 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 32 pages. Regis Bookshar #6537739. Published by Regis Bookshar (A0.813843). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Ensemble) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (24 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, he has created this version for a Brass Ensemble. Parts included with the purchase are a 1st Trumpet in Bb, a 2nd Trumpet in Bb, a 3rd Trumpet in Bb, 1a st French Horn in F, a.
$18.00 ≈
16.24€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 3 Trp, 1 Trb, 1 Tuba)
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contempo...
(+)
Brass Ensemble Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813824 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533897. Published by Regis Bookshar (A0.813824). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, but in this case, consisting of 3 Trumpets, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selection.
$15.00 ≈
13.54€
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
Largo (from "Symphony No. 9") ("From the New World") (Db) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tu
#
Brass quartet : 2 trumpets, trombone, tuba
#
INTERMEDIATE
#
Classical
#
Sacred music
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporar...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.813823 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533895. Published by Regis Bookshar (A0.813823). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Brass Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, he has made quite a few other arrangements of this selectio.
$15.00 ≈
13.54€
The American Spirit - Tuba
The American Spirit - Tuba
#
Tuba (band part)
#
Mark Hayes
#
The American Spirit - Tuba
#
Hal Leonard - Digital
#
SheetMusicPlus
Digital Download SKU: HX.289495 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 10 pages. Hal Leonard - Digital...
(+)
Digital Download SKU: HX.289495 Composed by Mark Hayes. American,Concert,Contemporary,Patriotic. Choral Instrumental Pak. 10 pages. Hal Leonard - Digital #229875. Published by Hal Leonard - Digital (HX.289495).
$20.00 ≈
18.05€
Down to the River to Pray ? brass quintet
Down to the River to Pray ? brass quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Gospel/Spiritual
#
American Folk Hymn
#
Todd Marchand
#
Down to the River to Pray ? br
#
Con Spirito Music
#
SheetMusicPlus
Brass Quintet - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. ...
(+)
Brass Quintet - Intermediate - Digital Download Composed by American Folk Hymn. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. Score, Set of Parts. 14 pages. Published by Con Spirito Music
"Down to the River to Pray" (also known as "Down in the River to Pray," "Down in the Valley to Pray," and "The Good Old Way") is a 19th-century American folk hymn variously attributed as an African-American spiritual/slave song, Appalachian song, and gospel song. In recent years, it was popularized in the 2000 motion picture, "O Brother, Where Art Thou," and by folk/bluegrass performer Alison Kraus.
In this arrangement, the first three presentations, or verses, of the pentatonic tune employ simple, traditional harmony and limited instrumentation, evoking the simplicity of folk-singing style. Verse 4 is characterized by a direct key change up a fourth (from concert Eb to Ab) and more active harmonies. After a short, two-bar modulation up one more step to Bb major, the final verse begins with rising parallel harmonies under the melody in trumpet 1, and continues with more contemporary harmonies. The piece concludes with a simple "Amen"-like ending.
©2019 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
13.54€
America (My Country, 'Tis of Thee) ? brass quintet
America (My Country, 'Tis of Thee) ? brass quintet
#
Brass Quintet: 2 trumpets, horn, trombone, tuba
#
INTERMEDIATE
#
Contemporary
#
Traditional
#
Todd Marchand
#
America
#
Con Spirito Music
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SheetMusicPlus
Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.18189...
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Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.181897). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music
Although ?America? (aka ?My Country, ?Tis of Thee?) has been a beloved anthem in the US for nearly two centuries, its origin is not American at all, and it is not unique to America as a patriotic song. Sometimes attributed to British writer/musician Henry Carey (c. 1685-1743), the tune likely dates to the 17th century or earlier and has also been attributed to the English composer John Bull, the French composer Jean-Baptiste Lully, and even a Swiss military melody. It was published in England in the 1744 tune book, Thesaurus Musicus, and it gained immediate and lasting popularity when, with the words ?God Save the King,? it was performed in September 1745 at London's Drury Lane and Covent Garden theaters in support of King George II. Eventually, the tune became the national anthem not only of Britain, but of several other nations, including Denmark, Prussia, and Liechtenstein. After the American colonies became independent from England, a variety of new patriotic texts were written to be sung to the tune. In 1831, Samuel F. Smith, a student at Massachusetts? Andover Theological Seminary, wrote the lyrics today known as ?My Country, ?Tis of Thee.? Smith's words and the traditional tune were one of several unofficial national anthems of the United States during the 19th and early 20th centuries. This attractively harmonized, contemporary setting of a long-lived traditional tune will be a favorite of both performers and listeners at patriotic observances. ©Copyright 2015, revised 2020 Todd Marchand / www.ConSpiritoMusic.com
$15.00 ≈
13.54€
Star Spangled Banner - Tuba with Chords
Star Spangled Banner - Tuba with Chords
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Tuba
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EASY
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Patriotic
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John Stafford Smith
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L
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Star Spangled Banner - Tuba wi
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Müller Publishing company
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SheetMusicPlus
Tuba Solo - Level 2 - Digital Download SKU: A0.1377473 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instruct...
