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You've selected:
The Other Wise Man Percussion
Sheetmusic to print
19 sheet music found
<
1
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 2 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, ...
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Level 3 - Digital Download SKU: A0.1133721 By Various. By Anonymous, Claude Gervaise, Claudin de Sermisy, Erasmus Widmann, Giorgio Mainerio, Henry VIII, Juan Del Encina, Michael Praetorius, Pierre Attaignant, Pierre Phalese, Thoinot Arbeau, Tielman Susato, and William Cornysh. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733832. Published by Wold Meridian (A0.1133721). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances.  You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
£9.34
The Other Wise Man - Percussion
The Other Wise Man - Percussion
#
Percussion (band part)
#
Christmas
#
Emily Crocker
#
The Other Wise Man - Percussio
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral - Digital Download SKU: HX.1261048 Composed by Emily Crocker. This edition: scorch. Christmas. Choral Instrumental Pak. 4 pages. Duration 1380. Ha...
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Choral - Digital Download SKU: HX.1261048 Composed by Emily Crocker. This edition: scorch. Christmas. Choral Instrumental Pak. 4 pages. Duration 1380. Hal Leonard - Digital #992954. Published by Hal Leonard - Digital (HX.1261048).
$7.00 ≈
£5.45
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
Chording to the Dance Masters Full Score Version with chords Book 1 - Score Only
#
Various
#
Alastair Lodge
#
Chording to the Dance Masters
#
Wold Meridian
#
SheetMusicPlus
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phale...
(+)
Level 3 - Digital Download SKU: A0.1133711 By Various. By Anonymous, Giorgio Mainerio, Michael Praetorius, Pierre Attaignant, Pierre Certon, Pierre Phalese, and Tielman Susato. Arranged by Alastair Lodge. Early Music,Folk,Historic,Medieval,Renaissance. 50 pages. Wold Meridian #733808. Published by Wold Meridian (A0.1133711). This is a companion to my earlier volume Chording to the Dance Masters which presented 44 of my favourite Renaissance Dance band tunes and arranged them as a single melody line with chords derived from the original harmony lines. In this volume I have reunited 22 of the pieces with the lower parts in the score, so that with more collaborators, the fullness of the original arrangement can be heard. The chords are still present, so if the ensemble is short handed, and lines are missing, the arrangements will still work. What is more, by contrasting the melody and chords with the full scoring, it should be possible to work some light and shade into performances. You can hear all the pieces and their chords on YouTube together with contemporary art and historical background material:https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNSAs a help to those less confident in playing harmony lines, I have provided links to playlists of videos online for each part of each piece. You will hear the selected line on its own with chords and percussion, with the melody line added on repeats. The final repeat includes the other harmony lines, but the featured line is slightly louder in the mix. The performance starts with a percussion beat introduction to set the tempo.Who were the Publishers and the Dance Masters? What did they do? Sometime around the 1500s, the popularity of dance music exploded in Europe. Dance Masters were collecting chansons and dance tunes from courts and rural parts and were teaching these to new audiences, spreading their arrangements and reflecting the performance styles of the areas from which they had collected the tunes. Publishers were able to take these tunes that were becoming known across the regions and nations and spread them even more widely, thanks to technological innovations in music printing which made it quicker and therefore cheaper to produce collections of these dances in four or more parts. These publishers were often highly accomplished composers in their own right, who were both able to provide distinctive harmony lines and compose new tunes in the style of their sources, feeding the courts with enduring tunes. Composers and printers of this time would often use note values that are double the length of those we would be used to seeing today, and so to make this version more readable, breves have become semibreves or whole notes, semibreves have become minims or half notes and so on. Working with this publication For those just starting out in Early Music, the volume is an ideal introduction, since the ensemble can build from a soloist with accompaniment with the chords alone, and parts can be added in as additional musicians become available. Instrumentation for these pieces was not specified in the original prints. The range of each part is quite limited, and though the harmonies may seem strange at times, key signatures are kind to the less experienced musician. If enthusiasm takes hold, then reproductions of early music instruments are sold by some very talented makers, as well as coming up on auction sites. Otherwise, it is possible to put together a fairly convincing ensemble with recorders, violins, a cello and mandolins, bouzoukis, flutes or guitars and gradually introduce the authentic instruments as they become available.