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Tuba Solo - Level 2 - Digital Download SKU: A0.1377473 Composed by John Stafford Smith. Arranged by L. Müller. 20th Century,Classical,Holiday,Instructional,Patriotic. Individual part. 1 pages. Müller Publishing company #962065. Published by Müller Publishing company (A0.1377473). Star Spangled Banner - Melody Sheet Music for Tuba Arranged by L. Müller (with Chords)Experience patriotic spirit with our meticulously arranged sheet music for tuba, featuring Star Spangled Banner composed by John Stafford Smith. This arrangement by L. Müller provides the melody along with chord symbols, offering a versatile and engaging version of this iconic anthem.Smith's composition, set in the key of C major, captures the grandeur and resilience of the American national anthem. Tubists of varying skill levels can confidently perform this piece with ease.Immerse yourself in the stirring melodies of Star Spangled Banner as you showcase your tuba skills. Whether performing solo or as part of an ensemble, this high-resolution sheet music ensures clarity and precision in every note.Elevate your performances and awaken patriotic pride with this special arrangement of Star Spangled Banner for tuba. Invest in spreading the message of unity and freedom through the power of music and inspire audiences with the timeless beauty of this beloved anthem.
$1.99 ≈
1.80€
Easter Anthem (William Billings) — brass quintet, timpani
Easter Anthem (William Billings) — brass quintet, timpani
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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William Billings
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Todd Marchand
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Easter Anthem
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged b...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1202170 Composed by William Billings (1746-1800). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 13 pages. Con Spirito Music #800831. Published by Con Spirito Music (A0.1202170). Ideal as a prelude or postlude to Easter Sunday and Eastertide services of worship, “Easter Anthem†originated as a choral work by William Billings (1746-1800) with text excerpted from Night Thoughts on Life, Death, and Immortality, an extensive blank-verse poem by the English poet Edward Young (1683-1765) published in nine parts (or “nightsâ€) from 1742 to 1745.Born in Boston, Billings was self-taught in music — a tanner by trade — and he was renowned as a singing master and proponent of the singing-school tradition of American folk culture. Considered the ï¬rst native-born American composer, his works include hymns, anthems, psalms, and fuging tunes.“Easter Anthem†is exemplary of his compositional style, which is noted for rhythmic vitality and straightforward harmonies. Exuberantly glorious, it celebrates the resurrection of Christ and the salvation of the world from its opening acclamation, “The Lord is risen indeed! Hallelujah!†to its closing declaration, Thine all the glory, man’s the endless bliss!The Lord is risen indeed! Hallelujah!Now is Christ risen from the dead,And become the ï¬rst fruit of them that slept.Hallelujah!And did he rise?Hear, O ye nations! Hear it, O ye dead!He rose! He burst the bars of death,And triumph'd o'er the grave.Then I rose!Then ï¬rst humanity triumphantPass'd the crystal ports of light,And seiz'd eternal youth.Man, all immortal, Hail!Heaven, all lavish of strange gifts to man,Thine all the glory! Man's the boundless bliss!This joyful work, which explores various combinations of choral voices, is well-suited to the sonorities of the brass quintet. In this arrangement, tempo indications, dynamic markings and articulations, as well as a newly composed timpani part, have been added by the arranger.©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00 ≈
13.54€
Dear Lord and Father of Mankind (REPTON) - brass quintet
Dear Lord and Father of Mankind (REPTON) - brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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C
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Todd Marchand
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Dear Lord and Father of Mankin
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Con Spirito Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.726077 Composed by C.H.H. Parry (1848-1918). Arranged by Todd Marchand. Christian,Easter,Sacred. Scor...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.726077 Composed by C.H.H. Parry (1848-1918). Arranged by Todd Marchand. Christian,Easter,Sacred. Score and parts. 16 pages. Con Spirito Music #3469576. Published by Con Spirito Music (A0.726077). Dear Lord and Father of Mankind is a hymn text by the American Quaker poet John Greenleaf Whittier (1807-1892) that is customarily sung to either of two tunes. In the US, the tune Rest by the English organist and teacher Frederick Charles Maker (1844-1927) is more popular, while in the UK, Repton by the English composer, teacher, and music historian Sir Charles Hubert Hastings Parry (1848-1918) is prevalent.