$12.00 ≈
£9.34
They Who Decide Fate
They Who Decide Fate
#
Flute, Oboe, Clarinet, Bassoon
#
ADVANCED
#
Brandon Nelson
#
They Who Decide Fate
#
Brandon Nelson
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson...
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Woodwind Ensemble,Woodwind Quartet - Level 5 - Digital Download SKU: A0.912906 Composed by Brandon Nelson. Concert,Contemporary. 93 pages. Brandon Nelson #1954835. Published by Brandon Nelson (A0.912906). Imagine the terrifying prospect of having your fate-indeed, the fate of the entire universe-decided by the fickle whims of seven gods! This was life for all those who dwelled in the ancient society of Sumeria! They Who Decide Fate paints the picture of what living with these gods might have been like for those pitiable mortals. The introduction builds to the dreadful fate theme, which is woven within the rest of the piece. In the first episode, the Eb clarinet is highlighted depicting Enki, the magical, clever Lord of the Earth. Crafty and mischievous, one would not cross this god, so mighty he was said to have created the Tigris and Euphrates rivers between which the entire Sumerian world existed! The full orchestra comes roaring back to represent Shamash, the Lion of Justice. Bringing wrongdoers their just due, he could also be merciful, curing the faithful sick who plead for his mercy. The second episode is gently ushered in by the Basset horn. Featured here is Ninhursag, the mild, nurturing Mother Goddess. It was said that any couple who desired to be fertile would do well to propitiate themselves to herâ?¦ An explosive, percussive jolt fanfares in Inanna, wild, untamed Goddess of Primal Passions! Whether in war or in lust, Inanna stood for all things raw-and ultimately destructive! The low, rumbling voice of the contralto clarinet brings us Anu, Father of the Gods. Ancient and wise, Anu is the manifestation of the heavenly vault. Nanna, the moon god riding on the back of a bull, illuminated the night sky. Sparkling and light colors of the orchestra depict his deft, spry nocturnal motions. The sinuous lines of the Bb clarinet illustrate Enlil, fickle God of Wind and Weather. It is said that it was he who created humans, but lost interest in them and flooded the whole earth. The whole clarinet quartet reprises the fate theme one last time, ending in an exultant flurry, reflecting both the fear and ecstasy that these seven gods inspired in their mortal charges. Learn more about me: bnelsonmusic.wordpress.com.
$89.99 ≈
£70.06
Moon Over The Rising Sun
Moon Over The Rising Sun
#
Luis Anjos Teixeira
#
Moon Over The Rising Sun
#
Luis Anjos Teixeira
#
SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - Digital Download SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00 ≈
£19.46
The Crown Main Theme
The Crown Main Theme
#
Hans Zimmer, Lorne Balfe, and
#
Rob Bushnell
#
The Crown Main Theme
#
Rob Bushnell
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1487431 Composed by Hans Zimmer, Lorne Balfe, and Rupert Gregson-Williams. Arranged by Rob Bushnell. 21st Century,Film/TV,Historic. Brass Band. 53 pages. Rob Bushnell #1064378. Published by Rob Bushnell (A0.1487431). The Crown is a Netflix Original Series, released between 2016 and 2023, that follows the reign of Queen Elizabeth II from 1947 to 2005.The six seasons cover historic events such as the abdication of Edward VIII, Queen Elizabeth’s coronation, the Suez Crisis, the Aberfan disaster, the Queen’s Silver Jubilee, the marriage of Lady Diana Spencer and Charles (Prince of Wales), Michael Fagan breaking into Buckingham Palace, the Annus Horribilis, the divorce of the Waleses, the death of Princess Diana, and stories concerning Prince William, Prince Harry and Kate Middleton.The series has been nominated for 457 awards, winning 132 of them, including 21 Primetime Emmy Awards, and 8 Golden Globe Awards.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. Other searchable terms: Elizabeth the Second, by the Grace of God, of the United Kingdom of Great Britain and Northern Ireland and of her other realms and territories Queen, Head of the Commonwealth, Defender of the Faith, Lillibet, Sir Winston Churchill, Anthony Eden, Harold Macmillan, Margaret Thatcher, Mohamed Al-Fayed, Dodi Al-Fayed, Tony Blair, Clair Foy, Matt Smith, Philip, Duke of Edinburgh, Vanessa Kirby, Princess Margaret, Eileen Atkins, Queen Mary, Jeremy Northam, King George VI, Ben Miles, Group Captain Peter Townsend, Greg Wise, Lord Mountbatten, Jared Harris, King George VI, John Lithgow, Alex Jennings, Prince Edward, Duke of Windsor, Wallis Simpson, Lia Williams, Anton Lesser, Pip Torrens, Tommy Lascelles, Olivia Colman, Tobias Menzies, Helena Bonham Carter, Ben Daniels, Jason Watkins, Harold Wilson, Marion Bailey, Erin Doherty, Charles Dance, Josh O'Connor, Clancy Brown, Lyndon B. Johnson, Mark Lewis Jones, Edward Millward, Derek Jacobi, Edward Heath, Camilla Shand, Gillian Anderson, Emma Corrin, Stephen Boxer, Denis Thatcher, Emerald Fennell, Camilla Parker Bowles, Charles Dance, Tom Brooke, Tom Burke, Richard Roxburgh, Bob Hawke, Kevin McNally, Guy Siner, Imelda Staunton, Jonathan Pryce, Lesley Manville, Dominic West, Jonny Lee Miller, John Major, Olivia Williams, Claudia Harrison, Natascha McElhone, Penny Knatchbull, Lady Romsey, Marcia Warren, Elizabeth Debicki, Salim Daw, Khalid Abdalla, Timothy Dalton, Prasanna Puwanarajah, Martin Bashir, An Interview with HRH The Princess of Wales, Tsar Nicholas II of Russia, Anatoliy Kotenyov, Boris Yeltsin, Bertie Carvel, Ed McVey, Prince William of Wales, Luther Ford, Prince Harry of Wales, Meg Bellamy.
$44.99 ≈
£35.02
Mediterraneo - Score Only
Mediterraneo - Score Only
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Alicia DomÃnguez Arcos Sona
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Alicia DomÃnguez Arcos
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serious (Dum) and acute (Tek)
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Mediterraneo - Score Only
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Alicia Dominguez
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SheetMusicPlus
Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Mult...
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Level 2 - Digital Download SKU: A0.1372693 By Alicia DomÃnguez Arcos Sonay. By Joan Manuel Serrat. Arranged by Alicia DomÃnguez Arcos. Film/TV,Multicultural,Pop,Praise & Worship,Singer/Songwriter,World. 30 pages. Alicia Dominguez #957004. Published by Alicia Dominguez (A0.1372693). In these 112 measures for the twinning of Istanbul-Algeciras I have wanted to incorporate concepts from both parties, with the respect that the composition of Don Joan Manuel Serrat deserves in which in 1970 he sang “Mare Nostrum†(Nostrum mare more correctly in Latin classic, being one of the popular anthems of Spain and therefore a cultural heritage. Therefore it can be used instrumentally or if required, there is a number in the score of which, although the guitar has a melody and one of the choral voices, with two guitars, or make two choral voices or join with your own melody, use both bowed string instruments and plucked strings, etc.Likewise, there are two voices, of which a single voice can use the phrasings of both one voice and the other, giving it its own personality.The tempo will be whatever the interpretation itself wants, much slower, without accelerating so much between the beginning and the moment of the song itself. I have incorporated some instruments into the arrangement as examples:Buzukibouzouki, like the sazturco and the Lebanese Buzuq, which belong to the same family of Buzuki instruments.And as percussion only percussion The Turkish Darbuka is a percussion musical instrument The Turkish Darbuka is a percussion musical instrument from Turkey. The Turkish Darbuka have a high range of low and high resonant tones that sound between the two registers; serious (Dum) and acute (Tek). The edge or lip allows for finger breaking techniques that are not possible in the Egyptian Darbuka.And the Tombak, also called Dombak Ozarb, is a chalice-shaped drum, traditionally built with a hollowed-out biker or walnut trunk covered with skin at one end.With the beginning and among the work itself I wanted to give place to the Bashraf (Turkish Pesrev and Persian Pishraw, which means Overture) and the Sama'i (Turkish Sam Semai) Instrumental genre that is used in the Turkish court and in Sufi music . They were introduced into the Arab world before the 19th century.And also give place in his forms to the Ottoman composer Ismail Hakkibei (1866-1927). Unite Serrat with Hakkibey with this Istanbul-Algeciras work.Although the Bashraf is always made up of four points, Khanat (Plural Dekhana) or Hanne in Turkish, which are always followed by a chorus (Taslim / Teslim), its structure being Khana 1+ Taslim, Khana 2, Khana 3+ Taslim, Khana 4 + Taslim.The fragments must be incorporated since the main base is the Mediterranean pop theme. For this reason, its original rhythm is the Defâhte (In Arabic, Faakhito Fahitah Turki. Being a 20/4 time signature subdivided into 5 sub-groups of 4/4 where the complete cycle coincides with the phrases of the theme. Without forgetting that in music Arabic with the oriental rhythm Lsaada Duyukde 8/8 making a cycle for each measure of 4/4, that is, cycles per phrase, if those written for Western reading in 4/4 with double durations and simplicity. Unit of time: quarter note , coincides in two phrases of 5 measures per staff for a better understanding of the form of the piece, also within a written Arabic version of the theme the unit of time is eighth note 8/8 in G, but it had to be incorporated into Mediterráneo and it is always It is more feasible to think of the human voice as being more limited than instrumentation such as flute, plucked leather instruments, and bowed string instruments.Instrumentation:FluteGuitar 1 (1st voice melody)Guitar 2 (2nd voice melody)Bass (accompaniment and chords)BuzukiSazDarbukaTombakVoice 1st2nd voiceSMATB Voices1st violin2nd violinViolaCellosDouble basses.
$9.00 ≈
£7.01
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
£37.33
The Rickety Old Bridge (Piano Accompaniment Track)
The Rickety Old Bridge (Piano Accompaniment Track)
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Carol Troutman Wiggins
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The Rickety Old Bridge
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Carol Troutman Wiggins
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SheetMusicPlus
Choir,Orff Instrument,Piano - Digital Download SKU: A0.1065642 Composed by Carol Troutman Wiggins. Children,Instructional. Accompaniment. Duration 69. Ca...
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Choir,Orff Instrument,Piano - Digital Download SKU: A0.1065642 Composed by Carol Troutman Wiggins. Children,Instructional. Accompaniment. Duration 69. Carol Troutman Wiggins #3690825. Published by Carol Troutman Wiggins (A0.1065642). THE RICKETY OLD BRIDGE Piano TrackUnison w/Optional Wood Blocks, Rhythm Sticks, Ratchet, Maracas, Slapstick, & Slide Whistle**PERMISSION GRANTED TO PRINT 2 COPIESThis is a great song for Halloween, especially if you're looking for a song that doesn't mention the word Halloween for those students that can't participate in the holiday for religious reasons or otherwise.) There's a lot of fun going on here with the variety of percussion instruments used!Excellent for elementary age students of as a warm-up for younger middle school students.Lots of creaks and rickety sounds portrayed by the percussion instrumentsIntroduces slapsticks and slide whistlesMinor keyChords included.
$9.99 ≈
£7.78
The Rickety Old Bridge
The Rickety Old Bridge
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Choral Unison
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BEGINNER
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Carol Troutman Wiggins
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The Rickety Old Bridge
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Carol Troutman Wiggins
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727456 Composed by Carol Troutman Wiggins. Blues,Children,Holiday,Thriller. Octavo. 4 pages. C...
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Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727456 Composed by Carol Troutman Wiggins. Blues,Children,Holiday,Thriller. Octavo. 4 pages. Carol Troutman Wiggins #3690821. Published by Carol Troutman Wiggins (A0.727456). THE RICKETY OLD BRIDGEUnison w/Optional Wood Blocks, Rhythm Sticks, Ratchet, Maracas, Slapstick, & Slide WhistleThis is a great song for Halloween, especially if you're looking for a song that doesn't mention the word Halloween for those students that can't participate in the holiday for religious reasons or otherwise.) There's a lot of fun going on here with the variety of percussion instruments used!Excellent for elementary age students of as a warm-up for younger middle school students.Lots of creaks and rickety sounds portrayed by the percussion instrumentsIntroduces slapsticks and slide whistlesMinor keyChords includedPIano Accompaniment Track available on this site.