$15.00 ≈
13.54€
(ghost) Riders In The Sky (a Cowboy Legend)
(ghost) Riders In The Sky (a Cowboy Legend)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE
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Contemporary
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Johnny Cash
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Arthur Jesse & Peet du Toit
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(ghost) Riders In The Sky
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Peet du Toit
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du T...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802616 By Johnny Cash. By Stan Jones. Arranged by Arthur Jesse & Peet du Toit. Contemporary. Score and parts. 9 pages. Peet du Toit #6023995. Published by Peet du Toit (A0.802616). The song tells a folk tale of a cowboy who has a vision of red-eyed, steel-hooved cattle thundering across the sky, being chased by the spirits of damned cowboys. One warns him that if he does not change his ways, he will be doomed to join them, forever trying to catch the Devil's herd across these endless skies. The story has been linked with old European myths of the Wild Hunt, in which a supernatural group of hunters passes the narrator in wild pursuit.Stan Jones stated that he had been told the story when he was 12 years old by an old Native American who resided north-east of the Douglas, Arizona border town, a few miles behind D Hill, north of Agua Prieta, Sonora. The Native Americans, possibly Apache, who lived within Cochise County, believed that when souls vacate their physical bodies, they reside as spirits in the sky, resembling ghost riders. He related this story to Wayne Hester, a boyhood friend (later owner of the Douglas Cable Company). As both boys were looking at the clouds, Stan shared what the old Native American had told him, looking in amazement as the cloudy shapes were identified as the ghost riders that years later, would be transposed into lyrics. The melody is based on the song When Johnny Comes Marching Home.
$15.00 ≈
13.54€
The Star-Spangled Banner — brass quintet
The Star-Spangled Banner — brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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John Stafford Smith
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Todd Marchand
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The Star-Spangled Banner — b
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1080498 Composed by John Stafford Smith. Arranged by Todd Marchand. Chamber...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1080498 Composed by John Stafford Smith. Arranged by Todd Marchand. Chamber,Patriotic,Traditional. 13 pages. Con Spirito Music #684728. Published by Con Spirito Music (A0.1080498). A straightforward arrangement of the American national anthem, suitable for patriotic recitals and civic/community events. Includes parts in both 8.5x11-inch page format and 6.75x5.5-inch march folio (flip folder) size. The national anthem of the United States of America, “The Star-Spangled Banner†is a setting of the poem, “Defence of Fort M’Henry†by Francis Scott Key (1779-1843) to the music of “The Anacreontic Song†by the British composer and musicologist John Stafford Smith (1750-1836). Key wrote his poem on September 14, 1814 while witnessing the British bombardment of Fort McHenry in Baltimore Harbor during the War of 1812, inspired by the large American flag (“star-spangled bannerâ€) flying triumphantly above the fort during the American victory. Smith’s tune, already well-known, became the vehicle for what was soon to be a popular American patriotic song. “The Star-Spangled Banner†was recognized for official use by the United States Navy in 1889, and by U.S. President Woodrow Wilson in 1916, and was made the national anthem by a congressional resolution on March 3, 1931. ©Copyright 2012 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
$10.00 ≈
9.02€
Were You There (When They Crucified My Lord) (for Brass Quintet)
Were You There (When They Crucified My Lord) (for Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African American Spiritual
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Kenneth Abeling
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Were You There
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514584 Composed by African American Spiritual. Arranged by Kenneth Abeling...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514584 Composed by African American Spiritual. Arranged by Kenneth Abeling. Easter,Sacred. Score and parts. 16 pages. LINCOLN MUSIC PUBLICATIONS #3444997. Published by LINCOLN MUSIC PUBLICATIONS (A0.514584). Were You There (When They Crucified My Lord) arranged for Brass Quintet. This is a contemporary arrangement of timeless African American Spiritual. It is an Intermediate Advanced to easier advanced arrangement and is appropriate for all contemporary religious services, many traditional services and of course general performance. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 3:40 Â Preview this score on YouTube: https://www.youtube.com/watch?v=i0wK_S0mCAoÂ
$14.99 ≈
13.53€
Were You There?
Were You There?
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Tuba and Piano
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INTERMEDIATE/ADVANCED
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Sacred music
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Sacred music
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Traditional
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Robert Myers
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Were You There?
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WheatMyer Music
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SheetMusicPlus
Piano,Tuba - Level 4 - Digital Download SKU: A0.976700 Composed by Traditional. Arranged by Robert Myers. Christian,Easter,Sacred,Spiritual. Score and pa...