$2.50 ≈
£1.95
All Time High
All Time High
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Orchestra
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INTERMEDIATE/ADVANCED
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Rita Coolidge
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John Langley for Studio Orches
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrati...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00 ≈
£93.42
All Time High
All Time High
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Orchestra
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INTERMEDIATE/ADVANCED
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Rita Coolidge
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John Langley (for Studio Orche
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrat...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00 ≈
£93.42
It's Not Polite to Point: Auxiliary Percussion
It's Not Polite to Point: Auxiliary Percussion
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Jazz
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Gordon Goodwin
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It's Not Polite to Point: Auxi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0017236_APC Auxiliary Percussion. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - D...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0017236_APC Auxiliary Percussion. Composed by Gordon Goodwin. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0017236_APC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017236_APC). UPC: 038081433684.As recorded by the Big Phat Band on the CD That's How We Roll, this swing chart features the trombone section. It's not crazy hard to play, but will require some endurance from the 'bones. Solo changes provided for trombones 1 and 2, alto, tenor, bari, and trumpet 4. Lead trumpet hits a high G but otherwise it's not too demanding. This title is available in SmartMusic.Section Feature.
$3.00 ≈
£2.34
Acute Suite No. 2
Acute Suite No. 2
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Contemporary
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Paul Burnell
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Acute Suite No. 2
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.835752 Composed by Paul Burnell. Contemporary. Score and parts. 71 pages. Paul Burnell #3012349. Publ...
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Small Ensemble - Level 3 - Digital Download SKU: A0.835752 Composed by Paul Burnell. Contemporary. Score and parts. 71 pages. Paul Burnell #3012349. Published by Paul Burnell (A0.835752). Includes score and parts in various transpositions.For ensemble in three parts with optional bass and percussion.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-2 that suggest violin and viola, but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. Keyboard - The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. If there is more than one keyboard player, then the players may alternate or double-up to emphasise the harmonic and dynamic structures. It is also allowed for the keyboard part to be played or doubled by other instruments. The movement titles may suggest possible instrumentations. Movement I: Gazing. Duration 4:10 approx. Movement II: Swaying. Duration 3:40 approx. Movement III: Wavering. Duration 3:40 approx.Programme note:Acute Suite No. 2 is for an ensemble in three parts with optional bass and percussion. The first movement ‘Gazing’ was composed in 2012 for the British ensemble FourSight, and was originally titled 'Girl with Binoculars'. The second movement ‘Swaying’, and the third movement ‘Wavering’, were written in early 2016.
$3.99 ≈
£3.11
“Mild und leise...”
“Mild und leise...”
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Dieter Schnebel
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“Mild und leise...”
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Schott Music - Digital
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SheetMusicPlus
Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - Digital Download SKU: S9.Q48898 Bachmann Poems II
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Female voice, clarinet or saxophone, violin, cello, piano and percussion - advanced to difficult - Digital Download SKU: S9.Q48898 Bachmann Poems II. Composed by Dieter Schnebel. This edition: score. Downloadable, Score. Duration 60 minutes. Schott Music - Digital #Q48898. Published by Schott Music - Digital (S9.Q48898). German.'Mild und leise…': does that not come from 'Tristan'? Ingeborg Bachmann’s drafts of poems dating from her year of crisis in 1963 are in fact teeming with quotations from Wagner operas which form a radical contrast to the somewhat clinical-expressionist language and content of her poetry and also display great inner conflict in the expression of their subject of disaster and misfortune. In their musical transformation, the Wagner quotations appear in original form and are therefore disconnected – and simultaneously encapsulated – from the otherwise serial progressions, enabling the creation of a musical dimension which corresponds with their language. Dieter SchnebelKlar. (auch Es-Klar. und Bassklar.) oder: Sax.. (Sopranino-, Sopran-, Alt- und Baritonsax.) - S. (Glsp. · Xyl. · 2 Röhrengl. [dis‘, gis‘] · Trgl. · hg. Beck · chin. Beck. · kl. Tr. · gr, Tr. · Guiro · Mar. · Waldteufel · Woodbl. · Metallbl. · Sandbl. · Peitschenknall · Flex. · Wasserlappen · Mundsir. · Chicken shakes · Schreib-Kratzgeräusche · Plastikbecher) (1 Spieler) - Klav. (auch Synth. und Fahrradklingel) - Vl. · Vc.
$55.99 ≈
£43.59
Life is Beautiful
Life is Beautiful
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Easy Piano
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BEGINNER
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Latin/World Music
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Louis Landon
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Life is Beautiful
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creativ...
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Piano Solo - Easy/Beginner - Digital Download Composed by Louis Landon. 21st Century, New Age. Sheet Music Single. 4 pages. Published by Landon Creative, Inc.
Healing Hearts 3
Louis Landon
2016 / Landon Creative, Inc.
63 minutes
Review by Kathy Parsons
Louis Landon’s Healing Hearts 3 is the third in a series of solo piano albums that are comprised of improvisations that were created while clients were in session at his Healing Piano of Sedona (AZ). These sixty-minute healing and music sessions consist of forty minutes of mentoring and twenty minutes of music that includes personalized music for the client’s own use. Landon created Healing Piano of Sedona several years ago to help people live life joyously, passionately, and stress- and disease-free. Landon is a Steinway Artist who has been a life-long musician. Healing Hearts 3 is his twenty-first album and fourteenth solo piano collection. Each of the thirteen pieces on the album was inspired by a different “soul journey,” so the music is quite varied although it maintains a very calming and peaceful vibe throughout.
It is interesting to note that Healing Hearts 3 has the closest to the ideal sound Landon has been looking for on his recordings. He attributes that achievement to the mastering and editing expertise of Joe Bongiorno of Piano Haven Studio, also in Sedona. Landon has been trying to get the sound of a classical concert hall in his Peace Palace studio recordings and this album definitely has that sound, which is exceptionally beautiful - clear, warm and resonant.
Healing Hearts 3 begins with “Standing In the Light,” a softly flowing piece with a poignant melody that gently soothes the heart - a favorite. “Heart Song” is hushed, intimate and obviously very personal. “Triumph of the Soul” starts out in the deep bass of the piano - very dark and lost. As the piece evolves, it gradually lightens as it moves up the piano keyboard, ending in a very positive place. I’ve often said that the piano is the best instrument to express the sound and feeling of rain and “Night Rain” proves that point again. More energetic than most of the other tracks, the notes flow freely: sometimes smoothly and evenly, sometimes more percussive like big fat raindrops - love it! “Tears” is heartbreak set to music, although tears are so often a big part of the healing process. Such deep emotion is expressed in this piece! Landon wisely follows sadness with “Happy Man,” a lively slice of pianistic sunshine. “Phoenix Rising” begins in the deep bass of the piano, obviously signifying a very dark place or crisis. Over the course of the composition, there is turmoil and pain, but then Landon gradually moves the piece into the upper end of the piano to a much lighter and more peaceful place - a stunning piece! “Healing Time” is gently uplifting and so soothing and serene that I can actually feel it melting away tension - another favorite. “Music Runs Through Me” flows quickly like a stream with sparkles of sunlight dancing happily on its surface. “Balance” returns to a calm stillness that comes when things/life are in balance. Slow, lyrical and very peaceful, it’s the perfect closing for another great album from Louis Landon!
I have thoroughly enjoyed all three Healing Hearts albums, but I think #3 is my favorite. It is available from LouisLandon.com, Amazon, iTunes and CD Baby. Very highly recommended!
November 4, 2016
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
“While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 ≈
£4.09
Acute Suite No. 1
Acute Suite No. 1
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Contemporary
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Paul Burnell
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Acute Suite No. 1
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Paul Burnell
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SheetMusicPlus
Small Ensemble - Level 3 - Digital Download SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Pub...