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Piano,Tuba - Level 4 - Digital Download SKU: A0.976700 Composed by Traditional. Arranged by Robert Myers. Christian,Easter,Sacred,Spiritual. Score and part. 8 pages. WheatMyer Music #3494755. Published by WheatMyer Music (A0.976700). The origins of this traditional African-American spiritual likely predate the Civil War. Since its first publishing in 1899 it has become prevalent in the hymnals of nearly every American Christian denomination. Its simple lyrics and haunting melody hardly fail to strike a personal and intimate chord within Christians as they sing, Were you there when they crucified my Lord? Sometimes is causes me to tremble, tremble, tremble. Were you there when they crucified my Lord?
$7.99 ≈
7.21€
Spiritual: Listen to the Lambs for Brass Quintet
Spiritual: Listen to the Lambs for Brass Quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Robert Nathaniel Dett
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Richard Decker
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Spiritual: Listen to the Lambs
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Rich...
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Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1050020 Composed by Robert Nathaniel Dett. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 23 pages. Charles Decker Music Press #654420. Published by Charles Decker Music Press (A0.1050020). Early 20th century Canadian-American composer, conductor and pianist Robert Nathaniel Dett's Listen to the Lambs choral anthem combines his neo-romantic style and advocacy for spirituals in this engaging arrangement for brass quintet. Director of the Hampton Institute, Dett developed the college's choir with his compositions and conducting into one of the leading choirs in the nation. Always looking to improve his compositional capabilities, Dett studied with notable teachers such as composer Arthur Foote at Harvard, was the first African-American to receive a Bachelor's Degree in Music from Oberlin Conservatory in composition and piano in 1908 and received an Honorary Masters Degree in 1932 from the Eastman School of Music. This brass quintet arrangement is scored for two B-flat trumpets (alternate C trumpet parts included), horn in F (alternate flugelhorn substitute part), trombone and tuba. The recording is of the entire edition. “The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. These pieces are now permanently in my quintet book and I will be using them with my student groups as well. Highly recommended!† Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$14.99 ≈
13.53€
Were You There? (When They Crucified My Lord)
Were You There? (When They Crucified My Lord)
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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African-American Spiritual
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Todd Marchand
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Were You There?
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Con Spirito Music
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SheetMusicPlus
Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0...
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Composed by African-American Spiritual. Arranged by Todd Marchand. Christian, Gospel, Spiritual, Sacred, Americana. 13 pages. Published by Con Spirito Music (S0.181361). - - Christian,Gospel,Spiritual,Sacred,Americana - Con Spirito Music
?Were You There? is a nineteenth-century African-American spiritual that likely predates the American Civil War, and may have roots in a folk hymn known in Tennessee as ?Have You Heard How They Crucified MyLord?? It was first published in William Eleazar Barton's 1899 Old Plantation Hymns; and in 1940, it was included in the hymnal of the Episcopal Church with harmonization by C. Winfred Douglas, making it the first spiritual to be included in any major American hymnal. This arrangement evokes the call-and-response tradition of the spiritual, and features solo trumpet answered by low brass in the introduction and first stanza, solo trombone/low brass trio in the second stanza, and full ensemble in the final stanza. Although appropriate for use throughout the year, it is particularly fitting for performance on Good Friday, Holy Saturday (Easter Vigil) and Easter sunrise services. This intermediate-level arrangement is suitable for ensembles from high school to community and professional musicians. ©Copyright 2015 Todd Marchand / ConSpiritoMusic.com
$15.00 ≈
13.54€
Nobody Knows the Trouble I’ve Seen (for Brass Quintet)
Nobody Knows the Trouble I’ve Seen (for Brass Quintet)
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Brass quartet : 2 trumpets, trombone, tuba
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INTERMEDIATE/ADVANCED
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Gospel/Spiritual
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African American Spiritual
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Kenneth Abeling
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Nobody Knows the Trouble I’v
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.514875 Composed by African American Spiritual. Arranged by Kenneth Abeling. Folk,Spiritual. Score and parts. 10 pages. LINCOLN MUSIC PUBLICATIONS #3859489. Published by LINCOLN MUSIC PUBLICATIONS (A0.514875). “Nobody Knows the Trouble I’ve Seen†arranged for Brass Quintet by Kenneth Abeling. This is a more contemporary arrangement of yet another ageless African American Spiritual. It is an Intermediate level arrangement and is appropriate for all religious services and Black History events. To view and listen to this piece IN ITS ENTIRETY as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: www.lincolnmusicpublications.com. Playing time: 2:50  Preview this score on YouTube: https://www.youtube.com/watch?v=3okYQ07Ne88Â
$10.99 ≈
9.92€
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The American Spirit Tuba