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Small Ensemble - Level 3 - Digital Download SKU: A0.835751 Composed by Paul Burnell. Contemporary. Score and parts. 132 pages. Paul Burnell #3012341. Published by Paul Burnell (A0.835751). Includes score and parts in various transpositions. For ensemble in four parts with optional percussion, optional keyboard and optional bass.Like many of Burnell's compositions this piece is suitable for homogeneous ensembles and also for mixed ensembles comprising atypical instrumental combinations or numbers of instruments.The instrumentation is not specified. The score shows clefs for parts 1-4 as if written for a string ensemble but other instrument combinations are possible. Parts are available in a variety of transpositions and clefs. Players may change parts between movements or, where a movement or section is out of range, they may be tacet. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. The movement titles may suggest possible instrumentations. Movement I, Highlighting. Duration 3:20 approx Movement II, Swirling. Duration is 3:30 with Dal Segno repeat, 2:00 without the repeat Movement III, Lowering. Duration 5:00 approx. Movement IV, Flickering. Duration 1:30 approx.Programme Note:The movements that comprise the three Acute Suites were composed between 2010 and 2016 and each may be performed by a range of different instruments. The use of the word 'acute' refers to the relatively high pitch of the instrumental parts. Acute Suite No. 1 is for flexibly scored ensemble in four parts with optional percussion, optional keyboard and optional bass. The movement titles of the first suite – ‘Highlighting’, ‘Swirling’, ‘Lowering’ and ‘Flickering’ - reflect the characters of the movements.
$3.99 ≈
£3.11
Blessed Be Your Name
Blessed Be Your Name
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Choral SATB
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Sacred music
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Matt & Beth Redman
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Beth Redman and Matt Redman
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Jack Schrader
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Blessed Be Your Name
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Hope Publishing - Digital
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SheetMusicPlus
Choral SATB Chorus - Digital Download SKU: H1.C5528DP Composed by Beth Redman and Matt Redman. Arranged by Jack Schrader. Piano with Optional Guitar, Per...
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Choral SATB Chorus - Digital Download SKU: H1.C5528DP Composed by Beth Redman and Matt Redman. Arranged by Jack Schrader. Piano with Optional Guitar, Percussion, Piano. Hope's Recent Best Sellers Series. Contemporary, Praise & Worship, Rock'n'Roll, General Worship, Name of Jesus, Worship. Octavo. 8 pages. Hope Publishing - Digital #C5528DP. Published by Hope Publishing - Digital (H1.C5528DP). By Matt & Beth Redman. Nehemiah 9:5 - Job 1:21 - Psalms 34:1 - Psalms 34:2 - Psalms 34:3.Contemporary praise song by Matt & Beth Redman Jack Schrader's choral setting underscores and amplifies the dramatic impact of this popular praise and worship song (CCLI #2). Beth and Matt Redman's text reminds us that no matter what our situation in life, good times or otherwise, we are all called to bless the name of the Lord. This solid, choral treatment is filled with exciting moments and an upbeat groove from beginning to end. The Rhythm packet contains parts for: Piano, Electric Guitar, Electric Bass, and Drum Kit.
$3.25 ≈
£2.53
Blessed Be Your Name
Blessed Be Your Name
#
Sacred music
#
Matt & Beth Redman
#
Beth Redman and Matt Redman
#
Jack Schrader
#
Blessed Be Your Name
#
Hope Publishing - Digital
#
SheetMusicPlus
Rhythm Parts - Digital Download SKU: H1.C5528RDP Composed by Beth Redman and Matt Redman. Arranged by Jack Schrader. Piano with Optional Guitar, Percussi...
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Rhythm Parts - Digital Download SKU: H1.C5528RDP Composed by Beth Redman and Matt Redman. Arranged by Jack Schrader. Piano with Optional Guitar, Percussion, Piano. Hope's Recent Best Sellers Series. Contemporary, General Worship, Name of Jesus, Worship. Rhythm Parts. 15 pages. Hope Publishing - Digital #C5528RDP. Published by Hope Publishing - Digital (H1.C5528RDP). By Matt & Beth Redman. Nehemiah 9:5 - Job 1:21 - Psalms 34:1 - Psalms 34:2 - Psalms 34:3.Contemporary praise song by Matt & Beth Redman Jack Schrader's choral setting underscores and amplifies the dramatic impact of this popular praise and worship song (CCLI #2). Beth and Matt Redman's text reminds us that no matter what our situation in life, good times or otherwise, we are all called to bless the name of the Lord. This solid, choral treatment is filled with exciting moments and an upbeat groove from beginning to end. The Rhythm packet contains parts for: Piano, Electric Guitar, Electric Bass, and Drum Kit.
$34.95 ≈
£27.21
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The Other Wise Man Percussion
